[{"data":1,"prerenderedAt":1719},["ShallowReactive",2],{"tag-threads-zh-TW-隨筆":3,"latest-articles-zh-TW":1076,"announcement-zh-TW":74,"author-context":1640},[4,92,180,259,438,480,546,700,804,881,1023],{"id":5,"title":6,"animated":7,"body":8,"client":74,"cover":75,"css_code":74,"description":14,"extension":76,"html_code":74,"images":77,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":79,"navigation":78,"order":74,"path":80,"photos":81,"published_at":82,"reading_time":74,"related":74,"role":74,"seo":83,"slug":84,"source_hash":74,"status":74,"stem":85,"summary":86,"tags":87,"tech_stack":74,"translation_of":74,"type":90,"url":74,"video_url":74,"__hash__":91},"threads/threads/projects/private-guitar-lesson-huanyin.md","吉他課程 Private Lesson｜桓吟吉他工作室",false,{"type":9,"value":10,"toc":71},"minimark",[11,15,27,39,44,55,59,65],[12,13,14],"p",{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[12,16,17,18,23,26],{},"✉️ E-mail : ",[19,20,22],"a",{"href":21},"mailto:studio@huanyinliu.com","studio@huanyinliu.com",[24,25],"br",{},"\n📞 LINE : 8729268",[12,28,29,30,35,37],{},"課程詳情與預約：",[19,31,32],{"href":32,"rel":33},"https://forms.gle/bCyiHqkjpeorNv3r6",[34],"nofollow",[24,36],{},[24,38],{},[40,41,43],"h1",{"id":42},"課程方式與地點","課程方式與地點：",[45,46,51],"pre",{"className":47,"code":49,"language":50},[48],"language-text","a.【實體課】| 📍 新北市-三重工作室、台北市-東門工作室\nb.【視訊課】| 🖥️ 使用軟體-ZOOM\n","text",[52,53,49],"code",{"__ignoreMap":54},"",[40,56,58],{"id":57},"課程內容","課程內容：",[45,60,63],{"className":61,"code":62,"language":50},[48],"a.【吉他彈唱、伴奏】 \n    ● 基礎彈奏、樂理、自彈自唱、技巧...等。\n    ● 入門到進階編曲皆可教授。\n\nb.【Fingerstyle 指彈吉他演奏】\n    ● 學習不同風格樂曲，指導彈奏表現能力 (左右手分離度、音色動態掌握、特殊技巧..等)。\n\nc.【吉他編曲】\n    ● 進階樂理、指板分析、和弦琶音與音階、即興演奏。並以各種樂風練習在樂器上實際操作。\n    ● 以標準調弦(Standard Tuning)為主，引導如何用適合的方式替一段旋律搭配伴奏\n      ，呈現出完整的演奏曲。    \n\nd.【錄音與現場器材運用】\n    ● 基礎木吉他錄音、混音相關知識以及軟體操作(Logic Pro X)。\n    ● 演出設備：從拾音器到舞台音響調整概念。\n",[52,64,62],{"__ignoreMap":54},[12,66,67],{},[19,68,70],{"href":69},"#%E5%90%89%E4%BB%96%E8%AA%B2%E7%A8%8B","#吉他課程",{"title":54,"searchDepth":72,"depth":72,"links":73},2,[],null,"/images/workzoom_image3.jpg","md",[],true,{},"/threads/projects/private-guitar-lesson-huanyin",[],"2026-06-26",{"title":6,"description":14},"private-guitar-lesson-huanyin","threads/projects/private-guitar-lesson-huanyin","“本文為桓吟的吉他課程詳細資訊，無論是入門或是進修，都歡迎加入我們！”",[88,89],"吉他課程","教學","project","W9GZMPk4p_CHcnTTXePJQemRQRrz9NThbQ6y_E_xxLY",{"id":93,"title":94,"animated":7,"body":95,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":169,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":170,"navigation":78,"order":74,"path":171,"photos":172,"published_at":173,"reading_time":74,"related":74,"role":74,"seo":174,"slug":175,"source_hash":74,"status":74,"stem":176,"summary":74,"tags":177,"tech_stack":74,"translation_of":74,"type":178,"url":74,"video_url":74,"__hash__":179},"threads/threads/pages/about.md","關於我",{"type":9,"value":96,"toc":164},[97,105,113,125,133,136,139,154,159],[12,98,99],{},[100,101],"img",{"alt":102,"src":103,"title":104},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[106,107,109],"h3",{"id":108},"台灣獨奏吉他手劉桓吟huanyin",[110,111,112],"strong",{},"台灣獨奏吉他手｜劉桓吟HuanYin",[12,114,115,116,118,119,121,122,124],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[24,117],{},"\n​",[24,120],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[24,123],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[12,126,127,128,118,130,132],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[24,129],{},[24,131],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[12,134,135],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[106,137,138],{"id":138},"發行作品",[140,141,142],"blockquote",{},[12,143,144,145,147,148,150,151,153],{},"2019年單曲 《It’s Alright》",[24,146],{},"\n2020年首張原創EP 《向陽》",[24,149],{},"\n2022年單曲 《雨季 Rain Season》",[24,152],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[140,155,156],{},[12,157,158],{},"另著有《隙光》個人改編及創作樂譜集 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SASNiE",{"title":54,"searchDepth":72,"depth":72,"links":241},[242,243,244],{"id":199,"depth":167,"text":200},{"id":209,"depth":167,"text":210},{"id":221,"depth":167,"text":222},"/images/旋律間的光影 台中 現場照.jpg",[],{},"/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":182,"description":54},"worksmy-gears-guitar-pedal","threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by 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",[305,306,215],"em",{},"，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[305,309,310],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[12,313,314,315,317,318,320,321,323,324,327,328,330],{},"運作方式很簡單：",[24,316],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[24,319],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[24,322],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[110,325,326],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[24,329],{},"\n這是我認為兩種拾音器差異最大的地方。",[12,332,333],{},"我的方式是：",[140,335,336],{},[12,337,338,339,341],{},"線圈->穩定的弦聲＋貼片->整體空間感",[24,340],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[265,343,344],{"id":344},"我的效果器盤配置",[12,346,347,348,351,352,355,356,359],{},"我的效果器盤總共有四顆效果器。首先是",[305,349,350],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[110,353,354],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[110,357,358],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[12,361,362,363,365],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[24,364],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[12,367,368],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[265,370,371],{"id":371},"線圈和貼片的聲音差異",[12,373,374,375,377,378,380],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[24,376],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[24,379],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[265,382,384],{"id":383},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[12,386,387,388,390],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[24,389],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[12,392,393,394,397],{},"出於好奇，我和台灣麥克風品牌",[305,395,396],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[12,399,400],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[265,402,403],{"id":403},"結語",[12,405,406],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[12,408,409,410,412,413,415],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[305,411,310],{},"和",[305,414,396],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":54,"searchDepth":72,"depth":72,"links":417},[418,419,420,421,422,423,424],{"id":267,"depth":72,"text":268},{"id":277,"depth":72,"text":278},{"id":296,"depth":72,"text":297},{"id":344,"depth":72,"text":344},{"id":371,"depth":72,"text":371},{"id":383,"depth":72,"text":384},{"id":403,"depth":72,"text":403},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":261,"description":54},"acoustic-guitar-pickup-recording-setup","threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[435,89],"弦吟系列","https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":439,"title":440,"animated":7,"body":441,"client":74,"cover":466,"css_code":74,"description":467,"extension":76,"html_code":74,"images":468,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":469,"navigation":78,"order":74,"path":470,"photos":471,"published_at":472,"reading_time":74,"related":74,"role":74,"seo":473,"slug":474,"source_hash":74,"status":74,"stem":475,"summary":476,"tags":477,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":74,"__hash__":479},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":9,"value":442,"toc":464},[443,449,455,461],[12,444,445,446,448],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[24,447],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[12,450,451,452,454],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[24,453],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[12,456,457,458,460],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[24,459],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[12,462,463],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":54,"searchDepth":72,"depth":72,"links":465},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":440,"description":467},"guitar-thinking-life","threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[478],"隨筆","KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":481,"title":482,"animated":7,"body":483,"client":74,"cover":533,"css_code":74,"description":534,"extension":76,"html_code":74,"images":535,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":536,"navigation":78,"order":74,"path":537,"photos":538,"published_at":539,"reading_time":74,"related":74,"role":74,"seo":540,"slug":541,"source_hash":74,"status":74,"stem":542,"summary":543,"tags":544,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":74,"__hash__":545},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":9,"value":484,"toc":531},[485,502,510,519,525,528],[12,486,487,488,490,491,494,495,497],{},"老早就有想要架設網站的想法了。",[24,489],{},"\nThreadspage是由開發者－",[305,492,493],{},"暢可"," 創立的平台。",[24,496],{},[19,498,501],{"href":499,"rel":500},"https://threadspage.app/?ref=huanyin.vercel.app",[34],"點進來讓AI幫你介紹吧！",[140,503,504],{},[12,505,506,507,509],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[24,508],{},"\n他說著創建平台的初衷。",[12,511,512,513,515,516,518],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[24,514],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[24,517],{},"\n經過半天努力，這裡也算有了雛形。",[12,520,521,522,524],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[24,523],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[12,526,527],{},"讀完這篇文的你，歡迎光臨。",[12,529,530],{},"桓吟",{"title":54,"searchDepth":72,"depth":72,"links":532},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":482,"description":534},"website-origin-story","threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[478],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":547,"title":548,"animated":7,"body":549,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":688,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":689,"navigation":78,"order":74,"path":690,"photos":691,"published_at":692,"reading_time":74,"related":74,"role":74,"seo":693,"slug":694,"source_hash":74,"status":74,"stem":695,"summary":696,"tags":697,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":698,"__hash__":699},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":9,"value":550,"toc":679},[551,554,557,560,563,566,569,572,575,578,581,587,593,604,607,614,617,624,627,630,637,640,643,646,649,664,667,670,673,676],[265,552,553],{"id":553},"我為什麼開始留指甲",[12,555,556],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[12,558,559],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[12,561,562],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[265,564,565],{"id":565},"為什麼新手應該留一點指甲",[12,567,568],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[12,570,571],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[12,573,574],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[265,576,577],{"id":577},"我常用的修整工具",[12,579,580],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[12,582,583,586],{},[110,584,585],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[12,588,589,592],{},[110,590,591],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[12,594,595,596,599,600,603],{},"如果你是裸甲，我會推薦用",[110,597,598],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[110,601,602],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[265,605,606],{"id":606},"觸弦點與指甲形狀",[12,608,609,610,613],{},"接下來我要介紹一個重要的概念：",[110,611,612],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[12,615,616],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[12,618,619,620,623],{},"關於指甲長度，我想強調的是：",[110,621,622],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[12,625,626],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[265,628,629],{"id":629},"實際修整步驟",[12,631,632,633,636],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[110,634,635],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[12,638,639],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[12,641,642],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[265,644,645],{"id":645},"找到最適合你的長度",[12,647,648],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[650,651,652,655,658,661],"ol",{},[205,653,654],{},"先確定一個你要留的長度",[205,656,657],{},"習慣幾天",[205,659,660],{},"再決定要留長一點還是磨短一點",[205,662,663],{},"反覆這個過程",[12,665,666],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[265,668,669],{"id":669},"最後的建議",[12,671,672],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[12,674,675],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[12,677,678],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":54,"searchDepth":72,"depth":72,"links":680},[681,682,683,684,685,686,687],{"id":553,"depth":72,"text":553},{"id":565,"depth":72,"text":565},{"id":577,"depth":72,"text":577},{"id":606,"depth":72,"text":606},{"id":629,"depth":72,"text":629},{"id":645,"depth":72,"text":645},{"id":669,"depth":72,"text":669},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":548,"description":54},"guitar-fingernail-care","threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[435,89],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":701,"title":702,"animated":7,"body":703,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":792,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":793,"navigation":78,"order":74,"path":794,"photos":795,"published_at":796,"reading_time":74,"related":74,"role":74,"seo":797,"slug":798,"source_hash":74,"status":74,"stem":799,"summary":800,"tags":801,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":802,"__hash__":803},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",{"type":9,"value":704,"toc":781},[705,709,712,715,718,724,727,730,734,741,745,748,752,755,759,762,768,772,775,778],[265,706,708],{"id":707},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[12,710,711],{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[265,713,714],{"id":714},"如何根據身型挑選桶身大小",[12,716,717],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[12,719,720,721],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[110,722,723],{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[265,725,726],{"id":726},"四種桶身的音色比較",[12,728,729],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[106,731,733],{"id":732},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[12,735,736,737,740],{},"D桶身是歷史最悠久的設計，我認為它有",[110,738,739],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[106,742,744],{"id":743},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[12,746,747],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[106,749,751],{"id":750},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[12,753,754],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[106,756,758],{"id":757},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[12,760,761],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[12,763,764,765],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[110,766,767],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[265,769,771],{"id":770},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[12,773,774],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[12,776,777],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[12,779,780],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":54,"searchDepth":72,"depth":72,"links":782},[783,784,785,791],{"id":707,"depth":72,"text":708},{"id":714,"depth":72,"text":714},{"id":726,"depth":72,"text":726,"children":786},[787,788,789,790],{"id":732,"depth":167,"text":733},{"id":743,"depth":167,"text":744},{"id":750,"depth":167,"text":751},{"id":757,"depth":167,"text":758},{"id":770,"depth":72,"text":771},[],{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":702,"description":54},"acoustic-guitar-body-types-guide","threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[435,89],"https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":805,"title":806,"animated":7,"body":807,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":868,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":869,"navigation":78,"order":74,"path":870,"photos":871,"published_at":872,"reading_time":74,"related":74,"role":74,"seo":873,"slug":874,"source_hash":74,"status":74,"stem":875,"summary":876,"tags":877,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":879,"__hash__":880},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":9,"value":808,"toc":861},[809,812,815,818,822,825,828,831,834,837,840,843,846,849,852,855,858],[265,810,811],{"id":811},"一場特別的共演演出",[12,813,814],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[12,816,817],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[265,819,821],{"id":820},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[12,823,824],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[12,826,827],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[12,829,830],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[265,832,833],{"id":833},"教學中的收穫與成長",[12,835,836],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[12,838,839],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[265,841,842],{"id":842},"身心投入的獨特價值",[12,844,845],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[12,847,848],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[265,850,851],{"id":851},"給正在學習的你",[12,853,854],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[12,856,857],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[12,859,860],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":54,"searchDepth":72,"depth":72,"links":862},[863,864,865,866,867],{"id":811,"depth":72,"text":811},{"id":820,"depth":72,"text":821},{"id":833,"depth":72,"text":833},{"id":842,"depth":72,"text":842},{"id":851,"depth":72,"text":851},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":806,"description":54},"facing-the-other-side-student-recital","threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[435,89,878],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":882,"title":883,"animated":7,"body":884,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":1010,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":1011,"navigation":78,"order":74,"path":1012,"photos":1013,"published_at":1014,"reading_time":74,"related":74,"role":74,"seo":1015,"slug":1016,"source_hash":74,"status":74,"stem":1017,"summary":1018,"tags":1019,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":1021,"__hash__":1022},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":9,"value":885,"toc":996},[886,890,893,896,899,903,906,909,913,916,919,922,926,929,932,935,939,942,945,948,951,954,957,960,963,966,969,972,975,978,981,984,987,990,993],[40,887,889],{"id":888},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[265,891,892],{"id":892},"木吉他編曲的魅力",[12,894,895],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[12,897,898],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[265,900,902],{"id":901},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[12,904,905],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[12,907,908],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[265,910,912],{"id":911},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[12,914,915],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[12,917,918],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[12,920,921],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[265,923,925],{"id":924},"前奏教學從十度音開始","前奏教學——從十度音開始",[106,927,928],{"id":928},"第一小節的十度音技巧",[12,930,931],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[12,933,934],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[106,936,938],{"id":937},"運指與bass音的配合","運指與Bass音的配合",[12,940,941],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[106,943,944],{"id":944},"和弦的變化與滑音",[12,946,947],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[12,949,950],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[12,952,953],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[106,955,956],{"id":956},"勾音動作的技巧",[12,958,959],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[12,961,962],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[106,964,965],{"id":965},"後半段的複雜運指",[12,967,968],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[12,970,971],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[12,973,974],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[265,976,977],{"id":977},"我的創作初衷與錄製過程",[12,979,980],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[12,982,983],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[12,985,986],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[265,988,989],{"id":989},"演出的感動與持續練習的動力",[12,991,992],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[12,994,995],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":54,"searchDepth":72,"depth":72,"links":997},[998,999,1000,1001,1008,1009],{"id":892,"depth":72,"text":892},{"id":901,"depth":72,"text":902},{"id":911,"depth":72,"text":912},{"id":924,"depth":72,"text":925,"children":1002},[1003,1004,1005,1006,1007],{"id":928,"depth":167,"text":928},{"id":937,"depth":167,"text":938},{"id":944,"depth":167,"text":944},{"id":956,"depth":167,"text":956},{"id":965,"depth":167,"text":965},{"id":977,"depth":72,"text":977},{"id":989,"depth":72,"text":989},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":883,"description":54},"she-came-to-my-concert-guitar-tutorial","threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[435,89,1020],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":1024,"title":1025,"animated":7,"body":1026,"client":74,"cover":74,"css_code":74,"description":54,"extension":76,"html_code":74,"images":1063,"is_announcement":7,"is_pinned":7,"is_published":78,"key_points":74,"lang":74,"meta":1064,"navigation":78,"order":74,"path":1065,"photos":1066,"published_at":1067,"reading_time":74,"related":74,"role":74,"seo":1068,"slug":1069,"source_hash":74,"status":74,"stem":1070,"summary":1071,"tags":1072,"tech_stack":74,"translation_of":74,"type":257,"url":74,"video_url":1074,"__hash__":1075},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":9,"value":1027,"toc":1060},[1028,1034,1046,1049,1054,1057],[265,1029,1031],{"id":1030},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[110,1032,1033],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[12,1035,1036,1037,1040,1042,1043,1045],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[110,1038,1039],{},"同一首歌，放在不同把位，聲音會完全不同。",[24,1041],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[24,1044],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 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