[{"data":1,"prerenderedAt":2195},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":38,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":2088},{"about":4,"acoustic-guitar-body-types-guide":5,"acoustic-guitar-pickup-recording-setup":11,"facing-the-other-side-student-recital":14,"fingerstyle-position-change-tone-color-finnish-distance":16,"guitar-fingernail-care":17,"guitar-thinking-life":18,"my-guitar-lowden-F32c":24,"reverb-delay-complete-guide":25,"she-came-to-my-concert-guitar-tutorial":26,"thought-ichigo-ichie":28,"thought-life-live":30,"thought-live-education-kids":31,"tokyo-used-guitar-store":32,"website-origin-story":33,"welcome":35,"worksmy-gears-guitar-pedal":36,"private-guitar-lesson-huanyin":37},[],[6,7,8,9,10],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","reverb-delay-complete-guide","my-guitar-lowden-F32c",[9,12,13,7,8],"acoustic-guitar-body-types-guide","worksmy-gears-guitar-pedal",[15,8,12,6,7],"she-came-to-my-concert-guitar-tutorial",[15,9,12,7,6],[8,12,15,6,9],[19,20,21,22,23],"thought-ichigo-ichie","thought-life-live","thought-live-education-kids","website-origin-story","tokyo-used-guitar-store",[23,12,13,6,7],[6,8,15,12,13],[8,12,7,6,27],"facing-the-other-side-student-recital",[29,20,22,21,23],"guitar-thinking-life",[27,21,29,23],[20,19,29,27,23],[10,12,29,19,13],[29,19,20,21,34],"welcome",[22,19,29,27,12],[6,9,10,27,23],[],[39,157,336,412,464,618,659,800,990,1131,1293,1374,1499,1668,1733,1854,1926,2009],{"id":40,"title":41,"animated":42,"body":43,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":142,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":144,"navigation":143,"order":140,"path":145,"photos":146,"published_at":147,"reading_time":140,"related":140,"role":140,"seo":148,"slug":12,"source_hash":140,"status":140,"stem":149,"summary":150,"tags":151,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":155,"__hash__":156},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":44,"value":45,"toc":126},"minimark",[46,51,55,58,61,68,71,74,79,86,90,93,97,100,104,107,113,117,120,123],[47,48,50],"h2",{"id":49},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[52,53,54],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[47,56,57],{"id":57},"如何根據身型挑選桶身大小",[52,59,60],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[52,62,63,64],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[65,66,67],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[47,69,70],{"id":70},"四種桶身的音色比較",[52,72,73],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[75,76,78],"h3",{"id":77},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[52,80,81,82,85],{},"D桶身是歷史最悠久的設計，我認為它有",[65,83,84],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[75,87,89],{"id":88},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[52,91,92],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[75,94,96],{"id":95},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[52,98,99],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[75,101,103],{"id":102},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[52,105,106],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[52,108,109,110],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[65,111,112],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[47,114,116],{"id":115},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[52,118,119],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[52,121,122],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[52,124,125],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":127,"searchDepth":128,"depth":128,"links":129},"",2,[130,131,132,139],{"id":49,"depth":128,"text":50},{"id":57,"depth":128,"text":57},{"id":70,"depth":128,"text":70,"children":133},[134,136,137,138],{"id":77,"depth":135,"text":78},3,{"id":88,"depth":135,"text":89},{"id":95,"depth":135,"text":96},{"id":102,"depth":135,"text":103},{"id":115,"depth":128,"text":116},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":41,"description":127},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[152,153],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":158,"title":159,"animated":42,"body":160,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":1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",[203,204,205],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[203,208,209],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[52,212,213,214,216,217,219,220,222,223,226,227,229],{},"運作方式很簡單：",[183,215],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[183,218],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[183,221],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[65,224,225],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[183,228],{},"\n這是我認為兩種拾音器差異最大的地方。",[52,231,232],{},"我的方式是：",[234,235,236],"blockquote",{},[52,237,238,239,241],{},"線圈->穩定的弦聲＋貼片->整體空間感",[183,240],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[47,243,244],{"id":244},"我的效果器盤配置",[52,246,247,248,251,252,255,256,259],{},"我的效果器盤總共有四顆效果器。首先是",[203,249,250],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[65,253,254],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[65,257,258],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[52,261,262,263,265],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[183,264],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[52,267,268],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[47,270,271],{"id":271},"線圈和貼片的聲音差異",[52,273,274,275,277,278,280],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[183,276],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[183,279],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[47,282,284],{"id":283},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[52,286,287,288,290],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[183,289],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[52,292,293,294,297],{},"出於好奇，我和台灣麥克風品牌",[203,295,296],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[52,299,300],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[47,302,303],{"id":303},"結語",[52,305,306],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[52,308,309,310,312,313,315],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[203,311,209],{},"和",[203,314,296],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":127,"searchDepth":128,"depth":128,"links":317},[318,319,320,321,322,323,324],{"id":164,"depth":128,"text":165},{"id":174,"depth":128,"text":175},{"id":194,"depth":128,"text":195},{"id":244,"depth":128,"text":244},{"id":271,"depth":128,"text":271},{"id":283,"depth":128,"text":284},{"id":303,"depth":128,"text":303},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":159,"description":127},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[152,153],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":337,"title":338,"animated":42,"body":339,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":400,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":401,"navigation":143,"order":140,"path":402,"photos":403,"published_at":404,"reading_time":140,"related":140,"role":140,"seo":405,"slug":27,"source_hash":140,"status":140,"stem":406,"summary":407,"tags":408,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":410,"__hash__":411},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":44,"value":340,"toc":393},[341,344,347,350,354,357,360,363,366,369,372,375,378,381,384,387,390],[47,342,343],{"id":343},"一場特別的共演演出",[52,345,346],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[52,348,349],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[47,351,353],{"id":352},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[52,355,356],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[52,358,359],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[52,361,362],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[47,364,365],{"id":365},"教學中的收穫與成長",[52,367,368],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[52,370,371],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[47,373,374],{"id":374},"身心投入的獨特價值",[52,376,377],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[52,379,380],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[47,382,383],{"id":383},"給正在學習的你",[52,385,386],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[52,388,389],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[52,391,392],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":127,"searchDepth":128,"depth":128,"links":394},[395,396,397,398,399],{"id":343,"depth":128,"text":343},{"id":352,"depth":128,"text":353},{"id":365,"depth":128,"text":365},{"id":374,"depth":128,"text":374},{"id":383,"depth":128,"text":383},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":338,"description":127},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[152,153,409],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":413,"title":414,"animated":42,"body":415,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":452,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":453,"navigation":143,"order":140,"path":454,"photos":455,"published_at":456,"reading_time":140,"related":140,"role":140,"seo":457,"slug":8,"source_hash":140,"status":140,"stem":458,"summary":459,"tags":460,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":462,"__hash__":463},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":44,"value":416,"toc":449},[417,423,435,438,443,446],[47,418,420],{"id":419},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[65,421,422],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[52,424,425,426,429,431,432,434],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[65,427,428],{},"同一首歌，放在不同把位，聲音會完全不同。",[183,430],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[183,433],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[52,436,437],{},"這個過程讓我重新理解一件事：",[234,439,440],{},[52,441,442],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[52,444,445],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[52,447,448],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":127,"searchDepth":128,"depth":128,"links":450},[451],{"id":419,"depth":128,"text":422},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":414,"description":127},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[152,153,461],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":465,"title":466,"animated":42,"body":467,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":607,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":608,"navigation":143,"order":140,"path":609,"photos":610,"published_at":611,"reading_time":140,"related":140,"role":140,"seo":612,"slug":7,"source_hash":140,"status":140,"stem":613,"summary":614,"tags":615,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":616,"__hash__":617},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":44,"value":468,"toc":598},[469,472,475,478,481,484,487,490,493,496,499,505,511,522,525,532,535,542,545,548,555,558,561,564,567,583,586,589,592,595],[47,470,471],{"id":471},"我為什麼開始留指甲",[52,473,474],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[52,476,477],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[52,479,480],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[47,482,483],{"id":483},"為什麼新手應該留一點指甲",[52,485,486],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[52,488,489],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[52,491,492],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[47,494,495],{"id":495},"我常用的修整工具",[52,497,498],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[52,500,501,504],{},[65,502,503],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[52,506,507,510],{},[65,508,509],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[52,512,513,514,517,518,521],{},"如果你是裸甲，我會推薦用",[65,515,516],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[65,519,520],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[47,523,524],{"id":524},"觸弦點與指甲形狀",[52,526,527,528,531],{},"接下來我要介紹一個重要的概念：",[65,529,530],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[52,533,534],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[52,536,537,538,541],{},"關於指甲長度，我想強調的是：",[65,539,540],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[52,543,544],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[47,546,547],{"id":547},"實際修整步驟",[52,549,550,551,554],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[65,552,553],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[52,556,557],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[52,559,560],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[47,562,563],{"id":563},"找到最適合你的長度",[52,565,566],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[568,569,570,574,577,580],"ol",{},[571,572,573],"li",{},"先確定一個你要留的長度",[571,575,576],{},"習慣幾天",[571,578,579],{},"再決定要留長一點還是磨短一點",[571,581,582],{},"反覆這個過程",[52,584,585],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[47,587,588],{"id":588},"最後的建議",[52,590,591],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[52,593,594],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[52,596,597],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":127,"searchDepth":128,"depth":128,"links":599},[600,601,602,603,604,605,606],{"id":471,"depth":128,"text":471},{"id":483,"depth":128,"text":483},{"id":495,"depth":128,"text":495},{"id":524,"depth":128,"text":524},{"id":547,"depth":128,"text":547},{"id":563,"depth":128,"text":563},{"id":588,"depth":128,"text":588},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":466,"description":127},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[152,153],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":619,"title":620,"animated":42,"body":621,"client":140,"cover":646,"css_code":140,"description":647,"extension":141,"html_code":140,"images":648,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":649,"navigation":143,"order":140,"path":650,"photos":651,"published_at":652,"reading_time":140,"related":140,"role":140,"seo":653,"slug":29,"source_hash":140,"status":140,"stem":654,"summary":655,"tags":656,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":658},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":44,"value":622,"toc":644},[623,629,635,641],[52,624,625,626,628],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[183,627],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[52,630,631,632,634],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[183,633],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[52,636,637,638,640],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[183,639],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[52,642,643],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":127,"searchDepth":128,"depth":128,"links":645},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":620,"description":647},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[657],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":660,"title":661,"animated":42,"body":662,"client":140,"cover":787,"css_code":140,"description":788,"extension":141,"html_code":140,"images":789,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":790,"navigation":143,"order":140,"path":791,"photos":792,"published_at":793,"reading_time":140,"related":140,"role":140,"seo":794,"slug":10,"source_hash":140,"status":140,"stem":795,"summary":796,"tags":797,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":799},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":44,"value":663,"toc":784},[664,673,676,690,707,713,722,732,758,761],[52,665,666,667,669,670,672],{},"今天來聊聊我的吉他收藏之一－",[203,668,661],{},"。",[183,671],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[52,674,675],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[52,677,678,679,682,683,686,687,689],{},"我對",[203,680,681],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[203,684,685],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[203,688,681],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[52,691,692,693,695,696,669],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[203,694,681],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[697,698,699],"sup",{},[700,701,706],"a",{"href":702,"ariaDescribedBy":703,"dataFootnoteRef":127,"id":705},"#user-content-fn-1",[704],"footnote-label","user-content-fnref-1","1",[52,708,709,710,712],{},"後來怎麼會買呢？這要聊到我的家庭。",[183,711],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[52,714,715,716,718],{},"轉換一下心情，介紹一下這把琴的規格吧！",[183,717],{},[719,720],"img",{"alt":661,"src":721},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[723,724,729],"pre",{"className":725,"code":727,"language":728},[726],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[730,731,727],"code",{"__ignoreMap":127},[52,733,734,735,738,739,738,742,745,746,748,749,751,752,754],{},"過去發行過的作品：",[203,736,737],{},"It's Alright","、",[203,740,741],{},"向陽",[203,743,744],{},"時光飛逝","，都是用這把琴錄音的。",[183,747],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[183,750],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[183,753],{},[700,755,757],{"href":756},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[52,759,760],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[762,763,766,771],"section",{"className":764,"dataFootnotes":127},[765],"footnotes",[47,767,770],{"className":768,"id":704},[769],"sr-only","Footnotes",[568,772,773],{},[571,774,776,777],{"id":775},"user-content-fn-1","早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[700,778,783],{"href":779,"ariaLabel":780,"className":781,"dataFootnoteBackref":127},"#user-content-fnref-1","Back to reference 1",[782],"data-footnote-backref","↩",{"title":127,"searchDepth":128,"depth":128,"links":785},[786],{"id":704,"depth":128,"text":770},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":661,"description":788},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[798],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":801,"title":802,"animated":42,"body":803,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":968,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":969,"lang":140,"meta":978,"navigation":143,"order":140,"path":979,"photos":980,"published_at":981,"reading_time":140,"related":140,"role":140,"seo":982,"slug":9,"source_hash":140,"status":140,"stem":983,"summary":984,"tags":985,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":988,"__hash__":989},"threads/threads/articles/reverb-delay-complete-guide.md","空間效果完全攻略：Reverb 與 Delay 全解析",{"type":44,"value":804,"toc":954},[805,809,813,816,819,823,827,830,834,837,866,870,878,886,894,898,902,905,909,917,924,932,936,945,948],[806,807,802],"h1",{"id":808},"空間效果完全攻略reverb-與-delay-全解析",[47,810,812],{"id":811},"為什麼吉他需要空間效果","為什麼吉他需要空間效果？",[52,814,815],{},"我發現很多人在使用拾音器時，都會覺得聲音聽起來很「乾」、很「近」，缺乏自然感。在現實生活中，我們聆聽聲音時，大腦會根據這些反射聲來判斷空間大小、遠近...等感受，但拾音器輸出的聲音只收取的是吉他最直接的震動聲",[52,817,818],{},"所以空間效果器通常是使用拾音器後必備的第一顆效果器。它能模擬真實房間的聲學特性，讓吉他聲音聽起來更自然、更有空間感。",[47,820,822],{"id":821},"認識-reverb殘響效果","認識 Reverb（殘響效果）",[75,824,826],{"id":825},"reverb-的原理","Reverb 的原理",[52,828,829],{},"我用一個簡單的例子來解釋 Reverb：想象你在一個方形房間裡彈吉他，聽眾會先聽到最短距離的直達聲，過了一點時間後才會聽到來自牆壁的反射聲。這些反射聲加總在一起，就是我們所說的殘響。",[75,831,833],{"id":832},"reverb-的種類","Reverb 的種類",[52,835,836],{},"我介紹三種常見的 Reverb 類型：",[234,838,839],{},[234,840,841,850,858],{},[52,842,843,846,847,849],{},[65,844,845],{},"Room（小房間）","：",[183,848],{},"\n模擬小空間的反射，殘響時間較短，聲音比較緊湊。",[52,851,852,846,855,857],{},[65,853,854],{},"Hall（大廳）",[183,856],{},"\n模擬大空間的反射，因為距離更遠，反射聲持續時間更長，聽起來會有明顯的尾音拖曳感。我平常最常用這種效果。",[52,859,860,846,863,865],{},[65,861,862],{},"Plate（金屬板）",[183,864],{},"\n用兩塊金屬板製造的人工殘響效果，聲音比較緊實明亮。我自己比較少用在木吉他上。",[75,867,869],{"id":868},"reverb-的關鍵參數","Reverb 的關鍵參數",[52,871,872,846,875,877],{},[65,873,874],{},"Decay（衰減時間）",[183,876],{},"\n這個參數決定聲音的尾巴會留多久。我建議慢歌可以用較長的 Decay（例如:4秒）來營造氛圍，但快歌就要縮短，否則音符密集時會讓聲音變得渾濁。",[52,879,880,846,883,885],{},[65,881,882],{},"Mix（混合比例）",[183,884],{},"\n控制 Reverb 的音量。當 Decay 較長時，我不會把 Mix 調太大聲，以免聲音過於模糊。",[52,887,888,846,891,893],{},[65,889,890],{},"Pre-Delay（前置延遲）",[183,892],{},"\n我認為這是很多人容易忽視的功能。簡單來說，數值越大，你會覺得自己離吉他越近；反之則會覺得吉他離你很遠。\n如果調太大，基本上就會變成一種特效聲，所以建議只要開一點點就可以了。",[47,895,897],{"id":896},"認識-delay延遲效果","認識 Delay（延遲效果）",[75,899,901],{"id":900},"delay-的概念","Delay 的概念",[52,903,904],{},"Delay 就是我們常聽到的 echo（迴音）。它的概念比 Reverb 更好理解——聲音會在一定的時間間隔後重複出現。",[75,906,908],{"id":907},"delay-的關鍵參數","Delay 的關鍵參數",[52,910,911,846,914,916],{},[65,912,913],{},"Delay-Time（延遲時間）",[183,915],{},"\n決定每個迴音的間隔時間。我最常使用的是八分音符，這樣可以讓歌曲更有律動感，效果也更豐富。大多數 Delay 效果器都能用踩踏來調整 Delay-Time，所以我很少去轉動旋鈕。",[52,918,919,846,921,923],{},[65,920,882],{},[183,922],{},"\n控制 Delay 的音量。",[52,925,926,846,929,931],{},[65,927,928],{},"Feedback（回授）",[183,930],{},"\n這個參數決定迴音要重複幾次。我建議用耳朵來判斷——通常三到四次就很剛好了。特別是在慢歌中，千萬不要調太高，否則聽起來會非常可怕。",[47,933,935],{"id":934},"yamaha-tag3-的空間效果設計","YAMAHA TAG3 的空間效果設計",[52,937,938,939,941,942,944],{},"TAG3C是YAMAHA TA系列的旗艦款。在一般原聲吉他的外觀下，把加震器藏入琴身內，讓吉他能夠自體產生Reverb、Delay、Chorus...等空間效果，甚至能夠用循環錄音(Loop Station)的方式，直接從琴身發出Loop樂句。",[183,940],{},"\n搭配原廠「TA系統 APP」在這樣多功能的設計之下，仍把所有的按鈕濃縮為四個放在側板上。",[183,943],{},"\n我覺得YAMAHA把空間效果的功能整合得非常優雅，使用起來非常流暢直觀。",[47,946,947],{"id":947},"實戰建議",[52,949,950,951,953],{},"我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數。",[183,952],{},"\n每首歌的風格不同，所需的空間效果也不同。慢歌可以用較長的 Decay 和適度的 Feedback 來營造氛圍，快歌則要縮短參數以保持清晰度。\n一旦你掌握了這些基本概念，其實還有很多可以玩的地方。我鼓勵大家慢慢去摸索，找到最適合自己風格的效果設定。",{"title":127,"searchDepth":128,"depth":128,"links":955},[956,957,962,966,967],{"id":811,"depth":128,"text":812},{"id":821,"depth":128,"text":822,"children":958},[959,960,961],{"id":825,"depth":135,"text":826},{"id":832,"depth":135,"text":833},{"id":868,"depth":135,"text":869},{"id":896,"depth":128,"text":897,"children":963},[964,965],{"id":900,"depth":135,"text":901},{"id":907,"depth":135,"text":908},{"id":934,"depth":128,"text":935},{"id":947,"depth":128,"text":947},[],[970,971,972,973,974,975,976,977],"我認為空間效果是使用拾音器後必備的第一顆效果器，因為拾音器只能收到乾聲，缺乏房間反射帶來的自然空間感","我介紹了三種 Reverb 類型：Room（小房間）、Hall（大廳）和 Plate（金屬板），其中 Hall 是我平常最常用的選擇","我建議調整 Reverb 的 Decay 參數時，慢歌可以用較長的尾音營造氛圍，快歌則要縮短以避免聲音渾濁","我提醒 Pre-Delay 這個容易被忽視的功能，數值越大會感覺離吉他越遠，但不要調太誇張否則會變成特效聲","我說明 Delay-Time 最常用八分音符配合歌曲速度，大多數效果器都能用踩踏來調整，不需要經常轉動旋鈕","我強調 Feedback 參數控制迴音重複次數，慢歌時千萬不要調太高，否則聽起來會很可怕","我分享了 YAMAHA TAG3 的設計優雅之處，它將空間效果的所有參數整合在側板上，使用流暢且直觀","我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數，找到最適合的效果",{},"/threads/articles/reverb-delay-complete-guide",[],"2026-10-22",{"title":802,"description":127},"threads/articles/reverb-delay-complete-guide","這一集「弦吟」為大家講解空間效果的核心概念。包含Reverb（殘響）和 Delay（延遲）的原理、調整方法，讓拾音器的聲音更具自然的空間感。",[152,153,986,987],"Reverb","Delay","https://www.youtube.com/watch?v=3fDY6sOm9Rc","7Sqvc6ouIESjGX2KsjO0sMNPtMXaRV2xnh8LImX3vXU",{"id":991,"title":992,"animated":42,"body":993,"client":140,"cover":140,"css_code":140,"description":127,"extension":141,"html_code":140,"images":1119,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1120,"navigation":143,"order":140,"path":1121,"photos":1122,"published_at":1123,"reading_time":140,"related":140,"role":140,"seo":1124,"slug":15,"source_hash":140,"status":140,"stem":1125,"summary":1126,"tags":1127,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":1129,"__hash__":1130},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":44,"value":994,"toc":1105},[995,999,1002,1005,1008,1012,1015,1018,1022,1025,1028,1031,1035,1038,1041,1044,1048,1051,1054,1057,1060,1063,1066,1069,1072,1075,1078,1081,1084,1087,1090,1093,1096,1099,1102],[806,996,998],{"id":997},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[47,1000,1001],{"id":1001},"木吉他編曲的魅力",[52,1003,1004],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[52,1006,1007],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[47,1009,1011],{"id":1010},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[52,1013,1014],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[52,1016,1017],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[47,1019,1021],{"id":1020},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[52,1023,1024],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[52,1026,1027],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[52,1029,1030],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[47,1032,1034],{"id":1033},"前奏教學從十度音開始","前奏教學——從十度音開始",[75,1036,1037],{"id":1037},"第一小節的十度音技巧",[52,1039,1040],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[52,1042,1043],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[75,1045,1047],{"id":1046},"運指與bass音的配合","運指與Bass音的配合",[52,1049,1050],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[75,1052,1053],{"id":1053},"和弦的變化與滑音",[52,1055,1056],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[52,1058,1059],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[52,1061,1062],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[75,1064,1065],{"id":1065},"勾音動作的技巧",[52,1067,1068],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[52,1070,1071],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[75,1073,1074],{"id":1074},"後半段的複雜運指",[52,1076,1077],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[52,1079,1080],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[52,1082,1083],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[47,1085,1086],{"id":1086},"我的創作初衷與錄製過程",[52,1088,1089],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[52,1091,1092],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[52,1094,1095],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[47,1097,1098],{"id":1098},"演出的感動與持續練習的動力",[52,1100,1101],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[52,1103,1104],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":127,"searchDepth":128,"depth":128,"links":1106},[1107,1108,1109,1110,1117,1118],{"id":1001,"depth":128,"text":1001},{"id":1010,"depth":128,"text":1011},{"id":1020,"depth":128,"text":1021},{"id":1033,"depth":128,"text":1034,"children":1111},[1112,1113,1114,1115,1116],{"id":1037,"depth":135,"text":1037},{"id":1046,"depth":135,"text":1047},{"id":1053,"depth":135,"text":1053},{"id":1065,"depth":135,"text":1065},{"id":1074,"depth":135,"text":1074},{"id":1086,"depth":128,"text":1086},{"id":1098,"depth":128,"text":1098},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":992,"description":127},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[152,153,1128],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":1132,"title":1133,"animated":42,"body":1134,"client":140,"cover":1282,"css_code":140,"description":127,"extension":141,"html_code":140,"images":1283,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1284,"navigation":143,"order":140,"path":1285,"photos":1286,"published_at":1287,"reading_time":140,"related":140,"role":140,"seo":1288,"slug":19,"source_hash":140,"status":140,"stem":1289,"summary":1290,"tags":1291,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1292},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":44,"value":1135,"toc":1279},[1136,1148,1201,1204,1207,1210,1225,1230,1236,1239],[234,1137,1138],{},[52,1139,1140,1141,1147],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[700,1142,1146],{"href":1143,"rel":1144},"https://blog.ikukaroom.com/ichigo-ichie/",[1145],"nofollow","ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[52,1149,1150,1151,1158,1159,1164,1165,1167,1168,1173,1174,1176,1177,1182,1183,1185,1186,1192,1200],{},"上個月吉他圈的朋友Wen",[697,1152,1153],{},[700,1154,706],{"href":1155,"ariaDescribedBy":1156,"dataFootnoteRef":127,"id":1157},"#user-content-fn-wen",[704],"user-content-fnref-wen","推薦我參與",[700,1160,1163],{"href":1161,"rel":1162},"https://blogblog.club/party",[1145],"部落格同樂會","的活動。",[183,1166],{},"\n托我的吉他學生",[700,1169,1172],{"href":1170,"rel":1171},"https://ivanhsu.co",[1145],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[183,1175],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[700,1178,1181],{"href":1179,"rel":1180},"https://www.wen-lab.tw/congratulate-huanyin/",[1145],"Wen的生產力實驗室",")",[183,1184],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[1187,1188,1191],"ins",{"className":1189},[1190],"remark-ins","Threadpages",[697,1193,1194],{},[700,1195,1199],{"href":1196,"ariaDescribedBy":1197,"dataFootnoteRef":127,"id":1198},"#user-content-fn-2",[704],"user-content-fnref-2","2","唷。",[1202,1203],"hr",{},[52,1205,1206],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[52,1208,1209],{},"這時候是2020年。",[52,1211,1212,1213,1218,1219,1221,1222,1224],{},"我在2020年時認識了許多人，也因為當時發行了",[700,1214,1217],{"href":1215,"rel":1216},"https://www.youtube.com/watch?v=vY14tT-TXhE",[1145],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[183,1220],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[183,1223],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[234,1226,1227],{},[52,1228,1229],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[52,1231,1232,1233,1235],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[183,1234],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[52,1237,1238],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[762,1240,1242,1245],{"className":1241,"dataFootnotes":127},[765],[47,1243,770],{"className":1244,"id":704},[769],[568,1246,1247,1266],{},[571,1248,1250,1251,738,1256,1261,1262],{"id":1249},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[700,1252,1255],{"href":1253,"rel":1254},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[1145],"2020年訪談🔗",[700,1257,1260],{"href":1258,"rel":1259},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[1145],"2022年訪談🔗"," ",[700,1263,783],{"href":1264,"ariaLabel":780,"className":1265,"dataFootnoteBackref":127},"#user-content-fnref-wen",[782],[571,1267,1269,1270,1261,1274],{"id":1268},"user-content-fn-2","Threadpages 官方網站: ",[700,1271,1272],{"href":1272,"rel":1273},"https://threadspage.com",[1145],[700,1275,783],{"href":1276,"ariaLabel":1277,"className":1278,"dataFootnoteBackref":127},"#user-content-fnref-2","Back to reference 2",[782],{"title":127,"searchDepth":128,"depth":128,"links":1280},[1281],{"id":704,"depth":128,"text":770},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":1133,"description":127},"threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[657],"SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":1294,"title":1295,"animated":42,"body":1296,"client":140,"cover":1362,"css_code":140,"description":1363,"extension":141,"html_code":140,"images":1364,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1365,"navigation":143,"order":140,"path":1366,"photos":1367,"published_at":1368,"reading_time":140,"related":140,"role":140,"seo":1369,"slug":20,"source_hash":140,"status":140,"stem":1370,"summary":1371,"tags":1372,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1373},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":44,"value":1297,"toc":1357},[1298,1310,1313,1329,1332,1335,1338,1343,1351],[52,1299,1300,1301,1306,1307,1309],{},"上週末到淡水",[700,1302,1305],{"href":1303,"rel":1304},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[1145],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[183,1308],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[52,1311,1312],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[52,1314,1315,1316,1318,1319,1321,1322,1324,1325,669],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[183,1317],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[183,1320],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[183,1323],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[1326,1327,1328],"del",{},"的作品",[52,1330,1331],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[52,1333,1334],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[75,1336,1337],{"id":1337},"夜晚的淡江大橋",[52,1339,1340],{},[719,1341],{"alt":1337,"src":1342},"/images/0627_Night_Bridge.jpg",[75,1344,1346,1347,1350],{"id":1345},"大航海通車時代","大航海",[1326,1348,1349],{},"通車","時代？",[52,1352,1353],{},[719,1354],{"alt":1355,"src":1356},"大航海時代？","/images/0627_Luffy.jpg",{"title":127,"searchDepth":128,"depth":128,"links":1358},[1359,1360],{"id":1337,"depth":135,"text":1337},{"id":1345,"depth":135,"text":1361},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":1295,"description":1363},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[657],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1375,"title":1376,"animated":42,"body":1377,"client":140,"cover":1488,"css_code":140,"description":1381,"extension":141,"html_code":140,"images":1489,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1490,"navigation":143,"order":140,"path":1491,"photos":1492,"published_at":1493,"reading_time":140,"related":140,"role":140,"seo":1494,"slug":21,"source_hash":140,"status":140,"stem":1495,"summary":1496,"tags":1497,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1498},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":44,"value":1378,"toc":1485},[1379,1382,1388,1393,1399,1404,1410,1414,1438,1441,1446,1449,1454,1459,1464,1469,1479],[52,1380,1381],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[52,1383,1384,1385,1387],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[183,1386],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[52,1389,1390],{},[203,1391,1392],{},"列隊拜拜，準備收割",[52,1394,1395],{},[719,1396],{"alt":1397,"src":1398},"準備收割","/images/20260704_7.jpg",[52,1400,1401],{},[203,1402,1403],{},"採收中，我在畫面右上角彈吉他",[52,1405,1406],{},[719,1407],{"alt":1408,"src":1409},"採收中","/images/20260704_2.jpg",[75,1411,1413],{"id":1412},"彈奏的曲目","彈奏的曲目：",[568,1415,1416,1419,1422,1425,1432,1435],{},[571,1417,1418],{},"向陽(Original)",[571,1420,1421],{},"流轉的路口(Original)",[571,1423,1424],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[571,1426,1427,1428,1431],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[1326,1429,1430],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[571,1433,1434],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[571,1436,1437],{},"時光飛逝(Original)",[52,1439,1440],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[234,1442,1443],{},[52,1444,1445],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[52,1447,1448],{},"很溫暖的一天，再放幾張照片吧！",[52,1450,1451],{},[203,1452,1453],{},"我的視角",[52,1455,1456],{},[719,1457],{"alt":1453,"src":1458},"/images/20260704_4.jpg",[52,1460,1461],{},[203,1462,1463],{},"撥穗",[52,1465,1466],{},[719,1467],{"alt":1453,"src":1468},"/images/20260704_5.jpg",[52,1470,1471,1474,1476],{},[203,1472,1473],{},"今天帶的吉他－Maton SRS808c",[183,1475],{},[203,1477,1478],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[52,1480,1481],{},[719,1482],{"alt":1483,"src":1484},"今天帶的吉他","/images/20260704_6.jpg",{"title":127,"searchDepth":128,"depth":128,"links":1486},[1487],{"id":1412,"depth":135,"text":1413},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":1376,"description":1381},"threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[657],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1500,"title":1501,"animated":42,"body":1502,"client":140,"cover":1657,"css_code":140,"description":1506,"extension":141,"html_code":140,"images":1658,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1659,"navigation":143,"order":140,"path":1660,"photos":1661,"published_at":1662,"reading_time":140,"related":140,"role":140,"seo":1663,"slug":23,"source_hash":140,"status":140,"stem":1664,"summary":1665,"tags":1666,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1667},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":44,"value":1503,"toc":1654},[1504,1507,1510,1516,1522,1529,1538,1550,1556,1562,1568,1573,1579,1584,1587,1590,1593,1596,1602,1607,1613,1618,1624,1629,1635],[52,1505,1506],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[52,1508,1509],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[52,1511,1512],{},[719,1513],{"alt":1514,"src":1515},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[52,1517,1518,1519,1521],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[183,1520],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[52,1523,1524,1525,1528],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[203,1526,1527],{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[52,1530,1531,1532,1537],{},"我整理了我曾經到過的店家Google Map清單  ",[697,1533,1534],{},[700,1535,706],{"href":702,"ariaDescribedBy":1536,"dataFootnoteRef":127,"id":705},[704],"在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[52,1539,1540,1541,738,1545,1549],{},"主要大街上的大型店家，如",[1187,1542,1544],{"className":1543},[1190],"黑澤樂器",[1187,1546,1548],{"className":1547},[1190],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[52,1551,1552],{},[719,1553],{"alt":1554,"src":1555},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[1557,1558,1559],"ul",{},[571,1560,1561],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[52,1563,1564],{},[719,1565],{"alt":1566,"src":1567},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[1557,1569,1570],{},[571,1571,1572],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[52,1574,1575],{},[719,1576],{"alt":1577,"src":1578},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[1557,1580,1581],{},[571,1582,1583],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[52,1585,1586],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[52,1588,1589],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[52,1591,1592],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[52,1594,1595],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[52,1597,1598],{},[719,1599],{"alt":1600,"src":1601},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[1557,1603,1604],{},[571,1605,1606],{},"en・guitar 的Gibson牆。",[52,1608,1609],{},[719,1610],{"alt":1611,"src":1612},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[1557,1614,1615],{},[571,1616,1617],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[52,1619,1620],{},[719,1621],{"alt":1622,"src":1623},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[1557,1625,1626],{},[571,1627,1628],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[52,1630,1631,1632,1634],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[183,1633],{},"\n之後再寫一篇介紹這把琴吧！",[762,1636,1638,1641],{"className":1637,"dataFootnotes":127},[765],[47,1639,770],{"className":1640,"id":704},[769],[568,1642,1643],{},[571,1644,1645,1650,1651],{"id":775},[700,1646,1649],{"href":1647,"rel":1648},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[1145],"Guitar Stores 📍Tokyo","Google Map清單。 ",[700,1652,783],{"href":779,"ariaLabel":780,"className":1653,"dataFootnoteBackref":127},[782],{"title":127,"searchDepth":128,"depth":128,"links":1655},[1656],{"id":704,"depth":128,"text":770},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":1501,"description":1506},"threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[657],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":1669,"title":1670,"animated":42,"body":1671,"client":140,"cover":1721,"css_code":140,"description":1722,"extension":141,"html_code":140,"images":1723,"is_announcement":42,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1724,"navigation":143,"order":140,"path":1725,"photos":1726,"published_at":1727,"reading_time":140,"related":140,"role":140,"seo":1728,"slug":22,"source_hash":140,"status":140,"stem":1729,"summary":1730,"tags":1731,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1732},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":44,"value":1672,"toc":1719},[1673,1690,1698,1707,1713,1716],[52,1674,1675,1676,1678,1679,1682,1683,1685],{},"老早就有想要架設網站的想法了。",[183,1677],{},"\nThreadspage是由開發者－",[203,1680,1681],{},"暢可"," 創立的平台。",[183,1684],{},[700,1686,1689],{"href":1687,"rel":1688},"https://threadspage.app/?ref=huanyin.vercel.app",[1145],"點進來讓AI幫你介紹吧！",[234,1691,1692],{},[52,1693,1694,1695,1697],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[183,1696],{},"\n他說著創建平台的初衷。",[52,1699,1700,1701,1703,1704,1706],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[183,1702],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[183,1705],{},"\n經過半天努力，這裡也算有了雛形。",[52,1708,1709,1710,1712],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[183,1711],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[52,1714,1715],{},"讀完這篇文的你，歡迎光臨。",[52,1717,1718],{},"桓吟",{"title":127,"searchDepth":128,"depth":128,"links":1720},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 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\n[點進來讓AI幫你介紹吧！]...",[657],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1734,"title":1735,"animated":42,"body":1736,"client":140,"cover":1843,"css_code":140,"description":1740,"extension":141,"html_code":140,"images":1844,"is_announcement":143,"is_pinned":42,"is_published":143,"key_points":140,"lang":140,"meta":1845,"navigation":143,"order":140,"path":1846,"photos":1847,"published_at":1848,"reading_time":140,"related":140,"role":140,"seo":1849,"slug":34,"source_hash":140,"status":140,"stem":1850,"summary":1851,"tags":1852,"tech_stack":140,"translation_of":140,"type":154,"url":140,"video_url":140,"__hash__":1853},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":44,"value":1737,"toc":1841},[1738,1741,1744,1750,1759,1765,1787,1793,1804,1812,1822,1832,1838],[52,1739,1740],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[52,1742,1743],{},"以下用條列式說明：",[52,1745,1746],{},[719,1747],{"alt":1748,"src":1749},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1557,1751,1752],{},[571,1753,1754,1755,1758],{},"最上方是我的",[65,1756,1757],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[52,1760,1761],{},[719,1762],{"alt":1763,"src":1764},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1557,1766,1767,1770,1777],{},[571,1768,1769],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[571,1771,1772,1773,1776],{},"最下面的",[65,1774,1775],{},"深色訂閱按鈕","，千萬不要點！如果你點了，可能會多一份沒時間練的樂譜 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Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[52,1957,1958,1959,1949,1961,1963],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[183,1960],{},[183,1962],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[52,1965,1966],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[75,1968,1969],{"id":1969},"發行作品",[234,1971,1972],{},[52,1973,1974,1975,1977,1978,1980,1981,1983],{},"2019年單曲 《It’s Alright》",[183,1976],{},"\n2020年首張原創EP 《向陽》",[183,1979],{},"\n2022年單曲 《雨季 Rain Season》",[183,1982],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[234,1985,1986],{},[52,1987,1988],{},"另著有《隙光》個人改編及創作樂譜集 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