[{"data":1,"prerenderedAt":3529},["ShallowReactive",2],{"tag-threads-zh-TW-Live":3,"latest-articles-zh-TW":2139,"announcement-zh-TW":3378,"author-context":3418},[4,88,284,461,636,761,883,1010,1091,1170,1253,1327,1503,1544,1610,1763,1867,1944,2086],{"id":5,"title":6,"animated":7,"body":8,"client":70,"cover":71,"css_code":70,"description":72,"extension":73,"html_code":70,"images":74,"is_announcement":75,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":76,"navigation":75,"order":70,"path":77,"photos":78,"published_at":79,"reading_time":70,"related":70,"role":70,"seo":80,"slug":81,"source_hash":70,"status":70,"stem":82,"summary":83,"tags":84,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":87},"threads/threads/articles/live-info-chiayi-2026.md","11/21《慢慢彈 慢慢談》嘉義",false,{"type":9,"value":10,"toc":66},"minimark",[11,28,36,41],[12,13,14,15,18,19,21,22,24,25,27],"p",{},"嘉義的朋友們好！",[16,17],"br",{},"\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。",[16,20],{},"\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。",[16,23],{},"\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！",[16,26],{},"\n慢慢彈，慢慢談，11/21見。",[12,29,30,35],{},[31,32],"img",{"alt":33,"src":34},"2019_25x40","/images/2026_25x40/2019_25x40.JPG","\n2019第一次在嘉義演出",[37,38,40],"h4",{"id":39},"慢慢彈-慢慢談劉桓吟指彈演奏會","《慢慢彈  慢慢談—劉桓吟指彈演奏會》",[12,42,43,44,46,47,54,55,57,58,60,61],{},"｜日期：2026.11.21（六） 19:30-21:00",[16,45],{},"\n｜地點：",[48,49,53],"a",{"href":50,"rel":51},"https://maps.app.goo.gl/oDG5pKFD9Sq4LQW88",[52],"nofollow","25x40藝文空間📍"," 嘉義市中正路554號",[16,56],{},"\n｜費用：早鳥 500元，現場 600元",[16,59],{},"\n｜",[48,62,65],{"href":63,"rel":64},"https://forms.gle/2AXwQV4KBg8aSyNy8",[52],"購票連結🔗",{"title":67,"searchDepth":68,"depth":68,"links":69},"",2,[],null,"/images/20241019 嘉義森韻 25x40-28.jpeg","嘉義的朋友們好！\n十一月，我又要回到這個演奏了很多年的地方。演出時間確定後，心情和以往有些不同。少了緊張，多了回家見老朋友的踏實。\n這場演出會彈奏一些早期演出時彈的曲子，也會和大家聊聊這幾年彈吉他的心路歷程。\n這陣子音樂上，正籌備第一張個人專輯，所以也會聊聊一些製作故事，希望能看到嘉義的朋友們！\n慢慢彈，慢慢談，11/21見。","md",[],true,{},"/threads/articles/live-info-chiayi-2026",[],"2026-10-25",{"title":6,"description":72},"live-info-chiayi-2026","threads/articles/live-info-chiayi-2026","日期：2026.11.21（六）｜地點：25x40藝文空間｜費用：早鳥 500元，現場 600元  ",[85],"Live","article","AP_Bm523W3OscvtGNe8J-HATISeTaOd7J378kcIW418",{"id":89,"title":90,"animated":7,"body":91,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":259,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":260,"lang":70,"meta":269,"navigation":75,"order":70,"path":270,"photos":271,"published_at":272,"reading_time":70,"related":70,"role":70,"seo":273,"slug":274,"source_hash":70,"status":70,"stem":275,"summary":276,"tags":277,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":282,"__hash__":283},"threads/threads/articles/reverb-delay-complete-guide.md","空間效果完全攻略：Reverb 與 Delay 全解析",{"type":9,"value":92,"toc":244},[93,97,102,105,108,112,117,120,123,127,130,140,148,156,160,168,176,184,188,192,195,198,202,210,217,225,229,232,235,238,241],[94,95,90],"h1",{"id":96},"空間效果完全攻略reverb-與-delay-全解析",[98,99,101],"h2",{"id":100},"為什麼吉他需要空間效果","為什麼吉他需要空間效果？",[12,103,104],{},"在現實生活中聆聽聲音時，大腦會根據反射聲來判斷空間的大小與遠近。但拾音器只會收取吉他最直接的震動，所以聲音常常聽起來很「乾」、很「近」，缺乏自然感。",[12,106,107],{},"因此，空間效果器通常是使用拾音器後必備的第一顆效果器。它能模擬真實房間的聲學特性，讓吉他聽起來更自然、更有空間感。",[98,109,111],{"id":110},"認識-reverb殘響效果","認識 Reverb（殘響效果）",[113,114,116],"h3",{"id":115},"reverb-的原理","Reverb 的原理",[12,118,119],{},"舉個簡單的例子：想像一個方形房間裡有人在彈吉他，聽眾會先聽到最短距離的「直達聲」，稍晚才聽到來自牆壁的「反射聲」。這些反射聲疊加在一起，就是這個房間的「殘響」。",[12,121,122],{},"這是現實中的殘響。用效果器製作殘響時，也能創造誇張的空間，甚至讓人感覺身處虛構的環境。",[113,124,126],{"id":125},"reverb-的種類","Reverb 的種類",[12,128,129],{},"以下介紹三種常見類型：",[12,131,132,136,137,139],{},[133,134,135],"strong",{},"Room（小房間）","：",[16,138],{},"\n模擬小空間的反射。反射聲很快回來、殘響短，聲音緊湊貼近，像在房間裡近距離聽人彈琴。",[12,141,142,136,145,147],{},[133,143,144],{},"Hall（大廳）",[16,146],{},"\n模擬音樂廳這類大空間。反射聲較晚回來、殘響持續較久，尾音會明顯延伸，聽起來開闊且有包覆感。這是我平常最常用的類型。",[12,149,150,136,153,155],{},[133,151,152],{},"Plate（金屬板）",[16,154],{},"\n用金屬板製造的人工殘響，聲音緊實明亮。我自己比較少用在木吉他上。",[113,157,159],{"id":158},"reverb-的關鍵參數","Reverb 的關鍵參數",[12,161,162,136,165,167],{},[133,163,164],{},"Decay（衰減時間）",[16,166],{},"\n決定尾音留多久。慢歌可以用較長的 Decay（例如 4 秒）營造氛圍；快歌則要縮短，否則音符密集時聲音會變得混濁。",[12,169,170,136,173,175],{},[133,171,172],{},"Mix（混合比例）",[16,174],{},"\n控制 Reverb 與原本乾聲的音量比例。效果器上可能標示為 Mix、Level 等名稱。",[12,177,178,136,181,183],{},[133,179,180],{},"Pre-Delay（前置延遲）",[16,182],{},"\n我認為這是很多人容易忽略的參數。數值越大，吉他聽起來離你越近；反之則越遠。不過調太大會讓殘響延後太久才出現，變成特效聲，所以只開一點點就好。",[98,185,187],{"id":186},"認識-delay延遲效果","認識 Delay（延遲效果）",[113,189,191],{"id":190},"delay-的概念","Delay 的概念",[12,193,194],{},"Delay 就是我們常聽到的 echo（回音），概念比 Reverb 更好理解：聲音會重複出現。",[12,196,197],{},"在空曠的停車場或山谷這類寬廣的地方，反射聲晚到能讓我們明顯分辨出時間差，這樣的反射聲就是 Delay。",[113,199,201],{"id":200},"delay-的關鍵參數","Delay 的關鍵參數",[12,203,204,136,207,209],{},[133,205,206],{},"Delay Time（延遲時間）",[16,208],{},"\n決定每次回音的間隔。我最常使用八分音符，讓歌曲更有律動感，效果也更豐富。多數 Delay 效果器都能用踩點（Tap Tempo）設定時間，所以我很少去轉旋鈕。",[12,211,212,136,214,216],{},[133,213,172],{},[16,215],{},"\n控制 Delay 的音量。",[12,218,219,136,222,224],{},[133,220,221],{},"Feedback（回授）",[16,223],{},"\n決定回音重複幾次。我建議用耳朵判斷：慢歌通常三到四次剛好，快歌重複一到兩次即可。這沒有固定公式，也可以自己調出有趣的聲音。但 Feedback 千萬不要調太高，否則聽起來會非常可怕！",[98,226,228],{"id":227},"yamaha-ta-systemtag3c","YAMAHA TA System（TAG3C）",[12,230,231],{},"TAG3C 是 YAMAHA TAG 系列的旗艦款。它外觀是一般的原聲吉他，卻把加振器藏在琴身內，讓吉他能自行產生 Reverb、Delay、Chorus 等空間效果，甚至能用 Loop Station 的方式，直接從琴身播放循環樂句。",[12,233,234],{},"搭配原廠「TA 系統 App」，在如此多功能的設計下，所有操作仍濃縮成側板上的四個按鈕。我覺得 YAMAHA 把空間效果整合得非常優雅，用起來流暢直觀。",[98,236,237],{"id":237},"實戰建議",[12,239,240],{},"新手建議先理解 Reverb 與 Delay 的基本原理，再依歌曲風格慢慢調整參數。每首歌的風格不同，所需的空間效果也不同：慢歌可用較長的 Decay 與適度的 Feedback 營造氛圍，快歌則縮短參數以保持清晰。",[12,242,243],{},"掌握基本概念後，還有很多可以玩的空間。鼓勵大家多嘗試，找到最適合自己風格的設定。",{"title":67,"searchDepth":68,"depth":68,"links":245},[246,247,253,257,258],{"id":100,"depth":68,"text":101},{"id":110,"depth":68,"text":111,"children":248},[249,251,252],{"id":115,"depth":250,"text":116},3,{"id":125,"depth":250,"text":126},{"id":158,"depth":250,"text":159},{"id":186,"depth":68,"text":187,"children":254},[255,256],{"id":190,"depth":250,"text":191},{"id":200,"depth":250,"text":201},{"id":227,"depth":68,"text":228},{"id":237,"depth":68,"text":237},[],[261,262,263,264,265,266,267,268],"我認為空間效果是使用拾音器後必備的第一顆效果器，因為拾音器只能收到乾聲，缺乏房間反射帶來的自然空間感","我介紹了三種 Reverb 類型：Room（小房間）、Hall（大廳）和 Plate（金屬板），其中 Hall 是我平常最常用的選擇","我建議調整 Reverb 的 Decay 參數時，慢歌可以用較長的尾音營造氛圍，快歌則要縮短以避免聲音渾濁","我提醒 Pre-Delay 這個容易被忽視的功能，數值越大會感覺離吉他越遠，但不要調太誇張否則會變成特效聲","我說明 Delay-Time 最常用八分音符配合歌曲速度，大多數效果器都能用踩踏來調整，不需要經常轉動旋鈕","我強調 Feedback 參數控制迴音重複次數，慢歌時千萬不要調太高，否則聽起來會很可怕","我分享了 YAMAHA TAG3 的設計優雅之處，它將空間效果的所有參數整合在側板上，使用流暢且直觀","我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數，找到最適合的效果",{},"/threads/articles/reverb-delay-complete-guide",[],"2026-10-22",{"title":90,"description":67},"reverb-delay-complete-guide","threads/articles/reverb-delay-complete-guide","這一集「弦吟」為大家講解空間效果的核心概念。包含Reverb（殘響）和 Delay（延遲）的原理、調整方法，讓拾音器的聲音更具自然的空間感。",[278,279,280,281],"弦吟系列","教學","Reverb","Delay","https://www.youtube.com/watch?v=3fDY6sOm9Rc","6d-__tlzULgIO5cxSvq2VCF8NxSgTYkNEfmwEL8Duao",{"id":285,"title":286,"animated":7,"body":287,"client":70,"cover":448,"css_code":70,"description":67,"extension":73,"html_code":70,"images":449,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":450,"navigation":75,"order":70,"path":451,"photos":452,"published_at":453,"reading_time":70,"related":70,"role":70,"seo":454,"slug":455,"source_hash":70,"status":70,"stem":456,"summary":457,"tags":458,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":460},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":9,"value":288,"toc":445},[289,301,357,360,363,366,381,386,392,395],[290,291,292],"blockquote",{},[12,293,294,295,300],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[48,296,299],{"href":297,"rel":298},"https://blog.ikukaroom.com/ichigo-ichie/",[52],"ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[12,302,303,304,314,315,320,321,323,324,329,330,332,333,338,339,341,342,348,356],{},"上個月吉他圈的朋友Wen",[305,306,307],"sup",{},[48,308,313],{"href":309,"ariaDescribedBy":310,"dataFootnoteRef":67,"id":312},"#user-content-fn-wen",[311],"footnote-label","user-content-fnref-wen","1","推薦我參與",[48,316,319],{"href":317,"rel":318},"https://blogblog.club/party",[52],"部落格同樂會","的活動。",[16,322],{},"\n托我的吉他學生",[48,325,328],{"href":326,"rel":327},"https://ivanhsu.co",[52],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[16,331],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[48,334,337],{"href":335,"rel":336},"https://www.wen-lab.tw/congratulate-huanyin/",[52],"Wen的生產力實驗室",")",[16,340],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[343,344,347],"ins",{"className":345},[346],"remark-ins","Threadpages",[305,349,350],{},[48,351,355],{"href":352,"ariaDescribedBy":353,"dataFootnoteRef":67,"id":354},"#user-content-fn-2",[311],"user-content-fnref-2","2","唷。",[358,359],"hr",{},[12,361,362],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[12,364,365],{},"這時候是2020年。",[12,367,368,369,374,375,377,378,380],{},"我在2020年時認識了許多人，也因為當時發行了",[48,370,373],{"href":371,"rel":372},"https://www.youtube.com/watch?v=vY14tT-TXhE",[52],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[16,376],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[16,379],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[290,382,383],{},[12,384,385],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[12,387,388,389,391],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[16,390],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[12,393,394],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[396,397,400,405],"section",{"className":398,"dataFootnotes":67},[399],"footnotes",[98,401,404],{"className":402,"id":311},[403],"sr-only","Footnotes",[406,407,408,432],"ol",{},[409,410,412,413,418,419,424,425],"li",{"id":411},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[48,414,417],{"href":415,"rel":416},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[52],"2020年訪談🔗","、",[48,420,423],{"href":421,"rel":422},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[52],"2022年訪談🔗"," ",[48,426,431],{"href":427,"ariaLabel":428,"className":429,"dataFootnoteBackref":67},"#user-content-fnref-wen","Back to reference 1",[430],"data-footnote-backref","↩",[409,433,435,436,424,440],{"id":434},"user-content-fn-2","Threadpages 官方網站: ",[48,437,438],{"href":438,"rel":439},"https://threadspage.com",[52],[48,441,431],{"href":442,"ariaLabel":443,"className":444,"dataFootnoteBackref":67},"#user-content-fnref-2","Back to reference 2",[430],{"title":67,"searchDepth":68,"depth":68,"links":446},[447],{"id":311,"depth":68,"text":404},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":286,"description":67},"thought-ichigo-ichie","threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[459],"隨筆","SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":462,"title":463,"animated":7,"body":464,"client":70,"cover":624,"css_code":70,"description":468,"extension":73,"html_code":70,"images":625,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":626,"navigation":75,"order":70,"path":627,"photos":628,"published_at":629,"reading_time":70,"related":70,"role":70,"seo":630,"slug":631,"source_hash":70,"status":70,"stem":632,"summary":633,"tags":634,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":635},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":9,"value":465,"toc":621},[466,469,472,478,484,492,503,515,521,527,533,538,544,549,552,555,558,561,567,572,578,583,589,594,600],[12,467,468],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[12,470,471],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[12,473,474],{},[31,475],{"alt":476,"src":477},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[12,479,480,481,483],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[16,482],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[12,485,486,487,491],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[488,489,490],"em",{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[12,493,494,495,502],{},"我整理了我曾經到過的店家Google Map清單  ",[305,496,497],{},[48,498,313],{"href":499,"ariaDescribedBy":500,"dataFootnoteRef":67,"id":501},"#user-content-fn-1",[311],"user-content-fnref-1","在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[12,504,505,506,418,510,514],{},"主要大街上的大型店家，如",[343,507,509],{"className":508},[346],"黑澤樂器",[343,511,513],{"className":512},[346],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[12,516,517],{},[31,518],{"alt":519,"src":520},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[522,523,524],"ul",{},[409,525,526],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[12,528,529],{},[31,530],{"alt":531,"src":532},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[522,534,535],{},[409,536,537],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[12,539,540],{},[31,541],{"alt":542,"src":543},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[522,545,546],{},[409,547,548],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[12,550,551],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[12,553,554],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[12,556,557],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[12,559,560],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[12,562,563],{},[31,564],{"alt":565,"src":566},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[522,568,569],{},[409,570,571],{},"en・guitar 的Gibson牆。",[12,573,574],{},[31,575],{"alt":576,"src":577},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[522,579,580],{},[409,581,582],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[12,584,585],{},[31,586],{"alt":587,"src":588},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[522,590,591],{},[409,592,593],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[12,595,596,597,599],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[16,598],{},"\n之後再寫一篇介紹這把琴吧！",[396,601,603,606],{"className":602,"dataFootnotes":67},[399],[98,604,404],{"className":605,"id":311},[403],[406,607,608],{},[409,609,611,616,617],{"id":610},"user-content-fn-1",[48,612,615],{"href":613,"rel":614},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[52],"Guitar Stores 📍Tokyo","Google Map清單。 ",[48,618,431],{"href":619,"ariaLabel":428,"className":620,"dataFootnoteBackref":67},"#user-content-fnref-1",[430],{"title":67,"searchDepth":68,"depth":68,"links":622},[623],{"id":311,"depth":68,"text":404},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":463,"description":468},"tokyo-used-guitar-store","threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[459],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":637,"title":638,"animated":7,"body":639,"client":70,"cover":747,"css_code":70,"description":748,"extension":73,"html_code":70,"images":749,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":750,"navigation":75,"order":70,"path":751,"photos":752,"published_at":753,"reading_time":70,"related":70,"role":70,"seo":754,"slug":755,"source_hash":70,"status":70,"stem":756,"summary":757,"tags":758,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":760},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":9,"value":640,"toc":744},[641,650,653,667,678,684,692,702,727,730],[12,642,643,644,646,647,649],{},"今天來聊聊我的吉他收藏之一－",[488,645,638],{},"。",[16,648],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[12,651,652],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[12,654,655,656,659,660,663,664,666],{},"我對",[488,657,658],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[488,661,662],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[488,665,658],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[12,668,669,670,672,673,646],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[488,671,658],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[305,674,675],{},[48,676,313],{"href":499,"ariaDescribedBy":677,"dataFootnoteRef":67,"id":501},[311],[12,679,680,681,683],{},"後來怎麼會買呢？這要聊到我的家庭。",[16,682],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[12,685,686,687,689],{},"轉換一下心情，介紹一下這把琴的規格吧！",[16,688],{},[31,690],{"alt":638,"src":691},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[693,694,699],"pre",{"className":695,"code":697,"language":698},[696],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[700,701,697],"code",{"__ignoreMap":67},[12,703,704,705,418,708,418,711,714,715,717,718,720,721,723],{},"過去發行過的作品：",[488,706,707],{},"It's Alright",[488,709,710],{},"向陽",[488,712,713],{},"時光飛逝","，都是用這把琴錄音的。",[16,716],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[16,719],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[16,722],{},[48,724,726],{"href":725},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[12,728,729],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[396,731,733,736],{"className":732,"dataFootnotes":67},[399],[98,734,404],{"className":735,"id":311},[403],[406,737,738],{},[409,739,740,741],{"id":610},"早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[48,742,431],{"href":619,"ariaLabel":428,"className":743,"dataFootnoteBackref":67},[430],{"title":67,"searchDepth":68,"depth":68,"links":745},[746],{"id":311,"depth":68,"text":404},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":638,"description":748},"my-guitar-lowden-F32c","threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[759],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":762,"title":763,"animated":7,"body":764,"client":70,"cover":871,"css_code":70,"description":768,"extension":73,"html_code":70,"images":872,"is_announcement":75,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":873,"navigation":75,"order":70,"path":874,"photos":875,"published_at":876,"reading_time":70,"related":70,"role":70,"seo":877,"slug":878,"source_hash":70,"status":70,"stem":879,"summary":880,"tags":881,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":882},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":9,"value":765,"toc":869},[766,769,772,778,787,793,815,821,832,840,850,860,866],[12,767,768],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[12,770,771],{},"以下用條列式說明：",[12,773,774],{},[31,775],{"alt":776,"src":777},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[522,779,780],{},[409,781,782,783,786],{},"最上方是我的",[133,784,785],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[12,788,789],{},[31,790],{"alt":791,"src":792},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[522,794,795,798,805],{},[409,796,797],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[409,799,800,801,804],{},"最下面的",[133,802,803],{},"深色訂閱按鈕","，千萬不要點！如果你點了，可能會多一份沒時間練的樂譜 🎁",[409,806,807,808,811,812,814],{},"再下方Blog、作品...等",[133,809,810],{},"分類欄位","，可能有你想找的東西。(網頁版在左邊)",[16,813],{},"\n推薦到Blog逛逛，剛開站會常常更新唷！商城區也已經更新，裡面有我的以發行數位音樂以及樂譜。",[12,816,817],{},[31,818],{"alt":819,"src":820},"AI助手","/images/Pinned_Post/AI%20terminal_pinned.jpg",[522,822,823],{},[409,824,825,826,828,829,831],{},"再再往下的對話視窗，就是是我的",[133,827,819],{},"，他會整理我的網頁中的資訊。",[16,830],{},"\n也是這個網頁很特別的功能，只要我曾經新增的內容你都能詢問他，請隨意玩玩看。隨著網站內容越來越多，應該會很有趣。",[12,833,834,835],{},"至於這個網站是怎麼開始的呢？ 我在這邊文章有聊到 ",[48,836,839],{"href":837,"rel":838},"https://huanyinliu.com/threads/website-origin-story",[52],"隨筆：這個網站的由來。",[12,841,842,843,845,846,849],{},"目前我的音樂和影片、販售樂譜、私人課程...等，都散落在各個平台，我想把它們統整在一個網站內。本來都靠著Instagram或是Facebook當作主要頁面也沒有問題。但隨著近期越來越多無故封鎖案例，不免也開始有想要在網路世界上建立一個屬於自己的地方的想法。",[16,844],{},"\n總之，這裡未來會是我所有內容的集散地，如果你想要追蹤最新消息。首頁的",[133,847,848],{},"訂閱按鈕","請點下去，填寫好你的信箱。絕對比YouTube演算法還確實！",[12,851,852,853,856,857,859],{},"這個網頁是由 ",[488,854,855],{},"Threadspage"," 建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[16,858],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[12,861,862],{},[48,863,865],{"href":438,"rel":864},[52],"THEADSPAGE 把你的創作，變成 真正屬於你 的知識主場。👈",[12,867,868],{},"最後，給第一次來到這裡的你：歡迎光臨。☺️",{"title":67,"searchDepth":68,"depth":68,"links":870},[],"/images/cover_pinned.jpg",[],{},"/threads/articles/welcome",[],"2026-07-18",{"title":763,"description":768},"welcome","threads/articles/welcome","嗨，我是桓吟。歡迎來到我的網站，這篇文章會介紹你能在這個地方找到什麼。像是Blog、演出資訊、樂譜&音樂商城...等。",[],"3GqDLExaeAiRwIVB1YBG9zmNUpezY4UWkYwB66GVxKI",{"id":884,"title":885,"animated":7,"body":886,"client":70,"cover":998,"css_code":70,"description":890,"extension":73,"html_code":70,"images":999,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1000,"navigation":75,"order":70,"path":1001,"photos":1002,"published_at":1003,"reading_time":70,"related":70,"role":70,"seo":1004,"slug":1005,"source_hash":70,"status":70,"stem":1006,"summary":1007,"tags":1008,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":1009},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":9,"value":887,"toc":995},[888,891,897,902,908,913,919,923,948,951,956,959,964,969,974,979,989],[12,889,890],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[12,892,893,894,896],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[16,895],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[12,898,899],{},[488,900,901],{},"列隊拜拜，準備收割",[12,903,904],{},[31,905],{"alt":906,"src":907},"準備收割","/images/20260704_7.jpg",[12,909,910],{},[488,911,912],{},"採收中，我在畫面右上角彈吉他",[12,914,915],{},[31,916],{"alt":917,"src":918},"採收中","/images/20260704_2.jpg",[113,920,922],{"id":921},"彈奏的曲目","彈奏的曲目：",[406,924,925,928,931,934,942,945],{},[409,926,927],{},"向陽(Original)",[409,929,930],{},"流轉的路口(Original)",[409,932,933],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[409,935,936,937,941],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[938,939,940],"del",{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[409,943,944],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[409,946,947],{},"時光飛逝(Original)",[12,949,950],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[290,952,953],{},[12,954,955],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[12,957,958],{},"很溫暖的一天，再放幾張照片吧！",[12,960,961],{},[488,962,963],{},"我的視角",[12,965,966],{},[31,967],{"alt":963,"src":968},"/images/20260704_4.jpg",[12,970,971],{},[488,972,973],{},"撥穗",[12,975,976],{},[31,977],{"alt":963,"src":978},"/images/20260704_5.jpg",[12,980,981,984,986],{},[488,982,983],{},"今天帶的吉他－Maton SRS808c",[16,985],{},[488,987,988],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[12,990,991],{},[31,992],{"alt":993,"src":994},"今天帶的吉他","/images/20260704_6.jpg",{"title":67,"searchDepth":68,"depth":68,"links":996},[997],{"id":921,"depth":250,"text":922},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":885,"description":890},"thought-live-education-kids","threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[459],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":1011,"title":1012,"animated":7,"body":1013,"client":70,"cover":1078,"css_code":70,"description":1079,"extension":73,"html_code":70,"images":1080,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1081,"navigation":75,"order":70,"path":1082,"photos":1083,"published_at":1084,"reading_time":70,"related":70,"role":70,"seo":1085,"slug":1086,"source_hash":70,"status":70,"stem":1087,"summary":1088,"tags":1089,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":1090},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":9,"value":1014,"toc":1073},[1015,1027,1030,1045,1048,1051,1054,1059,1067],[12,1016,1017,1018,1023,1024,1026],{},"上週末到淡水",[48,1019,1022],{"href":1020,"rel":1021},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[52],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[16,1025],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[12,1028,1029],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[12,1031,1032,1033,1035,1036,1038,1039,1041,1042,646],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[16,1034],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[16,1037],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[16,1040],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[938,1043,1044],{},"的作品",[12,1046,1047],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[12,1049,1050],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[113,1052,1053],{"id":1053},"夜晚的淡江大橋",[12,1055,1056],{},[31,1057],{"alt":1053,"src":1058},"/images/0627_Night_Bridge.jpg",[113,1060,1062,1063,1066],{"id":1061},"大航海通車時代","大航海",[938,1064,1065],{},"通車","時代？",[12,1068,1069],{},[31,1070],{"alt":1071,"src":1072},"大航海時代？","/images/0627_Luffy.jpg",{"title":67,"searchDepth":68,"depth":68,"links":1074},[1075,1076],{"id":1053,"depth":250,"text":1053},{"id":1061,"depth":250,"text":1077},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":1012,"description":1079},"thought-life-live","threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[459],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1092,"title":1093,"animated":7,"body":1094,"client":70,"cover":1156,"css_code":70,"description":1098,"extension":73,"html_code":70,"images":1157,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1158,"navigation":75,"order":70,"path":1159,"photos":1160,"published_at":1161,"reading_time":70,"related":70,"role":70,"seo":1162,"slug":1163,"source_hash":70,"status":70,"stem":1164,"summary":1165,"tags":1166,"tech_stack":70,"translation_of":70,"type":1168,"url":70,"video_url":70,"__hash__":1169},"threads/threads/projects/private-guitar-lesson-huanyin.md","吉他課程｜桓吟吉他工作室",{"type":9,"value":1095,"toc":1152},[1096,1099,1109,1116,1120,1126,1130,1136,1140,1146],[12,1097,1098],{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[12,1100,1101,1102,1106,1108],{},"✉️ E-mail : ",[48,1103,1105],{"href":1104},"mailto:studio@huanyinliu.com","studio@huanyinliu.com",[16,1107],{},"\n📞 LINE : 8729268",[12,1110,1111,1112],{},"課程詳情與預約：",[48,1113,1114],{"href":1114,"rel":1115},"https://forms.gle/bCyiHqkjpeorNv3r6",[52],[113,1117,1119],{"id":1118},"課程方式與地點","課程方式與地點：",[693,1121,1124],{"className":1122,"code":1123,"language":698},[696],"a.【實體課】| 📍 新北市-三重工作室、台北市-東門工作室\nb.【視訊課】| 🖥️ 使用軟體-ZOOM\n",[700,1125,1123],{"__ignoreMap":67},[113,1127,1129],{"id":1128},"課程內容","課程內容：",[693,1131,1134],{"className":1132,"code":1133,"language":698},[696],"a.【吉他彈唱、伴奏】 \n    ● 基礎彈奏、樂理、自彈自唱、技巧...等。\n    ● 入門到進階編曲皆可教授。\n\nb.【Fingerstyle 指彈吉他演奏】\n    ● 學習不同風格樂曲，指導彈奏表現能力 (左右手分離度、音色動態掌握、特殊技巧..等)。\n\nc.【吉他編曲】\n    ● 進階樂理、指板分析、和弦琶音與音階、即興演奏。並以各種樂風練習在樂器上實際操作。\n    ● 以標準調弦(Standard Tuning)為主，引導如何用適合的方式替一段旋律搭配伴奏\n      ，呈現出完整的演奏曲。    \n\nd.【錄音與現場器材運用】\n    ● 基礎木吉他錄音、混音相關知識以及軟體操作(Logic Pro X)。\n    ● 演出設備：從拾音器到舞台音響調整概念。\n",[700,1135,1133],{"__ignoreMap":67},[94,1137,1139],{"id":1138},"收費","收費：",[693,1141,1144],{"className":1142,"code":1143,"language":698},[696],"◎ 課程以一期四堂課收費，每堂課50分鐘。\n\n● 1v1  單人班課程收費 ： 3800 NT$/期\n● 1v1  「約課制」收費 ： 4300 NT$/期\n● 1v2  雙人班課程收費 ： 5000 NT$/期 (2人)\n",[700,1145,1143],{"__ignoreMap":67},[12,1147,1148],{},[48,1149,1151],{"href":1150},"#%E5%90%89%E4%BB%96%E8%AA%B2%E7%A8%8B","#吉他課程",{"title":67,"searchDepth":68,"depth":68,"links":1153},[1154,1155],{"id":1118,"depth":250,"text":1119},{"id":1128,"depth":250,"text":1129},"/images/workzoom_image3.jpg",[],{},"/threads/projects/private-guitar-lesson-huanyin",[],"2026-06-26",{"title":1093,"description":1098},"private-guitar-lesson-huanyin","threads/projects/private-guitar-lesson-huanyin","“本文為桓吟的吉他課程詳細資訊，無論是入門或是進階，都歡迎加入我們！”",[1167,279],"吉他課程","project","UWmPGcfSUimeF2rsn8YE7rC6Jwu4rcfHLm69WnYAcms",{"id":1171,"title":1172,"animated":7,"body":1173,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1242,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1243,"navigation":75,"order":70,"path":1244,"photos":1245,"published_at":1246,"reading_time":70,"related":70,"role":70,"seo":1247,"slug":1248,"source_hash":70,"status":70,"stem":1249,"summary":70,"tags":1250,"tech_stack":70,"translation_of":70,"type":1251,"url":70,"video_url":70,"__hash__":1252},"threads/threads/pages/about.md","關於我",{"type":9,"value":1174,"toc":1238},[1175,1182,1188,1200,1208,1211,1214,1228,1233],[12,1176,1177],{},[31,1178],{"alt":1179,"src":1180,"title":1181},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[113,1183,1185],{"id":1184},"台灣獨奏吉他手劉桓吟huanyin",[133,1186,1187],{},"台灣獨奏吉他手｜劉桓吟HuanYin",[12,1189,1190,1191,1193,1194,1196,1197,1199],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[16,1192],{},"\n​",[16,1195],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[16,1198],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[12,1201,1202,1203,1193,1205,1207],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[16,1204],{},[16,1206],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[12,1209,1210],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[113,1212,1213],{"id":1213},"發行作品",[290,1215,1216],{},[12,1217,1218,1219,1221,1222,1224,1225,1227],{},"2019年單曲 《It’s Alright》",[16,1220],{},"\n2020年首張原創EP 《向陽》",[16,1223],{},"\n2022年單曲 《雨季 Rain Season》",[16,1226],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[290,1229,1230],{},[12,1231,1232],{},"另著有《隙光》個人改編及創作樂譜集 (2022年發行)",[12,1234,1235],{},[31,1236],{"alt":1179,"src":1237,"title":1181},"/images/huanyin_riverside_image.jpg",{"title":67,"searchDepth":68,"depth":68,"links":1239},[1240,1241],{"id":1184,"depth":250,"text":1187},{"id":1213,"depth":250,"text":1213},[],{},"/threads/pages/about",[],"2026-06-24",{"title":1172,"description":67},"about","threads/pages/about",[],"page","wnZwclfAVBMVSXs29Xs5FUr0KHXWsUEc0FRZYlMdlkQ",{"id":1254,"title":726,"animated":7,"body":1255,"client":70,"cover":1315,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1316,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1317,"navigation":75,"order":70,"path":1318,"photos":1319,"published_at":1320,"reading_time":70,"related":70,"role":70,"seo":1321,"slug":1322,"source_hash":70,"status":70,"stem":1323,"summary":1324,"tags":1325,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":1326},"threads/threads/articles/worksmy-gears-guitar-pedal.md",{"type":9,"value":1256,"toc":1310},[1257,1263,1269,1273,1277,1281,1289,1293],[12,1258,1259],{},[31,1260],{"alt":1261,"src":1262},"Maruni.H MXC001","/images/Maruni.H%20MXC001.jpg",[12,1264,1265],{},[31,1266],{"alt":1267,"src":1268},"桓吟的效果器盤｜2026","/images/%E6%95%88%E6%9E%9C%E5%99%A8%E7%9B%A4huan2026.jpg",[113,1270,1272],{"id":1271},"吉他-guitar","吉他 Guitar",[522,1274,1275],{},[409,1276,1261],{},[113,1278,1280],{"id":1279},"拾音器-pickup","拾音器 Pickup",[522,1282,1283,1286],{},[409,1284,1285],{},"Sunrise S2",[409,1287,1288],{},"SASNiE Contact Transducer",[113,1290,1292],{"id":1291},"效果器盤-pedalboard","效果器盤 Pedalboard",[522,1294,1295,1298,1301,1304,1307],{},[409,1296,1297],{},"M-Factory PM200",[409,1299,1300],{},"EAE StompMix 4",[409,1302,1303],{},"UAFX Golden Reverb",[409,1305,1306],{},"BOSS RC-1 Loop Station",[409,1308,1309],{},"Loop Controller by SASNiE",{"title":67,"searchDepth":68,"depth":68,"links":1311},[1312,1313,1314],{"id":1271,"depth":250,"text":1272},{"id":1279,"depth":250,"text":1280},{"id":1291,"depth":250,"text":1292},"/images/旋律間的光影 台中 現場照.jpg",[],{},"/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":726,"description":67},"worksmy-gears-guitar-pedal","threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[759],"8Hc_KHD-16bkfPK-GLYsrR2RvNXlZVDUEIBe-b3dJl4",{"id":1328,"title":1329,"animated":7,"body":1330,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1491,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1492,"navigation":75,"order":70,"path":1493,"photos":1494,"published_at":1495,"reading_time":70,"related":70,"role":70,"seo":1496,"slug":1497,"source_hash":70,"status":70,"stem":1498,"summary":1499,"tags":1500,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":1501,"__hash__":1502},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":9,"value":1331,"toc":1482},[1332,1336,1339,1342,1346,1349,1358,1361,1365,1368,1378,1397,1400,1408,1411,1426,1432,1435,1438,1447,1451,1457,1464,1467,1470,1473],[98,1333,1335],{"id":1334},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[12,1337,1338],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[12,1340,1341],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[98,1343,1345],{"id":1344},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[12,1347,1348],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[12,1350,1351,1352,1354,1355,1357],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[16,1353],{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[16,1356],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[12,1359,1360],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[98,1362,1364],{"id":1363},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[12,1366,1367],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[12,1369,1370,1371,1373,1374,1377],{},"我使用的線圈是美國的 ",[488,1372,1285],{},"，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[488,1375,1376],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[12,1379,1380,1381,1383,1384,1386,1387,1389,1390,1393,1394,1396],{},"運作方式很簡單：",[16,1382],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[16,1385],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[16,1388],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[133,1391,1392],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[16,1395],{},"\n這是我認為兩種拾音器差異最大的地方。",[12,1398,1399],{},"我的方式是：",[290,1401,1402],{},[12,1403,1404,1405,1407],{},"線圈->穩定的弦聲＋貼片->整體空間感",[16,1406],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[98,1409,1410],{"id":1410},"我的效果器盤配置",[12,1412,1413,1414,1417,1418,1421,1422,1425],{},"我的效果器盤總共有四顆效果器。首先是",[488,1415,1416],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[133,1419,1420],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[133,1423,1424],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[12,1427,1428,1429,1431],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[16,1430],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[12,1433,1434],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[98,1436,1437],{"id":1437},"線圈和貼片的聲音差異",[12,1439,1440,1441,1443,1444,1446],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[16,1442],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[16,1445],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[98,1448,1450],{"id":1449},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[12,1452,1453,1454,1456],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[16,1455],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[12,1458,1459,1460,1463],{},"出於好奇，我和台灣麥克風品牌",[488,1461,1462],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[12,1465,1466],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[98,1468,1469],{"id":1469},"結語",[12,1471,1472],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[12,1474,1475,1476,1478,1479,1481],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[488,1477,1376],{},"和",[488,1480,1462],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":67,"searchDepth":68,"depth":68,"links":1483},[1484,1485,1486,1487,1488,1489,1490],{"id":1334,"depth":68,"text":1335},{"id":1344,"depth":68,"text":1345},{"id":1363,"depth":68,"text":1364},{"id":1410,"depth":68,"text":1410},{"id":1437,"depth":68,"text":1437},{"id":1449,"depth":68,"text":1450},{"id":1469,"depth":68,"text":1469},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":1329,"description":67},"acoustic-guitar-pickup-recording-setup","threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[278,279],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":1504,"title":1505,"animated":7,"body":1506,"client":70,"cover":1531,"css_code":70,"description":1532,"extension":73,"html_code":70,"images":1533,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1534,"navigation":75,"order":70,"path":1535,"photos":1536,"published_at":1537,"reading_time":70,"related":70,"role":70,"seo":1538,"slug":1539,"source_hash":70,"status":70,"stem":1540,"summary":1541,"tags":1542,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":1543},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":9,"value":1507,"toc":1529},[1508,1514,1520,1526],[12,1509,1510,1511,1513],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[16,1512],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[12,1515,1516,1517,1519],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[16,1518],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[12,1521,1522,1523,1525],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[16,1524],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[12,1527,1528],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":67,"searchDepth":68,"depth":68,"links":1530},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":1505,"description":1532},"guitar-thinking-life","threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[459],"KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":1545,"title":1546,"animated":7,"body":1547,"client":70,"cover":1597,"css_code":70,"description":1598,"extension":73,"html_code":70,"images":1599,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1600,"navigation":75,"order":70,"path":1601,"photos":1602,"published_at":1603,"reading_time":70,"related":70,"role":70,"seo":1604,"slug":1605,"source_hash":70,"status":70,"stem":1606,"summary":1607,"tags":1608,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":1609},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":9,"value":1548,"toc":1595},[1549,1566,1574,1583,1589,1592],[12,1550,1551,1552,1554,1555,1558,1559,1561],{},"老早就有想要架設網站的想法了。",[16,1553],{},"\nThreadspage是由開發者－",[488,1556,1557],{},"暢可"," 創立的平台。",[16,1560],{},[48,1562,1565],{"href":1563,"rel":1564},"https://threadspage.app/?ref=huanyin.vercel.app",[52],"點進來讓AI幫你介紹吧！",[290,1567,1568],{},[12,1569,1570,1571,1573],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[16,1572],{},"\n他說著創建平台的初衷。",[12,1575,1576,1577,1579,1580,1582],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[16,1578],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[16,1581],{},"\n經過半天努力，這裡也算有了雛形。",[12,1584,1585,1586,1588],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[16,1587],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[12,1590,1591],{},"讀完這篇文的你，歡迎光臨。",[12,1593,1594],{},"桓吟",{"title":67,"searchDepth":68,"depth":68,"links":1596},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1546,"description":1598},"website-origin-story","threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[459],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1611,"title":1612,"animated":7,"body":1613,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1751,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1752,"navigation":75,"order":70,"path":1753,"photos":1754,"published_at":1755,"reading_time":70,"related":70,"role":70,"seo":1756,"slug":1757,"source_hash":70,"status":70,"stem":1758,"summary":1759,"tags":1760,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":1761,"__hash__":1762},"threads/threads/articles/guitar-fingernail-care.md","彈吉他要不要留指甲？10 分鐘修出好音色（附修整教學）",{"type":9,"value":1614,"toc":1742},[1615,1618,1621,1624,1627,1630,1633,1636,1639,1642,1645,1651,1657,1668,1671,1678,1681,1688,1691,1694,1701,1704,1707,1710,1713,1727,1730,1733,1736,1739],[98,1616,1617],{"id":1617},"我為什麼開始留指甲",[12,1619,1620],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[12,1622,1623],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[12,1625,1626],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[98,1628,1629],{"id":1629},"為什麼新手應該留一點指甲",[12,1631,1632],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[12,1634,1635],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[12,1637,1638],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[98,1640,1641],{"id":1641},"我常用的修整工具",[12,1643,1644],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[12,1646,1647,1650],{},[133,1648,1649],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[12,1652,1653,1656],{},[133,1654,1655],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[12,1658,1659,1660,1663,1664,1667],{},"如果你是裸甲，我會推薦用",[133,1661,1662],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[133,1665,1666],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[98,1669,1670],{"id":1670},"觸弦點與指甲形狀",[12,1672,1673,1674,1677],{},"接下來我要介紹一個重要的概念：",[133,1675,1676],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[12,1679,1680],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[12,1682,1683,1684,1687],{},"關於指甲長度，我想強調的是：",[133,1685,1686],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[12,1689,1690],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[98,1692,1693],{"id":1693},"實際修整步驟",[12,1695,1696,1697,1700],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[133,1698,1699],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[12,1702,1703],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[12,1705,1706],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[98,1708,1709],{"id":1709},"找到最適合你的長度",[12,1711,1712],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[406,1714,1715,1718,1721,1724],{},[409,1716,1717],{},"先確定一個你要留的長度",[409,1719,1720],{},"習慣幾天",[409,1722,1723],{},"再決定要留長一點還是磨短一點",[409,1725,1726],{},"反覆這個過程",[12,1728,1729],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[98,1731,1732],{"id":1732},"最後的建議",[12,1734,1735],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[12,1737,1738],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[12,1740,1741],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":67,"searchDepth":68,"depth":68,"links":1743},[1744,1745,1746,1747,1748,1749,1750],{"id":1617,"depth":68,"text":1617},{"id":1629,"depth":68,"text":1629},{"id":1641,"depth":68,"text":1641},{"id":1670,"depth":68,"text":1670},{"id":1693,"depth":68,"text":1693},{"id":1709,"depth":68,"text":1709},{"id":1732,"depth":68,"text":1732},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":1612,"description":67},"guitar-fingernail-care","threads/articles/guitar-fingernail-care","彈吉他要不要留指甲？我分享自己留指甲的經驗，說明新手為什麼適合留一點長度、觸弦點與指甲形狀的關係，以及修整工具的選擇和實際步驟。",[278,279],"https://www.youtube.com/watch?v=mv6bmmfMBew","Uvk4AnyELz8UH-bgk8evv5JNF_wFBjltxnc5jf4iL0w",{"id":1764,"title":1765,"animated":7,"body":1766,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1855,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1856,"navigation":75,"order":70,"path":1857,"photos":1858,"published_at":1859,"reading_time":70,"related":70,"role":70,"seo":1860,"slug":1861,"source_hash":70,"status":70,"stem":1862,"summary":1863,"tags":1864,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":1865,"__hash__":1866},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",{"type":9,"value":1767,"toc":1844},[1768,1772,1775,1778,1781,1787,1790,1793,1797,1804,1808,1811,1815,1818,1822,1825,1831,1835,1838,1841],[98,1769,1771],{"id":1770},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[12,1773,1774],{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[98,1776,1777],{"id":1777},"如何根據身型挑選桶身大小",[12,1779,1780],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[12,1782,1783,1784],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[133,1785,1786],{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[98,1788,1789],{"id":1789},"四種桶身的音色比較",[12,1791,1792],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[113,1794,1796],{"id":1795},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[12,1798,1799,1800,1803],{},"D桶身是歷史最悠久的設計，我認為它有",[133,1801,1802],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[113,1805,1807],{"id":1806},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[12,1809,1810],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[113,1812,1814],{"id":1813},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[12,1816,1817],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[113,1819,1821],{"id":1820},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[12,1823,1824],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[12,1826,1827,1828],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[133,1829,1830],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[98,1832,1834],{"id":1833},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[12,1836,1837],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[12,1839,1840],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[12,1842,1843],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":67,"searchDepth":68,"depth":68,"links":1845},[1846,1847,1848,1854],{"id":1770,"depth":68,"text":1771},{"id":1777,"depth":68,"text":1777},{"id":1789,"depth":68,"text":1789,"children":1849},[1850,1851,1852,1853],{"id":1795,"depth":250,"text":1796},{"id":1806,"depth":250,"text":1807},{"id":1813,"depth":250,"text":1814},{"id":1820,"depth":250,"text":1821},{"id":1833,"depth":68,"text":1834},[],{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":1765,"description":67},"acoustic-guitar-body-types-guide","threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[278,279],"https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":1868,"title":1869,"animated":7,"body":1870,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":1931,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":1932,"navigation":75,"order":70,"path":1933,"photos":1934,"published_at":1935,"reading_time":70,"related":70,"role":70,"seo":1936,"slug":1937,"source_hash":70,"status":70,"stem":1938,"summary":1939,"tags":1940,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":1942,"__hash__":1943},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":9,"value":1871,"toc":1924},[1872,1875,1878,1881,1885,1888,1891,1894,1897,1900,1903,1906,1909,1912,1915,1918,1921],[98,1873,1874],{"id":1874},"一場特別的共演演出",[12,1876,1877],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[12,1879,1880],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[98,1882,1884],{"id":1883},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[12,1886,1887],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[12,1889,1890],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[12,1892,1893],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[98,1895,1896],{"id":1896},"教學中的收穫與成長",[12,1898,1899],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[12,1901,1902],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[98,1904,1905],{"id":1905},"身心投入的獨特價值",[12,1907,1908],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[12,1910,1911],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[98,1913,1914],{"id":1914},"給正在學習的你",[12,1916,1917],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[12,1919,1920],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[12,1922,1923],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":67,"searchDepth":68,"depth":68,"links":1925},[1926,1927,1928,1929,1930],{"id":1874,"depth":68,"text":1874},{"id":1883,"depth":68,"text":1884},{"id":1896,"depth":68,"text":1896},{"id":1905,"depth":68,"text":1905},{"id":1914,"depth":68,"text":1914},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":1869,"description":67},"facing-the-other-side-student-recital","threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[278,279,1941],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":1945,"title":1946,"animated":7,"body":1947,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":2073,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":2074,"navigation":75,"order":70,"path":2075,"photos":2076,"published_at":2077,"reading_time":70,"related":70,"role":70,"seo":2078,"slug":2079,"source_hash":70,"status":70,"stem":2080,"summary":2081,"tags":2082,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":2084,"__hash__":2085},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":9,"value":1948,"toc":2059},[1949,1953,1956,1959,1962,1966,1969,1972,1976,1979,1982,1985,1989,1992,1995,1998,2002,2005,2008,2011,2014,2017,2020,2023,2026,2029,2032,2035,2038,2041,2044,2047,2050,2053,2056],[94,1950,1952],{"id":1951},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[98,1954,1955],{"id":1955},"木吉他編曲的魅力",[12,1957,1958],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[12,1960,1961],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[98,1963,1965],{"id":1964},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[12,1967,1968],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[12,1970,1971],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[98,1973,1975],{"id":1974},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[12,1977,1978],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[12,1980,1981],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[12,1983,1984],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[98,1986,1988],{"id":1987},"前奏教學從十度音開始","前奏教學——從十度音開始",[113,1990,1991],{"id":1991},"第一小節的十度音技巧",[12,1993,1994],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[12,1996,1997],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[113,1999,2001],{"id":2000},"運指與bass音的配合","運指與Bass音的配合",[12,2003,2004],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[113,2006,2007],{"id":2007},"和弦的變化與滑音",[12,2009,2010],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[12,2012,2013],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[12,2015,2016],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[113,2018,2019],{"id":2019},"勾音動作的技巧",[12,2021,2022],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[12,2024,2025],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[113,2027,2028],{"id":2028},"後半段的複雜運指",[12,2030,2031],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[12,2033,2034],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[12,2036,2037],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[98,2039,2040],{"id":2040},"我的創作初衷與錄製過程",[12,2042,2043],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[12,2045,2046],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[12,2048,2049],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[98,2051,2052],{"id":2052},"演出的感動與持續練習的動力",[12,2054,2055],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[12,2057,2058],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":67,"searchDepth":68,"depth":68,"links":2060},[2061,2062,2063,2064,2071,2072],{"id":1955,"depth":68,"text":1955},{"id":1964,"depth":68,"text":1965},{"id":1974,"depth":68,"text":1975},{"id":1987,"depth":68,"text":1988,"children":2065},[2066,2067,2068,2069,2070],{"id":1991,"depth":250,"text":1991},{"id":2000,"depth":250,"text":2001},{"id":2007,"depth":250,"text":2007},{"id":2019,"depth":250,"text":2019},{"id":2028,"depth":250,"text":2028},{"id":2040,"depth":68,"text":2040},{"id":2052,"depth":68,"text":2052},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":1946,"description":67},"she-came-to-my-concert-guitar-tutorial","threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[278,279,2083],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":2087,"title":2088,"animated":7,"body":2089,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":2126,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":2127,"navigation":75,"order":70,"path":2128,"photos":2129,"published_at":2130,"reading_time":70,"related":70,"role":70,"seo":2131,"slug":2132,"source_hash":70,"status":70,"stem":2133,"summary":2134,"tags":2135,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":2137,"__hash__":2138},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":9,"value":2090,"toc":2123},[2091,2097,2109,2112,2117,2120],[98,2092,2094],{"id":2093},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[133,2095,2096],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[12,2098,2099,2100,2103,2105,2106,2108],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[133,2101,2102],{},"同一首歌，放在不同把位，聲音會完全不同。",[16,2104],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[16,2107],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[12,2110,2111],{},"這個過程讓我重新理解一件事：",[290,2113,2114],{},[12,2115,2116],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[12,2118,2119],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[12,2121,2122],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":67,"searchDepth":68,"depth":68,"links":2124},[2125],{"id":2093,"depth":68,"text":2096},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":2088,"description":67},"fingerstyle-position-change-tone-color-finnish-distance","threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[278,279,2136],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",[2140,2180,2301,2401,2519,2601,2679,2766,2815,2864,2975,2999,3040,3139,3204,3253,3345],{"id":5,"title":6,"animated":7,"body":2141,"client":70,"cover":71,"css_code":70,"description":72,"extension":73,"html_code":70,"images":2175,"is_announcement":75,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":2176,"navigation":75,"order":70,"path":77,"photos":2177,"published_at":79,"reading_time":70,"related":70,"role":70,"seo":2178,"slug":81,"source_hash":70,"status":70,"stem":82,"summary":83,"tags":2179,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":87},{"type":9,"value":2142,"toc":2173},[2143,2153,2157,2159],[12,2144,14,2145,18,2147,21,2149,24,2151,27],{},[16,2146],{},[16,2148],{},[16,2150],{},[16,2152],{},[12,2154,2155,35],{},[31,2156],{"alt":33,"src":34},[37,2158,40],{"id":39},[12,2160,43,2161,46,2163,54,2166,57,2168,60,2170],{},[16,2162],{},[48,2164,53],{"href":50,"rel":2165},[52],[16,2167],{},[16,2169],{},[48,2171,65],{"href":63,"rel":2172},[52],{"title":67,"searchDepth":68,"depth":68,"links":2174},[],[],{},[],{"title":6,"description":72},[85],{"id":89,"title":90,"animated":7,"body":2181,"client":70,"cover":70,"css_code":70,"description":67,"extension":73,"html_code":70,"images":2295,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":2296,"lang":70,"meta":2297,"navigation":75,"order":70,"path":270,"photos":2298,"published_at":272,"reading_time":70,"related":70,"role":70,"seo":2299,"slug":274,"source_hash":70,"status":70,"stem":275,"summary":276,"tags":2300,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":282,"__hash__":283},{"type":9,"value":2182,"toc":2281},[2183,2185,2187,2189,2191,2193,2195,2197,2199,2201,2203,2209,2215,2221,2223,2229,2235,2241,2243,2245,2247,2249,2251,2257,2263,2269,2271,2273,2275,2277,2279],[94,2184,90],{"id":96},[98,2186,101],{"id":100},[12,2188,104],{},[12,2190,107],{},[98,2192,111],{"id":110},[113,2194,116],{"id":115},[12,2196,119],{},[12,2198,122],{},[113,2200,126],{"id":125},[12,2202,129],{},[12,2204,2205,136,2207,139],{},[133,2206,135],{},[16,2208],{},[12,2210,2211,136,2213,147],{},[133,2212,144],{},[16,2214],{},[12,2216,2217,136,2219,155],{},[133,2218,152],{},[16,2220],{},[113,2222,159],{"id":158},[12,2224,2225,136,2227,167],{},[133,2226,164],{},[16,2228],{},[12,2230,2231,136,2233,175],{},[133,2232,172],{},[16,2234],{},[12,2236,2237,136,2239,183],{},[133,2238,180],{},[16,2240],{},[98,2242,187],{"id":186},[113,2244,191],{"id":190},[12,2246,194],{},[12,2248,197],{},[113,2250,201],{"id":200},[12,2252,2253,136,2255,209],{},[133,2254,206],{},[16,2256],{},[12,2258,2259,136,2261,216],{},[133,2260,172],{},[16,2262],{},[12,2264,2265,136,2267,224],{},[133,2266,221],{},[16,2268],{},[98,2270,228],{"id":227},[12,2272,231],{},[12,2274,234],{},[98,2276,237],{"id":237},[12,2278,240],{},[12,2280,243],{},{"title":67,"searchDepth":68,"depth":68,"links":2282},[2283,2284,2289,2293,2294],{"id":100,"depth":68,"text":101},{"id":110,"depth":68,"text":111,"children":2285},[2286,2287,2288],{"id":115,"depth":250,"text":116},{"id":125,"depth":250,"text":126},{"id":158,"depth":250,"text":159},{"id":186,"depth":68,"text":187,"children":2290},[2291,2292],{"id":190,"depth":250,"text":191},{"id":200,"depth":250,"text":201},{"id":227,"depth":68,"text":228},{"id":237,"depth":68,"text":237},[],[261,262,263,264,265,266,267,268],{},[],{"title":90,"description":67},[278,279,280,281],{"id":285,"title":286,"animated":7,"body":2302,"client":70,"cover":448,"css_code":70,"description":67,"extension":73,"html_code":70,"images":2396,"is_announcement":7,"is_pinned":7,"is_published":75,"key_points":70,"lang":70,"meta":2397,"navigation":75,"order":70,"path":451,"photos":2398,"published_at":453,"reading_time":70,"related":70,"role":70,"seo":2399,"slug":455,"source_hash":70,"status":70,"stem":456,"summary":457,"tags":2400,"tech_stack":70,"translation_of":70,"type":86,"url":70,"video_url":70,"__hash__":460},{"type":9,"value":2303,"toc":2393},[2304,2311,2341,2343,2345,2347,2356,2360,2364,2366],[290,2305,2306],{},[12,2307,294,2308,300],{},[48,2309,299],{"href":297,"rel":2310},[52],[12,2312,303,2313,314,2318,320,2321,323,2323,329,2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