[{"data":1,"prerenderedAt":1094},["ShallowReactive",2],{"tag-threads-弦吟系列":3},[4,95,183,262,441,483,549,703,807,884,1026,1079],{"id":5,"title":6,"animated":7,"body":8,"client":77,"cover":78,"css_code":77,"description":17,"extension":79,"html_code":77,"images":80,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":82,"navigation":81,"order":77,"path":84,"photos":85,"published_at":86,"reading_time":77,"related":77,"role":77,"seo":87,"status":77,"stem":88,"summary":89,"tags":90,"tech_stack":77,"type":93,"url":77,"video_url":77,"__hash__":94},"threads/threads/projects/huanyin-private-guitar-lesson.md","吉他課程 Private Lesson｜桓吟吉他工作室",false,{"type":9,"value":10,"toc":74},"minimark",[11,14,18,30,42,47,58,62,68],[12,13],"hr",{},[15,16,17],"p",{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[15,19,20,21,26,29],{},"✉️ E-mail : ",[22,23,25],"a",{"href":24},"mailto:studio@huanyinliu.com","studio@huanyinliu.com",[27,28],"br",{},"\n📞 LINE : 8729268",[15,31,32,33,38,40],{},"課程詳情與預約：",[22,34,35],{"href":35,"rel":36},"https://forms.gle/bCyiHqkjpeorNv3r6",[37],"nofollow",[27,39],{},[27,41],{},[43,44,46],"h1",{"id":45},"課程方式與地點","課程方式與地點：",[48,49,54],"pre",{"className":50,"code":52,"language":53},[51],"language-text","a.【實體課】| 📍 新北市-三重工作室、台北市-東門工作室\nb.【視訊課】| 🖥️ 使用軟體-ZOOM\n","text",[55,56,52],"code",{"__ignoreMap":57},"",[43,59,61],{"id":60},"課程內容","課程內容：",[48,63,66],{"className":64,"code":65,"language":53},[51],"a.【吉他彈唱、伴奏】 \n    ● 基礎彈奏、樂理、自彈自唱、技巧...等。\n    ● 入門到進階編曲皆可教授。\n\nb.【Fingerstyle 指彈吉他演奏】\n    ● 學習不同風格樂曲，指導彈奏表現能力 (左右手分離度、音色動態掌握、特殊技巧..等)。\n\nc.【吉他編曲】\n    ● 進階樂理、指板分析、和弦琶音與音階、即興演奏。並以各種樂風練習在樂器上實際操作。\n    ● 以標準調弦(Standard Tuning)為主，引導如何用適合的方式替一段旋律搭配伴奏\n      ，呈現出完整的演奏曲。    \n\nd.【錄音與現場器材運用】\n    ● 基礎木吉他錄音、混音相關知識以及軟體操作(Logic Pro X)。\n    ● 演出設備：從拾音器到舞台音響調整概念。\n",[55,67,65],{"__ignoreMap":57},[15,69,70],{},[22,71,73],{"href":72},"#%E5%90%89%E4%BB%96%E8%AA%B2%E7%A8%8B","#吉他課程",{"title":57,"searchDepth":75,"depth":75,"links":76},2,[],null,"/images/workzoom_image3.jpg","md",[],true,{"slug":83},"private-guitar-lesson-huanyin","/threads/projects/huanyin-private-guitar-lesson",[],"2026-06-26",{"title":6,"description":17},"threads/projects/huanyin-private-guitar-lesson","“本文為桓吟的吉他課程詳細資訊，無論是入門或是進修，都歡迎加入我們！”",[91,92],"吉他課程","教學","project","yHXr-dm6jRks-Ufrr9vvU96SzP6rBuyW4P7tLaz-Jm4",{"id":96,"title":97,"animated":7,"body":98,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":172,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":173,"navigation":81,"order":77,"path":175,"photos":176,"published_at":177,"reading_time":77,"related":77,"role":77,"seo":178,"status":77,"stem":179,"summary":77,"tags":180,"tech_stack":77,"type":181,"url":77,"video_url":77,"__hash__":182},"threads/threads/pages/about.md","關於我",{"type":9,"value":99,"toc":167},[100,108,116,128,136,139,142,157,162],[15,101,102],{},[103,104],"img",{"alt":105,"src":106,"title":107},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[109,110,112],"h3",{"id":111},"台灣獨奏吉他手劉桓吟huanyin",[113,114,115],"strong",{},"台灣獨奏吉他手｜劉桓吟HuanYin",[15,117,118,119,121,122,124,125,127],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[27,120],{},"\n​",[27,123],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[27,126],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[15,129,130,131,121,133,135],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[27,132],{},[27,134],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[15,137,138],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[109,140,141],{"id":141},"發行作品",[143,144,145],"blockquote",{},[15,146,147,148,150,151,153,154,156],{},"2019年單曲 《It’s Alright》",[27,149],{},"\n2020年首張原創EP 《向陽》",[27,152],{},"\n2022年單曲 《雨季 Rain Season》",[27,155],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[143,158,159],{},[15,160,161],{},"另著有《隙光》個人改編及創作樂譜集 (2022年發行)",[15,163,164],{},[103,165],{"alt":105,"src":166,"title":107},"/images/huanyin_riverside_image.jpg",{"title":57,"searchDepth":75,"depth":75,"links":168},[169,171],{"id":111,"depth":170,"text":115},3,{"id":141,"depth":170,"text":141},[],{"slug":174},"about","/threads/pages/about",[],"2026-06-24",{"title":97,"description":57},"threads/pages/about",[],"page","pIDN3SwVxbDeCeK0sexSKcHkC-gtSFVRcxf7Qi8ByZk",{"id":184,"title":185,"animated":7,"body":186,"client":77,"cover":248,"css_code":77,"description":57,"extension":79,"html_code":77,"images":249,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":250,"navigation":81,"order":77,"path":252,"photos":253,"published_at":254,"reading_time":77,"related":77,"role":77,"seo":255,"status":77,"stem":256,"summary":257,"tags":258,"tech_stack":77,"type":260,"url":77,"video_url":77,"__hash__":261},"threads/threads/articles/worksmy-gears-guitar-pedal.md","桓吟現場演出使用設備｜My Gear",{"type":9,"value":187,"toc":243},[188,194,200,204,210,214,222,226],[15,189,190],{},[103,191],{"alt":192,"src":193},"Maruni.H MXC001","/images/Maruni.H%20MXC001.jpg",[15,195,196],{},[103,197],{"alt":198,"src":199},"桓吟的效果器盤｜2026","/images/%E6%95%88%E6%9E%9C%E5%99%A8%E7%9B%A4huan2026.jpg",[109,201,203],{"id":202},"吉他-guitar","吉他 Guitar",[205,206,207],"ul",{},[208,209,192],"li",{},[109,211,213],{"id":212},"拾音器-pickup","拾音器 Pickup",[205,215,216,219],{},[208,217,218],{},"Sunrise S2",[208,220,221],{},"SASNiE Contact Transducer",[109,223,225],{"id":224},"效果器盤-pedalboard","效果器盤 Pedalboard",[205,227,228,231,234,237,240],{},[208,229,230],{},"M-Factory PM200",[208,232,233],{},"EAE StompMix 4",[208,235,236],{},"UAFX Golden Reverb",[208,238,239],{},"BOSS RC-1 Loop Station",[208,241,242],{},"Loop Controller by SASNiE",{"title":57,"searchDepth":75,"depth":75,"links":244},[245,246,247],{"id":202,"depth":170,"text":203},{"id":212,"depth":170,"text":213},{"id":224,"depth":170,"text":225},"/images/旋律間的光影 台中 現場照.jpg",[],{"slug":251},"my-gears-guitar-pedal","/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":185,"description":57},"threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[259],"器材","article","XOarKC5wo8ScMpe3GTh2pwz67ow_DuIQ2yL1Y62091s",{"id":263,"title":264,"animated":7,"body":265,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":428,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":429,"navigation":81,"order":77,"path":431,"photos":432,"published_at":433,"reading_time":77,"related":77,"role":77,"seo":434,"status":77,"stem":435,"summary":436,"tags":437,"tech_stack":77,"type":260,"url":77,"video_url":439,"__hash__":440},"threads/threads/articles/acoustic-guitar-pickup-effects-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":9,"value":266,"toc":419},[267,272,275,278,282,285,294,297,301,304,315,334,337,345,348,363,369,372,375,384,388,394,401,404,407,410],[268,269,271],"h2",{"id":270},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[15,273,274],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[15,276,277],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[268,279,281],{"id":280},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[15,283,284],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[15,286,287,288,290,291,293],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[27,289],{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[27,292],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[15,295,296],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[268,298,300],{"id":299},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[15,302,303],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[15,305,306,307,310,311,314],{},"我使用的線圈是美國的 ",[308,309,218],"em",{},"，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[308,312,313],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[15,316,317,318,320,321,323,324,326,327,330,331,333],{},"運作方式很簡單：",[27,319],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[27,322],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[27,325],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[113,328,329],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[27,332],{},"\n這是我認為兩種拾音器差異最大的地方。",[15,335,336],{},"我的方式是：",[143,338,339],{},[15,340,341,342,344],{},"線圈->穩定的弦聲＋貼片->整體空間感",[27,343],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[268,346,347],{"id":347},"我的效果器盤配置",[15,349,350,351,354,355,358,359,362],{},"我的效果器盤總共有四顆效果器。首先是",[308,352,353],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[113,356,357],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[113,360,361],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[15,364,365,366,368],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[27,367],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[15,370,371],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[268,373,374],{"id":374},"線圈和貼片的聲音差異",[15,376,377,378,380,381,383],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[27,379],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[27,382],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[268,385,387],{"id":386},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[15,389,390,391,393],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[27,392],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[15,395,396,397,400],{},"出於好奇，我和台灣麥克風品牌",[308,398,399],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[15,402,403],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[268,405,406],{"id":406},"結語",[15,408,409],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[15,411,412,413,415,416,418],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[308,414,313],{},"和",[308,417,399],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":57,"searchDepth":75,"depth":75,"links":420},[421,422,423,424,425,426,427],{"id":270,"depth":75,"text":271},{"id":280,"depth":75,"text":281},{"id":299,"depth":75,"text":300},{"id":347,"depth":75,"text":347},{"id":374,"depth":75,"text":374},{"id":386,"depth":75,"text":387},{"id":406,"depth":75,"text":406},[],{"slug":430},"/knowledge/acoustic-guitar-pickup-recording-setup","/threads/articles/acoustic-guitar-pickup-effects-setup",[],"2026-06-18",{"title":264,"description":57},"threads/articles/acoustic-guitar-pickup-effects-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[438,92],"弦吟系列","https://www.youtube.com/watch?v=dPs_a0EXFuY","xnaV0zBZPG-P5Cp44nVAnL5Rp-bb1BUEpA_1HOTXo-c",{"id":442,"title":443,"animated":7,"body":444,"client":77,"cover":469,"css_code":77,"description":470,"extension":79,"html_code":77,"images":471,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":472,"navigation":81,"order":77,"path":474,"photos":475,"published_at":476,"reading_time":77,"related":77,"role":77,"seo":477,"status":77,"stem":478,"summary":479,"tags":480,"tech_stack":77,"type":260,"url":77,"video_url":77,"__hash__":482},"threads/threads/articles/notes-life-202606.md","隨筆：六月的生活",{"type":9,"value":445,"toc":467},[446,452,458,464],[15,447,448,449,451],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[27,450],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[15,453,454,455,457],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[27,456],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[15,459,460,461,463],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[27,462],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[15,465,466],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":57,"searchDepth":75,"depth":75,"links":468},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{"slug":473},"/thoughts/guitar-thinking-life","/threads/articles/notes-life-202606",[],"2026-06-16",{"title":443,"description":470},"threads/articles/notes-life-202606","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[481],"隨筆","ZhRf4DTmfDCGr1hSc-FbIY6I2ZJHEqu6x8aQB29S6cg",{"id":484,"title":485,"animated":7,"body":486,"client":77,"cover":536,"css_code":77,"description":537,"extension":79,"html_code":77,"images":538,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":539,"navigation":81,"order":77,"path":541,"photos":542,"published_at":543,"reading_time":77,"related":77,"role":77,"seo":544,"status":77,"stem":545,"summary":546,"tags":547,"tech_stack":77,"type":260,"url":77,"video_url":77,"__hash__":548},"threads/threads/articles/notes-life.md","隨筆：這個網站的由來",{"type":9,"value":487,"toc":534},[488,505,513,522,528,531],[15,489,490,491,493,494,497,498,500],{},"老早就有想要架設網站的想法了。",[27,492],{},"\nThreadspage是由開發者－",[308,495,496],{},"暢可"," 創立的平台。",[27,499],{},[22,501,504],{"href":502,"rel":503},"https://threadspage.app/?ref=huanyin.vercel.app",[37],"點進來讓AI幫你介紹吧！",[143,506,507],{},[15,508,509,510,512],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[27,511],{},"\n他說著創建平台的初衷。",[15,514,515,516,518,519,521],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[27,517],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[27,520],{},"\n經過半天努力，這裡也算有了雛形。",[15,523,524,525,527],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[27,526],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[15,529,530],{},"讀完這篇文的你，歡迎光臨。",[15,532,533],{},"桓吟",{"title":57,"searchDepth":75,"depth":75,"links":535},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{"slug":540},"/thoughts/website-origin-story","/threads/articles/notes-life",[],"2026-06-14",{"title":485,"description":537},"threads/articles/notes-life","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[481],"oMtqUbPASsbTbrrogCCK7Tti8GvsS89EQ2zIMMPISS8",{"id":550,"title":551,"animated":7,"body":552,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":691,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":692,"navigation":81,"order":77,"path":694,"photos":695,"published_at":696,"reading_time":77,"related":77,"role":77,"seo":697,"status":77,"stem":698,"summary":699,"tags":700,"tech_stack":77,"type":260,"url":77,"video_url":701,"__hash__":702},"threads/threads/articles/guitar-fingernail-maintenance-guide.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":9,"value":553,"toc":682},[554,557,560,563,566,569,572,575,578,581,584,590,596,607,610,617,620,627,630,633,640,643,646,649,652,667,670,673,676,679],[268,555,556],{"id":556},"我為什麼開始留指甲",[15,558,559],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[15,561,562],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[15,564,565],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[268,567,568],{"id":568},"為什麼新手應該留一點指甲",[15,570,571],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[15,573,574],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[15,576,577],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[268,579,580],{"id":580},"我常用的修整工具",[15,582,583],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[15,585,586,589],{},[113,587,588],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[15,591,592,595],{},[113,593,594],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[15,597,598,599,602,603,606],{},"如果你是裸甲，我會推薦用",[113,600,601],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[113,604,605],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[268,608,609],{"id":609},"觸弦點與指甲形狀",[15,611,612,613,616],{},"接下來我要介紹一個重要的概念：",[113,614,615],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[15,618,619],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[15,621,622,623,626],{},"關於指甲長度，我想強調的是：",[113,624,625],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[15,628,629],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[268,631,632],{"id":632},"實際修整步驟",[15,634,635,636,639],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[113,637,638],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[15,641,642],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[15,644,645],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[268,647,648],{"id":648},"找到最適合你的長度",[15,650,651],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[653,654,655,658,661,664],"ol",{},[208,656,657],{},"先確定一個你要留的長度",[208,659,660],{},"習慣幾天",[208,662,663],{},"再決定要留長一點還是磨短一點",[208,665,666],{},"反覆這個過程",[15,668,669],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[268,671,672],{"id":672},"最後的建議",[15,674,675],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[15,677,678],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[15,680,681],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":57,"searchDepth":75,"depth":75,"links":683},[684,685,686,687,688,689,690],{"id":556,"depth":75,"text":556},{"id":568,"depth":75,"text":568},{"id":580,"depth":75,"text":580},{"id":609,"depth":75,"text":609},{"id":632,"depth":75,"text":632},{"id":648,"depth":75,"text":648},{"id":672,"depth":75,"text":672},[],{"slug":693},"/knowledge/guitar-fingernail-care","/threads/articles/guitar-fingernail-maintenance-guide",[],"2026-01-20",{"title":551,"description":57},"threads/articles/guitar-fingernail-maintenance-guide","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[438,92],"https://www.youtube.com/watch?v=mv6bmmfMBew","bLrrxZazppSQ0jfH-YoKji9pMio0cUyM0wifOoMsZZ0",{"id":704,"title":705,"animated":7,"body":706,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":795,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":796,"navigation":81,"order":77,"path":798,"photos":799,"published_at":800,"reading_time":77,"related":77,"role":77,"seo":801,"status":77,"stem":802,"summary":803,"tags":804,"tech_stack":77,"type":260,"url":77,"video_url":805,"__hash__":806},"threads/threads/articles/acoustic-guitar-body-selection-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",{"type":9,"value":707,"toc":784},[708,712,715,718,721,727,730,733,737,744,748,751,755,758,762,765,771,775,778,781],[268,709,711],{"id":710},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[15,713,714],{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[268,716,717],{"id":717},"如何根據身型挑選桶身大小",[15,719,720],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[15,722,723,724],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[113,725,726],{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[268,728,729],{"id":729},"四種桶身的音色比較",[15,731,732],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[109,734,736],{"id":735},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[15,738,739,740,743],{},"D桶身是歷史最悠久的設計，我認為它有",[113,741,742],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[109,745,747],{"id":746},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[15,749,750],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[109,752,754],{"id":753},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[15,756,757],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[109,759,761],{"id":760},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[15,763,764],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[15,766,767,768],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[113,769,770],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[268,772,774],{"id":773},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[15,776,777],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[15,779,780],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[15,782,783],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":57,"searchDepth":75,"depth":75,"links":785},[786,787,788,794],{"id":710,"depth":75,"text":711},{"id":717,"depth":75,"text":717},{"id":729,"depth":75,"text":729,"children":789},[790,791,792,793],{"id":735,"depth":170,"text":736},{"id":746,"depth":170,"text":747},{"id":753,"depth":170,"text":754},{"id":760,"depth":170,"text":761},{"id":773,"depth":75,"text":774},[],{"slug":797},"/knowledge/acoustic-guitar-body-types-guide","/threads/articles/acoustic-guitar-body-selection-guide",[],"2025-12-11",{"title":705,"description":57},"threads/articles/acoustic-guitar-body-selection-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[438,92],"https://www.youtube.com/watch?v=BSExE5XVahQ","Q6DMtA_Rlk6cH21wXl7RNXQnXpQBXEhrz5Qa-hD8rAQ",{"id":808,"title":809,"animated":7,"body":810,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":871,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":872,"navigation":81,"order":77,"path":874,"photos":875,"published_at":876,"reading_time":77,"related":77,"role":77,"seo":877,"status":77,"stem":878,"summary":879,"tags":880,"tech_stack":77,"type":260,"url":77,"video_url":882,"__hash__":883},"threads/threads/articles/concert-with-students-facing-the-other-side-of-sunshine.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":9,"value":811,"toc":864},[812,815,818,821,825,828,831,834,837,840,843,846,849,852,855,858,861],[268,813,814],{"id":814},"一場特別的共演演出",[15,816,817],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[15,819,820],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[268,822,824],{"id":823},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[15,826,827],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[15,829,830],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[15,832,833],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[268,835,836],{"id":836},"教學中的收穫與成長",[15,838,839],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[15,841,842],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[268,844,845],{"id":845},"身心投入的獨特價值",[15,847,848],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[15,850,851],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[268,853,854],{"id":854},"給正在學習的你",[15,856,857],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[15,859,860],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[15,862,863],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":57,"searchDepth":75,"depth":75,"links":865},[866,867,868,869,870],{"id":814,"depth":75,"text":814},{"id":823,"depth":75,"text":824},{"id":836,"depth":75,"text":836},{"id":845,"depth":75,"text":845},{"id":854,"depth":75,"text":854},[],{"slug":873},"/works/facing-the-other-side-student-recital","/threads/articles/concert-with-students-facing-the-other-side-of-sunshine",[],"2025-11-15",{"title":809,"description":57},"threads/articles/concert-with-students-facing-the-other-side-of-sunshine","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[438,92,881],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","gBd517mKiYYW4xjcqu-wFNICM7sfINuK7UtWkgCW8KQ",{"id":885,"title":886,"animated":7,"body":887,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":1013,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":1014,"navigation":81,"order":77,"path":1016,"photos":1017,"published_at":1018,"reading_time":77,"related":77,"role":77,"seo":1019,"status":77,"stem":1020,"summary":1021,"tags":1022,"tech_stack":77,"type":260,"url":77,"video_url":1024,"__hash__":1025},"threads/threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":9,"value":888,"toc":999},[889,893,896,899,902,906,909,912,916,919,922,925,929,932,935,938,942,945,948,951,954,957,960,963,966,969,972,975,978,981,984,987,990,993,996],[43,890,892],{"id":891},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[268,894,895],{"id":895},"木吉他編曲的魅力",[15,897,898],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[15,900,901],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[268,903,905],{"id":904},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[15,907,908],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[15,910,911],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[268,913,915],{"id":914},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[15,917,918],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[15,920,921],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[15,923,924],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[268,926,928],{"id":927},"前奏教學從十度音開始","前奏教學——從十度音開始",[109,930,931],{"id":931},"第一小節的十度音技巧",[15,933,934],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[15,936,937],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[109,939,941],{"id":940},"運指與bass音的配合","運指與Bass音的配合",[15,943,944],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[109,946,947],{"id":947},"和弦的變化與滑音",[15,949,950],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[15,952,953],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[15,955,956],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[109,958,959],{"id":959},"勾音動作的技巧",[15,961,962],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[15,964,965],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[109,967,968],{"id":968},"後半段的複雜運指",[15,970,971],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[15,973,974],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[15,976,977],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[268,979,980],{"id":980},"我的創作初衷與錄製過程",[15,982,983],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[15,985,986],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[15,988,989],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[268,991,992],{"id":992},"演出的感動與持續練習的動力",[15,994,995],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[15,997,998],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":57,"searchDepth":75,"depth":75,"links":1000},[1001,1002,1003,1004,1011,1012],{"id":895,"depth":75,"text":895},{"id":904,"depth":75,"text":905},{"id":914,"depth":75,"text":915},{"id":927,"depth":75,"text":928,"children":1005},[1006,1007,1008,1009,1010],{"id":931,"depth":170,"text":931},{"id":940,"depth":170,"text":941},{"id":947,"depth":170,"text":947},{"id":959,"depth":170,"text":959},{"id":968,"depth":170,"text":968},{"id":980,"depth":75,"text":980},{"id":992,"depth":75,"text":992},[],{"slug":1015},"⁠/knowledge/she-came-to-my-concert-guitar-tutorial⁠","/threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement",[],"2025-09-08",{"title":886,"description":57},"threads/articles/she-came-to-my-concert-acoustic-guitar-arrangement","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[438,92,1023],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","ijI8DSlNd5ySzBDWgO0_ucBPkIsh5oc2L7ANpZ5Gzl8",{"id":1027,"title":1028,"animated":7,"body":1029,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":1066,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":1067,"navigation":81,"order":77,"path":1069,"photos":1070,"published_at":1071,"reading_time":77,"related":77,"role":77,"seo":1072,"status":77,"stem":1073,"summary":1074,"tags":1075,"tech_stack":77,"type":260,"url":77,"video_url":1077,"__hash__":1078},"threads/threads/articles/fingerstyle-guitar-different-positions-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":9,"value":1030,"toc":1063},[1031,1037,1049,1052,1057,1060],[268,1032,1034],{"id":1033},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[113,1035,1036],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[15,1038,1039,1040,1043,1045,1046,1048],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[113,1041,1042],{},"同一首歌，放在不同把位，聲音會完全不同。",[27,1044],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[27,1047],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[15,1050,1051],{},"這個過程讓我重新理解一件事：",[143,1053,1054],{},[15,1055,1056],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[15,1058,1059],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[15,1061,1062],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":57,"searchDepth":75,"depth":75,"links":1064},[1065],{"id":1033,"depth":75,"text":1036},[],{"slug":1068},"/knowledge/fingerstyle-position-change-tone-color-finnish-distance","/threads/articles/fingerstyle-guitar-different-positions-finnish-distance",[],"2025-08-08",{"title":1028,"description":57},"threads/articles/fingerstyle-guitar-different-positions-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[438,92,1076],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","o9upyPA69eQk2ZCwC1t7F-5H1o-f8-6buTa2S7WGgTE",{"id":1080,"title":1081,"animated":7,"body":1082,"client":77,"cover":77,"css_code":77,"description":57,"extension":79,"html_code":77,"images":1086,"is_announcement":7,"is_pinned":7,"is_published":81,"key_points":77,"meta":1087,"navigation":81,"order":77,"path":1088,"photos":1089,"published_at":77,"reading_time":77,"related":77,"role":77,"seo":1090,"status":77,"stem":1091,"summary":77,"tags":1092,"tech_stack":77,"type":77,"url":77,"video_url":77,"__hash__":1093},"threads/threads/articles/haha.md","Haha",{"type":9,"value":1083,"toc":1084},[],{"title":57,"searchDepth":75,"depth":75,"links":1085},[],[],{},"/threads/articles/haha",[],{"description":57},"threads/articles/haha",[],"61uhdwQKmfZbJy7C--ArhNYLwiYJheg7MHVtmUqNU-8",1782465214978]