[{"data":1,"prerenderedAt":1785},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":34,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":1685},{"about":4,"acoustic-guitar-body-types-guide":5,"acoustic-guitar-pickup-recording-setup":11,"facing-the-other-side-student-recital":14,"fingerstyle-position-change-tone-color-finnish-distance":15,"guitar-fingernail-care":17,"guitar-thinking-life":18,"my-guitar-lowden-F32c":24,"she-came-to-my-concert-guitar-tutorial":25,"thought-life-live":26,"thought-live-education-kids":28,"tokyo-used-guitar-store":29,"website-origin-story":30,"welcome":31,"worksmy-gears-guitar-pedal":32,"private-guitar-lesson-huanyin":33},[],[6,7,8,9,10],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","my-guitar-lowden-F32c","she-came-to-my-concert-guitar-tutorial",[12,13,9,7,8],"acoustic-guitar-body-types-guide","worksmy-gears-guitar-pedal",[10,8,12,7,6],[10,7,12,6,16],"facing-the-other-side-student-recital",[8,12,10,6,9],[19,20,21,22,23],"thought-life-live","thought-live-education-kids","website-origin-story","tokyo-used-guitar-store","welcome",[12,22,6,13,7],[8,12,6,7,16],[20,27,22,21,16],"guitar-thinking-life",[19,27,21,22,23],[9,12,27,6,19],[27,19,20,22,23],[16,12,6,9,13],[6,9,12,16,22],[],[35,153,332,408,460,614,655,770,912,994,1119,1266,1331,1453,1525,1608],{"id":36,"title":37,"animated":38,"body":39,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":138,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":140,"navigation":139,"order":136,"path":141,"photos":142,"published_at":143,"reading_time":136,"related":136,"role":136,"seo":144,"slug":12,"source_hash":136,"status":136,"stem":145,"summary":146,"tags":147,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":151,"__hash__":152},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":40,"value":41,"toc":122},"minimark",[42,47,51,54,57,64,67,70,75,82,86,89,93,96,100,103,109,113,116,119],[43,44,46],"h2",{"id":45},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[48,49,50],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[43,52,53],{"id":53},"如何根據身型挑選桶身大小",[48,55,56],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[48,58,59,60],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[61,62,63],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[43,65,66],{"id":66},"四種桶身的音色比較",[48,68,69],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[71,72,74],"h3",{"id":73},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[48,76,77,78,81],{},"D桶身是歷史最悠久的設計，我認為它有",[61,79,80],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[71,83,85],{"id":84},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[48,87,88],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[71,90,92],{"id":91},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[48,94,95],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[71,97,99],{"id":98},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[48,101,102],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[48,104,105,106],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[61,107,108],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[43,110,112],{"id":111},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[48,114,115],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[48,117,118],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[48,120,121],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":123,"searchDepth":124,"depth":124,"links":125},"",2,[126,127,128,135],{"id":45,"depth":124,"text":46},{"id":53,"depth":124,"text":53},{"id":66,"depth":124,"text":66,"children":129},[130,132,133,134],{"id":73,"depth":131,"text":74},3,{"id":84,"depth":131,"text":85},{"id":91,"depth":131,"text":92},{"id":98,"depth":131,"text":99},{"id":111,"depth":124,"text":112},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":37,"description":123},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[148,149],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":154,"title":155,"animated":38,"body":156,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":321,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":322,"navigation":139,"order":136,"path":323,"photos":32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",[199,200,201],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[199,204,205],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[48,208,209,210,212,213,215,216,218,219,222,223,225],{},"運作方式很簡單：",[179,211],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[179,214],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[179,217],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[61,220,221],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[179,224],{},"\n這是我認為兩種拾音器差異最大的地方。",[48,227,228],{},"我的方式是：",[230,231,232],"blockquote",{},[48,233,234,235,237],{},"線圈->穩定的弦聲＋貼片->整體空間感",[179,236],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[43,239,240],{"id":240},"我的效果器盤配置",[48,242,243,244,247,248,251,252,255],{},"我的效果器盤總共有四顆效果器。首先是",[199,245,246],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[61,249,250],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[61,253,254],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[48,257,258,259,261],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[179,260],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[48,263,264],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[43,266,267],{"id":267},"線圈和貼片的聲音差異",[48,269,270,271,273,274,276],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[179,272],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[179,275],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[43,278,280],{"id":279},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[48,282,283,284,286],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[179,285],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[48,288,289,290,293],{},"出於好奇，我和台灣麥克風品牌",[199,291,292],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[48,295,296],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[43,298,299],{"id":299},"結語",[48,301,302],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[48,304,305,306,308,309,311],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[199,307,205],{},"和",[199,310,292],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":123,"searchDepth":124,"depth":124,"links":313},[314,315,316,317,318,319,320],{"id":160,"depth":124,"text":161},{"id":170,"depth":124,"text":171},{"id":190,"depth":124,"text":191},{"id":240,"depth":124,"text":240},{"id":267,"depth":124,"text":267},{"id":279,"depth":124,"text":280},{"id":299,"depth":124,"text":299},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":155,"description":123},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[148,149],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":333,"title":334,"animated":38,"body":335,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":396,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":397,"navigation":139,"order":136,"path":398,"photos":399,"published_at":400,"reading_time":136,"related":136,"role":136,"seo":401,"slug":16,"source_hash":136,"status":136,"stem":402,"summary":403,"tags":404,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":406,"__hash__":407},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":40,"value":336,"toc":389},[337,340,343,346,350,353,356,359,362,365,368,371,374,377,380,383,386],[43,338,339],{"id":339},"一場特別的共演演出",[48,341,342],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[48,344,345],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[43,347,349],{"id":348},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[48,351,352],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[48,354,355],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[48,357,358],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[43,360,361],{"id":361},"教學中的收穫與成長",[48,363,364],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[48,366,367],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[43,369,370],{"id":370},"身心投入的獨特價值",[48,372,373],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[48,375,376],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[43,378,379],{"id":379},"給正在學習的你",[48,381,382],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[48,384,385],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[48,387,388],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":123,"searchDepth":124,"depth":124,"links":390},[391,392,393,394,395],{"id":339,"depth":124,"text":339},{"id":348,"depth":124,"text":349},{"id":361,"depth":124,"text":361},{"id":370,"depth":124,"text":370},{"id":379,"depth":124,"text":379},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":334,"description":123},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[148,149,405],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":409,"title":410,"animated":38,"body":411,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":448,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":449,"navigation":139,"order":136,"path":450,"photos":451,"published_at":452,"reading_time":136,"related":136,"role":136,"seo":453,"slug":8,"source_hash":136,"status":136,"stem":454,"summary":455,"tags":456,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":458,"__hash__":459},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":40,"value":412,"toc":445},[413,419,431,434,439,442],[43,414,416],{"id":415},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[61,417,418],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[48,420,421,422,425,427,428,430],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[61,423,424],{},"同一首歌，放在不同把位，聲音會完全不同。",[179,426],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[179,429],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[48,432,433],{},"這個過程讓我重新理解一件事：",[230,435,436],{},[48,437,438],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[48,440,441],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[48,443,444],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":123,"searchDepth":124,"depth":124,"links":446},[447],{"id":415,"depth":124,"text":418},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":410,"description":123},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[148,149,457],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":461,"title":462,"animated":38,"body":463,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":603,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":604,"navigation":139,"order":136,"path":605,"photos":606,"published_at":607,"reading_time":136,"related":136,"role":136,"seo":608,"slug":7,"source_hash":136,"status":136,"stem":609,"summary":610,"tags":611,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":612,"__hash__":613},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":40,"value":464,"toc":594},[465,468,471,474,477,480,483,486,489,492,495,501,507,518,521,528,531,538,541,544,551,554,557,560,563,579,582,585,588,591],[43,466,467],{"id":467},"我為什麼開始留指甲",[48,469,470],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[48,472,473],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[48,475,476],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[43,478,479],{"id":479},"為什麼新手應該留一點指甲",[48,481,482],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[48,484,485],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[48,487,488],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[43,490,491],{"id":491},"我常用的修整工具",[48,493,494],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[48,496,497,500],{},[61,498,499],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[48,502,503,506],{},[61,504,505],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[48,508,509,510,513,514,517],{},"如果你是裸甲，我會推薦用",[61,511,512],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[61,515,516],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[43,519,520],{"id":520},"觸弦點與指甲形狀",[48,522,523,524,527],{},"接下來我要介紹一個重要的概念：",[61,525,526],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[48,529,530],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[48,532,533,534,537],{},"關於指甲長度，我想強調的是：",[61,535,536],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[48,539,540],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[43,542,543],{"id":543},"實際修整步驟",[48,545,546,547,550],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[61,548,549],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[48,552,553],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[48,555,556],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[43,558,559],{"id":559},"找到最適合你的長度",[48,561,562],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[564,565,566,570,573,576],"ol",{},[567,568,569],"li",{},"先確定一個你要留的長度",[567,571,572],{},"習慣幾天",[567,574,575],{},"再決定要留長一點還是磨短一點",[567,577,578],{},"反覆這個過程",[48,580,581],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[43,583,584],{"id":584},"最後的建議",[48,586,587],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[48,589,590],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[48,592,593],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":123,"searchDepth":124,"depth":124,"links":595},[596,597,598,599,600,601,602],{"id":467,"depth":124,"text":467},{"id":479,"depth":124,"text":479},{"id":491,"depth":124,"text":491},{"id":520,"depth":124,"text":520},{"id":543,"depth":124,"text":543},{"id":559,"depth":124,"text":559},{"id":584,"depth":124,"text":584},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":462,"description":123},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[148,149],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":615,"title":616,"animated":38,"body":617,"client":136,"cover":642,"css_code":136,"description":643,"extension":137,"html_code":136,"images":644,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":645,"navigation":139,"order":136,"path":646,"photos":647,"published_at":648,"reading_time":136,"related":136,"role":136,"seo":649,"slug":27,"source_hash":136,"status":136,"stem":650,"summary":651,"tags":652,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":654},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":40,"value":618,"toc":640},[619,625,631,637],[48,620,621,622,624],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[179,623],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[48,626,627,628,630],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[179,629],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[48,632,633,634,636],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[179,635],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[48,638,639],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":123,"searchDepth":124,"depth":124,"links":641},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":616,"description":643},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[653],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":656,"title":657,"animated":38,"body":658,"client":136,"cover":757,"css_code":136,"description":758,"extension":137,"html_code":136,"images":759,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":760,"navigation":139,"order":136,"path":761,"photos":762,"published_at":763,"reading_time":136,"related":136,"role":136,"seo":764,"slug":9,"source_hash":136,"status":136,"stem":765,"summary":766,"tags":767,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":769},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":40,"value":659,"toc":755},[660,669,672,686,696,702,711,720,747,750],[48,661,662,663,665,666,668],{},"今天來聊聊我的吉他收藏之一－",[199,664,657],{},"。",[179,667],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[48,670,671],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[48,673,674,675,678,679,682,683,685],{},"我對",[199,676,677],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[199,680,681],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[199,684,677],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[48,687,688,689,691,692,665],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[199,690,677],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[693,694,695],"code",{},"[^1]",[48,697,698,699,701],{},"後來怎麼會買呢？這要聊到我的家庭。",[179,700],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[48,703,704,705,707],{},"轉換一下心情，介紹一下這把琴的規格吧！",[179,706],{},[708,709],"img",{"alt":657,"src":710},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[712,713,718],"pre",{"className":714,"code":716,"language":717},[715],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[693,719,716],{"__ignoreMap":123},[48,721,722,723,726,727,726,730,733,734,736,737,739,740,742],{},"過去發行過的作品：",[199,724,725],{},"It's Alright","、",[199,728,729],{},"向陽",[199,731,732],{},"時光飛逝","，都是用這把琴錄音的。",[179,735],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[179,738],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[179,741],{},[743,744,746],"a",{"href":745},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[48,748,749],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[48,751,752],{},[693,753,754],{},"[^1]早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。",{"title":123,"searchDepth":124,"depth":124,"links":756},[],"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":657,"description":758},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[768],"器材","EuOXlPtSib6iQJC1lqd2BAL2JvnFddNqtu0E0nrStV8",{"id":771,"title":772,"animated":38,"body":773,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":900,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":901,"navigation":139,"order":136,"path":902,"photos":903,"published_at":904,"reading_time":136,"related":136,"role":136,"seo":905,"slug":10,"source_hash":136,"status":136,"stem":906,"summary":907,"tags":908,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":910,"__hash__":911},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":40,"value":774,"toc":886},[775,780,783,786,789,793,796,799,803,806,809,812,816,819,822,825,829,832,835,838,841,844,847,850,853,856,859,862,865,868,871,874,877,880,883],[776,777,779],"h1",{"id":778},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[43,781,782],{"id":782},"木吉他編曲的魅力",[48,784,785],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[48,787,788],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[43,790,792],{"id":791},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[48,794,795],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[48,797,798],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[43,800,802],{"id":801},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[48,804,805],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[48,807,808],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[48,810,811],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[43,813,815],{"id":814},"前奏教學從十度音開始","前奏教學——從十度音開始",[71,817,818],{"id":818},"第一小節的十度音技巧",[48,820,821],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[48,823,824],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[71,826,828],{"id":827},"運指與bass音的配合","運指與Bass音的配合",[48,830,831],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[71,833,834],{"id":834},"和弦的變化與滑音",[48,836,837],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[48,839,840],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[48,842,843],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[71,845,846],{"id":846},"勾音動作的技巧",[48,848,849],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[48,851,852],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[71,854,855],{"id":855},"後半段的複雜運指",[48,857,858],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[48,860,861],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[48,863,864],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[43,866,867],{"id":867},"我的創作初衷與錄製過程",[48,869,870],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[48,872,873],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[48,875,876],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[43,878,879],{"id":879},"演出的感動與持續練習的動力",[48,881,882],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[48,884,885],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":123,"searchDepth":124,"depth":124,"links":887},[888,889,890,891,898,899],{"id":782,"depth":124,"text":782},{"id":791,"depth":124,"text":792},{"id":801,"depth":124,"text":802},{"id":814,"depth":124,"text":815,"children":892},[893,894,895,896,897],{"id":818,"depth":131,"text":818},{"id":827,"depth":131,"text":828},{"id":834,"depth":131,"text":834},{"id":846,"depth":131,"text":846},{"id":855,"depth":131,"text":855},{"id":867,"depth":124,"text":867},{"id":879,"depth":124,"text":879},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":772,"description":123},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[148,149,909],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":913,"title":914,"animated":38,"body":915,"client":136,"cover":982,"css_code":136,"description":983,"extension":137,"html_code":136,"images":984,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":985,"navigation":139,"order":136,"path":986,"photos":987,"published_at":988,"reading_time":136,"related":136,"role":136,"seo":989,"slug":19,"source_hash":136,"status":136,"stem":990,"summary":991,"tags":992,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":993},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":40,"value":916,"toc":977},[917,930,933,949,952,955,958,963,971],[48,918,919,920,926,927,929],{},"上週末到淡水",[743,921,925],{"href":922,"rel":923},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[924],"nofollow","樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[179,928],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[48,931,932],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[48,934,935,936,938,939,941,942,944,945,665],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[179,937],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[179,940],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[179,943],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[946,947,948],"del",{},"的作品",[48,950,951],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[48,953,954],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[71,956,957],{"id":957},"夜晚的淡江大橋",[48,959,960],{},[708,961],{"alt":957,"src":962},"/images/0627_Night_Bridge.jpg",[71,964,966,967,970],{"id":965},"大航海通車時代","大航海",[946,968,969],{},"通車","時代？",[48,972,973],{},[708,974],{"alt":975,"src":976},"大航海時代？","/images/0627_Luffy.jpg",{"title":123,"searchDepth":124,"depth":124,"links":978},[979,980],{"id":957,"depth":131,"text":957},{"id":965,"depth":131,"text":981},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":914,"description":983},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[653],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":995,"title":996,"animated":38,"body":997,"client":136,"cover":1108,"css_code":136,"description":1001,"extension":137,"html_code":136,"images":1109,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1110,"navigation":139,"order":136,"path":1111,"photos":1112,"published_at":1113,"reading_time":136,"related":136,"role":136,"seo":1114,"slug":20,"source_hash":136,"status":136,"stem":1115,"summary":1116,"tags":1117,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":1118},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":40,"value":998,"toc":1105},[999,1002,1008,1013,1019,1024,1030,1034,1058,1061,1066,1069,1074,1079,1084,1089,1099],[48,1000,1001],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[48,1003,1004,1005,1007],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[179,1006],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[48,1009,1010],{},[199,1011,1012],{},"列隊拜拜，準備收割",[48,1014,1015],{},[708,1016],{"alt":1017,"src":1018},"準備收割","/images/20260704_7.jpg",[48,1020,1021],{},[199,1022,1023],{},"採收中，我在畫面右上角彈吉他",[48,1025,1026],{},[708,1027],{"alt":1028,"src":1029},"採收中","/images/20260704_2.jpg",[71,1031,1033],{"id":1032},"彈奏的曲目","彈奏的曲目：",[564,1035,1036,1039,1042,1045,1052,1055],{},[567,1037,1038],{},"向陽(Original)",[567,1040,1041],{},"流轉的路口(Original)",[567,1043,1044],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[567,1046,1047,1048,1051],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[946,1049,1050],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[567,1053,1054],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[567,1056,1057],{},"時光飛逝(Original)",[48,1059,1060],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[230,1062,1063],{},[48,1064,1065],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[48,1067,1068],{},"很溫暖的一天，再放幾張照片吧！",[48,1070,1071],{},[199,1072,1073],{},"我的視角",[48,1075,1076],{},[708,1077],{"alt":1073,"src":1078},"/images/20260704_4.jpg",[48,1080,1081],{},[199,1082,1083],{},"撥穗",[48,1085,1086],{},[708,1087],{"alt":1073,"src":1088},"/images/20260704_5.jpg",[48,1090,1091,1094,1096],{},[199,1092,1093],{},"今天帶的吉他－Maton SRS808c",[179,1095],{},[199,1097,1098],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[48,1100,1101],{},[708,1102],{"alt":1103,"src":1104},"今天帶的吉他","/images/20260704_6.jpg",{"title":123,"searchDepth":124,"depth":124,"links":1106},[1107],{"id":1032,"depth":131,"text":1033},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":996,"description":1001},"threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[653],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1120,"title":1121,"animated":38,"body":1122,"client":136,"cover":1255,"css_code":136,"description":1126,"extension":137,"html_code":136,"images":1256,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1257,"navigation":139,"order":136,"path":1258,"photos":1259,"published_at":1260,"reading_time":136,"related":136,"role":136,"seo":1261,"slug":22,"source_hash":136,"status":136,"stem":1262,"summary":1263,"tags":1264,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":1265},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":40,"value":1123,"toc":1253},[1124,1127,1130,1136,1142,1149,1152,1155,1161,1167,1173,1178,1184,1189,1192,1195,1198,1201,1207,1212,1218,1223,1229,1234,1240],[48,1125,1126],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[48,1128,1129],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[48,1131,1132],{},[708,1133],{"alt":1134,"src":1135},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[48,1137,1138,1139,1141],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[179,1140],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[48,1143,1144,1145,1148],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[199,1146,1147],{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣！",[48,1150,1151],{},"我整理了我曾經到過的店家Google Map清單在文末 。歡迎有興趣的琴友自行取用，網頁都能在地圖上找到。",[48,1153,1154],{},"主要大街上的大型店家，如黑澤樂器、下倉樂器...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[48,1156,1157],{},[708,1158],{"alt":1159,"src":1160},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[1162,1163,1164],"ul",{},[567,1165,1166],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。",[48,1168,1169],{},[708,1170],{"alt":1171,"src":1172},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[1162,1174,1175],{},[567,1176,1177],{},"全新的Martin牆，竟然有兩把左手琴。",[48,1179,1180],{},[708,1181],{"alt":1182,"src":1183},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[1162,1185,1186],{},[567,1187,1188],{},"也試了一把全新的 Gibson LG-2 banner，是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[48,1190,1191],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到今年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[48,1193,1194],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[48,1196,1197],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時突然發現今天是....休業日！！！太可惜了😭",[48,1199,1200],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[48,1202,1203],{},[708,1204],{"alt":1205,"src":1206},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[1162,1208,1209],{},[567,1210,1211],{},"en・guitar 的Gibson牆。",[48,1213,1214],{},[708,1215],{"alt":1216,"src":1217},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[1162,1219,1220],{},[567,1221,1222],{},"三把1950年代的LG-1，都是爺爺等級的吉他了。",[48,1224,1225],{},[708,1226],{"alt":1227,"src":1228},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[1162,1230,1231],{},[567,1232,1233],{},"70年代的HD-28以及D-18 @woodman guitars",[48,1235,1236,1237,1239],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[179,1238],{},"\n之後再寫一篇介紹這把琴吧！",[564,1241,1242,1250],{},[567,1243,1244,1245,665],{},"Google Map清單 ",[743,1246,1249],{"href":1247,"rel":1248},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[924],"Guitar Store 📍Tokyo",[567,1251,1252],{},"標題的格式模仿動漫「獵人 HunterxHunter」的標題！最近重新開始連載，每個禮拜都很期待😆",{"title":123,"searchDepth":124,"depth":124,"links":1254},[],"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":1121,"description":1126},"threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[653],"0YPDg7WXUhtmFcouHbqq-pCyRvJ6AKBse-HoGnSOarc",{"id":1267,"title":1268,"animated":38,"body":1269,"client":136,"cover":1319,"css_code":136,"description":1320,"extension":137,"html_code":136,"images":1321,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1322,"navigation":139,"order":136,"path":1323,"photos":1324,"published_at":1325,"reading_time":136,"related":136,"role":136,"seo":1326,"slug":21,"source_hash":136,"status":136,"stem":1327,"summary":1328,"tags":1329,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":1330},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":40,"value":1270,"toc":1317},[1271,1288,1296,1305,1311,1314],[48,1272,1273,1274,1276,1277,1280,1281,1283],{},"老早就有想要架設網站的想法了。",[179,1275],{},"\nThreadspage是由開發者－",[199,1278,1279],{},"暢可"," 創立的平台。",[179,1282],{},[743,1284,1287],{"href":1285,"rel":1286},"https://threadspage.app/?ref=huanyin.vercel.app",[924],"點進來讓AI幫你介紹吧！",[230,1289,1290],{},[48,1291,1292,1293,1295],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[179,1294],{},"\n他說著創建平台的初衷。",[48,1297,1298,1299,1301,1302,1304],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[179,1300],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[179,1303],{},"\n經過半天努力，這裡也算有了雛形。",[48,1306,1307,1308,1310],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[179,1309],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[48,1312,1313],{},"讀完這篇文的你，歡迎光臨。",[48,1315,1316],{},"桓吟",{"title":123,"searchDepth":124,"depth":124,"links":1318},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1268,"description":1320},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[653],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1332,"title":1333,"animated":38,"body":1334,"client":136,"cover":1442,"css_code":136,"description":1338,"extension":137,"html_code":136,"images":1443,"is_announcement":139,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1444,"navigation":139,"order":136,"path":1445,"photos":1446,"published_at":1447,"reading_time":136,"related":136,"role":136,"seo":1448,"slug":23,"source_hash":136,"status":136,"stem":1449,"summary":1450,"tags":1451,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":1452},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":40,"value":1335,"toc":1440},[1336,1339,1342,1348,1357,1363,1385,1391,1402,1410,1420,1430,1437],[48,1337,1338],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[48,1340,1341],{},"以下用條列式說明：",[48,1343,1344],{},[708,1345],{"alt":1346,"src":1347},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1162,1349,1350],{},[567,1351,1352,1353,1356],{},"最上方是我的",[61,1354,1355],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[48,1358,1359],{},[708,1360],{"alt":1361,"src":1362},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1162,1364,1365,1368,1375],{},[567,1366,1367],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[567,1369,1370,1371,1374],{},"最下面的",[61,1372,1373],{},"深色訂閱按鈕","，先萬不要點！如果你點了，可能會多一份沒時間練的樂譜 🎁",[567,1376,1377,1378,1381,1382,1384],{},"再下方Blog、作品...等",[61,1379,1380],{},"分類欄位","，可能有你想找的東西。(網頁版在左邊)",[179,1383],{},"\n推薦到Blog逛逛，剛開站會常常更新唷！商城區也已經更新，裡面有我的以發行數位音樂以及樂譜。",[48,1386,1387],{},[708,1388],{"alt":1389,"src":1390},"AI助手","/images/Pinned_Post/AI%20terminal_pinned.jpg",[1162,1392,1393],{},[567,1394,1395,1396,1398,1399,1401],{},"再再往下的對話視窗，就是是我的",[61,1397,1389],{},"，他會整理我的網頁中的資訊。",[179,1400],{},"\n也是這個網頁很特別的功能，只要我曾經新增的內容你都能詢問他，請隨意玩玩看。隨著網站內容越來越多，應該會很有趣。",[48,1403,1404,1405],{},"至於這個網站是怎麼開始的呢？ 我在這邊文章有聊到 ",[743,1406,1409],{"href":1407,"rel":1408},"https://huanyinliu.com/threads/website-origin-story",[924],"隨筆：這個網站的由來。",[48,1411,1412,1413,1415,1416,1419],{},"目前我的音樂和影片、販售樂譜、私人課程...等，都散落在各個平台，我想把它們統整在一個網站內。本來都靠著Instagram或是Facebook當作主要頁面也沒有問題。但隨著近期越來越多無故封鎖案例，不免也開始有想要在網路世界上建立一個屬於自己的地方的想法。",[179,1414],{},"\n總之，這裡未來會是我所有內容的集散地，如果你想要追蹤最新消息。首頁的",[61,1417,1418],{},"訂閱按鈕","請點下去，填寫好你的信箱。絕對比YouTube演算法還確實！",[48,1421,1422,1423,1426,1427,1429],{},"這個網頁是由 ",[199,1424,1425],{},"Threadspage"," 建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[179,1428],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[48,1431,1432],{},[743,1433,1436],{"href":1434,"rel":1435},"https://threadspage.com",[924],"THEADSPAGE 把你的創作，變成 真正屬於你 的知識主場。👈",[48,1438,1439],{},"最後，給第一次來到這裡的你：歡迎光臨。☺️",{"title":123,"searchDepth":124,"depth":124,"links":1441},[],"/images/cover_pinned.jpg",[],{},"/threads/articles/welcome",[],"2026-07-18",{"title":1333,"description":1338},"threads/articles/welcome","嗨，我是桓吟。歡迎來到我的網站，這篇文章會介紹你能在這個地方找到什麼。像是Blog、演出資訊、樂譜&音樂商城...等。",[],"RNnhJrLW76CysBROMRkSUyQFNcg752ZPCOMP3_wIdsk",{"id":1454,"title":746,"animated":38,"body":1455,"client":136,"cover":1514,"css_code":136,"description":123,"extension":137,"html_code":136,"images":1515,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1516,"navigation":139,"order":136,"path":1517,"photos":1518,"published_at":1519,"reading_time":136,"related":136,"role":136,"seo":1520,"slug":13,"source_hash":136,"status":136,"stem":1521,"summary":1522,"tags":1523,"tech_stack":136,"translation_of":136,"type":150,"url":136,"video_url":136,"__hash__":1524},"threads/threads/articles/worksmy-gears-guitar-pedal.md",{"type":40,"value":1456,"toc":1509},[1457,1463,1469,1473,1477,1481,1488,1492],[48,1458,1459],{},[708,1460],{"alt":1461,"src":1462},"Maruni.H 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現場照.jpg",[],{},"/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":746,"description":123},"threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[768],"8Hc_KHD-16bkfPK-GLYsrR2RvNXlZVDUEIBe-b3dJl4",{"id":1526,"title":1527,"animated":38,"body":1528,"client":136,"cover":136,"css_code":136,"description":123,"extension":137,"html_code":136,"images":1597,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1598,"navigation":139,"order":136,"path":1599,"photos":1600,"published_at":1601,"reading_time":136,"related":136,"role":136,"seo":1602,"slug":1603,"source_hash":136,"status":136,"stem":1604,"summary":136,"tags":1605,"tech_stack":136,"translation_of":136,"type":1606,"url":136,"video_url":136,"__hash__":1607},"threads/threads/pages/about.md","關於我",{"type":40,"value":1529,"toc":1593},[1530,1537,1543,1555,1563,1566,1569,1583,1588],[48,1531,1532],{},[708,1533],{"alt":1534,"src":1535,"title":1536},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[71,1538,1540],{"id":1539},"台灣獨奏吉他手劉桓吟huanyin",[61,1541,1542],{},"台灣獨奏吉他手｜劉桓吟HuanYin",[48,1544,1545,1546,1548,1549,1551,1552,1554],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[179,1547],{},"\n​",[179,1550],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[179,1553],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[48,1556,1557,1558,1548,1560,1562],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[179,1559],{},[179,1561],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[48,1564,1565],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[71,1567,1568],{"id":1568},"發行作品",[230,1570,1571],{},[48,1572,1573,1574,1576,1577,1579,1580,1582],{},"2019年單曲 《It’s Alright》",[179,1575],{},"\n2020年首張原創EP 《向陽》",[179,1578],{},"\n2022年單曲 《雨季 Rain Season》",[179,1581],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[230,1584,1585],{},[48,1586,1587],{},"另著有《隙光》個人改編及創作樂譜集 (2022年發行)",[48,1589,1590],{},[708,1591],{"alt":1534,"src":1592,"title":1536},"/images/huanyin_riverside_image.jpg",{"title":123,"searchDepth":124,"depth":124,"links":1594},[1595,1596],{"id":1539,"depth":131,"text":1542},{"id":1568,"depth":131,"text":1568},[],{},"/threads/pages/about",[],"2026-06-24",{"title":1527,"description":123},"about","threads/pages/about",[],"page","wnZwclfAVBMVSXs29Xs5FUr0KHXWsUEc0FRZYlMdlkQ",{"id":1609,"title":1610,"animated":38,"body":1611,"client":136,"cover":1671,"css_code":136,"description":1615,"extension":137,"html_code":136,"images":1672,"is_announcement":38,"is_pinned":38,"is_published":139,"key_points":136,"lang":136,"meta":1673,"navigation":139,"order":136,"path":1674,"photos":1675,"published_at":1676,"reading_time":136,"related":136,"role":136,"seo":1677,"slug":1678,"source_hash":136,"status":136,"stem":1679,"summary":1680,"tags":1681,"tech_stack":136,"translation_of":136,"type":1683,"url":136,"video_url":136,"__hash__":1684},"threads/threads/projects/private-guitar-lesson-huanyin.md","吉他課程｜桓吟吉他工作室",{"type":40,"value":1612,"toc":1669},[1613,1616,1626,1633,1637,1643,1647,1653,1657,1663],[48,1614,1615],{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[48,1617,1618,1619,1623,1625],{},"✉️ 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