[{"data":1,"prerenderedAt":1626},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":32,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":1531},{"acoustic-guitar-body-types-guide":4,"acoustic-guitar-pickup-recording-setup":10,"facing-the-other-side-student-recital":13,"fingerstyle-position-change-tone-color-finnish-distance":14,"guitar-fingernail-care":16,"guitar-thinking-life":17,"my-guitar-lowden-F32c":22,"she-came-to-my-concert-guitar-tutorial":23,"thought-life-live":24,"thought-live-education-kids":26,"website-origin-story":27,"welcome":28,"worksmy-gears-guitar-pedal":29,"about":30,"private-guitar-lesson-huanyin":31},[5,6,7,8,9],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","my-guitar-lowden-F32c","she-came-to-my-concert-guitar-tutorial",[11,12,8,6,7],"acoustic-guitar-body-types-guide","worksmy-gears-guitar-pedal",[7,9,11,6,5],[9,6,11,5,15],"facing-the-other-side-student-recital",[7,11,9,5,8],[18,19,20,21,8],"website-origin-story","thought-life-live","thought-live-education-kids","welcome",[11,12,5,6,7],[7,11,6,5,15],[20,25,18,15,8],"guitar-thinking-life",[19,25,18,15,21],[25,19,20,21,8],[18,15,11,8,12],[5,8,15,11,6],[],[],[33,151,330,406,458,612,653,760,902,985,1110,1175,1298,1371,1454],{"id":34,"title":35,"animated":36,"body":37,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":136,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":138,"navigation":137,"order":134,"path":139,"photos":140,"published_at":141,"reading_time":134,"related":134,"role":134,"seo":142,"slug":11,"source_hash":134,"status":134,"stem":143,"summary":144,"tags":145,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":149,"__hash__":150},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":38,"value":39,"toc":120},"minimark",[40,45,49,52,55,62,65,68,73,80,84,87,91,94,98,101,107,111,114,117],[41,42,44],"h2",{"id":43},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[46,47,48],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[41,50,51],{"id":51},"如何根據身型挑選桶身大小",[46,53,54],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[46,56,57,58],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[59,60,61],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[41,63,64],{"id":64},"四種桶身的音色比較",[46,66,67],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[69,70,72],"h3",{"id":71},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[46,74,75,76,79],{},"D桶身是歷史最悠久的設計，我認為它有",[59,77,78],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[69,81,83],{"id":82},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[46,85,86],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[69,88,90],{"id":89},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[46,92,93],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[69,95,97],{"id":96},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[46,99,100],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[46,102,103,104],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[59,105,106],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[41,108,110],{"id":109},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[46,112,113],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[46,115,116],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[46,118,119],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":121,"searchDepth":122,"depth":122,"links":123},"",2,[124,125,126,133],{"id":43,"depth":122,"text":44},{"id":51,"depth":122,"text":51},{"id":64,"depth":122,"text":64,"children":127},[128,130,131,132],{"id":71,"depth":129,"text":72},3,{"id":82,"depth":129,"text":83},{"id":89,"depth":129,"text":90},{"id":96,"depth":129,"text":97},{"id":109,"depth":122,"text":110},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":35,"description":121},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[146,147],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":152,"title":153,"animated":36,"body":154,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":319,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":320,"navigation":137,"order":134,"path":321,"photos":322,"published_at":323,"reading_time":134,"related":134,"role":134,"seo":324,"slug":5,"source_hash":134,"status":134,"stem":325,"summary":326,"tags":327,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":328,"__hash__":329},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":38,"value":155,"toc":310},[156,160,163,166,170,173,183,186,190,193,205,224,227,236,239,254,260,263,266,275,279,285,292,295,298,301],[41,157,159],{"id":158},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[46,161,162],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[46,164,165],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[41,167,169],{"id":168},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[46,171,172],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[46,174,175,176,179,180,182],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[177,178],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[177,181],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[46,184,185],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[41,187,189],{"id":188},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[46,191,192],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[46,194,195,196,200,201,204],{},"我使用的線圈是美國的 ",[197,198,199],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[197,202,203],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[46,206,207,208,210,211,213,214,216,217,220,221,223],{},"運作方式很簡單：",[177,209],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[177,212],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[177,215],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[59,218,219],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[177,222],{},"\n這是我認為兩種拾音器差異最大的地方。",[46,225,226],{},"我的方式是：",[228,229,230],"blockquote",{},[46,231,232,233,235],{},"線圈->穩定的弦聲＋貼片->整體空間感",[177,234],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[41,237,238],{"id":238},"我的效果器盤配置",[46,240,241,242,245,246,249,250,253],{},"我的效果器盤總共有四顆效果器。首先是",[197,243,244],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[59,247,248],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[59,251,252],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[46,255,256,257,259],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[177,258],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[46,261,262],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[41,264,265],{"id":265},"線圈和貼片的聲音差異",[46,267,268,269,271,272,274],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[177,270],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[177,273],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[41,276,278],{"id":277},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[46,280,281,282,284],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[177,283],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[46,286,287,288,291],{},"出於好奇，我和台灣麥克風品牌",[197,289,290],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[46,293,294],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[41,296,297],{"id":297},"結語",[46,299,300],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[46,302,303,304,306,307,309],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[197,305,203],{},"和",[197,308,290],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":121,"searchDepth":122,"depth":122,"links":311},[312,313,314,315,316,317,318],{"id":158,"depth":122,"text":159},{"id":168,"depth":122,"text":169},{"id":188,"depth":122,"text":189},{"id":238,"depth":122,"text":238},{"id":265,"depth":122,"text":265},{"id":277,"depth":122,"text":278},{"id":297,"depth":122,"text":297},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":153,"description":121},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[146,147],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":331,"title":332,"animated":36,"body":333,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":394,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":395,"navigation":137,"order":134,"path":396,"photos":397,"published_at":398,"reading_time":134,"related":134,"role":134,"seo":399,"slug":15,"source_hash":134,"status":134,"stem":400,"summary":401,"tags":402,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":404,"__hash__":405},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":38,"value":334,"toc":387},[335,338,341,344,348,351,354,357,360,363,366,369,372,375,378,381,384],[41,336,337],{"id":337},"一場特別的共演演出",[46,339,340],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[46,342,343],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[41,345,347],{"id":346},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[46,349,350],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[46,352,353],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[46,355,356],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[41,358,359],{"id":359},"教學中的收穫與成長",[46,361,362],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[46,364,365],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[41,367,368],{"id":368},"身心投入的獨特價值",[46,370,371],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[46,373,374],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[41,376,377],{"id":377},"給正在學習的你",[46,379,380],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[46,382,383],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[46,385,386],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":121,"searchDepth":122,"depth":122,"links":388},[389,390,391,392,393],{"id":337,"depth":122,"text":337},{"id":346,"depth":122,"text":347},{"id":359,"depth":122,"text":359},{"id":368,"depth":122,"text":368},{"id":377,"depth":122,"text":377},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":332,"description":121},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[146,147,403],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":407,"title":408,"animated":36,"body":409,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":446,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":447,"navigation":137,"order":134,"path":448,"photos":449,"published_at":450,"reading_time":134,"related":134,"role":134,"seo":451,"slug":7,"source_hash":134,"status":134,"stem":452,"summary":453,"tags":454,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":456,"__hash__":457},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":38,"value":410,"toc":443},[411,417,429,432,437,440],[41,412,414],{"id":413},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[59,415,416],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[46,418,419,420,423,425,426,428],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[59,421,422],{},"同一首歌，放在不同把位，聲音會完全不同。",[177,424],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[177,427],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[46,430,431],{},"這個過程讓我重新理解一件事：",[228,433,434],{},[46,435,436],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[46,438,439],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[46,441,442],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":121,"searchDepth":122,"depth":122,"links":444},[445],{"id":413,"depth":122,"text":416},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":408,"description":121},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[146,147,455],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":459,"title":460,"animated":36,"body":461,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":601,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":602,"navigation":137,"order":134,"path":603,"photos":604,"published_at":605,"reading_time":134,"related":134,"role":134,"seo":606,"slug":6,"source_hash":134,"status":134,"stem":607,"summary":608,"tags":609,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":610,"__hash__":611},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":38,"value":462,"toc":592},[463,466,469,472,475,478,481,484,487,490,493,499,505,516,519,526,529,536,539,542,549,552,555,558,561,577,580,583,586,589],[41,464,465],{"id":465},"我為什麼開始留指甲",[46,467,468],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[46,470,471],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[46,473,474],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[41,476,477],{"id":477},"為什麼新手應該留一點指甲",[46,479,480],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[46,482,483],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[46,485,486],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[41,488,489],{"id":489},"我常用的修整工具",[46,491,492],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[46,494,495,498],{},[59,496,497],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[46,500,501,504],{},[59,502,503],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[46,506,507,508,511,512,515],{},"如果你是裸甲，我會推薦用",[59,509,510],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[59,513,514],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[41,517,518],{"id":518},"觸弦點與指甲形狀",[46,520,521,522,525],{},"接下來我要介紹一個重要的概念：",[59,523,524],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[46,527,528],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[46,530,531,532,535],{},"關於指甲長度，我想強調的是：",[59,533,534],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[46,537,538],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[41,540,541],{"id":541},"實際修整步驟",[46,543,544,545,548],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[59,546,547],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[46,550,551],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[46,553,554],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[41,556,557],{"id":557},"找到最適合你的長度",[46,559,560],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[562,563,564,568,571,574],"ol",{},[565,566,567],"li",{},"先確定一個你要留的長度",[565,569,570],{},"習慣幾天",[565,572,573],{},"再決定要留長一點還是磨短一點",[565,575,576],{},"反覆這個過程",[46,578,579],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[41,581,582],{"id":582},"最後的建議",[46,584,585],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[46,587,588],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[46,590,591],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":121,"searchDepth":122,"depth":122,"links":593},[594,595,596,597,598,599,600],{"id":465,"depth":122,"text":465},{"id":477,"depth":122,"text":477},{"id":489,"depth":122,"text":489},{"id":518,"depth":122,"text":518},{"id":541,"depth":122,"text":541},{"id":557,"depth":122,"text":557},{"id":582,"depth":122,"text":582},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":460,"description":121},"threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[146,147],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":613,"title":614,"animated":36,"body":615,"client":134,"cover":640,"css_code":134,"description":641,"extension":135,"html_code":134,"images":642,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":643,"navigation":137,"order":134,"path":644,"photos":645,"published_at":646,"reading_time":134,"related":134,"role":134,"seo":647,"slug":25,"source_hash":134,"status":134,"stem":648,"summary":649,"tags":650,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":134,"__hash__":652},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":38,"value":616,"toc":638},[617,623,629,635],[46,618,619,620,622],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[177,621],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[46,624,625,626,628],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[177,627],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[46,630,631,632,634],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[177,633],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[46,636,637],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":121,"searchDepth":122,"depth":122,"links":639},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":614,"description":641},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[651],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":654,"title":655,"animated":36,"body":656,"client":134,"cover":747,"css_code":134,"description":748,"extension":135,"html_code":134,"images":749,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":750,"navigation":137,"order":134,"path":751,"photos":752,"published_at":753,"reading_time":134,"related":134,"role":134,"seo":754,"slug":8,"source_hash":134,"status":134,"stem":755,"summary":756,"tags":757,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":134,"__hash__":759},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":38,"value":657,"toc":745},[658,667,670,684,697,703,712,721,737,740],[46,659,660,661,663,664,666],{},"今天來聊聊我的吉他收藏之一－",[197,662,655],{},"。",[177,665],{},"\n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[46,668,669],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[46,671,672,673,676,677,680,681,683],{},"我對",[197,674,675],{},"Lowden","的印象是從開始接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[197,678,679],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[197,682,675],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[46,685,686,687,689,690,692,693,663],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[197,688,675],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把",[197,691,675],{},"。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[694,695,696],"code",{},"[^1]",[46,698,699,700,702],{},"後來怎麼會買呢？這要聊到我的家庭。",[177,701],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[46,704,705,706,708],{},"轉換一下心情，介紹一下這把琴的規格吧！",[177,707],{},[709,710],"img",{"alt":655,"src":711},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[713,714,719],"pre",{"className":715,"code":717,"language":718},[716],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[694,720,717],{"__ignoreMap":121},[46,722,723,726,727,726,730,733,734,736],{},[197,724,725],{},"It's Alright","、",[197,728,729],{},"向陽",[197,731,732],{},"時光飛逝","，都是用這把琴錄音的。",[177,735],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、很棒的動態表現，很適合一把吉他的獨奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[46,738,739],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[46,741,742],{},[694,743,744],{},"[^1]早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。",{"title":121,"searchDepth":122,"depth":122,"links":746},[],"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":655,"description":748},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[758],"器材","Ggj3EANGk8W8EXj7vsojJDbPSDx7VJPcq49-xgKaH_I",{"id":761,"title":762,"animated":36,"body":763,"client":134,"cover":134,"css_code":134,"description":121,"extension":135,"html_code":134,"images":890,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":891,"navigation":137,"order":134,"path":892,"photos":893,"published_at":894,"reading_time":134,"related":134,"role":134,"seo":895,"slug":9,"source_hash":134,"status":134,"stem":896,"summary":897,"tags":898,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":900,"__hash__":901},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":38,"value":764,"toc":876},[765,770,773,776,779,783,786,789,793,796,799,802,806,809,812,815,819,822,825,828,831,834,837,840,843,846,849,852,855,858,861,864,867,870,873],[766,767,769],"h1",{"id":768},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[41,771,772],{"id":772},"木吉他編曲的魅力",[46,774,775],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[46,777,778],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[41,780,782],{"id":781},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[46,784,785],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[46,787,788],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[41,790,792],{"id":791},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[46,794,795],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[46,797,798],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[46,800,801],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[41,803,805],{"id":804},"前奏教學從十度音開始","前奏教學——從十度音開始",[69,807,808],{"id":808},"第一小節的十度音技巧",[46,810,811],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[46,813,814],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[69,816,818],{"id":817},"運指與bass音的配合","運指與Bass音的配合",[46,820,821],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[69,823,824],{"id":824},"和弦的變化與滑音",[46,826,827],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[46,829,830],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[46,832,833],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[69,835,836],{"id":836},"勾音動作的技巧",[46,838,839],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[46,841,842],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[69,844,845],{"id":845},"後半段的複雜運指",[46,847,848],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[46,850,851],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[46,853,854],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[41,856,857],{"id":857},"我的創作初衷與錄製過程",[46,859,860],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[46,862,863],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[46,865,866],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[41,868,869],{"id":869},"演出的感動與持續練習的動力",[46,871,872],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[46,874,875],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":121,"searchDepth":122,"depth":122,"links":877},[878,879,880,881,888,889],{"id":772,"depth":122,"text":772},{"id":781,"depth":122,"text":782},{"id":791,"depth":122,"text":792},{"id":804,"depth":122,"text":805,"children":882},[883,884,885,886,887],{"id":808,"depth":129,"text":808},{"id":817,"depth":129,"text":818},{"id":824,"depth":129,"text":824},{"id":836,"depth":129,"text":836},{"id":845,"depth":129,"text":845},{"id":857,"depth":122,"text":857},{"id":869,"depth":122,"text":869},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":762,"description":121},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[146,147,899],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":903,"title":904,"animated":36,"body":905,"client":134,"cover":973,"css_code":134,"description":974,"extension":135,"html_code":134,"images":975,"is_announcement":36,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":976,"navigation":137,"order":134,"path":977,"photos":978,"published_at":979,"reading_time":134,"related":134,"role":134,"seo":980,"slug":19,"source_hash":134,"status":134,"stem":981,"summary":982,"tags":983,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":134,"__hash__":984},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":38,"value":906,"toc":968},[907,921,924,940,943,946,949,954,962],[46,908,909,910,917,918,920],{},"上週末到淡水",[911,912,916],"a",{"href":913,"rel":914},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[915],"nofollow","樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[177,919],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[46,922,923],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[46,925,926,927,929,930,932,933,935,936,663],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[177,928],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[177,931],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[177,934],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[937,938,939],"del",{},"的作品",[46,941,942],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[46,944,945],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's 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創立的平台。",[177,1126],{},[911,1128,1131],{"href":1129,"rel":1130},"https://threadspage.app/?ref=huanyin.vercel.app",[915],"點進來讓AI幫你介紹吧！",[228,1133,1134],{},[46,1135,1136,1137,1139],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[177,1138],{},"\n他說著創建平台的初衷。",[46,1141,1142,1143,1145,1146,1148],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[177,1144],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[177,1147],{},"\n經過半天努力，這裡也算有了雛形。",[46,1150,1151,1152,1154],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[177,1153],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[46,1156,1157],{},"讀完這篇文的你，歡迎光臨。",[46,1159,1160],{},"桓吟",{"title":121,"searchDepth":122,"depth":122,"links":1162},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1112,"description":1164},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[651],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1176,"title":1177,"animated":36,"body":1178,"client":134,"cover":1287,"css_code":134,"description":1182,"extension":135,"html_code":134,"images":1288,"is_announcement":137,"is_pinned":36,"is_published":137,"key_points":134,"lang":134,"meta":1289,"navigation":137,"order":134,"path":1290,"photos":1291,"published_at":1292,"reading_time":134,"related":134,"role":134,"seo":1293,"slug":21,"source_hash":134,"status":134,"stem":1294,"summary":1295,"tags":1296,"tech_stack":134,"translation_of":134,"type":148,"url":134,"video_url":134,"__hash__":1297},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":38,"value":1179,"toc":1285},[1180,1183,1186,1192,1202,1208,1230,1236,1247,1255,1265,1275,1282],[46,1181,1182],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[46,1184,1185],{},"以下用條列式說明：",[46,1187,1188],{},[709,1189],{"alt":1190,"src":1191},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1193,1194,1195],"ul",{},[565,1196,1197,1198,1201],{},"最上方是我的",[59,1199,1200],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[46,1203,1204],{},[709,1205],{"alt":1206,"src":1207},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1193,1209,1210,1213,1220],{},[565,1211,1212],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[565,1214,1215,1216,1219],{},"最下面的",[59,1217,1218],{},"深色訂閱按鈕","，先萬不要點！如果你點了，可能會多一份沒時間練的樂譜 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建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[177,1273],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[46,1276,1277],{},[911,1278,1281],{"href":1279,"rel":1280},"https://threadspage.com",[915],"THEADSPAGE 把你的創作，變成 真正屬於你 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