[{"data":1,"prerenderedAt":1266},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":26,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":1183},{"acoustic-guitar-body-types-guide":4,"acoustic-guitar-pickup-recording-setup":10,"facing-the-other-side-student-recital":12,"fingerstyle-position-change-tone-color-finnish-distance":13,"guitar-fingernail-care":15,"guitar-thinking-life":16,"she-came-to-my-concert-guitar-tutorial":19,"thought-life-live":20,"website-origin-story":22,"worksmy-gears-guitar-pedal":23,"about":24,"private-guitar-lesson-huanyin":25},[5,6,7,8,9],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","she-came-to-my-concert-guitar-tutorial","worksmy-gears-guitar-pedal",[9,11,6,7,8],"acoustic-guitar-body-types-guide",[8,7,11,5,6],[8,6,11,5,14],"facing-the-other-side-student-recital",[7,11,8,5,14],[17,18,14,5,6],"website-origin-story","thought-life-live",[7,11,5,14,6],[21,14,17,5,9],"guitar-thinking-life",[21,18,14,5,9],[5,14,11,18,6],[],[],[27,145,324,400,452,606,647,789,885,950,1025,1108],{"id":28,"title":29,"animated":30,"body":31,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":130,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":132,"navigation":131,"order":128,"path":133,"photos":134,"published_at":135,"reading_time":128,"related":128,"role":128,"seo":136,"slug":11,"source_hash":128,"status":128,"stem":137,"summary":138,"tags":139,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":143,"__hash__":144},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":32,"value":33,"toc":114},"minimark",[34,39,43,46,49,56,59,62,67,74,78,81,85,88,92,95,101,105,108,111],[35,36,38],"h2",{"id":37},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[40,41,42],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[35,44,45],{"id":45},"如何根據身型挑選桶身大小",[40,47,48],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[40,50,51,52],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[53,54,55],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[35,57,58],{"id":58},"四種桶身的音色比較",[40,60,61],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[63,64,66],"h3",{"id":65},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[40,68,69,70,73],{},"D桶身是歷史最悠久的設計，我認為它有",[53,71,72],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[63,75,77],{"id":76},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[40,79,80],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[63,82,84],{"id":83},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[40,86,87],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[63,89,91],{"id":90},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[40,93,94],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[40,96,97,98],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[53,99,100],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[35,102,104],{"id":103},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[40,106,107],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[40,109,110],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[40,112,113],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":115,"searchDepth":116,"depth":116,"links":117},"",2,[118,119,120,127],{"id":37,"depth":116,"text":38},{"id":45,"depth":116,"text":45},{"id":58,"depth":116,"text":58,"children":121},[122,124,125,126],{"id":65,"depth":123,"text":66},3,{"id":76,"depth":123,"text":77},{"id":83,"depth":123,"text":84},{"id":90,"depth":123,"text":91},{"id":103,"depth":116,"text":104},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":29,"description":115},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[140,141],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":146,"title":147,"animated":30,"body":148,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":313,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":314,"navigation":131,"order":128,"path":315,"photos":316,"published_at":317,"reading_time":128,"related":128,"role":128,"seo":318,"slug":5,"source_hash":128,"status":128,"stem":319,"summary":320,"tags":321,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":322,"__hash__":323},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":32,"value":149,"toc":304},[150,154,157,160,164,167,177,180,184,187,199,218,221,230,233,248,254,257,260,269,273,279,286,289,292,295],[35,151,153],{"id":152},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[40,155,156],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[40,158,159],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[35,161,163],{"id":162},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[40,165,166],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[40,168,169,170,173,174,176],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[171,172],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[171,175],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[40,178,179],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[35,181,183],{"id":182},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[40,185,186],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[40,188,189,190,194,195,198],{},"我使用的線圈是美國的 ",[191,192,193],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[191,196,197],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[40,200,201,202,204,205,207,208,210,211,214,215,217],{},"運作方式很簡單：",[171,203],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[171,206],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[171,209],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[53,212,213],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[171,216],{},"\n這是我認為兩種拾音器差異最大的地方。",[40,219,220],{},"我的方式是：",[222,223,224],"blockquote",{},[40,225,226,227,229],{},"線圈->穩定的弦聲＋貼片->整體空間感",[171,228],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[35,231,232],{"id":232},"我的效果器盤配置",[40,234,235,236,239,240,243,244,247],{},"我的效果器盤總共有四顆效果器。首先是",[191,237,238],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[53,241,242],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[53,245,246],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[40,249,250,251,253],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[171,252],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[40,255,256],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[35,258,259],{"id":259},"線圈和貼片的聲音差異",[40,261,262,263,265,266,268],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[171,264],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[171,267],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[35,270,272],{"id":271},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[40,274,275,276,278],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[171,277],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[40,280,281,282,285],{},"出於好奇，我和台灣麥克風品牌",[191,283,284],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[40,287,288],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[35,290,291],{"id":291},"結語",[40,293,294],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[40,296,297,298,300,301,303],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[191,299,197],{},"和",[191,302,284],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":115,"searchDepth":116,"depth":116,"links":305},[306,307,308,309,310,311,312],{"id":152,"depth":116,"text":153},{"id":162,"depth":116,"text":163},{"id":182,"depth":116,"text":183},{"id":232,"depth":116,"text":232},{"id":259,"depth":116,"text":259},{"id":271,"depth":116,"text":272},{"id":291,"depth":116,"text":291},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":147,"description":115},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[140,141],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":325,"title":326,"animated":30,"body":327,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":388,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":389,"navigation":131,"order":128,"path":390,"photos":391,"published_at":392,"reading_time":128,"related":128,"role":128,"seo":393,"slug":14,"source_hash":128,"status":128,"stem":394,"summary":395,"tags":396,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":398,"__hash__":399},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":32,"value":328,"toc":381},[329,332,335,338,342,345,348,351,354,357,360,363,366,369,372,375,378],[35,330,331],{"id":331},"一場特別的共演演出",[40,333,334],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[40,336,337],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[35,339,341],{"id":340},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[40,343,344],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[40,346,347],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[40,349,350],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[35,352,353],{"id":353},"教學中的收穫與成長",[40,355,356],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[40,358,359],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[35,361,362],{"id":362},"身心投入的獨特價值",[40,364,365],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[40,367,368],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[35,370,371],{"id":371},"給正在學習的你",[40,373,374],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[40,376,377],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[40,379,380],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":115,"searchDepth":116,"depth":116,"links":382},[383,384,385,386,387],{"id":331,"depth":116,"text":331},{"id":340,"depth":116,"text":341},{"id":353,"depth":116,"text":353},{"id":362,"depth":116,"text":362},{"id":371,"depth":116,"text":371},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":326,"description":115},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[140,141,397],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":401,"title":402,"animated":30,"body":403,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":440,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":441,"navigation":131,"order":128,"path":442,"photos":443,"published_at":444,"reading_time":128,"related":128,"role":128,"seo":445,"slug":7,"source_hash":128,"status":128,"stem":446,"summary":447,"tags":448,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":450,"__hash__":451},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":32,"value":404,"toc":437},[405,411,423,426,431,434],[35,406,408],{"id":407},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[53,409,410],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[40,412,413,414,417,419,420,422],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[53,415,416],{},"同一首歌，放在不同把位，聲音會完全不同。",[171,418],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[171,421],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[40,424,425],{},"這個過程讓我重新理解一件事：",[222,427,428],{},[40,429,430],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[40,432,433],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[40,435,436],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":115,"searchDepth":116,"depth":116,"links":438},[439],{"id":407,"depth":116,"text":410},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":402,"description":115},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[140,141,449],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":453,"title":454,"animated":30,"body":455,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":595,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":596,"navigation":131,"order":128,"path":597,"photos":598,"published_at":599,"reading_time":128,"related":128,"role":128,"seo":600,"slug":6,"source_hash":128,"status":128,"stem":601,"summary":602,"tags":603,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":604,"__hash__":605},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":32,"value":456,"toc":586},[457,460,463,466,469,472,475,478,481,484,487,493,499,510,513,520,523,530,533,536,543,546,549,552,555,571,574,577,580,583],[35,458,459],{"id":459},"我為什麼開始留指甲",[40,461,462],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[40,464,465],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[40,467,468],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[35,470,471],{"id":471},"為什麼新手應該留一點指甲",[40,473,474],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[40,476,477],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[40,479,480],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[35,482,483],{"id":483},"我常用的修整工具",[40,485,486],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[40,488,489,492],{},[53,490,491],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[40,494,495,498],{},[53,496,497],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[40,500,501,502,505,506,509],{},"如果你是裸甲，我會推薦用",[53,503,504],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[53,507,508],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[35,511,512],{"id":512},"觸弦點與指甲形狀",[40,514,515,516,519],{},"接下來我要介紹一個重要的概念：",[53,517,518],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[40,521,522],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[40,524,525,526,529],{},"關於指甲長度，我想強調的是：",[53,527,528],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[40,531,532],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[35,534,535],{"id":535},"實際修整步驟",[40,537,538,539,542],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[53,540,541],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[40,544,545],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[40,547,548],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[35,550,551],{"id":551},"找到最適合你的長度",[40,553,554],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[556,557,558,562,565,568],"ol",{},[559,560,561],"li",{},"先確定一個你要留的長度",[559,563,564],{},"習慣幾天",[559,566,567],{},"再決定要留長一點還是磨短一點",[559,569,570],{},"反覆這個過程",[40,572,573],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[35,575,576],{"id":576},"最後的建議",[40,578,579],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[40,581,582],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[40,584,585],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":115,"searchDepth":116,"depth":116,"links":587},[588,589,590,591,592,593,594],{"id":459,"depth":116,"text":459},{"id":471,"depth":116,"text":471},{"id":483,"depth":116,"text":483},{"id":512,"depth":116,"text":512},{"id":535,"depth":116,"text":535},{"id":551,"depth":116,"text":551},{"id":576,"depth":116,"text":576},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":454,"description":115},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[140,141],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":607,"title":608,"animated":30,"body":609,"client":128,"cover":634,"css_code":128,"description":635,"extension":129,"html_code":128,"images":636,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":637,"navigation":131,"order":128,"path":638,"photos":639,"published_at":640,"reading_time":128,"related":128,"role":128,"seo":641,"slug":21,"source_hash":128,"status":128,"stem":642,"summary":643,"tags":644,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":128,"__hash__":646},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":32,"value":610,"toc":632},[611,617,623,629],[40,612,613,614,616],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[171,615],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[40,618,619,620,622],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[171,621],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[40,624,625,626,628],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[171,627],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[40,630,631],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":115,"searchDepth":116,"depth":116,"links":633},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":608,"description":635},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[645],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":648,"title":649,"animated":30,"body":650,"client":128,"cover":128,"css_code":128,"description":115,"extension":129,"html_code":128,"images":777,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":778,"navigation":131,"order":128,"path":779,"photos":780,"published_at":781,"reading_time":128,"related":128,"role":128,"seo":782,"slug":8,"source_hash":128,"status":128,"stem":783,"summary":784,"tags":785,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":787,"__hash__":788},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":32,"value":651,"toc":763},[652,657,660,663,666,670,673,676,680,683,686,689,693,696,699,702,706,709,712,715,718,721,724,727,730,733,736,739,742,745,748,751,754,757,760],[653,654,656],"h1",{"id":655},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[35,658,659],{"id":659},"木吉他編曲的魅力",[40,661,662],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[40,664,665],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[35,667,669],{"id":668},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[40,671,672],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[40,674,675],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[35,677,679],{"id":678},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[40,681,682],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[40,684,685],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[40,687,688],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[35,690,692],{"id":691},"前奏教學從十度音開始","前奏教學——從十度音開始",[63,694,695],{"id":695},"第一小節的十度音技巧",[40,697,698],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[40,700,701],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[63,703,705],{"id":704},"運指與bass音的配合","運指與Bass音的配合",[40,707,708],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[63,710,711],{"id":711},"和弦的變化與滑音",[40,713,714],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[40,716,717],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[40,719,720],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[63,722,723],{"id":723},"勾音動作的技巧",[40,725,726],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[40,728,729],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[63,731,732],{"id":732},"後半段的複雜運指",[40,734,735],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[40,737,738],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[40,740,741],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[35,743,744],{"id":744},"我的創作初衷與錄製過程",[40,746,747],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[40,749,750],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[40,752,753],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[35,755,756],{"id":756},"演出的感動與持續練習的動力",[40,758,759],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[40,761,762],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":115,"searchDepth":116,"depth":116,"links":764},[765,766,767,768,775,776],{"id":659,"depth":116,"text":659},{"id":668,"depth":116,"text":669},{"id":678,"depth":116,"text":679},{"id":691,"depth":116,"text":692,"children":769},[770,771,772,773,774],{"id":695,"depth":123,"text":695},{"id":704,"depth":123,"text":705},{"id":711,"depth":123,"text":711},{"id":723,"depth":123,"text":723},{"id":732,"depth":123,"text":732},{"id":744,"depth":116,"text":744},{"id":756,"depth":116,"text":756},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":649,"description":115},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[140,141,786],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":790,"title":791,"animated":30,"body":792,"client":128,"cover":873,"css_code":128,"description":874,"extension":129,"html_code":128,"images":875,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":876,"navigation":131,"order":128,"path":877,"photos":878,"published_at":879,"reading_time":128,"related":128,"role":128,"seo":880,"slug":18,"source_hash":128,"status":128,"stem":881,"summary":882,"tags":883,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":128,"__hash__":884},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":32,"value":793,"toc":868},[794,808,811,822,839,842,845,848,854,862],[40,795,796,797,804,805,807],{},"上週末到淡水",[798,799,803],"a",{"href":800,"rel":801},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[802],"nofollow","樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[171,806],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[40,809,810],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[812,813],"iframe",{"dataTestid":814,"style":815,"src":816,"width":817,"height":818,"frameBorder":819,"allowFullScreen":131,"allow":820,"loading":821},"embed-iframe","border-radius:12px","https://open.spotify.com/embed/track/4vDzOZIvZQoAtNmhmMAKsR?utm_source=generator&si=3fb704c278a24f3f","100%",352,"0","autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture","lazy",[40,823,824,825,827,828,830,831,833,834,838],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲的感覺。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[171,826],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[171,829],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[171,832],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[835,836,837],"del",{},"的作品","。",[40,840,841],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[40,843,844],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[63,846,847],{"id":847},"夜晚的淡江大橋",[40,849,850],{},[851,852],"img",{"alt":847,"src":853},"/images/0627_Night_Bridge.jpg",[63,855,857,858,861],{"id":856},"大航海通車時代","大航海",[835,859,860],{},"通車","時代？",[40,863,864],{},[851,865],{"alt":866,"src":867},"大航海時代？","/images/0627_Luffy.jpg",{"title":115,"searchDepth":116,"depth":116,"links":869},[870,871],{"id":847,"depth":123,"text":847},{"id":856,"depth":123,"text":872},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":791,"description":874},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[645],"ITXBkLN6DtMwPTbrfkEPnbdBbhB99f7MB5FK89fb1Kk",{"id":886,"title":887,"animated":30,"body":888,"client":128,"cover":938,"css_code":128,"description":939,"extension":129,"html_code":128,"images":940,"is_announcement":30,"is_pinned":30,"is_published":131,"key_points":128,"lang":128,"meta":941,"navigation":131,"order":128,"path":942,"photos":943,"published_at":944,"reading_time":128,"related":128,"role":128,"seo":945,"slug":17,"source_hash":128,"status":128,"stem":946,"summary":947,"tags":948,"tech_stack":128,"translation_of":128,"type":142,"url":128,"video_url":128,"__hash__":949},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":32,"value":889,"toc":936},[890,907,915,924,930,933],[40,891,892,893,895,896,899,900,902],{},"老早就有想要架設網站的想法了。",[171,894],{},"\nThreadspage是由開發者－",[191,897,898],{},"暢可"," 創立的平台。",[171,901],{},[798,903,906],{"href":904,"rel":905},"https://threadspage.app/?ref=huanyin.vercel.app",[802],"點進來讓AI幫你介紹吧！",[222,908,909],{},[40,910,911,912,914],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[171,913],{},"\n他說著創建平台的初衷。",[40,916,917,918,920,921,923],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[171,919],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[171,922],{},"\n經過半天努力，這裡也算有了雛形。",[40,925,926,927,929],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[171,928],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[40,931,932],{},"讀完這篇文的你，歡迎光臨。",[40,934,935],{},"桓吟",{"title":115,"searchDepth":116,"depth":116,"links":937},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":887,"description":939},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  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