[{"data":1,"prerenderedAt":2001},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":36,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":1897},{"about":4,"acoustic-guitar-body-types-guide":5,"acoustic-guitar-pickup-recording-setup":11,"facing-the-other-side-student-recital":14,"fingerstyle-position-change-tone-color-finnish-distance":15,"guitar-fingernail-care":17,"guitar-thinking-life":18,"my-guitar-lowden-F32c":24,"she-came-to-my-concert-guitar-tutorial":25,"thought-ichigo-ichie":26,"thought-life-live":28,"thought-live-education-kids":29,"tokyo-used-guitar-store":30,"website-origin-story":31,"welcome":33,"worksmy-gears-guitar-pedal":34,"private-guitar-lesson-huanyin":35},[],[6,7,8,9,10],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","my-guitar-lowden-F32c","fingerstyle-position-change-tone-color-finnish-distance","she-came-to-my-concert-guitar-tutorial",[12,13,8,7,9],"worksmy-gears-guitar-pedal","acoustic-guitar-body-types-guide",[10,9,13,6,7],[10,7,13,6,16],"facing-the-other-side-student-recital",[9,10,13,6,8],[19,20,21,22,23],"thought-ichigo-ichie","website-origin-story","thought-life-live","thought-live-education-kids","tokyo-used-guitar-store",[13,23,6,12,7],[9,13,7,6,16],[27,21,20,22,16],"guitar-thinking-life",[22,27,19,16,23],[19,27,21,16,20],[8,13,27,19,12],[27,19,21,22,32],"welcome",[20,16,13,8,12],[6,8,16,23,7],[],[37,155,334,410,462,616,657,798,940,1102,1183,1308,1477,1542,1663,1735,1818],{"id":38,"title":39,"animated":40,"body":41,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":140,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":142,"navigation":141,"order":138,"path":143,"photos":144,"published_at":145,"reading_time":138,"related":138,"role":138,"seo":146,"slug":13,"source_hash":138,"status":138,"stem":147,"summary":148,"tags":149,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":153,"__hash__":154},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":42,"value":43,"toc":124},"minimark",[44,49,53,56,59,66,69,72,77,84,88,91,95,98,102,105,111,115,118,121],[45,46,48],"h2",{"id":47},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[50,51,52],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[45,54,55],{"id":55},"如何根據身型挑選桶身大小",[50,57,58],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[50,60,61,62],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[63,64,65],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[45,67,68],{"id":68},"四種桶身的音色比較",[50,70,71],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[73,74,76],"h3",{"id":75},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[50,78,79,80,83],{},"D桶身是歷史最悠久的設計，我認為它有",[63,81,82],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[73,85,87],{"id":86},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[50,89,90],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[73,92,94],{"id":93},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[50,96,97],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[73,99,101],{"id":100},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[50,103,104],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[50,106,107,108],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[63,109,110],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[45,112,114],{"id":113},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[50,116,117],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[50,119,120],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[50,122,123],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":125,"searchDepth":126,"depth":126,"links":127},"",2,[128,129,130,137],{"id":47,"depth":126,"text":48},{"id":55,"depth":126,"text":55},{"id":68,"depth":126,"text":68,"children":131},[132,134,135,136],{"id":75,"depth":133,"text":76},3,{"id":86,"depth":133,"text":87},{"id":93,"depth":133,"text":94},{"id":100,"depth":133,"text":101},{"id":113,"depth":126,"text":114},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":39,"description":125},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[150,151],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":156,"title":157,"animated":40,"body":158,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":323,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":324,"navigation":141,"order":138,"path":325,"photos":326,"published_at":327,"reading_time":138,"related":138,"role":138,"seo":328,"slug":6,"source_hash":138,"status":138,"stem":329,"summary":330,"tags":331,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":332,"__hash__":333},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":42,"value":159,"toc":314},[160,164,167,170,174,177,187,190,194,197,209,228,231,240,243,258,264,267,270,279,283,289,296,299,302,305],[45,161,163],{"id":162},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[50,165,166],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[50,168,169],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[45,171,173],{"id":172},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[50,175,176],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[50,178,179,180,183,184,186],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[181,182],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[181,185],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[50,188,189],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[45,191,193],{"id":192},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[50,195,196],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[50,198,199,200,204,205,208],{},"我使用的線圈是美國的 ",[201,202,203],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[201,206,207],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[50,210,211,212,214,215,217,218,220,221,224,225,227],{},"運作方式很簡單：",[181,213],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[181,216],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[181,219],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[63,222,223],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[181,226],{},"\n這是我認為兩種拾音器差異最大的地方。",[50,229,230],{},"我的方式是：",[232,233,234],"blockquote",{},[50,235,236,237,239],{},"線圈->穩定的弦聲＋貼片->整體空間感",[181,238],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[45,241,242],{"id":242},"我的效果器盤配置",[50,244,245,246,249,250,253,254,257],{},"我的效果器盤總共有四顆效果器。首先是",[201,247,248],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[63,251,252],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[63,255,256],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[50,259,260,261,263],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[181,262],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[50,265,266],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[45,268,269],{"id":269},"線圈和貼片的聲音差異",[50,271,272,273,275,276,278],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[181,274],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[181,277],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[45,280,282],{"id":281},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[50,284,285,286,288],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[181,287],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[50,290,291,292,295],{},"出於好奇，我和台灣麥克風品牌",[201,293,294],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[50,297,298],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[45,300,301],{"id":301},"結語",[50,303,304],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[50,306,307,308,310,311,313],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[201,309,207],{},"和",[201,312,294],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":125,"searchDepth":126,"depth":126,"links":315},[316,317,318,319,320,321,322],{"id":162,"depth":126,"text":163},{"id":172,"depth":126,"text":173},{"id":192,"depth":126,"text":193},{"id":242,"depth":126,"text":242},{"id":269,"depth":126,"text":269},{"id":281,"depth":126,"text":282},{"id":301,"depth":126,"text":301},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":157,"description":125},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[150,151],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":335,"title":336,"animated":40,"body":337,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":398,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":399,"navigation":141,"order":138,"path":400,"photos":401,"published_at":402,"reading_time":138,"related":138,"role":138,"seo":403,"slug":16,"source_hash":138,"status":138,"stem":404,"summary":405,"tags":406,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":408,"__hash__":409},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":42,"value":338,"toc":391},[339,342,345,348,352,355,358,361,364,367,370,373,376,379,382,385,388],[45,340,341],{"id":341},"一場特別的共演演出",[50,343,344],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[50,346,347],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[45,349,351],{"id":350},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[50,353,354],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[50,356,357],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[50,359,360],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[45,362,363],{"id":363},"教學中的收穫與成長",[50,365,366],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[50,368,369],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[45,371,372],{"id":372},"身心投入的獨特價值",[50,374,375],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[50,377,378],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[45,380,381],{"id":381},"給正在學習的你",[50,383,384],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[50,386,387],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[50,389,390],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":125,"searchDepth":126,"depth":126,"links":392},[393,394,395,396,397],{"id":341,"depth":126,"text":341},{"id":350,"depth":126,"text":351},{"id":363,"depth":126,"text":363},{"id":372,"depth":126,"text":372},{"id":381,"depth":126,"text":381},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":336,"description":125},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[150,151,407],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":411,"title":412,"animated":40,"body":413,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":450,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":451,"navigation":141,"order":138,"path":452,"photos":453,"published_at":454,"reading_time":138,"related":138,"role":138,"seo":455,"slug":9,"source_hash":138,"status":138,"stem":456,"summary":457,"tags":458,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":460,"__hash__":461},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":42,"value":414,"toc":447},[415,421,433,436,441,444],[45,416,418],{"id":417},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[63,419,420],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[50,422,423,424,427,429,430,432],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[63,425,426],{},"同一首歌，放在不同把位，聲音會完全不同。",[181,428],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[181,431],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[50,434,435],{},"這個過程讓我重新理解一件事：",[232,437,438],{},[50,439,440],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[50,442,443],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[50,445,446],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":125,"searchDepth":126,"depth":126,"links":448},[449],{"id":417,"depth":126,"text":420},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":412,"description":125},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[150,151,459],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":463,"title":464,"animated":40,"body":465,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":605,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":606,"navigation":141,"order":138,"path":607,"photos":608,"published_at":609,"reading_time":138,"related":138,"role":138,"seo":610,"slug":7,"source_hash":138,"status":138,"stem":611,"summary":612,"tags":613,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":614,"__hash__":615},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":42,"value":466,"toc":596},[467,470,473,476,479,482,485,488,491,494,497,503,509,520,523,530,533,540,543,546,553,556,559,562,565,581,584,587,590,593],[45,468,469],{"id":469},"我為什麼開始留指甲",[50,471,472],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[50,474,475],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[50,477,478],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[45,480,481],{"id":481},"為什麼新手應該留一點指甲",[50,483,484],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[50,486,487],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[50,489,490],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[45,492,493],{"id":493},"我常用的修整工具",[50,495,496],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[50,498,499,502],{},[63,500,501],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[50,504,505,508],{},[63,506,507],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[50,510,511,512,515,516,519],{},"如果你是裸甲，我會推薦用",[63,513,514],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[63,517,518],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[45,521,522],{"id":522},"觸弦點與指甲形狀",[50,524,525,526,529],{},"接下來我要介紹一個重要的概念：",[63,527,528],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[50,531,532],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[50,534,535,536,539],{},"關於指甲長度，我想強調的是：",[63,537,538],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[50,541,542],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[45,544,545],{"id":545},"實際修整步驟",[50,547,548,549,552],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[63,550,551],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[50,554,555],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[50,557,558],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[45,560,561],{"id":561},"找到最適合你的長度",[50,563,564],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[566,567,568,572,575,578],"ol",{},[569,570,571],"li",{},"先確定一個你要留的長度",[569,573,574],{},"習慣幾天",[569,576,577],{},"再決定要留長一點還是磨短一點",[569,579,580],{},"反覆這個過程",[50,582,583],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[45,585,586],{"id":586},"最後的建議",[50,588,589],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[50,591,592],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[50,594,595],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":125,"searchDepth":126,"depth":126,"links":597},[598,599,600,601,602,603,604],{"id":469,"depth":126,"text":469},{"id":481,"depth":126,"text":481},{"id":493,"depth":126,"text":493},{"id":522,"depth":126,"text":522},{"id":545,"depth":126,"text":545},{"id":561,"depth":126,"text":561},{"id":586,"depth":126,"text":586},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":464,"description":125},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[150,151],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":617,"title":618,"animated":40,"body":619,"client":138,"cover":644,"css_code":138,"description":645,"extension":139,"html_code":138,"images":646,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":647,"navigation":141,"order":138,"path":648,"photos":649,"published_at":650,"reading_time":138,"related":138,"role":138,"seo":651,"slug":27,"source_hash":138,"status":138,"stem":652,"summary":653,"tags":654,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":656},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":42,"value":620,"toc":642},[621,627,633,639],[50,622,623,624,626],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[181,625],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[50,628,629,630,632],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[181,631],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[50,634,635,636,638],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[181,637],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[50,640,641],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":125,"searchDepth":126,"depth":126,"links":643},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":618,"description":645},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[655],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":658,"title":659,"animated":40,"body":660,"client":138,"cover":785,"css_code":138,"description":786,"extension":139,"html_code":138,"images":787,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":788,"navigation":141,"order":138,"path":789,"photos":790,"published_at":791,"reading_time":138,"related":138,"role":138,"seo":792,"slug":8,"source_hash":138,"status":138,"stem":793,"summary":794,"tags":795,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":797},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":42,"value":661,"toc":782},[662,671,674,688,705,711,720,730,756,759],[50,663,664,665,667,668,670],{},"今天來聊聊我的吉他收藏之一－",[201,666,659],{},"。",[181,669],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[50,672,673],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[50,675,676,677,680,681,684,685,687],{},"我對",[201,678,679],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[201,682,683],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[201,686,679],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[50,689,690,691,693,694,667],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[201,692,679],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[695,696,697],"sup",{},[698,699,704],"a",{"href":700,"ariaDescribedBy":701,"dataFootnoteRef":125,"id":703},"#user-content-fn-1",[702],"footnote-label","user-content-fnref-1","1",[50,706,707,708,710],{},"後來怎麼會買呢？這要聊到我的家庭。",[181,709],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[50,712,713,714,716],{},"轉換一下心情，介紹一下這把琴的規格吧！",[181,715],{},[717,718],"img",{"alt":659,"src":719},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[721,722,727],"pre",{"className":723,"code":725,"language":726},[724],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[728,729,725],"code",{"__ignoreMap":125},[50,731,732,733,736,737,736,740,743,744,746,747,749,750,752],{},"過去發行過的作品：",[201,734,735],{},"It's Alright","、",[201,738,739],{},"向陽",[201,741,742],{},"時光飛逝","，都是用這把琴錄音的。",[181,745],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[181,748],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[181,751],{},[698,753,755],{"href":754},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[50,757,758],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[760,761,764,769],"section",{"className":762,"dataFootnotes":125},[763],"footnotes",[45,765,768],{"className":766,"id":702},[767],"sr-only","Footnotes",[566,770,771],{},[569,772,774,775],{"id":773},"user-content-fn-1","早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[698,776,781],{"href":777,"ariaLabel":778,"className":779,"dataFootnoteBackref":125},"#user-content-fnref-1","Back to reference 1",[780],"data-footnote-backref","↩",{"title":125,"searchDepth":126,"depth":126,"links":783},[784],{"id":702,"depth":126,"text":768},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":659,"description":786},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[796],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":799,"title":800,"animated":40,"body":801,"client":138,"cover":138,"css_code":138,"description":125,"extension":139,"html_code":138,"images":928,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":929,"navigation":141,"order":138,"path":930,"photos":931,"published_at":932,"reading_time":138,"related":138,"role":138,"seo":933,"slug":10,"source_hash":138,"status":138,"stem":934,"summary":935,"tags":936,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":938,"__hash__":939},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":42,"value":802,"toc":914},[803,808,811,814,817,821,824,827,831,834,837,840,844,847,850,853,857,860,863,866,869,872,875,878,881,884,887,890,893,896,899,902,905,908,911],[804,805,807],"h1",{"id":806},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[45,809,810],{"id":810},"木吉他編曲的魅力",[50,812,813],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[50,815,816],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[45,818,820],{"id":819},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[50,822,823],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[50,825,826],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[45,828,830],{"id":829},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[50,832,833],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[50,835,836],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[50,838,839],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[45,841,843],{"id":842},"前奏教學從十度音開始","前奏教學——從十度音開始",[73,845,846],{"id":846},"第一小節的十度音技巧",[50,848,849],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[50,851,852],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[73,854,856],{"id":855},"運指與bass音的配合","運指與Bass音的配合",[50,858,859],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[73,861,862],{"id":862},"和弦的變化與滑音",[50,864,865],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[50,867,868],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[50,870,871],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[73,873,874],{"id":874},"勾音動作的技巧",[50,876,877],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[50,879,880],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[73,882,883],{"id":883},"後半段的複雜運指",[50,885,886],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[50,888,889],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[50,891,892],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[45,894,895],{"id":895},"我的創作初衷與錄製過程",[50,897,898],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[50,900,901],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[50,903,904],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[45,906,907],{"id":907},"演出的感動與持續練習的動力",[50,909,910],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[50,912,913],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":125,"searchDepth":126,"depth":126,"links":915},[916,917,918,919,926,927],{"id":810,"depth":126,"text":810},{"id":819,"depth":126,"text":820},{"id":829,"depth":126,"text":830},{"id":842,"depth":126,"text":843,"children":920},[921,922,923,924,925],{"id":846,"depth":133,"text":846},{"id":855,"depth":133,"text":856},{"id":862,"depth":133,"text":862},{"id":874,"depth":133,"text":874},{"id":883,"depth":133,"text":883},{"id":895,"depth":126,"text":895},{"id":907,"depth":126,"text":907},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":800,"description":125},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[150,151,937],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":941,"title":942,"animated":40,"body":943,"client":138,"cover":1091,"css_code":138,"description":125,"extension":139,"html_code":138,"images":1092,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1093,"navigation":141,"order":138,"path":1094,"photos":1095,"published_at":1096,"reading_time":138,"related":138,"role":138,"seo":1097,"slug":19,"source_hash":138,"status":138,"stem":1098,"summary":1099,"tags":1100,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1101},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":42,"value":944,"toc":1088},[945,957,1010,1013,1016,1019,1034,1039,1045,1048],[232,946,947],{},[50,948,949,950,956],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[698,951,955],{"href":952,"rel":953},"https://blog.ikukaroom.com/ichigo-ichie/",[954],"nofollow","ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[50,958,959,960,967,968,973,974,976,977,982,983,985,986,991,992,994,995,1001,1009],{},"上個月吉他圈的朋友Wen",[695,961,962],{},[698,963,704],{"href":964,"ariaDescribedBy":965,"dataFootnoteRef":125,"id":966},"#user-content-fn-wen",[702],"user-content-fnref-wen","推薦我參與",[698,969,972],{"href":970,"rel":971},"https://blogblog.club/party",[954],"部落格同樂會","的活動。",[181,975],{},"\n托我的吉他學生",[698,978,981],{"href":979,"rel":980},"https://ivanhsu.co",[954],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[181,984],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[698,987,990],{"href":988,"rel":989},"https://www.wen-lab.tw/congratulate-huanyin/",[954],"Wen的生產力實驗室",")",[181,993],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[996,997,1000],"ins",{"className":998},[999],"remark-ins","Threadpages",[695,1002,1003],{},[698,1004,1008],{"href":1005,"ariaDescribedBy":1006,"dataFootnoteRef":125,"id":1007},"#user-content-fn-2",[702],"user-content-fnref-2","2","唷。",[1011,1012],"hr",{},[50,1014,1015],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[50,1017,1018],{},"這時候是2020年。",[50,1020,1021,1022,1027,1028,1030,1031,1033],{},"我在2020年時認識了許多人，也因為當時發行了",[698,1023,1026],{"href":1024,"rel":1025},"https://www.youtube.com/watch?v=vY14tT-TXhE",[954],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[181,1029],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[181,1032],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[232,1035,1036],{},[50,1037,1038],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[50,1040,1041,1042,1044],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[181,1043],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[50,1046,1047],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[760,1049,1051,1054],{"className":1050,"dataFootnotes":125},[763],[45,1052,768],{"className":1053,"id":702},[767],[566,1055,1056,1075],{},[569,1057,1059,1060,736,1065,1070,1071],{"id":1058},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[698,1061,1064],{"href":1062,"rel":1063},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[954],"2020年訪談🔗",[698,1066,1069],{"href":1067,"rel":1068},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[954],"2022年訪談🔗"," ",[698,1072,781],{"href":1073,"ariaLabel":778,"className":1074,"dataFootnoteBackref":125},"#user-content-fnref-wen",[780],[569,1076,1078,1079,1070,1083],{"id":1077},"user-content-fn-2","Threadpages 官方網站: ",[698,1080,1081],{"href":1081,"rel":1082},"https://threadspage.com",[954],[698,1084,781],{"href":1085,"ariaLabel":1086,"className":1087,"dataFootnoteBackref":125},"#user-content-fnref-2","Back to reference 2",[780],{"title":125,"searchDepth":126,"depth":126,"links":1089},[1090],{"id":702,"depth":126,"text":768},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":942,"description":125},"threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[655],"SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":1103,"title":1104,"animated":40,"body":1105,"client":138,"cover":1171,"css_code":138,"description":1172,"extension":139,"html_code":138,"images":1173,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1174,"navigation":141,"order":138,"path":1175,"photos":1176,"published_at":1177,"reading_time":138,"related":138,"role":138,"seo":1178,"slug":21,"source_hash":138,"status":138,"stem":1179,"summary":1180,"tags":1181,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1182},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":42,"value":1106,"toc":1166},[1107,1119,1122,1138,1141,1144,1147,1152,1160],[50,1108,1109,1110,1115,1116,1118],{},"上週末到淡水",[698,1111,1114],{"href":1112,"rel":1113},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[954],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[181,1117],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[50,1120,1121],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[50,1123,1124,1125,1127,1128,1130,1131,1133,1134,667],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[181,1126],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[181,1129],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[181,1132],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[1135,1136,1137],"del",{},"的作品",[50,1139,1140],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[50,1142,1143],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[73,1145,1146],{"id":1146},"夜晚的淡江大橋",[50,1148,1149],{},[717,1150],{"alt":1146,"src":1151},"/images/0627_Night_Bridge.jpg",[73,1153,1155,1156,1159],{"id":1154},"大航海通車時代","大航海",[1135,1157,1158],{},"通車","時代？",[50,1161,1162],{},[717,1163],{"alt":1164,"src":1165},"大航海時代？","/images/0627_Luffy.jpg",{"title":125,"searchDepth":126,"depth":126,"links":1167},[1168,1169],{"id":1146,"depth":133,"text":1146},{"id":1154,"depth":133,"text":1170},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":1104,"description":1172},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[655],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1184,"title":1185,"animated":40,"body":1186,"client":138,"cover":1297,"css_code":138,"description":1190,"extension":139,"html_code":138,"images":1298,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1299,"navigation":141,"order":138,"path":1300,"photos":1301,"published_at":1302,"reading_time":138,"related":138,"role":138,"seo":1303,"slug":22,"source_hash":138,"status":138,"stem":1304,"summary":1305,"tags":1306,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1307},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":42,"value":1187,"toc":1294},[1188,1191,1197,1202,1208,1213,1219,1223,1247,1250,1255,1258,1263,1268,1273,1278,1288],[50,1189,1190],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[50,1192,1193,1194,1196],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[181,1195],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[50,1198,1199],{},[201,1200,1201],{},"列隊拜拜，準備收割",[50,1203,1204],{},[717,1205],{"alt":1206,"src":1207},"準備收割","/images/20260704_7.jpg",[50,1209,1210],{},[201,1211,1212],{},"採收中，我在畫面右上角彈吉他",[50,1214,1215],{},[717,1216],{"alt":1217,"src":1218},"採收中","/images/20260704_2.jpg",[73,1220,1222],{"id":1221},"彈奏的曲目","彈奏的曲目：",[566,1224,1225,1228,1231,1234,1241,1244],{},[569,1226,1227],{},"向陽(Original)",[569,1229,1230],{},"流轉的路口(Original)",[569,1232,1233],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[569,1235,1236,1237,1240],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[1135,1238,1239],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[569,1242,1243],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[569,1245,1246],{},"時光飛逝(Original)",[50,1248,1249],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[232,1251,1252],{},[50,1253,1254],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[50,1256,1257],{},"很溫暖的一天，再放幾張照片吧！",[50,1259,1260],{},[201,1261,1262],{},"我的視角",[50,1264,1265],{},[717,1266],{"alt":1262,"src":1267},"/images/20260704_4.jpg",[50,1269,1270],{},[201,1271,1272],{},"撥穗",[50,1274,1275],{},[717,1276],{"alt":1262,"src":1277},"/images/20260704_5.jpg",[50,1279,1280,1283,1285],{},[201,1281,1282],{},"今天帶的吉他－Maton SRS808c",[181,1284],{},[201,1286,1287],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[50,1289,1290],{},[717,1291],{"alt":1292,"src":1293},"今天帶的吉他","/images/20260704_6.jpg",{"title":125,"searchDepth":126,"depth":126,"links":1295},[1296],{"id":1221,"depth":133,"text":1222},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":1185,"description":1190},"threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[655],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1309,"title":1310,"animated":40,"body":1311,"client":138,"cover":1466,"css_code":138,"description":1315,"extension":139,"html_code":138,"images":1467,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1468,"navigation":141,"order":138,"path":1469,"photos":1470,"published_at":1471,"reading_time":138,"related":138,"role":138,"seo":1472,"slug":23,"source_hash":138,"status":138,"stem":1473,"summary":1474,"tags":1475,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1476},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":42,"value":1312,"toc":1463},[1313,1316,1319,1325,1331,1338,1347,1359,1365,1371,1377,1382,1388,1393,1396,1399,1402,1405,1411,1416,1422,1427,1433,1438,1444],[50,1314,1315],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[50,1317,1318],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[50,1320,1321],{},[717,1322],{"alt":1323,"src":1324},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[50,1326,1327,1328,1330],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[181,1329],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[50,1332,1333,1334,1337],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[201,1335,1336],{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[50,1339,1340,1341,1346],{},"我整理了我曾經到過的店家Google Map清單  ",[695,1342,1343],{},[698,1344,704],{"href":700,"ariaDescribedBy":1345,"dataFootnoteRef":125,"id":703},[702],"在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[50,1348,1349,1350,736,1354,1358],{},"主要大街上的大型店家，如",[996,1351,1353],{"className":1352},[999],"黑澤樂器",[996,1355,1357],{"className":1356},[999],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[50,1360,1361],{},[717,1362],{"alt":1363,"src":1364},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[1366,1367,1368],"ul",{},[569,1369,1370],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[50,1372,1373],{},[717,1374],{"alt":1375,"src":1376},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[1366,1378,1379],{},[569,1380,1381],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[50,1383,1384],{},[717,1385],{"alt":1386,"src":1387},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[1366,1389,1390],{},[569,1391,1392],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[50,1394,1395],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[50,1397,1398],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[50,1400,1401],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[50,1403,1404],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[50,1406,1407],{},[717,1408],{"alt":1409,"src":1410},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[1366,1412,1413],{},[569,1414,1415],{},"en・guitar 的Gibson牆。",[50,1417,1418],{},[717,1419],{"alt":1420,"src":1421},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[1366,1423,1424],{},[569,1425,1426],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[50,1428,1429],{},[717,1430],{"alt":1431,"src":1432},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[1366,1434,1435],{},[569,1436,1437],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[50,1439,1440,1441,1443],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[181,1442],{},"\n之後再寫一篇介紹這把琴吧！",[760,1445,1447,1450],{"className":1446,"dataFootnotes":125},[763],[45,1448,768],{"className":1449,"id":702},[767],[566,1451,1452],{},[569,1453,1454,1459,1460],{"id":773},[698,1455,1458],{"href":1456,"rel":1457},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[954],"Guitar Stores 📍Tokyo","Google Map清單。 ",[698,1461,781],{"href":777,"ariaLabel":778,"className":1462,"dataFootnoteBackref":125},[780],{"title":125,"searchDepth":126,"depth":126,"links":1464},[1465],{"id":702,"depth":126,"text":768},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":1310,"description":1315},"threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[655],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":1478,"title":1479,"animated":40,"body":1480,"client":138,"cover":1530,"css_code":138,"description":1531,"extension":139,"html_code":138,"images":1532,"is_announcement":40,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1533,"navigation":141,"order":138,"path":1534,"photos":1535,"published_at":1536,"reading_time":138,"related":138,"role":138,"seo":1537,"slug":20,"source_hash":138,"status":138,"stem":1538,"summary":1539,"tags":1540,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1541},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":42,"value":1481,"toc":1528},[1482,1499,1507,1516,1522,1525],[50,1483,1484,1485,1487,1488,1491,1492,1494],{},"老早就有想要架設網站的想法了。",[181,1486],{},"\nThreadspage是由開發者－",[201,1489,1490],{},"暢可"," 創立的平台。",[181,1493],{},[698,1495,1498],{"href":1496,"rel":1497},"https://threadspage.app/?ref=huanyin.vercel.app",[954],"點進來讓AI幫你介紹吧！",[232,1500,1501],{},[50,1502,1503,1504,1506],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[181,1505],{},"\n他說著創建平台的初衷。",[50,1508,1509,1510,1512,1513,1515],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[181,1511],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[181,1514],{},"\n經過半天努力，這裡也算有了雛形。",[50,1517,1518,1519,1521],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[181,1520],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[50,1523,1524],{},"讀完這篇文的你，歡迎光臨。",[50,1526,1527],{},"桓吟",{"title":125,"searchDepth":126,"depth":126,"links":1529},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1479,"description":1531},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[655],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1543,"title":1544,"animated":40,"body":1545,"client":138,"cover":1652,"css_code":138,"description":1549,"extension":139,"html_code":138,"images":1653,"is_announcement":141,"is_pinned":40,"is_published":141,"key_points":138,"lang":138,"meta":1654,"navigation":141,"order":138,"path":1655,"photos":1656,"published_at":1657,"reading_time":138,"related":138,"role":138,"seo":1658,"slug":32,"source_hash":138,"status":138,"stem":1659,"summary":1660,"tags":1661,"tech_stack":138,"translation_of":138,"type":152,"url":138,"video_url":138,"__hash__":1662},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":42,"value":1546,"toc":1650},[1547,1550,1553,1559,1568,1574,1596,1602,1613,1621,1631,1641,1647],[50,1548,1549],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[50,1551,1552],{},"以下用條列式說明：",[50,1554,1555],{},[717,1556],{"alt":1557,"src":1558},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1366,1560,1561],{},[569,1562,1563,1564,1567],{},"最上方是我的",[63,1565,1566],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[50,1569,1570],{},[717,1571],{"alt":1572,"src":1573},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1366,1575,1576,1579,1586],{},[569,1577,1578],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[569,1580,1581,1582,1585],{},"最下面的",[63,1583,1584],{},"深色訂閱按鈕","，先萬不要點！如果你點了，可能會多一份沒時間練的樂譜 🎁",[569,1587,1588,1589,1592,1593,1595],{},"再下方Blog、作品...等",[63,1590,1591],{},"分類欄位","，可能有你想找的東西。(網頁版在左邊)",[181,1594],{},"\n推薦到Blog逛逛，剛開站會常常更新唷！商城區也已經更新，裡面有我的以發行數位音樂以及樂譜。",[50,1597,1598],{},[717,1599],{"alt":1600,"src":1601},"AI助手","/images/Pinned_Post/AI%20terminal_pinned.jpg",[1366,1603,1604],{},[569,1605,1606,1607,1609,1610,1612],{},"再再往下的對話視窗，就是是我的",[63,1608,1600],{},"，他會整理我的網頁中的資訊。",[181,1611],{},"\n也是這個網頁很特別的功能，只要我曾經新增的內容你都能詢問他，請隨意玩玩看。隨著網站內容越來越多，應該會很有趣。",[50,1614,1615,1616],{},"至於這個網站是怎麼開始的呢？ 我在這邊文章有聊到 ",[698,1617,1620],{"href":1618,"rel":1619},"https://huanyinliu.com/threads/website-origin-story",[954],"隨筆：這個網站的由來。",[50,1622,1623,1624,1626,1627,1630],{},"目前我的音樂和影片、販售樂譜、私人課程...等，都散落在各個平台，我想把它們統整在一個網站內。本來都靠著Instagram或是Facebook當作主要頁面也沒有問題。但隨著近期越來越多無故封鎖案例，不免也開始有想要在網路世界上建立一個屬於自己的地方的想法。",[181,1625],{},"\n總之，這裡未來會是我所有內容的集散地，如果你想要追蹤最新消息。首頁的",[63,1628,1629],{},"訂閱按鈕","請點下去，填寫好你的信箱。絕對比YouTube演算法還確實！",[50,1632,1633,1634,1637,1638,1640],{},"這個網頁是由 ",[201,1635,1636],{},"Threadspage"," 建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[181,1639],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[50,1642,1643],{},[698,1644,1646],{"href":1081,"rel":1645},[954],"THEADSPAGE 把你的創作，變成 真正屬於你 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