[{"data":1,"prerenderedAt":1196},["ShallowReactive",2],{"recommendations-map":3,"recommendations-all-threads":25,"$fJqIwCHt_2TDfD1tTJy982VHtFGRM5pM3CuveKs49V_Y":1116},{"acoustic-guitar-body-selection-guide":4,"acoustic-guitar-pickup-effects-setup":10,"concert-with-students-facing-the-other-side-of-sunshine":12,"fingerstyle-guitar-different-positions-finnish-distance":13,"guitar-fingernail-maintenance-guide":15,"haha":16,"notes-life-202606":17,"notes-life":19,"she-came-to-my-concert-acoustic-guitar-arrangement":21,"worksmy-gears-guitar-pedal":22,"about":23,"huanyin-private-guitar-lesson":24},[5,6,7,8,9],"acoustic-guitar-pickup-effects-setup","guitar-fingernail-maintenance-guide","fingerstyle-guitar-different-positions-finnish-distance","she-came-to-my-concert-acoustic-guitar-arrangement","worksmy-gears-guitar-pedal",[9,11,6,7,8],"acoustic-guitar-body-selection-guide",[8,7,5,11,9],[8,11,6,5,14],"concert-with-students-facing-the-other-side-of-sunshine",[11,7,8,5,14],[],[18,14,8,7,11],"notes-life",[20,14,8,11,7],"notes-life-202606",[7,11,14,6,5],[5,14,11,6,8],[],[],[26,145,325,402,455,610,625,694,735,878,955,1038],{"id":27,"title":28,"animated":29,"body":30,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":129,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":131,"navigation":130,"order":127,"path":133,"photos":134,"published_at":135,"reading_time":127,"related":127,"role":127,"seo":136,"status":127,"stem":137,"summary":138,"tags":139,"tech_stack":127,"type":142,"url":127,"video_url":143,"__hash__":144},"threads/threads/articles/acoustic-guitar-body-selection-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",false,{"type":31,"value":32,"toc":113},"minimark",[33,38,42,45,48,55,58,61,66,73,77,80,84,87,91,94,100,104,107,110],[34,35,37],"h2",{"id":36},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[39,40,41],"p",{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[34,43,44],{"id":44},"如何根據身型挑選桶身大小",[39,46,47],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[39,49,50,51],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[52,53,54],"strong",{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[34,56,57],{"id":57},"四種桶身的音色比較",[39,59,60],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[62,63,65],"h3",{"id":64},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[39,67,68,69,72],{},"D桶身是歷史最悠久的設計，我認為它有",[52,70,71],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[62,74,76],{"id":75},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[39,78,79],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[62,81,83],{"id":82},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[39,85,86],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[62,88,90],{"id":89},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[39,92,93],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[39,95,96,97],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[52,98,99],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[34,101,103],{"id":102},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[39,105,106],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[39,108,109],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[39,111,112],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":114,"searchDepth":115,"depth":115,"links":116},"",2,[117,118,119,126],{"id":36,"depth":115,"text":37},{"id":44,"depth":115,"text":44},{"id":57,"depth":115,"text":57,"children":120},[121,123,124,125],{"id":64,"depth":122,"text":65},3,{"id":75,"depth":122,"text":76},{"id":82,"depth":122,"text":83},{"id":89,"depth":122,"text":90},{"id":102,"depth":115,"text":103},null,"md",[],true,{"slug":132},"/knowledge/acoustic-guitar-body-types-guide","/threads/articles/acoustic-guitar-body-selection-guide",[],"2025-12-11",{"title":28,"description":114},"threads/articles/acoustic-guitar-body-selection-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[140,141],"弦吟系列","教學","article","https://www.youtube.com/watch?v=BSExE5XVahQ","Q6DMtA_Rlk6cH21wXl7RNXQnXpQBXEhrz5Qa-hD8rAQ",{"id":146,"title":147,"animated":29,"body":148,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":313,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":314,"navigation":130,"order":127,"path":316,"photos":317,"published_at":318,"reading_time":127,"related":127,"role":127,"seo":319,"status":127,"stem":320,"summary":321,"tags":322,"tech_stack":127,"type":142,"url":127,"video_url":323,"__hash__":324},"threads/threads/articles/acoustic-guitar-pickup-effects-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":31,"value":149,"toc":304},[150,154,157,160,164,167,177,180,184,187,199,218,221,230,233,248,254,257,260,269,273,279,286,289,292,295],[34,151,153],{"id":152},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[39,155,156],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[39,158,159],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[34,161,163],{"id":162},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[39,165,166],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[39,168,169,170,173,174,176],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[171,172],"br",{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[171,175],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[39,178,179],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[34,181,183],{"id":182},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[39,185,186],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[39,188,189,190,194,195,198],{},"我使用的線圈是美國的 ",[191,192,193],"em",{},"Sunrise S2","，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[191,196,197],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[39,200,201,202,204,205,207,208,210,211,214,215,217],{},"運作方式很簡單：",[171,203],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[171,206],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[171,209],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[52,212,213],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[171,216],{},"\n這是我認為兩種拾音器差異最大的地方。",[39,219,220],{},"我的方式是：",[222,223,224],"blockquote",{},[39,225,226,227,229],{},"線圈->穩定的弦聲＋貼片->整體空間感",[171,228],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[34,231,232],{"id":232},"我的效果器盤配置",[39,234,235,236,239,240,243,244,247],{},"我的效果器盤總共有四顆效果器。首先是",[191,237,238],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[52,241,242],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[52,245,246],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[39,249,250,251,253],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[171,252],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[39,255,256],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[34,258,259],{"id":259},"線圈和貼片的聲音差異",[39,261,262,263,265,266,268],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[171,264],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[171,267],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[34,270,272],{"id":271},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[39,274,275,276,278],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[171,277],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[39,280,281,282,285],{},"出於好奇，我和台灣麥克風品牌",[191,283,284],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[39,287,288],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[34,290,291],{"id":291},"結語",[39,293,294],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[39,296,297,298,300,301,303],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[191,299,197],{},"和",[191,302,284],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":114,"searchDepth":115,"depth":115,"links":305},[306,307,308,309,310,311,312],{"id":152,"depth":115,"text":153},{"id":162,"depth":115,"text":163},{"id":182,"depth":115,"text":183},{"id":232,"depth":115,"text":232},{"id":259,"depth":115,"text":259},{"id":271,"depth":115,"text":272},{"id":291,"depth":115,"text":291},[],{"slug":315},"/knowledge/acoustic-guitar-pickup-recording-setup","/threads/articles/acoustic-guitar-pickup-effects-setup",[],"2026-06-18",{"title":147,"description":114},"threads/articles/acoustic-guitar-pickup-effects-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[140,141],"https://www.youtube.com/watch?v=dPs_a0EXFuY","xnaV0zBZPG-P5Cp44nVAnL5Rp-bb1BUEpA_1HOTXo-c",{"id":326,"title":327,"animated":29,"body":328,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":389,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":390,"navigation":130,"order":127,"path":392,"photos":393,"published_at":394,"reading_time":127,"related":127,"role":127,"seo":395,"status":127,"stem":396,"summary":397,"tags":398,"tech_stack":127,"type":142,"url":127,"video_url":400,"__hash__":401},"threads/threads/articles/concert-with-students-facing-the-other-side-of-sunshine.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":31,"value":329,"toc":382},[330,333,336,339,343,346,349,352,355,358,361,364,367,370,373,376,379],[34,331,332],{"id":332},"一場特別的共演演出",[39,334,335],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[39,337,338],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[34,340,342],{"id":341},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[39,344,345],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[39,347,348],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[39,350,351],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[34,353,354],{"id":354},"教學中的收穫與成長",[39,356,357],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[39,359,360],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[34,362,363],{"id":363},"身心投入的獨特價值",[39,365,366],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[39,368,369],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[34,371,372],{"id":372},"給正在學習的你",[39,374,375],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[39,377,378],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[39,380,381],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":114,"searchDepth":115,"depth":115,"links":383},[384,385,386,387,388],{"id":332,"depth":115,"text":332},{"id":341,"depth":115,"text":342},{"id":354,"depth":115,"text":354},{"id":363,"depth":115,"text":363},{"id":372,"depth":115,"text":372},[],{"slug":391},"/works/facing-the-other-side-student-recital","/threads/articles/concert-with-students-facing-the-other-side-of-sunshine",[],"2025-11-15",{"title":327,"description":114},"threads/articles/concert-with-students-facing-the-other-side-of-sunshine","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[140,141,399],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","gBd517mKiYYW4xjcqu-wFNICM7sfINuK7UtWkgCW8KQ",{"id":403,"title":404,"animated":29,"body":405,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":442,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":443,"navigation":130,"order":127,"path":445,"photos":446,"published_at":447,"reading_time":127,"related":127,"role":127,"seo":448,"status":127,"stem":449,"summary":450,"tags":451,"tech_stack":127,"type":142,"url":127,"video_url":453,"__hash__":454},"threads/threads/articles/fingerstyle-guitar-different-positions-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":31,"value":406,"toc":439},[407,413,425,428,433,436],[34,408,410],{"id":409},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[52,411,412],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[39,414,415,416,419,421,422,424],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[52,417,418],{},"同一首歌，放在不同把位，聲音會完全不同。",[171,420],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[171,423],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[39,426,427],{},"這個過程讓我重新理解一件事：",[222,429,430],{},[39,431,432],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[39,434,435],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[39,437,438],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":114,"searchDepth":115,"depth":115,"links":440},[441],{"id":409,"depth":115,"text":412},[],{"slug":444},"/knowledge/fingerstyle-position-change-tone-color-finnish-distance","/threads/articles/fingerstyle-guitar-different-positions-finnish-distance",[],"2025-08-08",{"title":404,"description":114},"threads/articles/fingerstyle-guitar-different-positions-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[140,141,452],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","o9upyPA69eQk2ZCwC1t7F-5H1o-f8-6buTa2S7WGgTE",{"id":456,"title":457,"animated":29,"body":458,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":598,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":599,"navigation":130,"order":127,"path":601,"photos":602,"published_at":603,"reading_time":127,"related":127,"role":127,"seo":604,"status":127,"stem":605,"summary":606,"tags":607,"tech_stack":127,"type":142,"url":127,"video_url":608,"__hash__":609},"threads/threads/articles/guitar-fingernail-maintenance-guide.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":31,"value":459,"toc":589},[460,463,466,469,472,475,478,481,484,487,490,496,502,513,516,523,526,533,536,539,546,549,552,555,558,574,577,580,583,586],[34,461,462],{"id":462},"我為什麼開始留指甲",[39,464,465],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[39,467,468],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[39,470,471],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[34,473,474],{"id":474},"為什麼新手應該留一點指甲",[39,476,477],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[39,479,480],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[39,482,483],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[34,485,486],{"id":486},"我常用的修整工具",[39,488,489],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[39,491,492,495],{},[52,493,494],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[39,497,498,501],{},[52,499,500],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[39,503,504,505,508,509,512],{},"如果你是裸甲，我會推薦用",[52,506,507],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[52,510,511],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[34,514,515],{"id":515},"觸弦點與指甲形狀",[39,517,518,519,522],{},"接下來我要介紹一個重要的概念：",[52,520,521],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[39,524,525],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[39,527,528,529,532],{},"關於指甲長度，我想強調的是：",[52,530,531],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[39,534,535],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[34,537,538],{"id":538},"實際修整步驟",[39,540,541,542,545],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[52,543,544],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[39,547,548],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[39,550,551],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[34,553,554],{"id":554},"找到最適合你的長度",[39,556,557],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[559,560,561,565,568,571],"ol",{},[562,563,564],"li",{},"先確定一個你要留的長度",[562,566,567],{},"習慣幾天",[562,569,570],{},"再決定要留長一點還是磨短一點",[562,572,573],{},"反覆這個過程",[39,575,576],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[34,578,579],{"id":579},"最後的建議",[39,581,582],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[39,584,585],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[39,587,588],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":114,"searchDepth":115,"depth":115,"links":590},[591,592,593,594,595,596,597],{"id":462,"depth":115,"text":462},{"id":474,"depth":115,"text":474},{"id":486,"depth":115,"text":486},{"id":515,"depth":115,"text":515},{"id":538,"depth":115,"text":538},{"id":554,"depth":115,"text":554},{"id":579,"depth":115,"text":579},[],{"slug":600},"/knowledge/guitar-fingernail-care","/threads/articles/guitar-fingernail-maintenance-guide",[],"2026-01-20",{"title":457,"description":114},"threads/articles/guitar-fingernail-maintenance-guide","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[140,141],"https://www.youtube.com/watch?v=mv6bmmfMBew","bLrrxZazppSQ0jfH-YoKji9pMio0cUyM0wifOoMsZZ0",{"id":611,"title":612,"animated":29,"body":613,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":617,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":618,"navigation":130,"order":127,"path":619,"photos":620,"published_at":127,"reading_time":127,"related":127,"role":127,"seo":621,"status":127,"stem":622,"summary":127,"tags":623,"tech_stack":127,"type":127,"url":127,"video_url":127,"__hash__":624},"threads/threads/articles/haha.md","Haha",{"type":31,"value":614,"toc":615},[],{"title":114,"searchDepth":115,"depth":115,"links":616},[],[],{},"/threads/articles/haha",[],{"description":114},"threads/articles/haha",[],"61uhdwQKmfZbJy7C--ArhNYLwiYJheg7MHVtmUqNU-8",{"id":626,"title":627,"animated":29,"body":628,"client":127,"cover":680,"css_code":127,"description":681,"extension":128,"html_code":127,"images":682,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":683,"navigation":130,"order":127,"path":685,"photos":686,"published_at":687,"reading_time":127,"related":127,"role":127,"seo":688,"status":127,"stem":689,"summary":690,"tags":691,"tech_stack":127,"type":142,"url":127,"video_url":127,"__hash__":693},"threads/threads/articles/notes-life.md","隨筆：這個網站的由來",{"type":31,"value":629,"toc":678},[630,649,657,666,672,675],[39,631,632,633,635,636,639,640,642],{},"老早就有想要架設網站的想法了。",[171,634],{},"\nThreadspage是由開發者－",[191,637,638],{},"暢可"," 創立的平台。",[171,641],{},[643,644,648],"a",{"href":645,"rel":646},"https://threadspage.app/?ref=huanyin.vercel.app",[647],"nofollow","點進來讓AI幫你介紹吧！",[222,650,651],{},[39,652,653,654,656],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[171,655],{},"\n他說著創建平台的初衷。",[39,658,659,660,662,663,665],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[171,661],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[171,664],{},"\n經過半天努力，這裡也算有了雛形。",[39,667,668,669,671],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[171,670],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[39,673,674],{},"讀完這篇文的你，歡迎光臨。",[39,676,677],{},"桓吟",{"title":114,"searchDepth":115,"depth":115,"links":679},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{"slug":684},"/thoughts/website-origin-story","/threads/articles/notes-life",[],"2026-06-14",{"title":627,"description":681},"threads/articles/notes-life","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[692],"隨筆","oMtqUbPASsbTbrrogCCK7Tti8GvsS89EQ2zIMMPISS8",{"id":695,"title":696,"animated":29,"body":697,"client":127,"cover":722,"css_code":127,"description":723,"extension":128,"html_code":127,"images":724,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":725,"navigation":130,"order":127,"path":727,"photos":728,"published_at":729,"reading_time":127,"related":127,"role":127,"seo":730,"status":127,"stem":731,"summary":732,"tags":733,"tech_stack":127,"type":142,"url":127,"video_url":127,"__hash__":734},"threads/threads/articles/notes-life-202606.md","隨筆：六月的生活",{"type":31,"value":698,"toc":720},[699,705,711,717],[39,700,701,702,704],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[171,703],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[39,706,707,708,710],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[171,709],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[39,712,713,714,716],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[171,715],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[39,718,719],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":114,"searchDepth":115,"depth":115,"links":721},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{"slug":726},"/thoughts/guitar-thinking-life","/threads/articles/notes-life-202606",[],"2026-06-16",{"title":696,"description":723},"threads/articles/notes-life-202606","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[692],"ZhRf4DTmfDCGr1hSc-FbIY6I2ZJHEqu6x8aQB29S6cg",{"id":736,"title":737,"animated":29,"body":738,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":865,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":866,"navigation":130,"order":127,"path":868,"photos":869,"published_at":870,"reading_time":127,"related":127,"role":127,"seo":871,"status":127,"stem":872,"summary":873,"tags":874,"tech_stack":127,"type":142,"url":127,"video_url":876,"__hash__":877},"threads/threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":31,"value":739,"toc":851},[740,745,748,751,754,758,761,764,768,771,774,777,781,784,787,790,794,797,800,803,806,809,812,815,818,821,824,827,830,833,836,839,842,845,848],[741,742,744],"h1",{"id":743},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[34,746,747],{"id":747},"木吉他編曲的魅力",[39,749,750],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[39,752,753],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[34,755,757],{"id":756},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[39,759,760],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[39,762,763],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[34,765,767],{"id":766},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[39,769,770],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[39,772,773],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[39,775,776],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[34,778,780],{"id":779},"前奏教學從十度音開始","前奏教學——從十度音開始",[62,782,783],{"id":783},"第一小節的十度音技巧",[39,785,786],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[39,788,789],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[62,791,793],{"id":792},"運指與bass音的配合","運指與Bass音的配合",[39,795,796],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[62,798,799],{"id":799},"和弦的變化與滑音",[39,801,802],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[39,804,805],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[39,807,808],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[62,810,811],{"id":811},"勾音動作的技巧",[39,813,814],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[39,816,817],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[62,819,820],{"id":820},"後半段的複雜運指",[39,822,823],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[39,825,826],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[39,828,829],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[34,831,832],{"id":832},"我的創作初衷與錄製過程",[39,834,835],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[39,837,838],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[39,840,841],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[34,843,844],{"id":844},"演出的感動與持續練習的動力",[39,846,847],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[39,849,850],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":114,"searchDepth":115,"depth":115,"links":852},[853,854,855,856,863,864],{"id":747,"depth":115,"text":747},{"id":756,"depth":115,"text":757},{"id":766,"depth":115,"text":767},{"id":779,"depth":115,"text":780,"children":857},[858,859,860,861,862],{"id":783,"depth":122,"text":783},{"id":792,"depth":122,"text":793},{"id":799,"depth":122,"text":799},{"id":811,"depth":122,"text":811},{"id":820,"depth":122,"text":820},{"id":832,"depth":115,"text":832},{"id":844,"depth":115,"text":844},[],{"slug":867},"⁠/knowledge/she-came-to-my-concert-guitar-tutorial⁠","/threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement",[],"2025-09-08",{"title":737,"description":114},"threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[140,141,875],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","ijI8DSlNd5ySzBDWgO0_ucBPkIsh5oc2L7ANpZ5Gzl8",{"id":879,"title":880,"animated":29,"body":881,"client":127,"cover":942,"css_code":127,"description":114,"extension":128,"html_code":127,"images":943,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":944,"navigation":130,"order":127,"path":946,"photos":947,"published_at":948,"reading_time":127,"related":127,"role":127,"seo":949,"status":127,"stem":950,"summary":951,"tags":952,"tech_stack":127,"type":142,"url":127,"video_url":127,"__hash__":954},"threads/threads/articles/worksmy-gears-guitar-pedal.md","桓吟現場演出使用設備｜My Gear",{"type":31,"value":882,"toc":937},[883,890,896,900,905,909,916,920],[39,884,885],{},[886,887],"img",{"alt":888,"src":889},"Maruni.H MXC001","/images/Maruni.H%20MXC001.jpg",[39,891,892],{},[886,893],{"alt":894,"src":895},"桓吟的效果器盤｜2026","/images/%E6%95%88%E6%9E%9C%E5%99%A8%E7%9B%A4huan2026.jpg",[62,897,899],{"id":898},"吉他-guitar","吉他 Guitar",[901,902,903],"ul",{},[562,904,888],{},[62,906,908],{"id":907},"拾音器-pickup","拾音器 Pickup",[901,910,911,913],{},[562,912,193],{},[562,914,915],{},"SASNiE Contact Transducer",[62,917,919],{"id":918},"效果器盤-pedalboard","效果器盤 Pedalboard",[901,921,922,925,928,931,934],{},[562,923,924],{},"M-Factory PM200",[562,926,927],{},"EAE StompMix 4",[562,929,930],{},"UAFX Golden Reverb",[562,932,933],{},"BOSS RC-1 Loop Station",[562,935,936],{},"Loop Controller by SASNiE",{"title":114,"searchDepth":115,"depth":115,"links":938},[939,940,941],{"id":898,"depth":122,"text":899},{"id":907,"depth":122,"text":908},{"id":918,"depth":122,"text":919},"/images/旋律間的光影 台中 現場照.jpg",[],{"slug":945},"my-gears-guitar-pedal","/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":880,"description":114},"threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[953],"器材","XOarKC5wo8ScMpe3GTh2pwz67ow_DuIQ2yL1Y62091s",{"id":956,"title":957,"animated":29,"body":958,"client":127,"cover":127,"css_code":127,"description":114,"extension":128,"html_code":127,"images":1027,"is_announcement":29,"is_pinned":29,"is_published":130,"key_points":127,"meta":1028,"navigation":130,"order":127,"path":1030,"photos":1031,"published_at":1032,"reading_time":127,"related":127,"role":127,"seo":1033,"status":127,"stem":1034,"summary":127,"tags":1035,"tech_stack":127,"type":1036,"url":127,"video_url":127,"__hash__":1037},"threads/threads/pages/about.md","關於我",{"type":31,"value":959,"toc":1023},[960,967,973,985,993,996,999,1013,1018],[39,961,962],{},[886,963],{"alt":964,"src":965,"title":966},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[62,968,970],{"id":969},"台灣獨奏吉他手劉桓吟huanyin",[52,971,972],{},"台灣獨奏吉他手｜劉桓吟HuanYin",[39,974,975,976,978,979,981,982,984],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[171,977],{},"\n​",[171,980],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[171,983],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[39,986,987,988,978,990,992],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[171,989],{},[171,991],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[39,994,995],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[62,997,998],{"id":998},"發行作品",[222,1000,1001],{},[39,1002,1003,1004,1006,1007,1009,1010,1012],{},"2019年單曲 《It’s Alright》",[171,1005],{},"\n2020年首張原創EP 《向陽》",[171,1008],{},"\n2022年單曲 《雨季 Rain Season》",[171,1011],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[222,1014,1015],{},[39,1016,1017],{},"另著有《隙光》個人改編及創作樂譜集 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