[{"data":1,"prerenderedAt":2270},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads-zh-TW":40,"$fKm6xXf2qvzxjcoYg8BZ5q9o-6EPLQd0oXAocpDUxPPU":2159},{"about":4,"acoustic-guitar-body-types-guide":5,"acoustic-guitar-pickup-recording-setup":11,"facing-the-other-side-student-recital":14,"fingerstyle-position-change-tone-color-finnish-distance":17,"guitar-fingernail-care":18,"guitar-thinking-life":19,"live-info-chiayi-2026":24,"my-guitar-lowden-F32c":27,"reverb-delay-complete-guide":28,"she-came-to-my-concert-guitar-tutorial":29,"thought-ichigo-ichie":30,"thought-life-live":32,"thought-live-education-kids":33,"tokyo-used-guitar-store":34,"website-origin-story":35,"welcome":36,"worksmy-gears-guitar-pedal":38,"private-guitar-lesson-huanyin":39},[],[6,7,8,9,10],"acoustic-guitar-pickup-recording-setup","fingerstyle-position-change-tone-color-finnish-distance","my-guitar-lowden-F32c","guitar-fingernail-care","reverb-delay-complete-guide",[10,12,13,8,7],"acoustic-guitar-body-types-guide","worksmy-gears-guitar-pedal",[15,7,12,6,16],"she-came-to-my-concert-guitar-tutorial","thought-live-education-kids",[15,12,10,6,9],[15,7,12,10,6],[20,21,22,16,23],"thought-ichigo-ichie","thought-life-live","website-origin-story","tokyo-used-guitar-store",[25,16,21,26,22],"facing-the-other-side-student-recital","welcome",[23,12,13,6,9],[6,7,15,12,13],[7,12,9,6,25],[22,31,21,25,16],"guitar-thinking-life",[16,31,20,23,25],[21,20,31,22,23],[8,12,31,20,21],[31,20,21,16,26],[22,20,31,37,12],"live-info-chiayi-2026",[6,10,8,12,25],[],[41,159,338,414,466,620,661,734,873,1062,1203,1364,1445,1570,1739,1804,1925,1997,2080],{"id":42,"title":43,"animated":44,"body":45,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":144,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":146,"navigation":145,"order":142,"path":147,"photos":148,"published_at":149,"reading_time":142,"related":142,"role":142,"seo":150,"slug":12,"source_hash":142,"status":142,"stem":151,"summary":152,"tags":153,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":157,"__hash__":158},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":46,"value":47,"toc":128},"minimark",[48,53,57,60,63,70,73,76,81,88,92,95,99,102,106,109,115,119,122,125],[49,50,52],"h2",{"id":51},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[54,55,56],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[49,58,59],{"id":59},"如何根據身型挑選桶身大小",[54,61,62],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[54,64,65,66],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[67,68,69],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[49,71,72],{"id":72},"四種桶身的音色比較",[54,74,75],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[77,78,80],"h3",{"id":79},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[54,82,83,84,87],{},"D桶身是歷史最悠久的設計，我認為它有",[67,85,86],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[77,89,91],{"id":90},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[54,93,94],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[77,96,98],{"id":97},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[54,100,101],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[77,103,105],{"id":104},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[54,107,108],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[54,110,111,112],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[67,113,114],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[49,116,118],{"id":117},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[54,120,121],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[54,123,124],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[54,126,127],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":129,"searchDepth":130,"depth":130,"links":131},"",2,[132,133,134,141],{"id":51,"depth":130,"text":52},{"id":59,"depth":130,"text":59},{"id":72,"depth":130,"text":72,"children":135},[136,138,139,140],{"id":79,"depth":137,"text":80},3,{"id":90,"depth":137,"text":91},{"id":97,"depth":137,"text":98},{"id":104,"depth":137,"text":105},{"id":117,"depth":130,"text":118},null,"md",[],true,{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":43,"description":129},"threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[154,155],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":160,"title":161,"animated":44,"body":162,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":327,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":328,"navigation":145,"order":142,"path":329,"photos":330,"published_at":331,"reading_time":142,"related":142,"role":142,"seo":332,"slug":6,"source_hash":142,"status":142,"stem":333,"summary":334,"tags":335,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":336,"__hash__":337},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":46,"value":163,"toc":318},[164,168,171,174,178,181,191,194,198,201,213,232,235,244,247,262,268,271,274,283,287,293,300,303,306,309],[49,165,167],{"id":166},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[54,169,170],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[54,172,173],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[49,175,177],{"id":176},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[54,179,180],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[54,182,183,184,187,188,190],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[185,186],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[185,189],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[54,192,193],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[49,195,197],{"id":196},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[54,199,200],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[54,202,203,204,208,209,212],{},"我使用的線圈是美國的 ",[205,206,207],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[205,210,211],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[54,214,215,216,218,219,221,222,224,225,228,229,231],{},"運作方式很簡單：",[185,217],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[185,220],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[185,223],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[67,226,227],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[185,230],{},"\n這是我認為兩種拾音器差異最大的地方。",[54,233,234],{},"我的方式是：",[236,237,238],"blockquote",{},[54,239,240,241,243],{},"線圈->穩定的弦聲＋貼片->整體空間感",[185,242],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[49,245,246],{"id":246},"我的效果器盤配置",[54,248,249,250,253,254,257,258,261],{},"我的效果器盤總共有四顆效果器。首先是",[205,251,252],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[67,255,256],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[67,259,260],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[54,263,264,265,267],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[185,266],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[54,269,270],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[49,272,273],{"id":273},"線圈和貼片的聲音差異",[54,275,276,277,279,280,282],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[185,278],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[185,281],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[49,284,286],{"id":285},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[54,288,289,290,292],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[185,291],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[54,294,295,296,299],{},"出於好奇，我和台灣麥克風品牌",[205,297,298],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[54,301,302],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[49,304,305],{"id":305},"結語",[54,307,308],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[54,310,311,312,314,315,317],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[205,313,211],{},"和",[205,316,298],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":129,"searchDepth":130,"depth":130,"links":319},[320,321,322,323,324,325,326],{"id":166,"depth":130,"text":167},{"id":176,"depth":130,"text":177},{"id":196,"depth":130,"text":197},{"id":246,"depth":130,"text":246},{"id":273,"depth":130,"text":273},{"id":285,"depth":130,"text":286},{"id":305,"depth":130,"text":305},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":161,"description":129},"threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[154,155],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":339,"title":340,"animated":44,"body":341,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":402,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":403,"navigation":145,"order":142,"path":404,"photos":405,"published_at":406,"reading_time":142,"related":142,"role":142,"seo":407,"slug":25,"source_hash":142,"status":142,"stem":408,"summary":409,"tags":410,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":412,"__hash__":413},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":46,"value":342,"toc":395},[343,346,349,352,356,359,362,365,368,371,374,377,380,383,386,389,392],[49,344,345],{"id":345},"一場特別的共演演出",[54,347,348],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[54,350,351],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[49,353,355],{"id":354},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[54,357,358],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[54,360,361],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[54,363,364],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[49,366,367],{"id":367},"教學中的收穫與成長",[54,369,370],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[54,372,373],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[49,375,376],{"id":376},"身心投入的獨特價值",[54,378,379],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[54,381,382],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[49,384,385],{"id":385},"給正在學習的你",[54,387,388],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[54,390,391],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[54,393,394],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":129,"searchDepth":130,"depth":130,"links":396},[397,398,399,400,401],{"id":345,"depth":130,"text":345},{"id":354,"depth":130,"text":355},{"id":367,"depth":130,"text":367},{"id":376,"depth":130,"text":376},{"id":385,"depth":130,"text":385},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":340,"description":129},"threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[154,155,411],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":415,"title":416,"animated":44,"body":417,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":454,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":455,"navigation":145,"order":142,"path":456,"photos":457,"published_at":458,"reading_time":142,"related":142,"role":142,"seo":459,"slug":7,"source_hash":142,"status":142,"stem":460,"summary":461,"tags":462,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":464,"__hash__":465},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":46,"value":418,"toc":451},[419,425,437,440,445,448],[49,420,422],{"id":421},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[67,423,424],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[54,426,427,428,431,433,434,436],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[67,429,430],{},"同一首歌，放在不同把位，聲音會完全不同。",[185,432],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[185,435],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[54,438,439],{},"這個過程讓我重新理解一件事：",[236,441,442],{},[54,443,444],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[54,446,447],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[54,449,450],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":129,"searchDepth":130,"depth":130,"links":452},[453],{"id":421,"depth":130,"text":424},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":416,"description":129},"threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[154,155,463],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",{"id":467,"title":468,"animated":44,"body":469,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":609,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":610,"navigation":145,"order":142,"path":611,"photos":612,"published_at":613,"reading_time":142,"related":142,"role":142,"seo":614,"slug":9,"source_hash":142,"status":142,"stem":615,"summary":616,"tags":617,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":618,"__hash__":619},"threads/threads/articles/guitar-fingernail-care.md","彈吉他要不要留指甲？10 分鐘修出好音色（附修整教學）",{"type":46,"value":470,"toc":600},[471,474,477,480,483,486,489,492,495,498,501,507,513,524,527,534,537,544,547,550,557,560,563,566,569,585,588,591,594,597],[49,472,473],{"id":473},"我為什麼開始留指甲",[54,475,476],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[54,478,479],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[54,481,482],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[49,484,485],{"id":485},"為什麼新手應該留一點指甲",[54,487,488],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[54,490,491],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[54,493,494],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[49,496,497],{"id":497},"我常用的修整工具",[54,499,500],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[54,502,503,506],{},[67,504,505],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[54,508,509,512],{},[67,510,511],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[54,514,515,516,519,520,523],{},"如果你是裸甲，我會推薦用",[67,517,518],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[67,521,522],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[49,525,526],{"id":526},"觸弦點與指甲形狀",[54,528,529,530,533],{},"接下來我要介紹一個重要的概念：",[67,531,532],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[54,535,536],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[54,538,539,540,543],{},"關於指甲長度，我想強調的是：",[67,541,542],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[54,545,546],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[49,548,549],{"id":549},"實際修整步驟",[54,551,552,553,556],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[67,554,555],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[54,558,559],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[54,561,562],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[49,564,565],{"id":565},"找到最適合你的長度",[54,567,568],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[570,571,572,576,579,582],"ol",{},[573,574,575],"li",{},"先確定一個你要留的長度",[573,577,578],{},"習慣幾天",[573,580,581],{},"再決定要留長一點還是磨短一點",[573,583,584],{},"反覆這個過程",[54,586,587],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[49,589,590],{"id":590},"最後的建議",[54,592,593],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[54,595,596],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[54,598,599],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":129,"searchDepth":130,"depth":130,"links":601},[602,603,604,605,606,607,608],{"id":473,"depth":130,"text":473},{"id":485,"depth":130,"text":485},{"id":497,"depth":130,"text":497},{"id":526,"depth":130,"text":526},{"id":549,"depth":130,"text":549},{"id":565,"depth":130,"text":565},{"id":590,"depth":130,"text":590},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":468,"description":129},"threads/articles/guitar-fingernail-care","彈吉他要不要留指甲？我分享自己留指甲的經驗，說明新手為什麼適合留一點長度、觸弦點與指甲形狀的關係，以及修整工具的選擇和實際步驟。",[154,155],"https://www.youtube.com/watch?v=mv6bmmfMBew","Uvk4AnyELz8UH-bgk8evv5JNF_wFBjltxnc5jf4iL0w",{"id":621,"title":622,"animated":44,"body":623,"client":142,"cover":648,"css_code":142,"description":649,"extension":143,"html_code":142,"images":650,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":651,"navigation":145,"order":142,"path":652,"photos":653,"published_at":654,"reading_time":142,"related":142,"role":142,"seo":655,"slug":31,"source_hash":142,"status":142,"stem":656,"summary":657,"tags":658,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":660},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":46,"value":624,"toc":646},[625,631,637,643],[54,626,627,628,630],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[185,629],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[54,632,633,634,636],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[185,635],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[54,638,639,640,642],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[185,641],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[54,644,645],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":129,"searchDepth":130,"depth":130,"links":647},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":622,"description":649},"threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[659],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":662,"title":663,"animated":44,"body":664,"client":142,"cover":721,"css_code":142,"description":722,"extension":143,"html_code":142,"images":723,"is_announcement":145,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":724,"navigation":145,"order":142,"path":725,"photos":726,"published_at":727,"reading_time":142,"related":142,"role":142,"seo":728,"slug":37,"source_hash":142,"status":142,"stem":729,"summary":730,"tags":731,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":733},"threads/threads/articles/live-info-chiayi-2026.md","11/21《慢慢彈 慢慢談》嘉義",{"type":46,"value":665,"toc":719},[666,681,689,694],[54,667,668,669,671,672,674,675,677,678,680],{},"嘉義的朋友們好！",[185,670],{},"\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。",[185,673],{},"\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。",[185,676],{},"\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！",[185,679],{},"\n慢慢彈，慢慢談，11/21見。",[54,682,683,688],{},[684,685],"img",{"alt":686,"src":687},"2019_25x40","/images/2026_25x40/2019_25x40.JPG","\n2019第一次在嘉義演出",[690,691,693],"h4",{"id":692},"慢慢彈-慢慢談劉桓吟指彈演奏會","《慢慢彈  慢慢談—劉桓吟指彈演奏會》",[54,695,696,697,699,700,707,708,710,711,713,714],{},"｜日期：2026.11.21（六） 19:30-21:00",[185,698],{},"\n｜地點：",[701,702,706],"a",{"href":703,"rel":704},"https://maps.app.goo.gl/oDG5pKFD9Sq4LQW88",[705],"nofollow","25x40藝文空間📍"," 嘉義市中正路554號",[185,709],{},"\n｜費用：早鳥 500元，現場 600元",[185,712],{},"\n｜",[701,715,718],{"href":716,"rel":717},"https://forms.gle/2AXwQV4KBg8aSyNy8",[705],"購票連結🔗",{"title":129,"searchDepth":130,"depth":130,"links":720},[],"/images/20241019 嘉義森韻 25x40-28.jpeg","嘉義的朋友們好！\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！\n慢慢彈，慢慢談，11/21見。",[],{},"/threads/articles/live-info-chiayi-2026",[],"2026-10-25",{"title":663,"description":722},"threads/articles/live-info-chiayi-2026","日期：2026.11.21（六）｜地點：25x40藝文空間｜費用：早鳥 500元，現場 600元  ",[732],"Live","AP_Bm523W3OscvtGNe8J-HATISeTaOd7J378kcIW418",{"id":735,"title":736,"animated":44,"body":737,"client":142,"cover":860,"css_code":142,"description":861,"extension":143,"html_code":142,"images":862,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":863,"navigation":145,"order":142,"path":864,"photos":865,"published_at":866,"reading_time":142,"related":142,"role":142,"seo":867,"slug":8,"source_hash":142,"status":142,"stem":868,"summary":869,"tags":870,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":872},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":46,"value":738,"toc":857},[739,748,751,765,781,787,795,805,831,834],[54,740,741,742,744,745,747],{},"今天來聊聊我的吉他收藏之一－",[205,743,736],{},"。",[185,746],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[54,749,750],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[54,752,753,754,757,758,761,762,764],{},"我對",[205,755,756],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[205,759,760],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[205,763,756],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[54,766,767,768,770,771,744],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[205,769,756],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[772,773,774],"sup",{},[701,775,780],{"href":776,"ariaDescribedBy":777,"dataFootnoteRef":129,"id":779},"#user-content-fn-1",[778],"footnote-label","user-content-fnref-1","1",[54,782,783,784,786],{},"後來怎麼會買呢？這要聊到我的家庭。",[185,785],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[54,788,789,790,792],{},"轉換一下心情，介紹一下這把琴的規格吧！",[185,791],{},[684,793],{"alt":736,"src":794},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[796,797,802],"pre",{"className":798,"code":800,"language":801},[799],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[803,804,800],"code",{"__ignoreMap":129},[54,806,807,808,811,812,811,815,818,819,821,822,824,825,827],{},"過去發行過的作品：",[205,809,810],{},"It's Alright","、",[205,813,814],{},"向陽",[205,816,817],{},"時光飛逝","，都是用這把琴錄音的。",[185,820],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[185,823],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[185,826],{},[701,828,830],{"href":829},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[54,832,833],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[835,836,839,844],"section",{"className":837,"dataFootnotes":129},[838],"footnotes",[49,840,843],{"className":841,"id":778},[842],"sr-only","Footnotes",[570,845,846],{},[573,847,849,850],{"id":848},"user-content-fn-1","早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[701,851,856],{"href":852,"ariaLabel":853,"className":854,"dataFootnoteBackref":129},"#user-content-fnref-1","Back to reference 1",[855],"data-footnote-backref","↩",{"title":129,"searchDepth":130,"depth":130,"links":858},[859],{"id":778,"depth":130,"text":843},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":736,"description":861},"threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[871],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":874,"title":875,"animated":44,"body":876,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":1040,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":1041,"lang":142,"meta":1050,"navigation":145,"order":142,"path":1051,"photos":1052,"published_at":1053,"reading_time":142,"related":142,"role":142,"seo":1054,"slug":10,"source_hash":142,"status":142,"stem":1055,"summary":1056,"tags":1057,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":1060,"__hash__":1061},"threads/threads/articles/reverb-delay-complete-guide.md","空間效果完全攻略：Reverb 與 Delay 全解析",{"type":46,"value":877,"toc":1026},[878,882,886,889,892,896,900,903,906,910,913,922,930,938,942,950,958,966,970,974,977,980,984,992,999,1007,1011,1014,1017,1020,1023],[879,880,875],"h1",{"id":881},"空間效果完全攻略reverb-與-delay-全解析",[49,883,885],{"id":884},"為什麼吉他需要空間效果","為什麼吉他需要空間效果？",[54,887,888],{},"在現實生活中聆聽聲音時，大腦會根據反射聲來判斷空間的大小與遠近。但拾音器只會收取吉他最直接的震動，所以聲音常常聽起來很「乾」、很「近」，缺乏自然感。",[54,890,891],{},"因此，空間效果器通常是使用拾音器後必備的第一顆效果器。它能模擬真實房間的聲學特性，讓吉他聽起來更自然、更有空間感。",[49,893,895],{"id":894},"認識-reverb殘響效果","認識 Reverb（殘響效果）",[77,897,899],{"id":898},"reverb-的原理","Reverb 的原理",[54,901,902],{},"舉個簡單的例子：想像一個方形房間裡有人在彈吉他，聽眾會先聽到最短距離的「直達聲」，稍晚才聽到來自牆壁的「反射聲」。這些反射聲疊加在一起，就是這個房間的「殘響」。",[54,904,905],{},"這是現實中的殘響。用效果器製作殘響時，也能創造誇張的空間，甚至讓人感覺身處虛構的環境。",[77,907,909],{"id":908},"reverb-的種類","Reverb 的種類",[54,911,912],{},"以下介紹三種常見類型：",[54,914,915,918,919,921],{},[67,916,917],{},"Room（小房間）","：",[185,920],{},"\n模擬小空間的反射。反射聲很快回來、殘響短，聲音緊湊貼近，像在房間裡近距離聽人彈琴。",[54,923,924,918,927,929],{},[67,925,926],{},"Hall（大廳）",[185,928],{},"\n模擬音樂廳這類大空間。反射聲較晚回來、殘響持續較久，尾音會明顯延伸，聽起來開闊且有包覆感。這是我平常最常用的類型。",[54,931,932,918,935,937],{},[67,933,934],{},"Plate（金屬板）",[185,936],{},"\n用金屬板製造的人工殘響，聲音緊實明亮。我自己比較少用在木吉他上。",[77,939,941],{"id":940},"reverb-的關鍵參數","Reverb 的關鍵參數",[54,943,944,918,947,949],{},[67,945,946],{},"Decay（衰減時間）",[185,948],{},"\n決定尾音留多久。慢歌可以用較長的 Decay（例如 4 秒）營造氛圍；快歌則要縮短，否則音符密集時聲音會變得混濁。",[54,951,952,918,955,957],{},[67,953,954],{},"Mix（混合比例）",[185,956],{},"\n控制 Reverb 與原本乾聲的音量比例。效果器上可能標示為 Mix、Level 等名稱。",[54,959,960,918,963,965],{},[67,961,962],{},"Pre-Delay（前置延遲）",[185,964],{},"\n我認為這是很多人容易忽略的參數。數值越大，吉他聽起來離你越近；反之則越遠。不過調太大會讓殘響延後太久才出現，變成特效聲，所以只開一點點就好。",[49,967,969],{"id":968},"認識-delay延遲效果","認識 Delay（延遲效果）",[77,971,973],{"id":972},"delay-的概念","Delay 的概念",[54,975,976],{},"Delay 就是我們常聽到的 echo（回音），概念比 Reverb 更好理解：聲音會重複出現。",[54,978,979],{},"在空曠的停車場或山谷這類寬廣的地方，反射聲晚到能讓我們明顯分辨出時間差，這樣的反射聲就是 Delay。",[77,981,983],{"id":982},"delay-的關鍵參數","Delay 的關鍵參數",[54,985,986,918,989,991],{},[67,987,988],{},"Delay Time（延遲時間）",[185,990],{},"\n決定每次回音的間隔。我最常使用八分音符，讓歌曲更有律動感，效果也更豐富。多數 Delay 效果器都能用踩點（Tap Tempo）設定時間，所以我很少去轉旋鈕。",[54,993,994,918,996,998],{},[67,995,954],{},[185,997],{},"\n控制 Delay 的音量。",[54,1000,1001,918,1004,1006],{},[67,1002,1003],{},"Feedback（回授）",[185,1005],{},"\n決定回音重複幾次。我建議用耳朵判斷：慢歌通常三到四次剛好，快歌重複一到兩次即可。這沒有固定公式，也可以自己調出有趣的聲音。但 Feedback 千萬不要調太高，否則聽起來會非常可怕！",[49,1008,1010],{"id":1009},"yamaha-ta-systemtag3c","YAMAHA TA System（TAG3C）",[54,1012,1013],{},"TAG3C 是 YAMAHA TAG 系列的旗艦款。它外觀是一般的原聲吉他，卻把加振器藏在琴身內，讓吉他能自行產生 Reverb、Delay、Chorus 等空間效果，甚至能用 Loop Station 的方式，直接從琴身播放循環樂句。",[54,1015,1016],{},"搭配原廠「TA 系統 App」，在如此多功能的設計下，所有操作仍濃縮成側板上的四個按鈕。我覺得 YAMAHA 把空間效果整合得非常優雅，用起來流暢直觀。",[49,1018,1019],{"id":1019},"實戰建議",[54,1021,1022],{},"新手建議先理解 Reverb 與 Delay 的基本原理，再依歌曲風格慢慢調整參數。每首歌的風格不同，所需的空間效果也不同：慢歌可用較長的 Decay 與適度的 Feedback 營造氛圍，快歌則縮短參數以保持清晰。",[54,1024,1025],{},"掌握基本概念後，還有很多可以玩的空間。鼓勵大家多嘗試，找到最適合自己風格的設定。",{"title":129,"searchDepth":130,"depth":130,"links":1027},[1028,1029,1034,1038,1039],{"id":884,"depth":130,"text":885},{"id":894,"depth":130,"text":895,"children":1030},[1031,1032,1033],{"id":898,"depth":137,"text":899},{"id":908,"depth":137,"text":909},{"id":940,"depth":137,"text":941},{"id":968,"depth":130,"text":969,"children":1035},[1036,1037],{"id":972,"depth":137,"text":973},{"id":982,"depth":137,"text":983},{"id":1009,"depth":130,"text":1010},{"id":1019,"depth":130,"text":1019},[],[1042,1043,1044,1045,1046,1047,1048,1049],"我認為空間效果是使用拾音器後必備的第一顆效果器，因為拾音器只能收到乾聲，缺乏房間反射帶來的自然空間感","我介紹了三種 Reverb 類型：Room（小房間）、Hall（大廳）和 Plate（金屬板），其中 Hall 是我平常最常用的選擇","我建議調整 Reverb 的 Decay 參數時，慢歌可以用較長的尾音營造氛圍，快歌則要縮短以避免聲音渾濁","我提醒 Pre-Delay 這個容易被忽視的功能，數值越大會感覺離吉他越遠，但不要調太誇張否則會變成特效聲","我說明 Delay-Time 最常用八分音符配合歌曲速度，大多數效果器都能用踩踏來調整，不需要經常轉動旋鈕","我強調 Feedback 參數控制迴音重複次數，慢歌時千萬不要調太高，否則聽起來會很可怕","我分享了 YAMAHA TAG3 的設計優雅之處，它將空間效果的所有參數整合在側板上，使用流暢且直觀","我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數，找到最適合的效果",{},"/threads/articles/reverb-delay-complete-guide",[],"2026-10-22",{"title":875,"description":129},"threads/articles/reverb-delay-complete-guide","這一集「弦吟」為大家講解空間效果的核心概念。包含Reverb（殘響）和 Delay（延遲）的原理、調整方法，讓拾音器的聲音更具自然的空間感。",[154,155,1058,1059],"Reverb","Delay","https://www.youtube.com/watch?v=3fDY6sOm9Rc","6d-__tlzULgIO5cxSvq2VCF8NxSgTYkNEfmwEL8Duao",{"id":1063,"title":1064,"animated":44,"body":1065,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":1191,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1192,"navigation":145,"order":142,"path":1193,"photos":1194,"published_at":1195,"reading_time":142,"related":142,"role":142,"seo":1196,"slug":15,"source_hash":142,"status":142,"stem":1197,"summary":1198,"tags":1199,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":1201,"__hash__":1202},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":46,"value":1066,"toc":1177},[1067,1071,1074,1077,1080,1084,1087,1090,1094,1097,1100,1103,1107,1110,1113,1116,1120,1123,1126,1129,1132,1135,1138,1141,1144,1147,1150,1153,1156,1159,1162,1165,1168,1171,1174],[879,1068,1070],{"id":1069},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[49,1072,1073],{"id":1073},"木吉他編曲的魅力",[54,1075,1076],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[54,1078,1079],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[49,1081,1083],{"id":1082},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[54,1085,1086],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[54,1088,1089],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[49,1091,1093],{"id":1092},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[54,1095,1096],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[54,1098,1099],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[54,1101,1102],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[49,1104,1106],{"id":1105},"前奏教學從十度音開始","前奏教學——從十度音開始",[77,1108,1109],{"id":1109},"第一小節的十度音技巧",[54,1111,1112],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[54,1114,1115],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[77,1117,1119],{"id":1118},"運指與bass音的配合","運指與Bass音的配合",[54,1121,1122],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[77,1124,1125],{"id":1125},"和弦的變化與滑音",[54,1127,1128],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[54,1130,1131],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[54,1133,1134],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[77,1136,1137],{"id":1137},"勾音動作的技巧",[54,1139,1140],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[54,1142,1143],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[77,1145,1146],{"id":1146},"後半段的複雜運指",[54,1148,1149],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[54,1151,1152],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[54,1154,1155],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[49,1157,1158],{"id":1158},"我的創作初衷與錄製過程",[54,1160,1161],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[54,1163,1164],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[54,1166,1167],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[49,1169,1170],{"id":1170},"演出的感動與持續練習的動力",[54,1172,1173],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[54,1175,1176],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":129,"searchDepth":130,"depth":130,"links":1178},[1179,1180,1181,1182,1189,1190],{"id":1073,"depth":130,"text":1073},{"id":1082,"depth":130,"text":1083},{"id":1092,"depth":130,"text":1093},{"id":1105,"depth":130,"text":1106,"children":1183},[1184,1185,1186,1187,1188],{"id":1109,"depth":137,"text":1109},{"id":1118,"depth":137,"text":1119},{"id":1125,"depth":137,"text":1125},{"id":1137,"depth":137,"text":1137},{"id":1146,"depth":137,"text":1146},{"id":1158,"depth":130,"text":1158},{"id":1170,"depth":130,"text":1170},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":1064,"description":129},"threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[154,155,1200],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":1204,"title":1205,"animated":44,"body":1206,"client":142,"cover":1353,"css_code":142,"description":129,"extension":143,"html_code":142,"images":1354,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1355,"navigation":145,"order":142,"path":1356,"photos":1357,"published_at":1358,"reading_time":142,"related":142,"role":142,"seo":1359,"slug":20,"source_hash":142,"status":142,"stem":1360,"summary":1361,"tags":1362,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1363},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":46,"value":1207,"toc":1350},[1208,1219,1272,1275,1278,1281,1296,1301,1307,1310],[236,1209,1210],{},[54,1211,1212,1213,1218],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[701,1214,1217],{"href":1215,"rel":1216},"https://blog.ikukaroom.com/ichigo-ichie/",[705],"ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[54,1220,1221,1222,1229,1230,1235,1236,1238,1239,1244,1245,1247,1248,1253,1254,1256,1257,1263,1271],{},"上個月吉他圈的朋友Wen",[772,1223,1224],{},[701,1225,780],{"href":1226,"ariaDescribedBy":1227,"dataFootnoteRef":129,"id":1228},"#user-content-fn-wen",[778],"user-content-fnref-wen","推薦我參與",[701,1231,1234],{"href":1232,"rel":1233},"https://blogblog.club/party",[705],"部落格同樂會","的活動。",[185,1237],{},"\n托我的吉他學生",[701,1240,1243],{"href":1241,"rel":1242},"https://ivanhsu.co",[705],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[185,1246],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[701,1249,1252],{"href":1250,"rel":1251},"https://www.wen-lab.tw/congratulate-huanyin/",[705],"Wen的生產力實驗室",")",[185,1255],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[1258,1259,1262],"ins",{"className":1260},[1261],"remark-ins","Threadpages",[772,1264,1265],{},[701,1266,1270],{"href":1267,"ariaDescribedBy":1268,"dataFootnoteRef":129,"id":1269},"#user-content-fn-2",[778],"user-content-fnref-2","2","唷。",[1273,1274],"hr",{},[54,1276,1277],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[54,1279,1280],{},"這時候是2020年。",[54,1282,1283,1284,1289,1290,1292,1293,1295],{},"我在2020年時認識了許多人，也因為當時發行了",[701,1285,1288],{"href":1286,"rel":1287},"https://www.youtube.com/watch?v=vY14tT-TXhE",[705],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[185,1291],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[185,1294],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[236,1297,1298],{},[54,1299,1300],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[54,1302,1303,1304,1306],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[185,1305],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[54,1308,1309],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[835,1311,1313,1316],{"className":1312,"dataFootnotes":129},[838],[49,1314,843],{"className":1315,"id":778},[842],[570,1317,1318,1337],{},[573,1319,1321,1322,811,1327,1332,1333],{"id":1320},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[701,1323,1326],{"href":1324,"rel":1325},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[705],"2020年訪談🔗",[701,1328,1331],{"href":1329,"rel":1330},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[705],"2022年訪談🔗"," ",[701,1334,856],{"href":1335,"ariaLabel":853,"className":1336,"dataFootnoteBackref":129},"#user-content-fnref-wen",[855],[573,1338,1340,1341,1332,1345],{"id":1339},"user-content-fn-2","Threadpages 官方網站: ",[701,1342,1343],{"href":1343,"rel":1344},"https://threadspage.com",[705],[701,1346,856],{"href":1347,"ariaLabel":1348,"className":1349,"dataFootnoteBackref":129},"#user-content-fnref-2","Back to reference 2",[855],{"title":129,"searchDepth":130,"depth":130,"links":1351},[1352],{"id":778,"depth":130,"text":843},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":1205,"description":129},"threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[659],"SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":1365,"title":1366,"animated":44,"body":1367,"client":142,"cover":1433,"css_code":142,"description":1434,"extension":143,"html_code":142,"images":1435,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1436,"navigation":145,"order":142,"path":1437,"photos":1438,"published_at":1439,"reading_time":142,"related":142,"role":142,"seo":1440,"slug":21,"source_hash":142,"status":142,"stem":1441,"summary":1442,"tags":1443,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1444},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":46,"value":1368,"toc":1428},[1369,1381,1384,1400,1403,1406,1409,1414,1422],[54,1370,1371,1372,1377,1378,1380],{},"上週末到淡水",[701,1373,1376],{"href":1374,"rel":1375},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[705],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[185,1379],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[54,1382,1383],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[54,1385,1386,1387,1389,1390,1392,1393,1395,1396,744],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[185,1388],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[185,1391],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[185,1394],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[1397,1398,1399],"del",{},"的作品",[54,1401,1402],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[54,1404,1405],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[77,1407,1408],{"id":1408},"夜晚的淡江大橋",[54,1410,1411],{},[684,1412],{"alt":1408,"src":1413},"/images/0627_Night_Bridge.jpg",[77,1415,1417,1418,1421],{"id":1416},"大航海通車時代","大航海",[1397,1419,1420],{},"通車","時代？",[54,1423,1424],{},[684,1425],{"alt":1426,"src":1427},"大航海時代？","/images/0627_Luffy.jpg",{"title":129,"searchDepth":130,"depth":130,"links":1429},[1430,1431],{"id":1408,"depth":137,"text":1408},{"id":1416,"depth":137,"text":1432},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":1366,"description":1434},"threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[659],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1446,"title":1447,"animated":44,"body":1448,"client":142,"cover":1559,"css_code":142,"description":1452,"extension":143,"html_code":142,"images":1560,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1561,"navigation":145,"order":142,"path":1562,"photos":1563,"published_at":1564,"reading_time":142,"related":142,"role":142,"seo":1565,"slug":16,"source_hash":142,"status":142,"stem":1566,"summary":1567,"tags":1568,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1569},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":46,"value":1449,"toc":1556},[1450,1453,1459,1464,1470,1475,1481,1485,1509,1512,1517,1520,1525,1530,1535,1540,1550],[54,1451,1452],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[54,1454,1455,1456,1458],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[185,1457],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[54,1460,1461],{},[205,1462,1463],{},"列隊拜拜，準備收割",[54,1465,1466],{},[684,1467],{"alt":1468,"src":1469},"準備收割","/images/20260704_7.jpg",[54,1471,1472],{},[205,1473,1474],{},"採收中，我在畫面右上角彈吉他",[54,1476,1477],{},[684,1478],{"alt":1479,"src":1480},"採收中","/images/20260704_2.jpg",[77,1482,1484],{"id":1483},"彈奏的曲目","彈奏的曲目：",[570,1486,1487,1490,1493,1496,1503,1506],{},[573,1488,1489],{},"向陽(Original)",[573,1491,1492],{},"流轉的路口(Original)",[573,1494,1495],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[573,1497,1498,1499,1502],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[1397,1500,1501],{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[573,1504,1505],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[573,1507,1508],{},"時光飛逝(Original)",[54,1510,1511],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[236,1513,1514],{},[54,1515,1516],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[54,1518,1519],{},"很溫暖的一天，再放幾張照片吧！",[54,1521,1522],{},[205,1523,1524],{},"我的視角",[54,1526,1527],{},[684,1528],{"alt":1524,"src":1529},"/images/20260704_4.jpg",[54,1531,1532],{},[205,1533,1534],{},"撥穗",[54,1536,1537],{},[684,1538],{"alt":1524,"src":1539},"/images/20260704_5.jpg",[54,1541,1542,1545,1547],{},[205,1543,1544],{},"今天帶的吉他－Maton SRS808c",[185,1546],{},[205,1548,1549],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[54,1551,1552],{},[684,1553],{"alt":1554,"src":1555},"今天帶的吉他","/images/20260704_6.jpg",{"title":129,"searchDepth":130,"depth":130,"links":1557},[1558],{"id":1483,"depth":137,"text":1484},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":1447,"description":1452},"threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[659],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1571,"title":1572,"animated":44,"body":1573,"client":142,"cover":1728,"css_code":142,"description":1577,"extension":143,"html_code":142,"images":1729,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1730,"navigation":145,"order":142,"path":1731,"photos":1732,"published_at":1733,"reading_time":142,"related":142,"role":142,"seo":1734,"slug":23,"source_hash":142,"status":142,"stem":1735,"summary":1736,"tags":1737,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1738},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":46,"value":1574,"toc":1725},[1575,1578,1581,1587,1593,1600,1609,1621,1627,1633,1639,1644,1650,1655,1658,1661,1664,1667,1673,1678,1684,1689,1695,1700,1706],[54,1576,1577],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[54,1579,1580],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[54,1582,1583],{},[684,1584],{"alt":1585,"src":1586},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[54,1588,1589,1590,1592],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[185,1591],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[54,1594,1595,1596,1599],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[205,1597,1598],{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[54,1601,1602,1603,1608],{},"我整理了我曾經到過的店家Google Map清單  ",[772,1604,1605],{},[701,1606,780],{"href":776,"ariaDescribedBy":1607,"dataFootnoteRef":129,"id":779},[778],"在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[54,1610,1611,1612,811,1616,1620],{},"主要大街上的大型店家，如",[1258,1613,1615],{"className":1614},[1261],"黑澤樂器",[1258,1617,1619],{"className":1618},[1261],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[54,1622,1623],{},[684,1624],{"alt":1625,"src":1626},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[1628,1629,1630],"ul",{},[573,1631,1632],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[54,1634,1635],{},[684,1636],{"alt":1637,"src":1638},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[1628,1640,1641],{},[573,1642,1643],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[54,1645,1646],{},[684,1647],{"alt":1648,"src":1649},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[1628,1651,1652],{},[573,1653,1654],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[54,1656,1657],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[54,1659,1660],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[54,1662,1663],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[54,1665,1666],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[54,1668,1669],{},[684,1670],{"alt":1671,"src":1672},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[1628,1674,1675],{},[573,1676,1677],{},"en・guitar 的Gibson牆。",[54,1679,1680],{},[684,1681],{"alt":1682,"src":1683},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[1628,1685,1686],{},[573,1687,1688],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[54,1690,1691],{},[684,1692],{"alt":1693,"src":1694},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[1628,1696,1697],{},[573,1698,1699],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[54,1701,1702,1703,1705],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[185,1704],{},"\n之後再寫一篇介紹這把琴吧！",[835,1707,1709,1712],{"className":1708,"dataFootnotes":129},[838],[49,1710,843],{"className":1711,"id":778},[842],[570,1713,1714],{},[573,1715,1716,1721,1722],{"id":848},[701,1717,1720],{"href":1718,"rel":1719},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[705],"Guitar Stores 📍Tokyo","Google Map清單。 ",[701,1723,856],{"href":852,"ariaLabel":853,"className":1724,"dataFootnoteBackref":129},[855],{"title":129,"searchDepth":130,"depth":130,"links":1726},[1727],{"id":778,"depth":130,"text":843},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":1572,"description":1577},"threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[659],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":1740,"title":1741,"animated":44,"body":1742,"client":142,"cover":1792,"css_code":142,"description":1793,"extension":143,"html_code":142,"images":1794,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1795,"navigation":145,"order":142,"path":1796,"photos":1797,"published_at":1798,"reading_time":142,"related":142,"role":142,"seo":1799,"slug":22,"source_hash":142,"status":142,"stem":1800,"summary":1801,"tags":1802,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1803},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":46,"value":1743,"toc":1790},[1744,1761,1769,1778,1784,1787],[54,1745,1746,1747,1749,1750,1753,1754,1756],{},"老早就有想要架設網站的想法了。",[185,1748],{},"\nThreadspage是由開發者－",[205,1751,1752],{},"暢可"," 創立的平台。",[185,1755],{},[701,1757,1760],{"href":1758,"rel":1759},"https://threadspage.app/?ref=huanyin.vercel.app",[705],"點進來讓AI幫你介紹吧！",[236,1762,1763],{},[54,1764,1765,1766,1768],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[185,1767],{},"\n他說著創建平台的初衷。",[54,1770,1771,1772,1774,1775,1777],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[185,1773],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[185,1776],{},"\n經過半天努力，這裡也算有了雛形。",[54,1779,1780,1781,1783],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[185,1782],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[54,1785,1786],{},"讀完這篇文的你，歡迎光臨。",[54,1788,1789],{},"桓吟",{"title":129,"searchDepth":130,"depth":130,"links":1791},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1741,"description":1793},"threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[659],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1805,"title":1806,"animated":44,"body":1807,"client":142,"cover":1914,"css_code":142,"description":1811,"extension":143,"html_code":142,"images":1915,"is_announcement":145,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1916,"navigation":145,"order":142,"path":1917,"photos":1918,"published_at":1919,"reading_time":142,"related":142,"role":142,"seo":1920,"slug":26,"source_hash":142,"status":142,"stem":1921,"summary":1922,"tags":1923,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1924},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":46,"value":1808,"toc":1912},[1809,1812,1815,1821,1830,1836,1858,1864,1875,1883,1893,1903,1909],[54,1810,1811],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[54,1813,1814],{},"以下用條列式說明：",[54,1816,1817],{},[684,1818],{"alt":1819,"src":1820},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[1628,1822,1823],{},[573,1824,1825,1826,1829],{},"最上方是我的",[67,1827,1828],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[54,1831,1832],{},[684,1833],{"alt":1834,"src":1835},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[1628,1837,1838,1841,1848],{},[573,1839,1840],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[573,1842,1843,1844,1847],{},"最下面的",[67,1845,1846],{},"深色訂閱按鈕","，千萬不要點！如果你點了，可能會多一份沒時間練的樂譜 🎁",[573,1849,1850,1851,1854,1855,1857],{},"再下方Blog、作品...等",[67,1852,1853],{},"分類欄位","，可能有你想找的東西。(網頁版在左邊)",[185,1856],{},"\n推薦到Blog逛逛，剛開站會常常更新唷！商城區也已經更新，裡面有我的以發行數位音樂以及樂譜。",[54,1859,1860],{},[684,1861],{"alt":1862,"src":1863},"AI助手","/images/Pinned_Post/AI%20terminal_pinned.jpg",[1628,1865,1866],{},[573,1867,1868,1869,1871,1872,1874],{},"再再往下的對話視窗，就是是我的",[67,1870,1862],{},"，他會整理我的網頁中的資訊。",[185,1873],{},"\n也是這個網頁很特別的功能，只要我曾經新增的內容你都能詢問他，請隨意玩玩看。隨著網站內容越來越多，應該會很有趣。",[54,1876,1877,1878],{},"至於這個網站是怎麼開始的呢？ 我在這邊文章有聊到 ",[701,1879,1882],{"href":1880,"rel":1881},"https://huanyinliu.com/threads/website-origin-story",[705],"隨筆：這個網站的由來。",[54,1884,1885,1886,1888,1889,1892],{},"目前我的音樂和影片、販售樂譜、私人課程...等，都散落在各個平台，我想把它們統整在一個網站內。本來都靠著Instagram或是Facebook當作主要頁面也沒有問題。但隨著近期越來越多無故封鎖案例，不免也開始有想要在網路世界上建立一個屬於自己的地方的想法。",[185,1887],{},"\n總之，這裡未來會是我所有內容的集散地，如果你想要追蹤最新消息。首頁的",[67,1890,1891],{},"訂閱按鈕","請點下去，填寫好你的信箱。絕對比YouTube演算法還確實！",[54,1894,1895,1896,1899,1900,1902],{},"這個網頁是由 ",[205,1897,1898],{},"Threadspage"," 建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[185,1901],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[54,1904,1905],{},[701,1906,1908],{"href":1343,"rel":1907},[705],"THEADSPAGE 把你的創作，變成 真正屬於你 的知識主場。👈",[54,1910,1911],{},"最後，給第一次來到這裡的你：歡迎光臨。☺️",{"title":129,"searchDepth":130,"depth":130,"links":1913},[],"/images/cover_pinned.jpg",[],{},"/threads/articles/welcome",[],"2026-07-18",{"title":1806,"description":1811},"threads/articles/welcome","嗨，我是桓吟。歡迎來到我的網站，這篇文章會介紹你能在這個地方找到什麼。像是Blog、演出資訊、樂譜&音樂商城...等。",[],"3GqDLExaeAiRwIVB1YBG9zmNUpezY4UWkYwB66GVxKI",{"id":1926,"title":830,"animated":44,"body":1927,"client":142,"cover":1986,"css_code":142,"description":129,"extension":143,"html_code":142,"images":1987,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":1988,"navigation":145,"order":142,"path":1989,"photos":1990,"published_at":1991,"reading_time":142,"related":142,"role":142,"seo":1992,"slug":13,"source_hash":142,"status":142,"stem":1993,"summary":1994,"tags":1995,"tech_stack":142,"translation_of":142,"type":156,"url":142,"video_url":142,"__hash__":1996},"threads/threads/articles/worksmy-gears-guitar-pedal.md",{"type":46,"value":1928,"toc":1981},[1929,1935,1941,1945,1949,1953,1960,1964],[54,1930,1931],{},[684,1932],{"alt":1933,"src":1934},"Maruni.H MXC001","/images/Maruni.H%20MXC001.jpg",[54,1936,1937],{},[684,1938],{"alt":1939,"src":1940},"桓吟的效果器盤｜2026","/images/%E6%95%88%E6%9E%9C%E5%99%A8%E7%9B%A4huan2026.jpg",[77,1942,1944],{"id":1943},"吉他-guitar","吉他 Guitar",[1628,1946,1947],{},[573,1948,1933],{},[77,1950,1952],{"id":1951},"拾音器-pickup","拾音器 Pickup",[1628,1954,1955,1957],{},[573,1956,207],{},[573,1958,1959],{},"SASNiE Contact Transducer",[77,1961,1963],{"id":1962},"效果器盤-pedalboard","效果器盤 Pedalboard",[1628,1965,1966,1969,1972,1975,1978],{},[573,1967,1968],{},"M-Factory PM200",[573,1970,1971],{},"EAE StompMix 4",[573,1973,1974],{},"UAFX Golden Reverb",[573,1976,1977],{},"BOSS RC-1 Loop Station",[573,1979,1980],{},"Loop Controller by SASNiE",{"title":129,"searchDepth":130,"depth":130,"links":1982},[1983,1984,1985],{"id":1943,"depth":137,"text":1944},{"id":1951,"depth":137,"text":1952},{"id":1962,"depth":137,"text":1963},"/images/旋律間的光影 台中 現場照.jpg",[],{},"/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":830,"description":129},"threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[871],"8Hc_KHD-16bkfPK-GLYsrR2RvNXlZVDUEIBe-b3dJl4",{"id":1998,"title":1999,"animated":44,"body":2000,"client":142,"cover":142,"css_code":142,"description":129,"extension":143,"html_code":142,"images":2069,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":2070,"navigation":145,"order":142,"path":2071,"photos":2072,"published_at":2073,"reading_time":142,"related":142,"role":142,"seo":2074,"slug":2075,"source_hash":142,"status":142,"stem":2076,"summary":142,"tags":2077,"tech_stack":142,"translation_of":142,"type":2078,"url":142,"video_url":142,"__hash__":2079},"threads/threads/pages/about.md","關於我",{"type":46,"value":2001,"toc":2065},[2002,2009,2015,2027,2035,2038,2041,2055,2060],[54,2003,2004],{},[684,2005],{"alt":2006,"src":2007,"title":2008},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[77,2010,2012],{"id":2011},"台灣獨奏吉他手劉桓吟huanyin",[67,2013,2014],{},"台灣獨奏吉他手｜劉桓吟HuanYin",[54,2016,2017,2018,2020,2021,2023,2024,2026],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[185,2019],{},"\n​",[185,2022],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[185,2025],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[54,2028,2029,2030,2020,2032,2034],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[185,2031],{},[185,2033],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[54,2036,2037],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[77,2039,2040],{"id":2040},"發行作品",[236,2042,2043],{},[54,2044,2045,2046,2048,2049,2051,2052,2054],{},"2019年單曲 《It’s Alright》",[185,2047],{},"\n2020年首張原創EP 《向陽》",[185,2050],{},"\n2022年單曲 《雨季 Rain Season》",[185,2053],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[236,2056,2057],{},[54,2058,2059],{},"另著有《隙光》個人改編及創作樂譜集 (2022年發行)",[54,2061,2062],{},[684,2063],{"alt":2006,"src":2064,"title":2008},"/images/huanyin_riverside_image.jpg",{"title":129,"searchDepth":130,"depth":130,"links":2066},[2067,2068],{"id":2011,"depth":137,"text":2014},{"id":2040,"depth":137,"text":2040},[],{},"/threads/pages/about",[],"2026-06-24",{"title":1999,"description":129},"about","threads/pages/about",[],"page","wnZwclfAVBMVSXs29Xs5FUr0KHXWsUEc0FRZYlMdlkQ",{"id":2081,"title":2082,"animated":44,"body":2083,"client":142,"cover":2145,"css_code":142,"description":2087,"extension":143,"html_code":142,"images":2146,"is_announcement":44,"is_pinned":44,"is_published":145,"key_points":142,"lang":142,"meta":2147,"navigation":145,"order":142,"path":2148,"photos":2149,"published_at":2150,"reading_time":142,"related":142,"role":142,"seo":2151,"slug":2152,"source_hash":142,"status":142,"stem":2153,"summary":2154,"tags":2155,"tech_stack":142,"translation_of":142,"type":2157,"url":142,"video_url":142,"__hash__":2158},"threads/threads/projects/private-guitar-lesson-huanyin.md","吉他課程｜桓吟吉他工作室",{"type":46,"value":2084,"toc":2141},[2085,2088,2098,2105,2109,2115,2119,2125,2129,2135],[54,2086,2087],{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[54,2089,2090,2091,2095,2097],{},"✉️ E-mail : ",[701,2092,2094],{"href":2093},"mailto:studio@huanyinliu.com","studio@huanyinliu.com",[185,2096],{},"\n📞 LINE : 8729268",[54,2099,2100,2101],{},"課程詳情與預約：",[701,2102,2103],{"href":2103,"rel":2104},"https://forms.gle/bCyiHqkjpeorNv3r6",[705],[77,2106,2108],{"id":2107},"課程方式與地點","課程方式與地點：",[796,2110,2113],{"className":2111,"code":2112,"language":801},[799],"a.【實體課】| 📍 新北市-三重工作室、台北市-東門工作室\nb.【視訊課】| 🖥️ 使用軟體-ZOOM\n",[803,2114,2112],{"__ignoreMap":129},[77,2116,2118],{"id":2117},"課程內容","課程內容：",[796,2120,2123],{"className":2121,"code":2122,"language":801},[799],"a.【吉他彈唱、伴奏】 \n    ● 基礎彈奏、樂理、自彈自唱、技巧...等。\n    ● 入門到進階編曲皆可教授。\n\nb.【Fingerstyle 指彈吉他演奏】\n    ● 學習不同風格樂曲，指導彈奏表現能力 (左右手分離度、音色動態掌握、特殊技巧..等)。\n\nc.【吉他編曲】\n    ● 進階樂理、指板分析、和弦琶音與音階、即興演奏。並以各種樂風練習在樂器上實際操作。\n    ● 以標準調弦(Standard Tuning)為主，引導如何用適合的方式替一段旋律搭配伴奏\n      ，呈現出完整的演奏曲。    \n\nd.【錄音與現場器材運用】\n    ● 基礎木吉他錄音、混音相關知識以及軟體操作(Logic Pro X)。\n    ● 演出設備：從拾音器到舞台音響調整概念。\n",[803,2124,2122],{"__ignoreMap":129},[879,2126,2128],{"id":2127},"收費","收費：",[796,2130,2133],{"className":2131,"code":2132,"language":801},[799],"◎ 課程以一期四堂課收費，每堂課50分鐘。\n\n● 1v1  單人班課程收費 ： 3800 NT$/期\n● 1v1  「約課制」收費 ： 4300 NT$/期\n● 1v2  雙人班課程收費 ： 5000 NT$/期 (2人)\n",[803,2134,2132],{"__ignoreMap":129},[54,2136,2137],{},[701,2138,2140],{"href":2139},"#%E5%90%89%E4%BB%96%E8%AA%B2%E7%A8%8B","#吉他課程",{"title":129,"searchDepth":130,"depth":130,"links":2142},[2143,2144],{"id":2107,"depth":137,"text":2108},{"id":2117,"depth":137,"text":2118},"/images/workzoom_image3.jpg",[],{},"/threads/projects/private-guitar-lesson-huanyin",[],"2026-06-26",{"title":2082,"description":2087},"private-guitar-lesson-huanyin","threads/projects/private-guitar-lesson-huanyin","“本文為桓吟的吉他課程詳細資訊，無論是入門或是進階，都歡迎加入我們！”",[2156,155],"吉他課程","project","UWmPGcfSUimeF2rsn8YE7rC6Jwu4rcfHLm69WnYAcms",{"generatedAt":2160,"author":2161,"articles":2194,"products":2262,"projects":2263,"pages":2267,"cssarts":2269},"2026-10-25T09:03:08.581Z",{"name":2162,"handle":2163,"location":2164,"status":2165,"statusText":2166,"quote":2167,"bio":2168,"links":2175,"site":2190},"劉桓吟 HuanYin","huanyinliu","Taipei, Taiwan","building","演出、編曲歡迎來信合作","歡迎問我問題",[2169,2170,2171,2172,2173,2174],"> 吉他手 Fingerstyle Guitarist","> 攝影愛好 Photography Lover","音樂作品｜吉他教學｜生活紀錄"," ","➤ 本期訂閱禮：","達爾文 Fingerstyle TAB",[2176,2178,2181,2184,2187],{"type":2177,"url":2093},"email",{"type":2179,"url":2180},"spotify","https://open.spotify.com/artist/1QyUdabzfnTUODqeLPRNj8?si=Q5OXnewyTRGeOso1b6KVFQ",{"type":2182,"url":2183},"youtube","https://www.youtube.com/channel/UCyn9CLJ1MA2iEtijSOaFmXA?view_as=subscriber",{"type":2185,"url":2186},"instagram","https://www.instagram.com/huanyinliu",{"type":2188,"url":2189},"facebook","https://www.facebook.com/huanyinmusic/",{"name":2191,"url":2192,"description":2193},"劉桓吟 HuanYin Liu","https://huanyinliu.com","台灣鋼弦吉他演奏家 FingerStyle Guitarist｜弦吟",[2195,2198,2202,2206,2210,2214,2218,2222,2226,2230,2234,2238,2242,2246,2250,2254,2258],{"title":875,"slug":10,"publishedAt":1053,"tags":2196,"excerpt":1056,"keyPoints":2197,"videoUrl":1060},[154,155,1058,1059],[1042,1043,1044,1045,1046,1047,1048,1049],{"title":663,"slug":37,"publishedAt":2199,"tags":2200,"excerpt":730,"keyPoints":2201,"cover":721},"2026-10-25T00:00:00.000Z",[732],[],{"title":1205,"slug":20,"publishedAt":2203,"tags":2204,"excerpt":1361,"keyPoints":2205,"cover":1353},"2026-08-30T00:00:00.000Z",[659],[],{"title":1572,"slug":23,"publishedAt":2207,"tags":2208,"excerpt":1736,"keyPoints":2209,"cover":1728},"2026-08-22T00:00:00.000Z",[659],[],{"title":736,"slug":8,"publishedAt":2211,"tags":2212,"excerpt":869,"keyPoints":2213,"cover":860},"2026-07-22T00:00:00.000Z",[871],[],{"title":1806,"slug":26,"publishedAt":2215,"tags":2216,"excerpt":1922,"keyPoints":2217,"cover":1914},"2026-07-18T00:00:00.000Z",[],[],{"title":1447,"slug":16,"publishedAt":2219,"tags":2220,"excerpt":1567,"keyPoints":2221,"cover":1559},"2026-07-04T00:00:00.000Z",[659],[],{"title":1366,"slug":21,"publishedAt":2223,"tags":2224,"excerpt":1442,"keyPoints":2225,"cover":1433},"2026-07-03T00:00:00.000Z",[659],[],{"title":830,"slug":13,"publishedAt":2227,"tags":2228,"excerpt":1994,"keyPoints":2229,"cover":1986},"2026-06-20T00:00:00.000Z",[871],[],{"title":161,"slug":6,"publishedAt":2231,"tags":2232,"excerpt":334,"keyPoints":2233,"videoUrl":336},"2026-06-18T00:00:00.000Z",[154,155],[],{"title":622,"slug":31,"publishedAt":2235,"tags":2236,"excerpt":657,"keyPoints":2237,"cover":648},"2026-06-16T00:00:00.000Z",[659],[],{"title":1741,"slug":22,"publishedAt":2239,"tags":2240,"excerpt":1801,"keyPoints":2241,"cover":1792},"2026-06-14T00:00:00.000Z",[659],[],{"title":468,"slug":9,"publishedAt":2243,"tags":2244,"excerpt":616,"keyPoints":2245,"videoUrl":618},"2026-01-20T00:00:00.000Z",[154,155],[],{"title":43,"slug":12,"publishedAt":2247,"tags":2248,"excerpt":152,"keyPoints":2249,"videoUrl":157},"2025-12-11T00:00:00.000Z",[154,155],[],{"title":340,"slug":25,"publishedAt":2251,"tags":2252,"excerpt":409,"keyPoints":2253,"videoUrl":412},"2025-11-15T00:00:00.000Z",[154,155,411],[],{"title":1064,"slug":15,"publishedAt":2255,"tags":2256,"excerpt":1198,"keyPoints":2257,"videoUrl":1201},"2025-09-08T00:00:00.000Z",[154,155,1200],[],{"title":416,"slug":7,"publishedAt":2259,"tags":2260,"excerpt":461,"keyPoints":2261,"videoUrl":464},"2025-08-08T00:00:00.000Z",[154,155,463],[],[],[2264],{"title":2082,"slug":2152,"excerpt":2154,"tags":2265,"images":2266},[2156,155],[],[2268],{"title":1999,"slug":2075,"excerpt":129},[],1792919009411]