[{"data":1,"prerenderedAt":2394},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":42,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":2279},{"acoustic-guitar-body-types-guide":4,"acoustic-guitar-pickup-recording-setup":10,"facing-the-other-side-student-recital":13,"fingerstyle-position-change-tone-color-finnish-distance":15,"guitar-fingernail-care":16,"guitar-thinking-life":17,"live-info-chiayi-2026":23,"martin-guitar-open-gear-tuner-swap":26,"my-guitar-lowden-F32c":27,"reverb-delay-complete-guide":29,"she-came-to-my-concert-guitar-tutorial":30,"thought-ichigo-ichie":31,"thought-life-live":33,"thought-live-education-kids":34,"tokyo-used-guitar-store":35,"website-origin-story":36,"welcome":37,"worksmy-gears-guitar-pedal":39,"about":40,"private-guitar-lesson-huanyin":41},[5,6,7,8,9],"acoustic-guitar-pickup-recording-setup","guitar-fingernail-care","fingerstyle-position-change-tone-color-finnish-distance","reverb-delay-complete-guide","my-guitar-lowden-F32c",[8,11,12,7,9],"acoustic-guitar-body-types-guide","worksmy-gears-guitar-pedal",[14,7,11,5,6],"she-came-to-my-concert-guitar-tutorial",[14,11,8,5,6],[14,7,11,8,5],[18,19,20,21,22],"thought-ichigo-ichie","thought-life-live","thought-live-education-kids","website-origin-story","tokyo-used-guitar-store",[24,19,20,5,25],"facing-the-other-side-student-recital","welcome",[22,9,12,11,6],[28,11,22,12,5],"martin-guitar-open-gear-tuner-swap",[5,7,14,11,12],[7,11,5,24,8],[32,21,19,20,22],"guitar-thinking-life",[20,32,22,24],[19,18,32,22,21],[28,9,11,32,18],[32,18,19,20,25],[21,18,32,38,24],"live-info-chiayi-2026",[5,8,9,28,24],[],[],[43,161,340,416,468,622,663,736,856,994,1183,1324,1485,1566,1691,1859,1924,2045,2117,2200],{"id":44,"title":45,"animated":46,"body":47,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":146,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":148,"navigation":147,"order":144,"path":149,"photos":150,"published_at":151,"reading_time":144,"related":144,"role":144,"seo":152,"slug":11,"source_hash":144,"status":144,"stem":153,"summary":154,"tags":155,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":159,"__hash__":160},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":48,"value":49,"toc":130},"minimark",[50,55,59,62,65,72,75,78,83,90,94,97,101,104,108,111,117,121,124,127],[51,52,54],"h2",{"id":53},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[56,57,58],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[51,60,61],{"id":61},"如何根據身型挑選桶身大小",[56,63,64],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[56,66,67,68],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[69,70,71],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[51,73,74],{"id":74},"四種桶身的音色比較",[56,76,77],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[79,80,82],"h3",{"id":81},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[56,84,85,86,89],{},"D桶身是歷史最悠久的設計，我認為它有",[69,87,88],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[79,91,93],{"id":92},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[56,95,96],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[79,98,100],{"id":99},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[56,102,103],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[79,105,107],{"id":106},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[56,109,110],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[56,112,113,114],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[69,115,116],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[51,118,120],{"id":119},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[56,122,123],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[56,125,126],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[56,128,129],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":131,"searchDepth":132,"depth":132,"links":133},"",2,[134,135,136,143],{"id":53,"depth":132,"text":54},{"id":61,"depth":132,"text":61},{"id":74,"depth":132,"text":74,"children":137},[138,140,141,142],{"id":81,"depth":139,"text":82},3,{"id":92,"depth":139,"text":93},{"id":99,"depth":139,"text":100},{"id":106,"depth":139,"text":107},{"id":119,"depth":132,"text":120},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":45,"description":131},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[156,157],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":162,"title":163,"animated":46,"body":164,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":329,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":330,"navigation":147,"order":144,"path":331,"photos":332,"published_at":333,"reading_time":144,"related":144,"role":144,"seo":334,"slug":5,"source_hash":144,"status":144,"stem":335,"summary":336,"tags":337,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":338,"__hash__":339},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":48,"value":165,"toc":320},[166,170,173,176,180,183,193,196,200,203,215,234,237,246,249,264,270,273,276,285,289,295,302,305,308,311],[51,167,169],{"id":168},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[56,171,172],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[56,174,175],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[51,177,179],{"id":178},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[56,181,182],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[56,184,185,186,189,190,192],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[187,188],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[187,191],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[56,194,195],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[51,197,199],{"id":198},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[56,201,202],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[56,204,205,206,210,211,214],{},"我使用的線圈是美國的 ",[207,208,209],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[207,212,213],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[56,216,217,218,220,221,223,224,226,227,230,231,233],{},"運作方式很簡單：",[187,219],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[187,222],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[187,225],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[69,228,229],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[187,232],{},"\n這是我認為兩種拾音器差異最大的地方。",[56,235,236],{},"我的方式是：",[238,239,240],"blockquote",{},[56,241,242,243,245],{},"線圈->穩定的弦聲＋貼片->整體空間感",[187,244],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[51,247,248],{"id":248},"我的效果器盤配置",[56,250,251,252,255,256,259,260,263],{},"我的效果器盤總共有四顆效果器。首先是",[207,253,254],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[69,257,258],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[69,261,262],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[56,265,266,267,269],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[187,268],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[56,271,272],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[51,274,275],{"id":275},"線圈和貼片的聲音差異",[56,277,278,279,281,282,284],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[187,280],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[187,283],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[51,286,288],{"id":287},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[56,290,291,292,294],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[187,293],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[56,296,297,298,301],{},"出於好奇，我和台灣麥克風品牌",[207,299,300],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[56,303,304],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[51,306,307],{"id":307},"結語",[56,309,310],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[56,312,313,314,316,317,319],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[207,315,213],{},"和",[207,318,300],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":131,"searchDepth":132,"depth":132,"links":321},[322,323,324,325,326,327,328],{"id":168,"depth":132,"text":169},{"id":178,"depth":132,"text":179},{"id":198,"depth":132,"text":199},{"id":248,"depth":132,"text":248},{"id":275,"depth":132,"text":275},{"id":287,"depth":132,"text":288},{"id":307,"depth":132,"text":307},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":163,"description":131},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[156,157],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":341,"title":342,"animated":46,"body":343,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":404,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":405,"navigation":147,"order":144,"path":406,"photos":407,"published_at":408,"reading_time":144,"related":144,"role":144,"seo":409,"slug":24,"source_hash":144,"status":144,"stem":410,"summary":411,"tags":412,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":414,"__hash__":415},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":48,"value":344,"toc":397},[345,348,351,354,358,361,364,367,370,373,376,379,382,385,388,391,394],[51,346,347],{"id":347},"一場特別的共演演出",[56,349,350],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[56,352,353],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[51,355,357],{"id":356},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[56,359,360],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[56,362,363],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[56,365,366],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[51,368,369],{"id":369},"教學中的收穫與成長",[56,371,372],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[56,374,375],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[51,377,378],{"id":378},"身心投入的獨特價值",[56,380,381],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[56,383,384],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[51,386,387],{"id":387},"給正在學習的你",[56,389,390],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[56,392,393],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[56,395,396],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":131,"searchDepth":132,"depth":132,"links":398},[399,400,401,402,403],{"id":347,"depth":132,"text":347},{"id":356,"depth":132,"text":357},{"id":369,"depth":132,"text":369},{"id":378,"depth":132,"text":378},{"id":387,"depth":132,"text":387},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":342,"description":131},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[156,157,413],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":417,"title":418,"animated":46,"body":419,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":456,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":457,"navigation":147,"order":144,"path":458,"photos":459,"published_at":460,"reading_time":144,"related":144,"role":144,"seo":461,"slug":7,"source_hash":144,"status":144,"stem":462,"summary":463,"tags":464,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":466,"__hash__":467},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":48,"value":420,"toc":453},[421,427,439,442,447,450],[51,422,424],{"id":423},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[69,425,426],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[56,428,429,430,433,435,436,438],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[69,431,432],{},"同一首歌，放在不同把位，聲音會完全不同。",[187,434],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[187,437],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[56,440,441],{},"這個過程讓我重新理解一件事：",[238,443,444],{},[56,445,446],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[56,448,449],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[56,451,452],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":131,"searchDepth":132,"depth":132,"links":454},[455],{"id":423,"depth":132,"text":426},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":418,"description":131},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[156,157,465],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":469,"title":470,"animated":46,"body":471,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":611,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":612,"navigation":147,"order":144,"path":613,"photos":614,"published_at":615,"reading_time":144,"related":144,"role":144,"seo":616,"slug":6,"source_hash":144,"status":144,"stem":617,"summary":618,"tags":619,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":620,"__hash__":621},"threads/threads/articles/guitar-fingernail-care.md","彈吉他要不要留指甲？10 分鐘修出好音色（附修整教學）",{"type":48,"value":472,"toc":602},[473,476,479,482,485,488,491,494,497,500,503,509,515,526,529,536,539,546,549,552,559,562,565,568,571,587,590,593,596,599],[51,474,475],{"id":475},"我為什麼開始留指甲",[56,477,478],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[56,480,481],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[56,483,484],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[51,486,487],{"id":487},"為什麼新手應該留一點指甲",[56,489,490],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[56,492,493],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[56,495,496],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[51,498,499],{"id":499},"我常用的修整工具",[56,501,502],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[56,504,505,508],{},[69,506,507],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[56,510,511,514],{},[69,512,513],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[56,516,517,518,521,522,525],{},"如果你是裸甲，我會推薦用",[69,519,520],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[69,523,524],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[51,527,528],{"id":528},"觸弦點與指甲形狀",[56,530,531,532,535],{},"接下來我要介紹一個重要的概念：",[69,533,534],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[56,537,538],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[56,540,541,542,545],{},"關於指甲長度，我想強調的是：",[69,543,544],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[56,547,548],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[51,550,551],{"id":551},"實際修整步驟",[56,553,554,555,558],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[69,556,557],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[56,560,561],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[56,563,564],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[51,566,567],{"id":567},"找到最適合你的長度",[56,569,570],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[572,573,574,578,581,584],"ol",{},[575,576,577],"li",{},"先確定一個你要留的長度",[575,579,580],{},"習慣幾天",[575,582,583],{},"再決定要留長一點還是磨短一點",[575,585,586],{},"反覆這個過程",[56,588,589],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[51,591,592],{"id":592},"最後的建議",[56,594,595],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[56,597,598],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[56,600,601],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":131,"searchDepth":132,"depth":132,"links":603},[604,605,606,607,608,609,610],{"id":475,"depth":132,"text":475},{"id":487,"depth":132,"text":487},{"id":499,"depth":132,"text":499},{"id":528,"depth":132,"text":528},{"id":551,"depth":132,"text":551},{"id":567,"depth":132,"text":567},{"id":592,"depth":132,"text":592},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":470,"description":131},"threads/articles/guitar-fingernail-care","彈吉他要不要留指甲？我分享自己留指甲的經驗，說明新手為什麼適合留一點長度、觸弦點與指甲形狀的關係，以及修整工具的選擇和實際步驟。",[156,157],"https://www.youtube.com/watch?v=mv6bmmfMBew","Uvk4AnyELz8UH-bgk8evv5JNF_wFBjltxnc5jf4iL0w",{"id":623,"title":624,"animated":46,"body":625,"client":144,"cover":650,"css_code":144,"description":651,"extension":145,"html_code":144,"images":652,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":653,"navigation":147,"order":144,"path":654,"photos":655,"published_at":656,"reading_time":144,"related":144,"role":144,"seo":657,"slug":32,"source_hash":144,"status":144,"stem":658,"summary":659,"tags":660,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":662},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":48,"value":626,"toc":648},[627,633,639,645],[56,628,629,630,632],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[187,631],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[56,634,635,636,638],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[187,637],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[56,640,641,642,644],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[187,643],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[56,646,647],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":131,"searchDepth":132,"depth":132,"links":649},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":624,"description":651},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[661],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":664,"title":665,"animated":46,"body":666,"client":144,"cover":723,"css_code":144,"description":724,"extension":145,"html_code":144,"images":725,"is_announcement":147,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":726,"navigation":147,"order":144,"path":727,"photos":728,"published_at":729,"reading_time":144,"related":144,"role":144,"seo":730,"slug":38,"source_hash":144,"status":144,"stem":731,"summary":732,"tags":733,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":735},"threads/threads/articles/live-info-chiayi-2026.md","11/21《慢慢彈 慢慢談》嘉義 LIVE",{"type":48,"value":667,"toc":721},[668,683,691,696],[56,669,670,671,673,674,676,677,679,680,682],{},"嘉義的朋友們好！",[187,672],{},"\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。",[187,675],{},"\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。",[187,678],{},"\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！",[187,681],{},"\n慢慢彈，慢慢談，11/21見。",[56,684,685,690],{},[686,687],"img",{"alt":688,"src":689},"2019_25x40","/images/2026_25x40/2019_25x40.JPG","\n2019第一次在嘉義演出",[692,693,695],"h4",{"id":694},"慢慢彈-慢慢談劉桓吟指彈演奏會","《慢慢彈  慢慢談—劉桓吟指彈演奏會》",[56,697,698,699,701,702,709,710,712,713,715,716],{},"｜日期：2026.11.21（六） 19:30-21:00",[187,700],{},"\n｜地點：",[703,704,708],"a",{"href":705,"rel":706},"https://maps.app.goo.gl/oDG5pKFD9Sq4LQW88",[707],"nofollow","25x40藝文空間📍"," 嘉義市中正路554號",[187,711],{},"\n｜費用：早鳥 500元，現場 600元",[187,714],{},"\n｜",[703,717,720],{"href":718,"rel":719},"https://forms.gle/2AXwQV4KBg8aSyNy8",[707],"購票連結🔗",{"title":131,"searchDepth":132,"depth":132,"links":722},[],"/images/20241019 嘉義森韻 25x40-28.jpeg","嘉義的朋友們好！\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！\n慢慢彈，慢慢談，11/21見。",[],{},"/threads/articles/live-info-chiayi-2026",[],"2026-10-25",{"title":665,"description":724},"threads/articles/live-info-chiayi-2026","日期：2026.11.21（六）｜地點：25x40藝文空間｜費用：早鳥 500元，現場 600元  ",[734],"Live","H9V9o_kOSMNDn4A_ZJ1xcSZRleoOWzLz8roB14zLcAg",{"id":737,"title":738,"animated":46,"body":739,"client":144,"cover":845,"css_code":144,"description":743,"extension":145,"html_code":144,"images":846,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":847,"navigation":147,"order":144,"path":848,"photos":849,"published_at":850,"reading_time":144,"related":144,"role":144,"seo":851,"slug":28,"source_hash":144,"status":144,"stem":852,"summary":853,"tags":854,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":855},"threads/threads/articles/martin-guitar-open-gear-tuner-swap.md","Martin HD-28 弦鈕改裝記",{"type":48,"value":740,"toc":843},[741,744,751,754,757,760,763,766,769,772,775,778,787,790,797,810,817,824,831,834],[56,742,743],{},"這是一篇放在記事本許久的文，終於把它完成了。",[56,745,746,747],{},"前陣子我買了一把 Martin HD-28，如果還不知道的話可以先來看看這篇文 ",[703,748,750],{"href":749},"/threads/tokyo-used-guitar-store","八月：颱風季x東京探店x新戰友",[56,752,753],{},"HD-28是Martin於1976年推出的型號，主要是想要在規格上更接近戰前的D-28。雖然復刻程度跟近年愈趨成熟的復古產線比起來根本相形見絀。但對比當時的D-28，還是有做出一些復古的設計，比方說：琴身鑲邊的「人字紋(herringbone)」、「削薄力木（scalloped bracing）」。",[56,755,756],{},"因為我身邊的吉他手朋友們有各式各樣的標準款Martin，如：D-28、D-18、D-35。剛好這兩個月也有幾個木吉他編曲的案子可以用上它，也讓我好好過把癮，認識這個定義了木吉他聲音的品牌。",[56,758,759],{},"話說回來這篇文章的主題吧！",[56,761,762],{},"在拿到這把琴之後，我就想替他換復古式的弦扭，也就是開放式弦扭。",[56,764,765],{},"HD-28系列再後來有一個雙胞胎型號－HD-28V。就是在HD-28的基礎下更加「Vintage」的版本。該版本就是使用開放式弦扭。吉他看多了也會對這種外露齒輪機械很著迷，於是就開始做起功課。",[56,767,768],{},"沒想到一研究起來發現，弦扭竟有那麼多種型號。開放式vs.封閉式、主孔位直徑、背面固定螺絲角度...等，都需要考量。如果買錯了，那不只是要多打一個洞，而可能會完全裝不上去。所以這篇文章呢，也分享我的經驗，給想把一般常見的「封閉式」弦扭換成「開放式」的琴友們參考。",[56,770,771],{},"首先是品牌。",[56,773,774],{},"主要在台灣會看到的品牌就是美國的Waverly以及日本的Gotoh。這兩家都是做弦扭很知名的廠商。但Waverly 的價格是 Gotoh 同級型號的 2～3 倍以上。當然對只是外貌協會，想換個開放式外觀的我來說，Gotoh是最經濟實惠的選擇了。",[56,776,777],{},"封閉式弦扭和開放式弦扭最關鍵的規格就是「主孔孔徑的尺寸」。我的 HD-28 原廠封閉式弦鈕，主孔孔徑是 10mm，如果直接買傳統開放式弦鈕(7mm)，那就需要去填孔重新打一個小洞，是不小的工程。",[56,779,780,781,786],{},"而Gotoh原廠也很貼心的生產了一款無痛替換封閉式的型號－",[703,782,785],{"href":783,"rel":784},"https://g-gotoh.com/product/sxn510v/",[707],"SXN510V","。",[56,788,789],{},"入手之後的我就去找了Maruni.H的製琴師－鏡丞改裝啦！接下來就看圖說故事吧。",[56,791,792,796],{},[686,793],{"alt":794,"src":795},"拆除原裝弦鈕中...","/images/2026_HD28/HD28_2_1.jpg","\nFig.1 拆除原裝弦鈕中...",[56,798,799,803,805,809],{},[686,800],{"alt":801,"src":802},"對比一下兩種弦扭","/images/2026_HD28/HD28_2_8.jpg",[187,804],{},[686,806],{"alt":807,"src":808},"Gotoh SXN510V","/images/2026_HD28/HD28_2_9.jpg","\nFig.2 3 對比一下兩種弦扭，以及日本飛來的SXN510V",[56,811,812,816],{},[686,813],{"alt":814,"src":815},"準備鑽孔","/images/2026_HD28/HD28_2_3.jpg","\nFig.4 準備鑽孔",[56,818,819,823],{},[686,820],{"alt":821,"src":822},"上蠟","/images/2026_HD28/HD28_2_4.jpg","\nFig.5 鎖上螺絲之前很細心地上蠟！",[56,825,826,830],{},[686,827],{"alt":828,"src":829},"完成","/images/2026_HD28/HD28_2_7.jpg","\nFig.6 完成！新的琴頭樣式。",[56,832,833],{},"換上後明顯感覺琴頭變輕了一些，音色上倒是沒有差太多。反而後面鏡丞替這把琴做了全琴調校後，聲音完全脫胎換骨，原本高頻被抑制的動態都回來了。",[56,835,836,837,839,840,842],{},"講到這也想聊一下二手琴的風險。",[187,838],{},"\n這把琴是我在Facebook Marketplace找到的，原琴主也是從日本購入。試琴當下就覺得有點說不上來的問題，不過各方面的結構都沒什麼大問題。前琴主還幫我修了不少小問題。",[187,841],{},"\n本來還以為這把琴的聲音就是這樣了，但在經過很細緻的調教後，可以說從60分進化到90分！我想說的重點是，有許多吉他內部的問題是很難在試彈過程發現的，這次的經驗我也學到不少。建議沒有信心判斷的話，買二手琴一定要找信任的商家。入手新琴也很推薦找專業的技師調整一下，或許你會重新認識手上這把琴唷！",{"title":131,"searchDepth":132,"depth":132,"links":844},[],"/images/2026_HD28/HD28_2_5.jpg",[],{},"/threads/articles/martin-guitar-open-gear-tuner-swap",[],"2026-10-30",{"title":738,"description":743},"threads/articles/martin-guitar-open-gear-tuner-swap","前陣子我買了一把 Martin HD-28，拿到之後就想替它換上復古的開放式弦鈕。沒想到一研究才發現，弦鈕竟有那麼多種型號，如果買錯了，不只要多打一個洞，還可能會… ",[],"SNxqE1DR4m2mWD-ukHInYlkL7v9b5UxFMgqpkjD8Luk",{"id":857,"title":858,"animated":46,"body":859,"client":144,"cover":981,"css_code":144,"description":982,"extension":145,"html_code":144,"images":983,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":984,"navigation":147,"order":144,"path":985,"photos":986,"published_at":987,"reading_time":144,"related":144,"role":144,"seo":988,"slug":9,"source_hash":144,"status":144,"stem":989,"summary":990,"tags":991,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":993},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":48,"value":860,"toc":978},[861,869,872,886,902,908,916,926,952,955],[56,862,863,864,786,866,868],{},"今天來聊聊我的吉他收藏之一－",[207,865,858],{},[187,867],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[56,870,871],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[56,873,874,875,878,879,882,883,885],{},"我對",[207,876,877],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[207,880,881],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[207,884,877],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[56,887,888,889,891,892,786],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[207,890,877],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[893,894,895],"sup",{},[703,896,901],{"href":897,"ariaDescribedBy":898,"dataFootnoteRef":131,"id":900},"#user-content-fn-1",[899],"footnote-label","user-content-fnref-1","1",[56,903,904,905,907],{},"後來怎麼會買呢？這要聊到我的家庭。",[187,906],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[56,909,910,911,913],{},"轉換一下心情，介紹一下這把琴的規格吧！",[187,912],{},[686,914],{"alt":858,"src":915},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[917,918,923],"pre",{"className":919,"code":921,"language":922},[920],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[924,925,921],"code",{"__ignoreMap":131},[56,927,928,929,932,933,932,936,939,940,942,943,945,946,948],{},"過去發行過的作品：",[207,930,931],{},"It's Alright","、",[207,934,935],{},"向陽",[207,937,938],{},"時光飛逝","，都是用這把琴錄音的。",[187,941],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[187,944],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[187,947],{},[703,949,951],{"href":950},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[56,953,954],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[956,957,960,965],"section",{"className":958,"dataFootnotes":131},[959],"footnotes",[51,961,964],{"className":962,"id":899},[963],"sr-only","Footnotes",[572,966,967],{},[575,968,970,971],{"id":969},"user-content-fn-1","早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[703,972,977],{"href":973,"ariaLabel":974,"className":975,"dataFootnoteBackref":131},"#user-content-fnref-1","Back to reference 1",[976],"data-footnote-backref","↩",{"title":131,"searchDepth":132,"depth":132,"links":979},[980],{"id":899,"depth":132,"text":964},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":858,"description":982},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[992],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":995,"title":996,"animated":46,"body":997,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":1161,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":1162,"lang":144,"meta":1171,"navigation":147,"order":144,"path":1172,"photos":1173,"published_at":1174,"reading_time":144,"related":144,"role":144,"seo":1175,"slug":8,"source_hash":144,"status":144,"stem":1176,"summary":1177,"tags":1178,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":1181,"__hash__":1182},"threads/threads/articles/reverb-delay-complete-guide.md","空間效果完全攻略：Reverb 與 Delay 全解析",{"type":48,"value":998,"toc":1147},[999,1003,1007,1010,1013,1017,1021,1024,1027,1031,1034,1043,1051,1059,1063,1071,1079,1087,1091,1095,1098,1101,1105,1113,1120,1128,1132,1135,1138,1141,1144],[1000,1001,996],"h1",{"id":1002},"空間效果完全攻略reverb-與-delay-全解析",[51,1004,1006],{"id":1005},"為什麼吉他需要空間效果","為什麼吉他需要空間效果？",[56,1008,1009],{},"在現實生活中聆聽聲音時，大腦會根據反射聲來判斷空間的大小與遠近。但拾音器只會收取吉他最直接的震動，所以聲音常常聽起來很「乾」、很「近」，缺乏自然感。",[56,1011,1012],{},"因此，空間效果器通常是使用拾音器後必備的第一顆效果器。它能模擬真實房間的聲學特性，讓吉他聽起來更自然、更有空間感。",[51,1014,1016],{"id":1015},"認識-reverb殘響效果","認識 Reverb（殘響效果）",[79,1018,1020],{"id":1019},"reverb-的原理","Reverb 的原理",[56,1022,1023],{},"舉個簡單的例子：想像一個方形房間裡有人在彈吉他，聽眾會先聽到最短距離的「直達聲」，稍晚才聽到來自牆壁的「反射聲」。這些反射聲疊加在一起，就是這個房間的「殘響」。",[56,1025,1026],{},"這是現實中的殘響。用效果器製作殘響時，也能創造誇張的空間，甚至讓人感覺身處虛構的環境。",[79,1028,1030],{"id":1029},"reverb-的種類","Reverb 的種類",[56,1032,1033],{},"以下介紹三種常見類型：",[56,1035,1036,1039,1040,1042],{},[69,1037,1038],{},"Room（小房間）","：",[187,1041],{},"\n模擬小空間的反射。反射聲很快回來、殘響短，聲音緊湊貼近，像在房間裡近距離聽人彈琴。",[56,1044,1045,1039,1048,1050],{},[69,1046,1047],{},"Hall（大廳）",[187,1049],{},"\n模擬音樂廳這類大空間。反射聲較晚回來、殘響持續較久，尾音會明顯延伸，聽起來開闊且有包覆感。這是我平常最常用的類型。",[56,1052,1053,1039,1056,1058],{},[69,1054,1055],{},"Plate（金屬板）",[187,1057],{},"\n用金屬板製造的人工殘響，聲音緊實明亮。我自己比較少用在木吉他上。",[79,1060,1062],{"id":1061},"reverb-的關鍵參數","Reverb 的關鍵參數",[56,1064,1065,1039,1068,1070],{},[69,1066,1067],{},"Decay（衰減時間）",[187,1069],{},"\n決定尾音留多久。慢歌可以用較長的 Decay（例如 4 秒）營造氛圍；快歌則要縮短，否則音符密集時聲音會變得混濁。",[56,1072,1073,1039,1076,1078],{},[69,1074,1075],{},"Mix（混合比例）",[187,1077],{},"\n控制 Reverb 與原本乾聲的音量比例。效果器上可能標示為 Mix、Level 等名稱。",[56,1080,1081,1039,1084,1086],{},[69,1082,1083],{},"Pre-Delay（前置延遲）",[187,1085],{},"\n我認為這是很多人容易忽略的參數。數值越大，吉他聽起來離你越近；反之則越遠。不過調太大會讓殘響延後太久才出現，變成特效聲，所以只開一點點就好。",[51,1088,1090],{"id":1089},"認識-delay延遲效果","認識 Delay（延遲效果）",[79,1092,1094],{"id":1093},"delay-的概念","Delay 的概念",[56,1096,1097],{},"Delay 就是我們常聽到的 echo（回音），概念比 Reverb 更好理解：聲音會重複出現。",[56,1099,1100],{},"在空曠的停車場或山谷這類寬廣的地方，反射聲晚到能讓我們明顯分辨出時間差，這樣的反射聲就是 Delay。",[79,1102,1104],{"id":1103},"delay-的關鍵參數","Delay 的關鍵參數",[56,1106,1107,1039,1110,1112],{},[69,1108,1109],{},"Delay Time（延遲時間）",[187,1111],{},"\n決定每次回音的間隔。我最常使用八分音符，讓歌曲更有律動感，效果也更豐富。多數 Delay 效果器都能用踩點（Tap Tempo）設定時間，所以我很少去轉旋鈕。",[56,1114,1115,1039,1117,1119],{},[69,1116,1075],{},[187,1118],{},"\n控制 Delay 的音量。",[56,1121,1122,1039,1125,1127],{},[69,1123,1124],{},"Feedback（回授）",[187,1126],{},"\n決定回音重複幾次。我建議用耳朵判斷：慢歌通常三到四次剛好，快歌重複一到兩次即可。這沒有固定公式，也可以自己調出有趣的聲音。但 Feedback 千萬不要調太高，否則聽起來會非常可怕！",[51,1129,1131],{"id":1130},"yamaha-ta-systemtag3c","YAMAHA TA System（TAG3C）",[56,1133,1134],{},"TAG3C 是 YAMAHA TAG 系列的旗艦款。它外觀是一般的原聲吉他，卻把加振器藏在琴身內，讓吉他能自行產生 Reverb、Delay、Chorus 等空間效果，甚至能用 Loop Station 的方式，直接從琴身播放循環樂句。",[56,1136,1137],{},"搭配原廠「TA 系統 App」，在如此多功能的設計下，所有操作仍濃縮成側板上的四個按鈕。我覺得 YAMAHA 把空間效果整合得非常優雅，用起來流暢直觀。",[51,1139,1140],{"id":1140},"實戰建議",[56,1142,1143],{},"新手建議先理解 Reverb 與 Delay 的基本原理，再依歌曲風格慢慢調整參數。每首歌的風格不同，所需的空間效果也不同：慢歌可用較長的 Decay 與適度的 Feedback 營造氛圍，快歌則縮短參數以保持清晰。",[56,1145,1146],{},"掌握基本概念後，還有很多可以玩的空間。鼓勵大家多嘗試，找到最適合自己風格的設定。",{"title":131,"searchDepth":132,"depth":132,"links":1148},[1149,1150,1155,1159,1160],{"id":1005,"depth":132,"text":1006},{"id":1015,"depth":132,"text":1016,"children":1151},[1152,1153,1154],{"id":1019,"depth":139,"text":1020},{"id":1029,"depth":139,"text":1030},{"id":1061,"depth":139,"text":1062},{"id":1089,"depth":132,"text":1090,"children":1156},[1157,1158],{"id":1093,"depth":139,"text":1094},{"id":1103,"depth":139,"text":1104},{"id":1130,"depth":132,"text":1131},{"id":1140,"depth":132,"text":1140},[],[1163,1164,1165,1166,1167,1168,1169,1170],"我認為空間效果是使用拾音器後必備的第一顆效果器，因為拾音器只能收到乾聲，缺乏房間反射帶來的自然空間感","我介紹了三種 Reverb 類型：Room（小房間）、Hall（大廳）和 Plate（金屬板），其中 Hall 是我平常最常用的選擇","我建議調整 Reverb 的 Decay 參數時，慢歌可以用較長的尾音營造氛圍，快歌則要縮短以避免聲音渾濁","我提醒 Pre-Delay 這個容易被忽視的功能，數值越大會感覺離吉他越遠，但不要調太誇張否則會變成特效聲","我說明 Delay-Time 最常用八分音符配合歌曲速度，大多數效果器都能用踩踏來調整，不需要經常轉動旋鈕","我強調 Feedback 參數控制迴音重複次數，慢歌時千萬不要調太高，否則聽起來會很可怕","我分享了 YAMAHA TAG3 的設計優雅之處，它將空間效果的所有參數整合在側板上，使用流暢且直觀","我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數，找到最適合的效果",{},"/threads/articles/reverb-delay-complete-guide",[],"2026-10-22",{"title":996,"description":131},"threads/articles/reverb-delay-complete-guide","這一集「弦吟」為大家講解空間效果的核心概念。包含Reverb（殘響）和 Delay（延遲）的原理、調整方法，讓拾音器的聲音更具自然的空間感。",[156,157,1179,1180],"Reverb","Delay","https://www.youtube.com/watch?v=3fDY6sOm9Rc","6d-__tlzULgIO5cxSvq2VCF8NxSgTYkNEfmwEL8Duao",{"id":1184,"title":1185,"animated":46,"body":1186,"client":144,"cover":144,"css_code":144,"description":131,"extension":145,"html_code":144,"images":1312,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1313,"navigation":147,"order":144,"path":1314,"photos":1315,"published_at":1316,"reading_time":144,"related":144,"role":144,"seo":1317,"slug":14,"source_hash":144,"status":144,"stem":1318,"summary":1319,"tags":1320,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":1322,"__hash__":1323},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":48,"value":1187,"toc":1298},[1188,1192,1195,1198,1201,1205,1208,1211,1215,1218,1221,1224,1228,1231,1234,1237,1241,1244,1247,1250,1253,1256,1259,1262,1265,1268,1271,1274,1277,1280,1283,1286,1289,1292,1295],[1000,1189,1191],{"id":1190},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[51,1193,1194],{"id":1194},"木吉他編曲的魅力",[56,1196,1197],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[56,1199,1200],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[51,1202,1204],{"id":1203},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[56,1206,1207],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[56,1209,1210],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[51,1212,1214],{"id":1213},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[56,1216,1217],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[56,1219,1220],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[56,1222,1223],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[51,1225,1227],{"id":1226},"前奏教學從十度音開始","前奏教學——從十度音開始",[79,1229,1230],{"id":1230},"第一小節的十度音技巧",[56,1232,1233],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[56,1235,1236],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[79,1238,1240],{"id":1239},"運指與bass音的配合","運指與Bass音的配合",[56,1242,1243],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[79,1245,1246],{"id":1246},"和弦的變化與滑音",[56,1248,1249],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[56,1251,1252],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[56,1254,1255],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[79,1257,1258],{"id":1258},"勾音動作的技巧",[56,1260,1261],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[56,1263,1264],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[79,1266,1267],{"id":1267},"後半段的複雜運指",[56,1269,1270],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[56,1272,1273],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[56,1275,1276],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[51,1278,1279],{"id":1279},"我的創作初衷與錄製過程",[56,1281,1282],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[56,1284,1285],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[56,1287,1288],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[51,1290,1291],{"id":1291},"演出的感動與持續練習的動力",[56,1293,1294],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[56,1296,1297],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":131,"searchDepth":132,"depth":132,"links":1299},[1300,1301,1302,1303,1310,1311],{"id":1194,"depth":132,"text":1194},{"id":1203,"depth":132,"text":1204},{"id":1213,"depth":132,"text":1214},{"id":1226,"depth":132,"text":1227,"children":1304},[1305,1306,1307,1308,1309],{"id":1230,"depth":139,"text":1230},{"id":1239,"depth":139,"text":1240},{"id":1246,"depth":139,"text":1246},{"id":1258,"depth":139,"text":1258},{"id":1267,"depth":139,"text":1267},{"id":1279,"depth":132,"text":1279},{"id":1291,"depth":132,"text":1291},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":1185,"description":131},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[156,157,1321],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":1325,"title":1326,"animated":46,"body":1327,"client":144,"cover":1474,"css_code":144,"description":131,"extension":145,"html_code":144,"images":1475,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1476,"navigation":147,"order":144,"path":1477,"photos":1478,"published_at":1479,"reading_time":144,"related":144,"role":144,"seo":1480,"slug":18,"source_hash":144,"status":144,"stem":1481,"summary":1482,"tags":1483,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":1484},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":48,"value":1328,"toc":1471},[1329,1340,1393,1396,1399,1402,1417,1422,1428,1431],[238,1330,1331],{},[56,1332,1333,1334,1339],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[703,1335,1338],{"href":1336,"rel":1337},"https://blog.ikukaroom.com/ichigo-ichie/",[707],"ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[56,1341,1342,1343,1350,1351,1356,1357,1359,1360,1365,1366,1368,1369,1374,1375,1377,1378,1384,1392],{},"上個月吉他圈的朋友Wen",[893,1344,1345],{},[703,1346,901],{"href":1347,"ariaDescribedBy":1348,"dataFootnoteRef":131,"id":1349},"#user-content-fn-wen",[899],"user-content-fnref-wen","推薦我參與",[703,1352,1355],{"href":1353,"rel":1354},"https://blogblog.club/party",[707],"部落格同樂會","的活動。",[187,1358],{},"\n托我的吉他學生",[703,1361,1364],{"href":1362,"rel":1363},"https://ivanhsu.co",[707],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[187,1367],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[703,1370,1373],{"href":1371,"rel":1372},"https://www.wen-lab.tw/congratulate-huanyin/",[707],"Wen的生產力實驗室",")",[187,1376],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[1379,1380,1383],"ins",{"className":1381},[1382],"remark-ins","Threadpages",[893,1385,1386],{},[703,1387,1391],{"href":1388,"ariaDescribedBy":1389,"dataFootnoteRef":131,"id":1390},"#user-content-fn-2",[899],"user-content-fnref-2","2","唷。",[1394,1395],"hr",{},[56,1397,1398],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[56,1400,1401],{},"這時候是2020年。",[56,1403,1404,1405,1410,1411,1413,1414,1416],{},"我在2020年時認識了許多人，也因為當時發行了",[703,1406,1409],{"href":1407,"rel":1408},"https://www.youtube.com/watch?v=vY14tT-TXhE",[707],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[187,1412],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[187,1415],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[238,1418,1419],{},[56,1420,1421],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[56,1423,1424,1425,1427],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[187,1426],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[56,1429,1430],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[956,1432,1434,1437],{"className":1433,"dataFootnotes":131},[959],[51,1435,964],{"className":1436,"id":899},[963],[572,1438,1439,1458],{},[575,1440,1442,1443,932,1448,1453,1454],{"id":1441},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[703,1444,1447],{"href":1445,"rel":1446},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[707],"2020年訪談🔗",[703,1449,1452],{"href":1450,"rel":1451},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[707],"2022年訪談🔗"," ",[703,1455,977],{"href":1456,"ariaLabel":974,"className":1457,"dataFootnoteBackref":131},"#user-content-fnref-wen",[976],[575,1459,1461,1462,1453,1466],{"id":1460},"user-content-fn-2","Threadpages 官方網站: ",[703,1463,1464],{"href":1464,"rel":1465},"https://threadspage.com",[707],[703,1467,977],{"href":1468,"ariaLabel":1469,"className":1470,"dataFootnoteBackref":131},"#user-content-fnref-2","Back to reference 2",[976],{"title":131,"searchDepth":132,"depth":132,"links":1472},[1473],{"id":899,"depth":132,"text":964},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":1326,"description":131},"threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[661],"SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":1486,"title":1487,"animated":46,"body":1488,"client":144,"cover":1554,"css_code":144,"description":1555,"extension":145,"html_code":144,"images":1556,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1557,"navigation":147,"order":144,"path":1558,"photos":1559,"published_at":1560,"reading_time":144,"related":144,"role":144,"seo":1561,"slug":19,"source_hash":144,"status":144,"stem":1562,"summary":1563,"tags":1564,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":1565},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":48,"value":1489,"toc":1549},[1490,1502,1505,1521,1524,1527,1530,1535,1543],[56,1491,1492,1493,1498,1499,1501],{},"上週末到淡水",[703,1494,1497],{"href":1495,"rel":1496},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[707],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[187,1500],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[56,1503,1504],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[56,1506,1507,1508,1510,1511,1513,1514,1516,1517,786],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[187,1509],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[187,1512],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[187,1515],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[1518,1519,1520],"del",{},"的作品",[56,1522,1523],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[56,1525,1526],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[79,1528,1529],{"id":1529},"夜晚的淡江大橋",[56,1531,1532],{},[686,1533],{"alt":1529,"src":1534},"/images/0627_Night_Bridge.jpg",[79,1536,1538,1539,1542],{"id":1537},"大航海通車時代","大航海",[1518,1540,1541],{},"通車","時代？",[56,1544,1545],{},[686,1546],{"alt":1547,"src":1548},"大航海時代？","/images/0627_Luffy.jpg",{"title":131,"searchDepth":132,"depth":132,"links":1550},[1551,1552],{"id":1529,"depth":139,"text":1529},{"id":1537,"depth":139,"text":1553},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":1487,"description":1555},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[661],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1567,"title":1568,"animated":46,"body":1569,"client":144,"cover":1680,"css_code":144,"description":1573,"extension":145,"html_code":144,"images":1681,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1682,"navigation":147,"order":144,"path":1683,"photos":1684,"published_at":1685,"reading_time":144,"related":144,"role":144,"seo":1686,"slug":20,"source_hash":144,"status":144,"stem":1687,"summary":1688,"tags":1689,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":1690},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":48,"value":1570,"toc":1677},[1571,1574,1580,1585,1591,1596,1602,1606,1630,1633,1638,1641,1646,1651,1656,1661,1671],[56,1572,1573],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[56,1575,1576,1577,1579],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[187,1578],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[56,1581,1582],{},[207,1583,1584],{},"列隊拜拜，準備收割",[56,1586,1587],{},[686,1588],{"alt":1589,"src":1590},"準備收割","/images/20260704_7.jpg",[56,1592,1593],{},[207,1594,1595],{},"採收中，我在畫面右上角彈吉他",[56,1597,1598],{},[686,1599],{"alt":1600,"src":1601},"採收中","/images/20260704_2.jpg",[79,1603,1605],{"id":1604},"彈奏的曲目","彈奏的曲目：",[572,1607,1608,1611,1614,1617,1624,1627],{},[575,1609,1610],{},"向陽(Original)",[575,1612,1613],{},"流轉的路口(Original)",[575,1615,1616],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[575,1618,1619,1620,1623],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[1518,1621,1622],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[575,1625,1626],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[575,1628,1629],{},"時光飛逝(Original)",[56,1631,1632],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[238,1634,1635],{},[56,1636,1637],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[56,1639,1640],{},"很溫暖的一天，再放幾張照片吧！",[56,1642,1643],{},[207,1644,1645],{},"我的視角",[56,1647,1648],{},[686,1649],{"alt":1645,"src":1650},"/images/20260704_4.jpg",[56,1652,1653],{},[207,1654,1655],{},"撥穗",[56,1657,1658],{},[686,1659],{"alt":1645,"src":1660},"/images/20260704_5.jpg",[56,1662,1663,1666,1668],{},[207,1664,1665],{},"今天帶的吉他－Maton SRS808c",[187,1667],{},[207,1669,1670],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[56,1672,1673],{},[686,1674],{"alt":1675,"src":1676},"今天帶的吉他","/images/20260704_6.jpg",{"title":131,"searchDepth":132,"depth":132,"links":1678},[1679],{"id":1604,"depth":139,"text":1605},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":1568,"description":1573},"threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[661],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1692,"title":750,"animated":46,"body":1693,"client":144,"cover":1848,"css_code":144,"description":1697,"extension":145,"html_code":144,"images":1849,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1850,"navigation":147,"order":144,"path":1851,"photos":1852,"published_at":1853,"reading_time":144,"related":144,"role":144,"seo":1854,"slug":22,"source_hash":144,"status":144,"stem":1855,"summary":1856,"tags":1857,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":1858},"threads/threads/articles/tokyo-used-guitar-store.md",{"type":48,"value":1694,"toc":1845},[1695,1698,1701,1707,1713,1720,1729,1741,1747,1753,1759,1764,1770,1775,1778,1781,1784,1787,1793,1798,1804,1809,1815,1820,1826],[56,1696,1697],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[56,1699,1700],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[56,1702,1703],{},[686,1704],{"alt":1705,"src":1706},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[56,1708,1709,1710,1712],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[187,1711],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[56,1714,1715,1716,1719],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[207,1717,1718],{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[56,1721,1722,1723,1728],{},"我整理了我曾經到過的店家Google Map清單  ",[893,1724,1725],{},[703,1726,901],{"href":897,"ariaDescribedBy":1727,"dataFootnoteRef":131,"id":900},[899],"在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[56,1730,1731,1732,932,1736,1740],{},"主要大街上的大型店家，如",[1379,1733,1735],{"className":1734},[1382],"黑澤樂器",[1379,1737,1739],{"className":1738},[1382],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[56,1742,1743],{},[686,1744],{"alt":1745,"src":1746},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[1748,1749,1750],"ul",{},[575,1751,1752],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[56,1754,1755],{},[686,1756],{"alt":1757,"src":1758},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[1748,1760,1761],{},[575,1762,1763],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[56,1765,1766],{},[686,1767],{"alt":1768,"src":1769},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[1748,1771,1772],{},[575,1773,1774],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[56,1776,1777],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[56,1779,1780],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[56,1782,1783],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[56,1785,1786],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[56,1788,1789],{},[686,1790],{"alt":1791,"src":1792},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[1748,1794,1795],{},[575,1796,1797],{},"en・guitar 的Gibson牆。",[56,1799,1800],{},[686,1801],{"alt":1802,"src":1803},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[1748,1805,1806],{},[575,1807,1808],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[56,1810,1811],{},[686,1812],{"alt":1813,"src":1814},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[1748,1816,1817],{},[575,1818,1819],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[56,1821,1822,1823,1825],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[187,1824],{},"\n之後再寫一篇介紹這把琴吧！",[956,1827,1829,1832],{"className":1828,"dataFootnotes":131},[959],[51,1830,964],{"className":1831,"id":899},[963],[572,1833,1834],{},[575,1835,1836,1841,1842],{"id":969},[703,1837,1840],{"href":1838,"rel":1839},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[707],"Guitar Stores 📍Tokyo","Google Map清單。 ",[703,1843,977],{"href":973,"ariaLabel":974,"className":1844,"dataFootnoteBackref":131},[976],{"title":131,"searchDepth":132,"depth":132,"links":1846},[1847],{"id":899,"depth":132,"text":964},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":750,"description":1697},"threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[661],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":1860,"title":1861,"animated":46,"body":1862,"client":144,"cover":1912,"css_code":144,"description":1913,"extension":145,"html_code":144,"images":1914,"is_announcement":46,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":1915,"navigation":147,"order":144,"path":1916,"photos":1917,"published_at":1918,"reading_time":144,"related":144,"role":144,"seo":1919,"slug":21,"source_hash":144,"status":144,"stem":1920,"summary":1921,"tags":1922,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":1923},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":48,"value":1863,"toc":1910},[1864,1881,1889,1898,1904,1907],[56,1865,1866,1867,1869,1870,1873,1874,1876],{},"老早就有想要架設網站的想法了。",[187,1868],{},"\nThreadspage是由開發者－",[207,1871,1872],{},"暢可"," 創立的平台。",[187,1875],{},[703,1877,1880],{"href":1878,"rel":1879},"https://threadspage.app/?ref=huanyin.vercel.app",[707],"點進來讓AI幫你介紹吧！",[238,1882,1883],{},[56,1884,1885,1886,1888],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[187,1887],{},"\n他說著創建平台的初衷。",[56,1890,1891,1892,1894,1895,1897],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[187,1893],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[187,1896],{},"\n經過半天努力，這裡也算有了雛形。",[56,1899,1900,1901,1903],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[187,1902],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[56,1905,1906],{},"讀完這篇文的你，歡迎光臨。",[56,1908,1909],{},"桓吟",{"title":131,"searchDepth":132,"depth":132,"links":1911},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1861,"description":1913},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[661],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1925,"title":1926,"animated":46,"body":1927,"client":144,"cover":2034,"css_code":144,"description":1931,"extension":145,"html_code":144,"images":2035,"is_announcement":147,"is_pinned":46,"is_published":147,"key_points":144,"lang":144,"meta":2036,"navigation":147,"order":144,"path":2037,"photos":2038,"published_at":2039,"reading_time":144,"related":144,"role":144,"seo":2040,"slug":25,"source_hash":144,"status":144,"stem":2041,"summary":2042,"tags":2043,"tech_stack":144,"translation_of":144,"type":158,"url":144,"video_url":144,"__hash__":2044},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":48,"value":1928,"toc":2032},[1929,1932,1935,1941,1950,1956,1978,1984,1995,2003,2013,2023,2029],[56,1930,1931],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[56,1933,1934],{},"以下用條列式說明：",[56,1936,1937],{},[686,1938],{"alt":1939,"src":1940},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1748,1942,1943],{},[575,1944,1945,1946,1949],{},"最上方是我的",[69,1947,1948],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[56,1951,1952],{},[686,1953],{"alt":1954,"src":1955},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1748,1957,1958,1961,1968],{},[575,1959,1960],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[575,1962,1963,1964,1967],{},"最下面的",[69,1965,1966],{},"深色訂閱按鈕","，千萬不要點！如果你點了，可能會多一份沒時間練的樂譜 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建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[187,2021],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[56,2024,2025],{},[703,2026,2028],{"href":1464,"rel":2027},[707],"THEADSPAGE 把你的創作，變成 真正屬於你 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