[{"data":1,"prerenderedAt":1386},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":28,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":1299},{"acoustic-guitar-body-types-guide":4,"acoustic-guitar-pickup-recording-setup":10,"facing-the-other-side-student-recital":12,"fingerstyle-position-change-tone-color-finnish-distance":13,"guitar-fingernail-care":15,"guitar-thinking-life":16,"she-came-to-my-concert-guitar-tutorial":20,"thought-life-live":21,"thought-live-education-kids":23,"website-origin-story":24,"worksmy-gears-guitar-pedal":25,"about":26,"private-guitar-lesson-huanyin":27},[5,6,7,8,9],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","she-came-to-my-concert-guitar-tutorial","worksmy-gears-guitar-pedal",[9,11,6,7,8],"acoustic-guitar-body-types-guide",[8,7,11,5,6],[8,6,11,5,14],"facing-the-other-side-student-recital",[7,11,8,5,14],[17,18,19,14,5],"website-origin-story","thought-life-live","thought-live-education-kids",[7,11,5,14,6],[19,22,17,14,8],"guitar-thinking-life",[18,22,17,14,8],[22,18,19,5,14],[5,14,11,6,18],[],[],[29,147,326,402,454,608,649,791,876,1001,1066,1141,1224],{"id":30,"title":31,"animated":32,"body":33,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":132,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":134,"navigation":133,"order":130,"path":135,"photos":136,"published_at":137,"reading_time":130,"related":130,"role":130,"seo":138,"slug":11,"source_hash":130,"status":130,"stem":139,"summary":140,"tags":141,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":145,"__hash__":146},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":34,"value":35,"toc":116},"minimark",[36,41,45,48,51,58,61,64,69,76,80,83,87,90,94,97,103,107,110,113],[37,38,40],"h2",{"id":39},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[42,43,44],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[37,46,47],{"id":47},"如何根據身型挑選桶身大小",[42,49,50],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[42,52,53,54],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[55,56,57],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[37,59,60],{"id":60},"四種桶身的音色比較",[42,62,63],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[65,66,68],"h3",{"id":67},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[42,70,71,72,75],{},"D桶身是歷史最悠久的設計，我認為它有",[55,73,74],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[65,77,79],{"id":78},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[42,81,82],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[65,84,86],{"id":85},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[42,88,89],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[65,91,93],{"id":92},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[42,95,96],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[42,98,99,100],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[55,101,102],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[37,104,106],{"id":105},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[42,108,109],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[42,111,112],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[42,114,115],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":117,"searchDepth":118,"depth":118,"links":119},"",2,[120,121,122,129],{"id":39,"depth":118,"text":40},{"id":47,"depth":118,"text":47},{"id":60,"depth":118,"text":60,"children":123},[124,126,127,128],{"id":67,"depth":125,"text":68},3,{"id":78,"depth":125,"text":79},{"id":85,"depth":125,"text":86},{"id":92,"depth":125,"text":93},{"id":105,"depth":118,"text":106},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":31,"description":117},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[142,143],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":148,"title":149,"animated":32,"body":150,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":315,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":316,"navigation":133,"order":130,"path":317,"photos":318,"published_at":319,"reading_time":130,"related":130,"role":130,"seo":320,"slug":5,"source_hash":130,"status":130,"stem":321,"summary":322,"tags":323,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":324,"__hash__":325},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":34,"value":151,"toc":306},[152,156,159,162,166,169,179,182,186,189,201,220,223,232,235,250,256,259,262,271,275,281,288,291,294,297],[37,153,155],{"id":154},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[42,157,158],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[42,160,161],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[37,163,165],{"id":164},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[42,167,168],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[42,170,171,172,175,176,178],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[173,174],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[173,177],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[42,180,181],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[37,183,185],{"id":184},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[42,187,188],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[42,190,191,192,196,197,200],{},"我使用的線圈是美國的 ",[193,194,195],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[193,198,199],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[42,202,203,204,206,207,209,210,212,213,216,217,219],{},"運作方式很簡單：",[173,205],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[173,208],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[173,211],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[55,214,215],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[173,218],{},"\n這是我認為兩種拾音器差異最大的地方。",[42,221,222],{},"我的方式是：",[224,225,226],"blockquote",{},[42,227,228,229,231],{},"線圈->穩定的弦聲＋貼片->整體空間感",[173,230],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[37,233,234],{"id":234},"我的效果器盤配置",[42,236,237,238,241,242,245,246,249],{},"我的效果器盤總共有四顆效果器。首先是",[193,239,240],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[55,243,244],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[55,247,248],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[42,251,252,253,255],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[173,254],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[42,257,258],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[37,260,261],{"id":261},"線圈和貼片的聲音差異",[42,263,264,265,267,268,270],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[173,266],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[173,269],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[37,272,274],{"id":273},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[42,276,277,278,280],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[173,279],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[42,282,283,284,287],{},"出於好奇，我和台灣麥克風品牌",[193,285,286],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[42,289,290],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[37,292,293],{"id":293},"結語",[42,295,296],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[42,298,299,300,302,303,305],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[193,301,199],{},"和",[193,304,286],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":117,"searchDepth":118,"depth":118,"links":307},[308,309,310,311,312,313,314],{"id":154,"depth":118,"text":155},{"id":164,"depth":118,"text":165},{"id":184,"depth":118,"text":185},{"id":234,"depth":118,"text":234},{"id":261,"depth":118,"text":261},{"id":273,"depth":118,"text":274},{"id":293,"depth":118,"text":293},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":149,"description":117},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[142,143],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":327,"title":328,"animated":32,"body":329,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":390,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":391,"navigation":133,"order":130,"path":392,"photos":393,"published_at":394,"reading_time":130,"related":130,"role":130,"seo":395,"slug":14,"source_hash":130,"status":130,"stem":396,"summary":397,"tags":398,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":400,"__hash__":401},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":34,"value":330,"toc":383},[331,334,337,340,344,347,350,353,356,359,362,365,368,371,374,377,380],[37,332,333],{"id":333},"一場特別的共演演出",[42,335,336],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[42,338,339],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[37,341,343],{"id":342},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[42,345,346],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[42,348,349],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[42,351,352],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[37,354,355],{"id":355},"教學中的收穫與成長",[42,357,358],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[42,360,361],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[37,363,364],{"id":364},"身心投入的獨特價值",[42,366,367],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[42,369,370],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[37,372,373],{"id":373},"給正在學習的你",[42,375,376],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[42,378,379],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[42,381,382],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":117,"searchDepth":118,"depth":118,"links":384},[385,386,387,388,389],{"id":333,"depth":118,"text":333},{"id":342,"depth":118,"text":343},{"id":355,"depth":118,"text":355},{"id":364,"depth":118,"text":364},{"id":373,"depth":118,"text":373},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":328,"description":117},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[142,143,399],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":403,"title":404,"animated":32,"body":405,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":442,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":443,"navigation":133,"order":130,"path":444,"photos":445,"published_at":446,"reading_time":130,"related":130,"role":130,"seo":447,"slug":7,"source_hash":130,"status":130,"stem":448,"summary":449,"tags":450,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":452,"__hash__":453},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":34,"value":406,"toc":439},[407,413,425,428,433,436],[37,408,410],{"id":409},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[55,411,412],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[42,414,415,416,419,421,422,424],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[55,417,418],{},"同一首歌，放在不同把位，聲音會完全不同。",[173,420],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[173,423],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[42,426,427],{},"這個過程讓我重新理解一件事：",[224,429,430],{},[42,431,432],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[42,434,435],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[42,437,438],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":117,"searchDepth":118,"depth":118,"links":440},[441],{"id":409,"depth":118,"text":412},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":404,"description":117},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[142,143,451],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":455,"title":456,"animated":32,"body":457,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":597,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":598,"navigation":133,"order":130,"path":599,"photos":600,"published_at":601,"reading_time":130,"related":130,"role":130,"seo":602,"slug":6,"source_hash":130,"status":130,"stem":603,"summary":604,"tags":605,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":606,"__hash__":607},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":34,"value":458,"toc":588},[459,462,465,468,471,474,477,480,483,486,489,495,501,512,515,522,525,532,535,538,545,548,551,554,557,573,576,579,582,585],[37,460,461],{"id":461},"我為什麼開始留指甲",[42,463,464],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[42,466,467],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[42,469,470],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[37,472,473],{"id":473},"為什麼新手應該留一點指甲",[42,475,476],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[42,478,479],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[42,481,482],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[37,484,485],{"id":485},"我常用的修整工具",[42,487,488],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[42,490,491,494],{},[55,492,493],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[42,496,497,500],{},[55,498,499],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[42,502,503,504,507,508,511],{},"如果你是裸甲，我會推薦用",[55,505,506],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[55,509,510],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[37,513,514],{"id":514},"觸弦點與指甲形狀",[42,516,517,518,521],{},"接下來我要介紹一個重要的概念：",[55,519,520],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[42,523,524],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[42,526,527,528,531],{},"關於指甲長度，我想強調的是：",[55,529,530],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[42,533,534],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[37,536,537],{"id":537},"實際修整步驟",[42,539,540,541,544],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[55,542,543],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[42,546,547],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[42,549,550],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[37,552,553],{"id":553},"找到最適合你的長度",[42,555,556],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[558,559,560,564,567,570],"ol",{},[561,562,563],"li",{},"先確定一個你要留的長度",[561,565,566],{},"習慣幾天",[561,568,569],{},"再決定要留長一點還是磨短一點",[561,571,572],{},"反覆這個過程",[42,574,575],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[37,577,578],{"id":578},"最後的建議",[42,580,581],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[42,583,584],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[42,586,587],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":117,"searchDepth":118,"depth":118,"links":589},[590,591,592,593,594,595,596],{"id":461,"depth":118,"text":461},{"id":473,"depth":118,"text":473},{"id":485,"depth":118,"text":485},{"id":514,"depth":118,"text":514},{"id":537,"depth":118,"text":537},{"id":553,"depth":118,"text":553},{"id":578,"depth":118,"text":578},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":456,"description":117},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[142,143],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":609,"title":610,"animated":32,"body":611,"client":130,"cover":636,"css_code":130,"description":637,"extension":131,"html_code":130,"images":638,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":639,"navigation":133,"order":130,"path":640,"photos":641,"published_at":642,"reading_time":130,"related":130,"role":130,"seo":643,"slug":22,"source_hash":130,"status":130,"stem":644,"summary":645,"tags":646,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":130,"__hash__":648},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":34,"value":612,"toc":634},[613,619,625,631],[42,614,615,616,618],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[173,617],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[42,620,621,622,624],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[173,623],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[42,626,627,628,630],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[173,629],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[42,632,633],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":117,"searchDepth":118,"depth":118,"links":635},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":610,"description":637},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[647],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":650,"title":651,"animated":32,"body":652,"client":130,"cover":130,"css_code":130,"description":117,"extension":131,"html_code":130,"images":779,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":780,"navigation":133,"order":130,"path":781,"photos":782,"published_at":783,"reading_time":130,"related":130,"role":130,"seo":784,"slug":8,"source_hash":130,"status":130,"stem":785,"summary":786,"tags":787,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":789,"__hash__":790},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":34,"value":653,"toc":765},[654,659,662,665,668,672,675,678,682,685,688,691,695,698,701,704,708,711,714,717,720,723,726,729,732,735,738,741,744,747,750,753,756,759,762],[655,656,658],"h1",{"id":657},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[37,660,661],{"id":661},"木吉他編曲的魅力",[42,663,664],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[42,666,667],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[37,669,671],{"id":670},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[42,673,674],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[42,676,677],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[37,679,681],{"id":680},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[42,683,684],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[42,686,687],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[42,689,690],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[37,692,694],{"id":693},"前奏教學從十度音開始","前奏教學——從十度音開始",[65,696,697],{"id":697},"第一小節的十度音技巧",[42,699,700],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[42,702,703],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[65,705,707],{"id":706},"運指與bass音的配合","運指與Bass音的配合",[42,709,710],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[65,712,713],{"id":713},"和弦的變化與滑音",[42,715,716],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[42,718,719],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[42,721,722],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[65,724,725],{"id":725},"勾音動作的技巧",[42,727,728],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[42,730,731],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[65,733,734],{"id":734},"後半段的複雜運指",[42,736,737],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[42,739,740],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[42,742,743],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[37,745,746],{"id":746},"我的創作初衷與錄製過程",[42,748,749],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[42,751,752],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[42,754,755],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[37,757,758],{"id":758},"演出的感動與持續練習的動力",[42,760,761],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[42,763,764],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":117,"searchDepth":118,"depth":118,"links":766},[767,768,769,770,777,778],{"id":661,"depth":118,"text":661},{"id":670,"depth":118,"text":671},{"id":680,"depth":118,"text":681},{"id":693,"depth":118,"text":694,"children":771},[772,773,774,775,776],{"id":697,"depth":125,"text":697},{"id":706,"depth":125,"text":707},{"id":713,"depth":125,"text":713},{"id":725,"depth":125,"text":725},{"id":734,"depth":125,"text":734},{"id":746,"depth":118,"text":746},{"id":758,"depth":118,"text":758},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":651,"description":117},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[142,143,788],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":792,"title":793,"animated":32,"body":794,"client":130,"cover":864,"css_code":130,"description":865,"extension":131,"html_code":130,"images":866,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":867,"navigation":133,"order":130,"path":868,"photos":869,"published_at":870,"reading_time":130,"related":130,"role":130,"seo":871,"slug":18,"source_hash":130,"status":130,"stem":872,"summary":873,"tags":874,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":130,"__hash__":875},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":34,"value":795,"toc":859},[796,810,813,830,833,836,839,845,853],[42,797,798,799,806,807,809],{},"上週末到淡水",[800,801,805],"a",{"href":802,"rel":803},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[804],"nofollow","樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[173,808],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[42,811,812],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[42,814,815,816,818,819,821,822,824,825,829],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[173,817],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[173,820],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[173,823],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[826,827,828],"del",{},"的作品","。",[42,831,832],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[42,834,835],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[65,837,838],{"id":838},"夜晚的淡江大橋",[42,840,841],{},[842,843],"img",{"alt":838,"src":844},"/images/0627_Night_Bridge.jpg",[65,846,848,849,852],{"id":847},"大航海通車時代","大航海",[826,850,851],{},"通車","時代？",[42,854,855],{},[842,856],{"alt":857,"src":858},"大航海時代？","/images/0627_Luffy.jpg",{"title":117,"searchDepth":118,"depth":118,"links":860},[861,862],{"id":838,"depth":125,"text":838},{"id":847,"depth":125,"text":863},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":793,"description":865},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[647],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":877,"title":878,"animated":32,"body":879,"client":130,"cover":990,"css_code":130,"description":883,"extension":131,"html_code":130,"images":991,"is_announcement":32,"is_pinned":32,"is_published":133,"key_points":130,"lang":130,"meta":992,"navigation":133,"order":130,"path":993,"photos":994,"published_at":995,"reading_time":130,"related":130,"role":130,"seo":996,"slug":19,"source_hash":130,"status":130,"stem":997,"summary":998,"tags":999,"tech_stack":130,"translation_of":130,"type":144,"url":130,"video_url":130,"__hash__":1000},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":34,"value":880,"toc":987},[881,884,890,895,901,906,912,916,940,943,948,951,956,961,966,971,981],[42,882,883],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[42,885,886,887,889],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[173,888],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[42,891,892],{},[193,893,894],{},"列隊拜拜，準備收割",[42,896,897],{},[842,898],{"alt":899,"src":900},"準備收割","/images/20260704_1.jpg",[42,902,903],{},[193,904,905],{},"採收中，我在畫面右上角彈吉他",[42,907,908],{},[842,909],{"alt":910,"src":911},"採收中","/images/20260704_2.jpg",[65,913,915],{"id":914},"彈奏的曲目","彈奏的曲目：",[558,917,918,921,924,927,934,937],{},[561,919,920],{},"向陽(Original)",[561,922,923],{},"流轉的路口(Original)",[561,925,926],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[561,928,929,930,933],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[826,931,932],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[561,935,936],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[561,938,939],{},"時光飛逝(Original)",[42,941,942],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[224,944,945],{},[42,946,947],{},"提供一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[42,949,950],{},"很溫暖的一天，再放幾張照片吧！",[42,952,953],{},[193,954,955],{},"我的視角",[42,957,958],{},[842,959],{"alt":955,"src":960},"/images/20260704_4.jpg",[42,962,963],{},[193,964,965],{},"撥穗",[42,967,968],{},[842,969],{"alt":955,"src":970},"/images/20260704_5.jpg",[42,972,973,976,978],{},[193,974,975],{},"今天帶的吉他－Maton 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