[{"data":1,"prerenderedAt":3447},["ShallowReactive",2],{"tag-threads-zh-TW-Delay":3,"latest-articles-zh-TW":2065,"announcement-zh-TW":3262,"author-context":3340},[4,207,386,562,687,809,936,1017,1096,1179,1253,1429,1470,1536,1689,1793,1870,2012],{"id":5,"title":6,"animated":7,"body":8,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":180,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":182,"lang":178,"meta":191,"navigation":181,"order":178,"path":192,"photos":193,"published_at":194,"reading_time":178,"related":178,"role":178,"seo":195,"slug":196,"source_hash":178,"status":178,"stem":197,"summary":198,"tags":199,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":205,"__hash__":206},"threads/threads/articles/reverb-delay-complete-guide.md","空間效果完全攻略：Reverb 與 Delay 全解析",false,{"type":9,"value":10,"toc":161},"minimark",[11,15,20,24,27,31,36,39,43,46,57,65,73,77,85,93,101,105,109,112,116,124,131,139,143,152,155],[12,13,6],"h1",{"id":14},"空間效果完全攻略reverb-與-delay-全解析",[16,17,19],"h2",{"id":18},"為什麼吉他需要空間效果","為什麼吉他需要空間效果？",[21,22,23],"p",{},"我發現很多人在使用拾音器時，都會覺得聲音聽起來很「乾」、很「近」，缺乏自然感。在現實生活中，我們聆聽聲音時，大腦會根據這些反射聲來判斷空間大小、遠近...等感受，但拾音器輸出的聲音只收取的是吉他最直接的震動聲",[21,25,26],{},"所以空間效果器通常是使用拾音器後必備的第一顆效果器。它能模擬真實房間的聲學特性，讓吉他聲音聽起來更自然、更有空間感。",[16,28,30],{"id":29},"認識-reverb殘響效果","認識 Reverb（殘響效果）",[32,33,35],"h3",{"id":34},"reverb-的原理","Reverb 的原理",[21,37,38],{},"我用一個簡單的例子來解釋 Reverb：想象你在一個方形房間裡彈吉他，聽眾會先聽到最短距離的直達聲，過了一點時間後才會聽到來自牆壁的反射聲。這些反射聲加總在一起，就是我們所說的殘響。",[32,40,42],{"id":41},"reverb-的種類","Reverb 的種類",[21,44,45],{},"我介紹三種常見的 Reverb 類型：",[21,47,48,52,53,56],{},[49,50,51],"strong",{},"Room（小房間）","：",[54,55],"br",{},"\n模擬小空間的反射，殘響時間較短，聲音比較緊湊。",[21,58,59,52,62,64],{},[49,60,61],{},"Hall（大廳）",[54,63],{},"\n模擬大空間的反射，因為距離更遠，反射聲持續時間更長，聽起來會有明顯的尾音拖曳感。我平常最常用這種效果。",[21,66,67,52,70,72],{},[49,68,69],{},"Plate（金屬板）",[54,71],{},"\n用兩塊金屬板製造的人工殘響效果，聲音比較緊實明亮。我自己比較少用在木吉他上。",[32,74,76],{"id":75},"reverb-的關鍵參數","Reverb 的關鍵參數",[21,78,79,52,82,84],{},[49,80,81],{},"Decay（衰減時間）",[54,83],{},"\n這個參數決定聲音的尾巴會留多久。我建議慢歌可以用較長的 Decay（例如:4秒）來營造氛圍，但快歌就要縮短，否則音符密集時會讓聲音變得渾濁。",[21,86,87,52,90,92],{},[49,88,89],{},"Mix（混合比例）",[54,91],{},"\n控制 Reverb 的音量。當 Decay 較長時，我不會把 Mix 調太大聲，以免聲音過於模糊。",[21,94,95,52,98,100],{},[49,96,97],{},"Pre-Delay（前置延遲）",[54,99],{},"\n我認為這是很多人容易忽視的功能。簡單來說，數值越大，你會覺得自己離吉他越近；反之則會覺得吉他離你很遠。\n如果調太大，基本上就會變成一種特效聲，所以建議只要開一點點就可以了。",[16,102,104],{"id":103},"認識-delay延遲效果","認識 Delay（延遲效果）",[32,106,108],{"id":107},"delay-的概念","Delay 的概念",[21,110,111],{},"Delay 就是我們常聽到的 echo（迴音）。它的概念比 Reverb 更好理解——聲音會在一定的時間間隔後重複出現。",[32,113,115],{"id":114},"delay-的關鍵參數","Delay 的關鍵參數",[21,117,118,52,121,123],{},[49,119,120],{},"Delay-Time（延遲時間）",[54,122],{},"\n決定每個迴音的間隔時間。我最常使用的是八分音符，這樣可以讓歌曲更有律動感，效果也更豐富。大多數 Delay 效果器都能用踩踏來調整 Delay-Time，所以我很少去轉動旋鈕。",[21,125,126,52,128,130],{},[49,127,89],{},[54,129],{},"\n控制 Delay 的音量。",[21,132,133,52,136,138],{},[49,134,135],{},"Feedback（回授）",[54,137],{},"\n這個參數決定迴音要重複幾次。我建議用耳朵來判斷——通常三到四次就很剛好了。特別是在慢歌中，千萬不要調太高，否則聽起來會非常可怕。",[16,140,142],{"id":141},"yamaha-ta-system-tag3c","YAMAHA TA System (TAG3C)",[21,144,145,146,148,149,151],{},"TAG3C是YAMAHA TAG系列的旗艦款。在一般原聲吉他的外觀下，把加震器藏入琴身內，讓吉他能夠自體產生Reverb、Delay、Chorus...等空間效果，甚至能夠用循環錄音(Loop Station)的方式，直接從琴身發出Loop樂句。",[54,147],{},"\n搭配原廠「TA系統 APP」在這樣多功能的設計之下，仍把所有的按鈕濃縮為四個放在側板上。",[54,150],{},"\n我覺得YAMAHA把空間效果的功能整合得非常優雅，使用起來非常流暢直觀。",[16,153,154],{"id":154},"實戰建議",[21,156,157,158,160],{},"我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數。",[54,159],{},"\n每首歌的風格不同，所需的空間效果也不同。慢歌可以用較長的 Decay 和適度的 Feedback 來營造氛圍，快歌則要縮短參數以保持清晰度。\n一旦你掌握了這些基本概念，其實還有很多可以玩的地方。我鼓勵大家慢慢去摸索，找到最適合自己風格的效果設定。",{"title":162,"searchDepth":163,"depth":163,"links":164},"",2,[165,166,172,176,177],{"id":18,"depth":163,"text":19},{"id":29,"depth":163,"text":30,"children":167},[168,170,171],{"id":34,"depth":169,"text":35},3,{"id":41,"depth":169,"text":42},{"id":75,"depth":169,"text":76},{"id":103,"depth":163,"text":104,"children":173},[174,175],{"id":107,"depth":169,"text":108},{"id":114,"depth":169,"text":115},{"id":141,"depth":163,"text":142},{"id":154,"depth":163,"text":154},null,"md",[],true,[183,184,185,186,187,188,189,190],"我認為空間效果是使用拾音器後必備的第一顆效果器，因為拾音器只能收到乾聲，缺乏房間反射帶來的自然空間感","我介紹了三種 Reverb 類型：Room（小房間）、Hall（大廳）和 Plate（金屬板），其中 Hall 是我平常最常用的選擇","我建議調整 Reverb 的 Decay 參數時，慢歌可以用較長的尾音營造氛圍，快歌則要縮短以避免聲音渾濁","我提醒 Pre-Delay 這個容易被忽視的功能，數值越大會感覺離吉他越遠，但不要調太誇張否則會變成特效聲","我說明 Delay-Time 最常用八分音符配合歌曲速度，大多數效果器都能用踩踏來調整，不需要經常轉動旋鈕","我強調 Feedback 參數控制迴音重複次數，慢歌時千萬不要調太高，否則聽起來會很可怕","我分享了 YAMAHA TAG3 的設計優雅之處，它將空間效果的所有參數整合在側板上，使用流暢且直觀","我建議新手先理解 Reverb 和 Delay 的基本原理，再根據歌曲風格慢慢摸索和調整參數，找到最適合的效果",{},"/threads/articles/reverb-delay-complete-guide",[],"2026-10-22",{"title":6,"description":162},"reverb-delay-complete-guide","threads/articles/reverb-delay-complete-guide","這一集「弦吟」為大家講解空間效果的核心概念。包含Reverb（殘響）和 Delay（延遲）的原理、調整方法，讓拾音器的聲音更具自然的空間感。",[200,201,202,203],"弦吟系列","教學","Reverb","Delay","article","https://www.youtube.com/watch?v=3fDY6sOm9Rc","Qcby8TaOPsIsbhfnXRHq7f0XgoBg5I1RDwupKNat0AY",{"id":208,"title":209,"animated":7,"body":210,"client":178,"cover":373,"css_code":178,"description":162,"extension":179,"html_code":178,"images":374,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":375,"navigation":181,"order":178,"path":376,"photos":377,"published_at":378,"reading_time":178,"related":178,"role":178,"seo":379,"slug":380,"source_hash":178,"status":178,"stem":381,"summary":382,"tags":383,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":385},"threads/threads/articles/thought-ichigo-ichie.md","一期一會",{"type":9,"value":211,"toc":370},[212,226,282,285,288,291,306,311,317,320],[213,214,215],"blockquote",{},[21,216,217,218,225],{},"這是我的「BlogBlog 同樂會– 2026 年 8 月 」的投稿文章。本月主題是「一期一會」，由 ",[219,220,224],"a",{"href":221,"rel":222},"https://blog.ikukaroom.com/ichigo-ichie/",[223],"nofollow","ikuka"," 主持。如果你有自己的部落格，歡迎一起來參加！",[21,227,228,229,239,240,245,246,248,249,254,255,257,258,263,264,266,267,273,281],{},"上個月吉他圈的朋友Wen",[230,231,232],"sup",{},[219,233,238],{"href":234,"ariaDescribedBy":235,"dataFootnoteRef":162,"id":237},"#user-content-fn-wen",[236],"footnote-label","user-content-fnref-wen","1","推薦我參與",[219,241,244],{"href":242,"rel":243},"https://blogblog.club/party",[223],"部落格同樂會","的活動。",[54,247],{},"\n托我的吉他學生",[219,250,253],{"href":251,"rel":252},"https://ivanhsu.co",[223],"Ivan","的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！",[54,256],{},"\n(我也發現他發表一篇祝賀文在他的部落格！－",[219,259,262],{"href":260,"rel":261},"https://www.wen-lab.tw/congratulate-huanyin/",[223],"Wen的生產力實驗室",")",[54,265],{},"\n如果我在使用的這個平台有興趣，歡迎聯繫－",[268,269,272],"ins",{"className":270},[271],"remark-ins","Threadpages",[230,274,275],{},[219,276,280],{"href":277,"ariaDescribedBy":278,"dataFootnoteRef":162,"id":279},"#user-content-fn-2",[236],"user-content-fnref-2","2","唷。",[283,284],"hr",{},[21,286,287],{},"「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[21,289,290],{},"這時候是2020年。",[21,292,293,294,299,300,302,303,305],{},"我在2020年時認識了許多人，也因為當時發行了",[219,295,298],{"href":296,"rel":297},"https://www.youtube.com/watch?v=vY14tT-TXhE",[223],"「向陽」吉他演奏EP","，有許多宣傳活動和演出，常常接觸到各式各樣的人，吉他教學的工作也在那一年開始比較穩定，也見了很多很久沒見到的朋友。也剛好從那一年，我開始使用Google行事曆，主要是因為方便教學排課的行政工作。但在使用一陣子後，我也開始用它一些記錄生活上的瑣事，比方說今天見了誰、去了哪裡、有什麼感受之類的。",[54,301],{},"\n相較於以前隨身帶一本筆記寫些日記、手札，在現在無論未來計畫的行程還是生活上的大小事，隨手用拇指一按就能紀錄，還能設定多久之前讓手機提醒你！",[54,304],{},"\n寫這篇文章時，也順手拿起手機翻看當時的紀錄。每週的事件用不同的顏色和垂直的時間軸分類，一下子刺激起深層記憶。",[213,307,308],{},[21,309,310],{},"一天一天的看著，感覺就像再活過一次那個時期一樣。",[21,312,313,314,316],{},"但也就因為這麼方便，才讓我意識到，那一年見到的人之中有些人的確沒有再見了。",[54,315],{},"\n一期一會這個詞的出現，遠遠早於網際網路的時代。對於一個二十世紀以前的人，這個詞肯定非常有真實感吧！",[21,318,319],{},"很開心參與了這個同好會的活動，因為寫了這篇文也反思了很多事。\n謝謝你讀完這篇文章😊",[321,322,325,330],"section",{"className":323,"dataFootnotes":162},[324],"footnotes",[16,326,329],{"className":327,"id":236},[328],"sr-only","Footnotes",[331,332,333,357],"ol",{},[334,335,337,338,343,344,349,350],"li",{"id":336},"user-content-fn-wen","Wen是一位吉他頻道YouTuber，我曾經上過他的節目兩次。\n",[219,339,342],{"href":340,"rel":341},"https://youtu.be/DVTWSOgyrAM?si=QHVDWSxpzn1laMJA",[223],"2020年訪談🔗","、",[219,345,348],{"href":346,"rel":347},"https://youtu.be/HBL7_rWHi_8?si=V_mIqzDZ0MmK5ptg",[223],"2022年訪談🔗"," ",[219,351,356],{"href":352,"ariaLabel":353,"className":354,"dataFootnoteBackref":162},"#user-content-fnref-wen","Back to reference 1",[355],"data-footnote-backref","↩",[334,358,360,361,349,365],{"id":359},"user-content-fn-2","Threadpages 官方網站: ",[219,362,363],{"href":363,"rel":364},"https://threadspage.com",[223],[219,366,356],{"href":367,"ariaLabel":368,"className":369,"dataFootnoteBackref":162},"#user-content-fnref-2","Back to reference 2",[355],{"title":162,"searchDepth":163,"depth":163,"links":371},[372],{"id":236,"depth":163,"text":329},"/images/ichigoichie.jpg",[],{},"/threads/articles/thought-ichigo-ichie",[],"2026-08-30",{"title":209,"description":162},"thought-ichigo-ichie","threads/articles/thought-ichigo-ichie","這一篇文章是「部落格同樂會」的活動，是上個月吉他圈的朋友Wen推薦我參與。  \n托我的吉他學生Ivan的福，架設了這個個人網站。剛好被Wen發現了，就來共襄盛舉一下啦！  \n如果有同好們對這個平台有興趣，歡迎聯繫－Threadpages唷。\n\n「一期一會」第一次聽到這個詞是和一位很久沒見面的朋友聚會後，他發的文章標題。\n查了一下發現意指「或許一生只能見一次，所以全心專注在當下，不留下遺憾」。\n雖然被認真地看待很開心，但同時心裡面也想著：有那麼誇張嗎?😆",[384],"隨筆","SWbLlUW6VXsRN3uaA6wG1h0hym-jaF5ZNI0fxSk0xBs",{"id":387,"title":388,"animated":7,"body":389,"client":178,"cover":550,"css_code":178,"description":393,"extension":179,"html_code":178,"images":551,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":552,"navigation":181,"order":178,"path":553,"photos":554,"published_at":555,"reading_time":178,"related":178,"role":178,"seo":556,"slug":557,"source_hash":178,"status":178,"stem":558,"summary":559,"tags":560,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":561},"threads/threads/articles/tokyo-used-guitar-store.md","八月：颱風季x東京探店x新戰友",{"type":9,"value":390,"toc":547},[391,394,397,404,410,418,429,441,447,453,459,464,470,475,478,481,484,487,493,498,504,509,515,520,526],[21,392,393],{},"今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。",[21,395,396],{},"先來炫耀一下新的吉他－HD-28 (2001)！",[21,398,399],{},[400,401],"img",{"alt":402,"src":403},"HD-28","/images/Tokyo7_HD28/HD-28_2001_2.jpg",[21,405,406,407,409],{},"這把琴是我的新戰友，會買這把琴其實是意料之外的事。",[54,408],{},"\n這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！(歡迎大家找我編吉他！)",[21,411,412,413,417],{},"月初我到東京旅遊，安排了一個下午到東京吉他一條街－",[414,415,416],"em",{},"御茶之水"," 看看。出發前兩週，空閒時瀏覽一下店家網站的二手資訊把符合條件的目標列出來，已經變成我的日常習慣。",[21,419,420,421,428],{},"我整理了我曾經到過的店家Google Map清單  ",[230,422,423],{},[219,424,238],{"href":425,"ariaDescribedBy":426,"dataFootnoteRef":162,"id":427},"#user-content-fn-1",[236],"user-content-fnref-1","在文末。歡迎有興趣的琴友自行取用，店家的網頁都能在地圖上找到。",[21,430,431,432,343,436,440],{},"主要大街上的大型店家，如",[268,433,435],{"className":434},[271],"黑澤樂器",[268,437,439],{"className":438},[271],"下倉樂器","...等，都有新品區以及二手區。雖然都在網頁上看過庫存了，但還是抱著可能有驚喜的心情都進去逛逛。",[21,442,443],{},[400,444],{"alt":445,"src":446},"Gibson bracing","/images/Tokyo7_HD28/0803_Tokyo5.jpg",[448,449,450],"ul",{},[334,451,452],{},"忘記是哪一間店了，這一層樓都是Gibson原聲吉他專區。每次看到吉他被剖開的樣子還是會多看幾眼。",[21,454,455],{},[400,456],{"alt":457,"src":458},"Martin wall","/images/Tokyo7_HD28/0803_Tokyo2.jpg",[448,460,461],{},[334,462,463],{},"全新的Martin牆，從入門款式到客製等級都有。而且竟然有兩把左手琴！",[21,465,466],{},[400,467],{"alt":468,"src":469},"LG-2 banner","/images/Tokyo7_HD28/0803_Tokyo10.jpg",[448,471,472],{},[334,473,474],{},"也試了一把全新的 Gibson LG-2 banner，banner系列是Gibson最新的仿舊款。這個復古弦鈕太迷人了！",[21,476,477],{},"接著就是到位於街尾的「二手專門商店」看看，也是我最期待的環節。這些店家當然都是以二手琴為主，和前面幾間大型樂器行相比，店內的面積也相對較小。裡面的琴從1930年代到近年的二手琴都有，逛起來真的像是尋寶一樣，如果有到御茶之水，一定要來這些二手店看看。",[21,479,480],{},"有二手部門的店家通常會把收來的琴經專業整理到健康的彈奏狀態，再上架販售。每把琴經過的「戰損」不一，也會影響最終的價格。日本的二手市場非常驚人的興盛，把這些老琴重新整理再販售的行為，也是珍惜物品的一種表現吧！",[21,482,483],{},"我的目標是看看有沒有價位在7~8w台幣區間的J-45或是D-28。第一站先到我最多目標的「Tripper's Guitars」。抱著期待的心情，一邊用手機導航時，突然發現今天是....休業日！！！太可惜了😭",[21,485,486],{},"下一站到「en·guitar」。在這裡試到了許多把50年代的Gibsion LG-1－非常復古音色的小吉他，是剛剛提到的LG-2的平價版。",[21,488,489],{},[400,490],{"alt":491,"src":492},"Gibson wall","/images/Tokyo7_HD28/0803_Tokyo6.jpg",[448,494,495],{},[334,496,497],{},"en・guitar 的Gibson牆。",[21,499,500],{},[400,501],{"alt":502,"src":503},"LG-1","/images/Tokyo7_HD28/0803_Tokyo9.jpg",[448,505,506],{},[334,507,508],{},"試彈三把1950年代的LG-1，都是爺爺等級的吉他了。",[21,510,511],{},[400,512],{"alt":513,"src":514},"HD-28_D-18","/images/Tokyo7_HD28/0803_Tokyo7.jpg",[448,516,517],{},[334,518,519],{},"70年代的HD-28以及D-18 📍Woodman Guitars",[21,521,522,523,525],{},"最終這趟還是沒找到好的目標...疑，那最開頭的HD-28是那裡來的呢？",[54,524],{},"\n之後再寫一篇介紹這把琴吧！",[321,527,529,532],{"className":528,"dataFootnotes":162},[324],[16,530,329],{"className":531,"id":236},[328],[331,533,534],{},[334,535,537,542,543],{"id":536},"user-content-fn-1",[219,538,541],{"href":539,"rel":540},"https://maps.app.goo.gl/73bndWKvLSYQCi5s9",[223],"Guitar Stores 📍Tokyo","Google Map清單。 ",[219,544,356],{"href":545,"ariaLabel":353,"className":546,"dataFootnoteBackref":162},"#user-content-fnref-1",[355],{"title":162,"searchDepth":163,"depth":163,"links":548},[549],{"id":236,"depth":163,"text":329},"/images/tempImagegIEsty.jpg",[],{},"/threads/articles/tokyo-used-guitar-store",[],"2026-08-22",{"title":388,"description":393},"tokyo-used-guitar-store","threads/articles/tokyo-used-guitar-store","今年颱風的數量劇增，許多行程都因為颱風受到影響。這次出發前，也很擔心飛機停飛，還好最終順利出發了。\n先來炫耀一下新的吉他－HD-28 (2001)！\n這把琴是我的新戰友，會買這把琴其實是意料之外的事。 這陣子我突然對於美系琴的聲音很著迷，比如經典的Gibson J-45、Martin D-28...等。雖然我認為這些琴的聲音都不太適合我個人獨奏風格，但是卻是在流音音樂中很常見的標準音色。就是所謂的工作用琴啦！",[384],"n-4hpG7GPnKJiNBqJCXugaFloNcIs8AghF4T5KzhTBg",{"id":563,"title":564,"animated":7,"body":565,"client":178,"cover":673,"css_code":178,"description":674,"extension":179,"html_code":178,"images":675,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":676,"navigation":181,"order":178,"path":677,"photos":678,"published_at":679,"reading_time":178,"related":178,"role":178,"seo":680,"slug":681,"source_hash":178,"status":178,"stem":682,"summary":683,"tags":684,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":686},"threads/threads/articles/my-guitar-lowden-f32c.md","Lowden F32c",{"type":9,"value":566,"toc":670},[567,576,579,593,604,610,618,628,653,656],[21,568,569,570,572,573,575],{},"今天來聊聊我的吉他收藏之一－",[414,571,564],{},"。",[54,574],{},"\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[21,577,578],{},"購入這把琴是在2014年，當時我還是大學生，也正值要畢業的十字路口，思考著畢業後要走本科系的工作或是試試看音樂的夢想。大家在大學畢業時也有對未來迷惘過嗎？",[21,580,581,582,585,586,589,590,592],{},"我對",[414,583,584],{},"Lowden","的印象是從接觸指彈吉他後才開始的。當時世界上有許多演奏家都使用該品牌作為演出用琴，比如：",[414,587,588],{},"Don Ross、Pierre bensusan、Andy Mckee","...等。",[414,591,584],{},"以它的耐用性以及獨特巨大的音色聞名。這個品牌在我心裡就是大師專用的！但這篇文章的主旨不是業配或是吹捧它，而是想聊聊分享這把琴對於我的意義。",[21,594,595,596,598,599,572],{},"2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過",[414,597,584],{},"的吉他，對於大學生的我來說，也從來沒有想過要擁有一把。但在試過琴後，對它厚實的低音和顆粒感的音色念念不忘，畢竟可是夢想琴呀！回想起來，心中的濾鏡實在是太重了，當時的我根本無法駕馭這樣的吉他",[230,600,601],{},[219,602,238],{"href":425,"ariaDescribedBy":603,"dataFootnoteRef":162,"id":427},[236],[21,605,606,607,609],{},"後來怎麼會買呢？這要聊到我的家庭。",[54,608],{},"\n我的阿嬤當時因為身體不好，已經臥病在床好幾年了。她的身體狀況是連下樓梯都很難，基本上都是在房間內活動。90%以上的生活都在同一個地方度過的感覺，我到現在還是很難想像。 每次回家，都一定會和他聊聊天，分享最近發生的事。得知我最近看到的這把琴後，她決定資助一部分的費用，最終才購入了這把陪伴我十多年的吉他。阿嬤在隔年就離開了，不久後我也真正開始音樂的道路。偶爾在晚上彈奏這把琴時，還會想起阿嬤當時說的話。",[21,611,612,613,615],{},"轉換一下心情，介紹一下這把琴的規格吧！",[54,614],{},[400,616],{"alt":564,"src":617},"/images/Lowden_F32c/Lowden%20F32c_2.jpg",[619,620,625],"pre",{"className":621,"code":623,"language":624},[622],"language-text","Lowden F32c (約2008年出廠) \n \nTop：西提卡雲衫 Sitka Spruce  \nBack & Side：印度玫瑰木 Indian Rosewood  \nNeck：五片式桃花心木＋玫瑰木 5-piece Mahogany / Rosewood  \nFingerboard：黑檀木 Ebony  \nBridge：玫瑰木 Rosewood\n","text",[626,627,623],"code",{"__ignoreMap":162},[21,629,630,631,343,634,343,637,640,641,643,644,646,647,649],{},"過去發行過的作品：",[414,632,633],{},"It's Alright",[414,635,636],{},"向陽",[414,638,639],{},"時光飛逝","，都是用這把琴錄音的。",[54,642],{},"\n印度玫瑰木加上西提卡雲衫也是很經典的配置，整體的聲音可以用「厚實」兩字概括。得益於五片式琴頸，平衡木材各個方向的受力強度，使用這麼久了也沒有出現過琴頸有太大的變化，非常可靠。粒粒分明的音符、極佳的動態表現，很適合純吉他的演奏音樂。另外雖然我不常用打擊樂器技巧，但這把琴敲板的聲音非常清脆紮實！",[54,645],{},"\n照片上是裝有Sunrise＋M-Factory的系統，目前Sunrise已經被我移至另一把吉他上。",[54,648],{},[219,650,652],{"href":651},"/threads/worksmy-gears-guitar-pedal","桓吟現場演出使用設備｜My Gear",[21,654,655],{},"雖然我常開玩笑想賣掉這把琴，但我想它應該會陪著我一輩子吧！",[321,657,659,662],{"className":658,"dataFootnotes":162},[324],[16,660,329],{"className":661,"id":236},[328],[331,663,664],{},[334,665,666,667],{"id":536},"早期的Lowden被認為聲音比較需要力道驅動，且琴頸規格較厚和寬。 ",[219,668,356],{"href":545,"ariaLabel":353,"className":669,"dataFootnoteBackref":162},[355],{"title":162,"searchDepth":163,"depth":163,"links":671},[672],{"id":236,"depth":163,"text":329},"/images/Lowden F32c.jpg","今天來聊聊我的吉他收藏之一－Lowden F32c。\n如果你沒有對吉他有研究，應該不會注意到他和其他吉他的不同。但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。",[],{},"/threads/articles/my-guitar-lowden-f32c",[],"2026-07-22",{"title":564,"description":674},"my-guitar-lowden-F32c","threads/articles/my-guitar-lowden-f32c","今天來聊聊我的吉他收藏之一－*Lowden F32c*。  \n如果你沒有對吉他有研究，應該不會注意到，但如果你稍有研究木吉他或是指彈，就會知道這個來自愛爾蘭品牌的魅力。\n2014年，剛好有一位樂手老師要賣它。在此之前我是完全沒有彈過*Lowden*的吉他，對於大學生的我來說，也從來沒有想過要擁有一把*Lowden*。後來怎麼會買呢？要聊到我的家庭...",[685],"器材","WFLxOCtqmuVYU3Z8R0K32pyx0KXGjQbj9S0ZEomGhsw",{"id":688,"title":689,"animated":7,"body":690,"client":178,"cover":797,"css_code":178,"description":694,"extension":179,"html_code":178,"images":798,"is_announcement":181,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":799,"navigation":181,"order":178,"path":800,"photos":801,"published_at":802,"reading_time":178,"related":178,"role":178,"seo":803,"slug":804,"source_hash":178,"status":178,"stem":805,"summary":806,"tags":807,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":808},"threads/threads/articles/welcome.md","桓吟的個人網站指南｜Welcome",{"type":9,"value":691,"toc":795},[692,695,698,704,713,719,741,747,758,766,776,786,792],[21,693,694],{},"歡迎來到桓吟的個人網站，這篇文章會介紹你能在這裡找到什麼。",[21,696,697],{},"以下用條列式說明：",[21,699,700],{},[400,701],{"alt":702,"src":703},"主頁","/images/Pinned_Post/Profile_pinned.jpg",[448,705,706],{},[334,707,708,709,712],{},"最上方是我的",[49,710,711],{},"主頁名片","，簡單的介紹我自己。(有點像社群媒體的樣式對吧？笑)",[21,714,715],{},[400,716],{"alt":717,"src":718},"Subscription","/images/Pinned_Post/Subscribe_pinned.jpg",[448,720,721,724,731],{},[334,722,723],{},"下方的icon圖示中，有我的信箱、Spotify、Youtube...等社群媒體。",[334,725,726,727,730],{},"最下面的",[49,728,729],{},"深色訂閱按鈕","，千萬不要點！如果你點了，可能會多一份沒時間練的樂譜 🎁",[334,732,733,734,737,738,740],{},"再下方Blog、作品...等",[49,735,736],{},"分類欄位","，可能有你想找的東西。(網頁版在左邊)",[54,739],{},"\n推薦到Blog逛逛，剛開站會常常更新唷！商城區也已經更新，裡面有我的以發行數位音樂以及樂譜。",[21,742,743],{},[400,744],{"alt":745,"src":746},"AI助手","/images/Pinned_Post/AI%20terminal_pinned.jpg",[448,748,749],{},[334,750,751,752,754,755,757],{},"再再往下的對話視窗，就是是我的",[49,753,745],{},"，他會整理我的網頁中的資訊。",[54,756],{},"\n也是這個網頁很特別的功能，只要我曾經新增的內容你都能詢問他，請隨意玩玩看。隨著網站內容越來越多，應該會很有趣。",[21,759,760,761],{},"至於這個網站是怎麼開始的呢？ 我在這邊文章有聊到 ",[219,762,765],{"href":763,"rel":764},"https://huanyinliu.com/threads/website-origin-story",[223],"隨筆：這個網站的由來。",[21,767,768,769,771,772,775],{},"目前我的音樂和影片、販售樂譜、私人課程...等，都散落在各個平台，我想把它們統整在一個網站內。本來都靠著Instagram或是Facebook當作主要頁面也沒有問題。但隨著近期越來越多無故封鎖案例，不免也開始有想要在網路世界上建立一個屬於自己的地方的想法。",[54,770],{},"\n總之，這裡未來會是我所有內容的集散地，如果你想要追蹤最新消息。首頁的",[49,773,774],{},"訂閱按鈕","請點下去，填寫好你的信箱。絕對比YouTube演算法還確實！",[21,777,778,779,782,783,785],{},"這個網頁是由 ",[414,780,781],{},"Threadspage"," 建構，這裡同時有Blog、AI助手、翻譯...等功能，也能自定義許多樣式和連結。",[54,784],{},"\n如果你也不想被社群媒體平台綁架，想擁有一個有質感的私域網站，可以點擊連結聯繫開發者。",[21,787,788],{},[219,789,791],{"href":363,"rel":790},[223],"THEADSPAGE 把你的創作，變成 真正屬於你 的知識主場。👈",[21,793,794],{},"最後，給第一次來到這裡的你：歡迎光臨。☺️",{"title":162,"searchDepth":163,"depth":163,"links":796},[],"/images/cover_pinned.jpg",[],{},"/threads/articles/welcome",[],"2026-07-18",{"title":689,"description":694},"welcome","threads/articles/welcome","嗨，我是桓吟。歡迎來到我的網站，這篇文章會介紹你能在這個地方找到什麼。像是Blog、演出資訊、樂譜&音樂商城...等。",[],"3GqDLExaeAiRwIVB1YBG9zmNUpezY4UWkYwB66GVxKI",{"id":810,"title":811,"animated":7,"body":812,"client":178,"cover":924,"css_code":178,"description":816,"extension":179,"html_code":178,"images":925,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":926,"navigation":181,"order":178,"path":927,"photos":928,"published_at":929,"reading_time":178,"related":178,"role":178,"seo":930,"slug":931,"source_hash":178,"status":178,"stem":932,"summary":933,"tags":934,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":935},"threads/threads/articles/thought-live-education-kids.md","教育與連結",{"type":9,"value":813,"toc":921},[814,817,823,828,834,839,845,849,874,877,882,885,890,895,900,905,915],[21,815,816],{},"在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。",[21,818,819,820,822],{},"上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場，也是我第一次來的地方。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[54,821],{},"\n我的工作就是在收成時，擔任背景音樂演奏的角色。聯繫我的窗口特別和我介紹了這個活動的宗旨和意義，希望依此選曲。於是我在腦中想像當天的場景，大概就是老師和父母們帶著小朋友們務農，溫馨和興奮的氣氛。",[21,824,825],{},[414,826,827],{},"列隊拜拜，準備收割",[21,829,830],{},[400,831],{"alt":832,"src":833},"準備收割","/images/20260704_7.jpg",[21,835,836],{},[414,837,838],{},"採收中，我在畫面右上角彈吉他",[21,840,841],{},[400,842],{"alt":843,"src":844},"採收中","/images/20260704_2.jpg",[32,846,848],{"id":847},"彈奏的曲目","彈奏的曲目：",[331,850,851,854,857,860,868,871],{},[334,852,853],{},"向陽(Original)",[334,855,856],{},"流轉的路口(Original)",[334,858,859],{},"Isn't she lovely－Stevie Wonder 寫給女兒的歌曲，努力的大家都很可愛呢！",[334,861,862,863,867],{},"天黑黑－「離開小時候，有了自己的生活...」想到歌詞的內容，",[864,865,866],"del",{},"大哥哥","叔叔很有感觸，父母們應該也是吧。",[334,869,870],{},"讓浪漫作主－有浪漫派的園長，才有這個活動。",[334,872,873],{},"時光飛逝(Original)",[21,875,876],{},"演出前園長和我聊到了這個活動的初衷，希望讓父母一起和孩子收成的過程，更相信他們已經準備好要升學進入更大的校園了。聽園長分享的過程，可以感受到他是很認真看待這個活動的。",[213,878,879],{},[21,880,881],{},"創造一個讓大家參與的舞台，是教育和人的連結最棒的事了，我在心裡想著。",[21,883,884],{},"很溫暖的一天，再放幾張照片吧！",[21,886,887],{},[414,888,889],{},"我的視角",[21,891,892],{},[400,893],{"alt":889,"src":894},"/images/20260704_4.jpg",[21,896,897],{},[414,898,899],{},"撥穗",[21,901,902],{},[400,903],{"alt":889,"src":904},"/images/20260704_5.jpg",[21,906,907,910,912],{},[414,908,909],{},"今天帶的吉他－Maton SRS808c",[54,911],{},[414,913,914],{},"邀請我的明達也是吉他玩家，現場的設備太狂啦！",[21,916,917],{},[400,918],{"alt":919,"src":920},"今天帶的吉他","/images/20260704_6.jpg",{"title":162,"searchDepth":163,"depth":163,"links":922},[923],{"id":847,"depth":169,"text":848},"/images/20260704_3.jpg",[],{},"/threads/articles/thought-live-education-kids",[],"2026-07-04",{"title":811,"description":816},"thought-live-education-kids","threads/articles/thought-live-education-kids","在台北生活三十幾年，應該很少沒去過的地方了吧？如果有也是「有經過，沒到過」。    上週六參與一個很特別的活動－舉辦在稻穗田野的畢業典禮，地點在三芝後山上的小農場。是北市某幼兒園每年的大活動，讓即將升小學的小朋友收割自己種下的稻米。是個很有意義的活動，對吧？",[384],"7Z4lO0Ed1rxrxKXu_l2eN_SPiWfUWiwCtKxdxxGGmgk",{"id":937,"title":938,"animated":7,"body":939,"client":178,"cover":1004,"css_code":178,"description":1005,"extension":179,"html_code":178,"images":1006,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1007,"navigation":181,"order":178,"path":1008,"photos":1009,"published_at":1010,"reading_time":178,"related":178,"role":178,"seo":1011,"slug":1012,"source_hash":178,"status":178,"stem":1013,"summary":1014,"tags":1015,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1016},"threads/threads/articles/thought-life-live.md","隨筆：2026 大通車時代",{"type":9,"value":940,"toc":999},[941,953,956,971,974,977,980,985,993],[21,942,943,944,949,950,952],{},"上週末到淡水",[219,945,948],{"href":946,"rel":947},"https://maps.app.goo.gl/X26trgvuDebQ6gEQA",[223],"樂放展演空間","演出。在台北長大的孩子應該對淡水都會有些回憶吧？",[54,951],{},"\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[21,954,955],{},"對了，《It's Alright》這首歌就是在這裡得到靈感，之後才在家慢慢完成的。",[21,957,958,959,961,962,964,965,967,968,572],{},"各位有過「討厭某個時期的自己」這樣的想法過嗎？或著不這麼誇張的－「我那時候為什麼要做這件事？」的這種程度。看著自己的作品，我有時候也會有這種感覺。有一陣子不是很想彈《It's Alright》這首曲子，因為覺得它太長了，很多內心戲。導致這首歌在一段時間中，都不曾在現場表演過。甚至有人來問我，怎麼最近都沒有聽到這首曲子。",[54,960],{},"\n我某次看到以前的日記，上面記錄著我寫這首歌時期的生活。讀著讀著一陣回想後，好像閉上眼睛也能回到當時的心理狀態。突然間我對這首曲子釋懷了。",[54,963],{},"\n「對啊，我那時候就是這樣的心情。這首曲子就是那樣的我會寫的。」",[54,966],{},"\n受社會環境氛圍的影響，長大的過程總是在向外看和別人比較，甚至無法打從心底認同自己",[864,969,970],{},"的作品",[21,972,973],{},"話說回來，寫這麼多了還沒提到這篇文章的標題－2026 大通車時代。那天演出完後叫了車回家，沒想到司機竟然往淡江大橋開。通車之後交通變得更方便，往三重五股方向可以走64號道路了。這次來演出也很想來看看淡江大橋的夕陽，雖然這天天候不佳沒有看到，但直接坐車經過聽起來讓人更興奮！",[21,975,976],{},"另一方面前幾天，捷運三鶯線也正式通車了。剛好就是《It's Alright》時期故事的兩地，這是一種巧合嗎？",[32,978,979],{"id":979},"夜晚的淡江大橋",[21,981,982],{},[400,983],{"alt":979,"src":984},"/images/0627_Night_Bridge.jpg",[32,986,988,989,992],{"id":987},"大航海通車時代","大航海",[864,990,991],{},"通車","時代？",[21,994,995],{},[400,996],{"alt":997,"src":998},"大航海時代？","/images/0627_Luffy.jpg",{"title":162,"searchDepth":163,"depth":163,"links":1000},[1001,1002],{"id":979,"depth":169,"text":979},{"id":987,"depth":169,"text":1003},"大航海通車時代？","/images/20260627_Lefunky2.jpg","上週末到淡水樂放展演空間演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[],{},"/threads/articles/thought-life-live",[],"2026-07-03",{"title":938,"description":1005},"thought-life-live","threads/articles/thought-life-live","上週末到淡水[樂放展演空間]([https://maps.app.goo.gl/X26trgvuDebQ6gEQA](https://maps.app.goo.gl/X26trgvuDebQ6gEQA)演出。在台北長大的孩子應該對淡水都會有些回憶吧？\n剛開始決定要做音樂的那幾年，還住在三峽老家，偶爾會來淡水散散心。在那段迷惘的時期，坐在淡水河邊的樹蔭發呆，是少數能讓我真的放鬆的時候。",[384],"M-z27SequzY0F69IGSidTkecDH2uJvkjj5DHTuPDeQo",{"id":1018,"title":1019,"animated":7,"body":1020,"client":178,"cover":1082,"css_code":178,"description":1024,"extension":179,"html_code":178,"images":1083,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1084,"navigation":181,"order":178,"path":1085,"photos":1086,"published_at":1087,"reading_time":178,"related":178,"role":178,"seo":1088,"slug":1089,"source_hash":178,"status":178,"stem":1090,"summary":1091,"tags":1092,"tech_stack":178,"translation_of":178,"type":1094,"url":178,"video_url":178,"__hash__":1095},"threads/threads/projects/private-guitar-lesson-huanyin.md","吉他課程｜桓吟吉他工作室",{"type":9,"value":1021,"toc":1078},[1022,1025,1035,1042,1046,1052,1056,1062,1066,1072],[21,1023,1024],{},"如果你想進入吉他的世界，以下是我的課程資訊，歡迎與我聯繫：",[21,1026,1027,1028,1032,1034],{},"✉️ E-mail : ",[219,1029,1031],{"href":1030},"mailto:studio@huanyinliu.com","studio@huanyinliu.com",[54,1033],{},"\n📞 LINE : 8729268",[21,1036,1037,1038],{},"課程詳情與預約：",[219,1039,1040],{"href":1040,"rel":1041},"https://forms.gle/bCyiHqkjpeorNv3r6",[223],[32,1043,1045],{"id":1044},"課程方式與地點","課程方式與地點：",[619,1047,1050],{"className":1048,"code":1049,"language":624},[622],"a.【實體課】| 📍 新北市-三重工作室、台北市-東門工作室\nb.【視訊課】| 🖥️ 使用軟體-ZOOM\n",[626,1051,1049],{"__ignoreMap":162},[32,1053,1055],{"id":1054},"課程內容","課程內容：",[619,1057,1060],{"className":1058,"code":1059,"language":624},[622],"a.【吉他彈唱、伴奏】 \n    ● 基礎彈奏、樂理、自彈自唱、技巧...等。\n    ● 入門到進階編曲皆可教授。\n\nb.【Fingerstyle 指彈吉他演奏】\n    ● 學習不同風格樂曲，指導彈奏表現能力 (左右手分離度、音色動態掌握、特殊技巧..等)。\n\nc.【吉他編曲】\n    ● 進階樂理、指板分析、和弦琶音與音階、即興演奏。並以各種樂風練習在樂器上實際操作。\n    ● 以標準調弦(Standard Tuning)為主，引導如何用適合的方式替一段旋律搭配伴奏\n      ，呈現出完整的演奏曲。    \n\nd.【錄音與現場器材運用】\n    ● 基礎木吉他錄音、混音相關知識以及軟體操作(Logic Pro X)。\n    ● 演出設備：從拾音器到舞台音響調整概念。\n",[626,1061,1059],{"__ignoreMap":162},[12,1063,1065],{"id":1064},"收費","收費：",[619,1067,1070],{"className":1068,"code":1069,"language":624},[622],"◎ 課程以一期四堂課收費，每堂課50分鐘。\n\n● 1v1  單人班課程收費 ： 3800 NT$/期\n● 1v1  「約課制」收費 ： 4300 NT$/期\n● 1v2  雙人班課程收費 ： 5000 NT$/期 (2人)\n",[626,1071,1069],{"__ignoreMap":162},[21,1073,1074],{},[219,1075,1077],{"href":1076},"#%E5%90%89%E4%BB%96%E8%AA%B2%E7%A8%8B","#吉他課程",{"title":162,"searchDepth":163,"depth":163,"links":1079},[1080,1081],{"id":1044,"depth":169,"text":1045},{"id":1054,"depth":169,"text":1055},"/images/workzoom_image3.jpg",[],{},"/threads/projects/private-guitar-lesson-huanyin",[],"2026-06-26",{"title":1019,"description":1024},"private-guitar-lesson-huanyin","threads/projects/private-guitar-lesson-huanyin","“本文為桓吟的吉他課程詳細資訊，無論是入門或是進階，都歡迎加入我們！”",[1093,201],"吉他課程","project","UWmPGcfSUimeF2rsn8YE7rC6Jwu4rcfHLm69WnYAcms",{"id":1097,"title":1098,"animated":7,"body":1099,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1168,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1169,"navigation":181,"order":178,"path":1170,"photos":1171,"published_at":1172,"reading_time":178,"related":178,"role":178,"seo":1173,"slug":1174,"source_hash":178,"status":178,"stem":1175,"summary":178,"tags":1176,"tech_stack":178,"translation_of":178,"type":1177,"url":178,"video_url":178,"__hash__":1178},"threads/threads/pages/about.md","關於我",{"type":9,"value":1100,"toc":1164},[1101,1108,1114,1126,1134,1137,1140,1154,1159],[21,1102,1103],{},[400,1104],{"alt":1105,"src":1106,"title":1107},"HuanYin","/images/huanyin202601_image.jpg","桓吟HuanYin",[32,1109,1111],{"id":1110},"台灣獨奏吉他手劉桓吟huanyin",[49,1112,1113],{},"台灣獨奏吉他手｜劉桓吟HuanYin",[21,1115,1116,1117,1119,1120,1122,1123,1125],{},"桓吟在16歲時開始彈奏吉他。從民謠吉他開始，隨後並開始接觸鋼弦吉他獨奏。",[54,1118],{},"\n​",[54,1121],{},"\n2015年，參加台灣指標性比賽－《烏托邦吉他大賽》並獲得亞軍。2023年參加國際吉他大賽－WAGF，入圍原創組決賽前五強。",[54,1124],{},"\n2019年以《It’s Alright》單曲，以自己的故事為原型拍攝一部－以「即將開始追尋夢想的未知道路」為主軸的劇情ＭＶ。正式開始了吉他手生涯。2020年發行首張迷你專輯《向陽》，動畫MV搭配輕快的曲風，獲得許多吉他樂迷迴響。",[21,1127,1128,1129,1119,1131,1133],{},"桓吟以細膩而富空間感的指彈演奏為特色，結合現代鋼弦吉他的聲響語彙，發展出一人樂團式的音樂表現。其創作常取材於日常流動的片刻，透過溫暖且明亮的音色，將記憶與時間轉化為靜謐而細緻的聲音敘事，呈現如晨光般清新而內斂的音樂氛圍。",[54,1130],{},[54,1132],{},"\n2022年於台北成立《木的音樂工作室》志在推廣指彈吉他，而後轉往經營個人YouTube頻道－《弦吟 Singing in String》。頻道收錄桓吟演奏影音作品，以及「弦吟系列」關於指彈吉他的分享節目。",[21,1135,1136],{},"近期正籌備首張個人創作專輯中，請期待往後的新作。",[32,1138,1139],{"id":1139},"發行作品",[213,1141,1142],{},[21,1143,1144,1145,1147,1148,1150,1151,1153],{},"2019年單曲 《It’s Alright》",[54,1146],{},"\n2020年首張原創EP 《向陽》",[54,1149],{},"\n2022年單曲 《雨季 Rain Season》",[54,1152],{},"\n2024年單曲 《在你到來之後 Since You Came Along》",[213,1155,1156],{},[21,1157,1158],{},"另著有《隙光》個人改編及創作樂譜集 (2022年發行)",[21,1160,1161],{},[400,1162],{"alt":1105,"src":1163,"title":1107},"/images/huanyin_riverside_image.jpg",{"title":162,"searchDepth":163,"depth":163,"links":1165},[1166,1167],{"id":1110,"depth":169,"text":1113},{"id":1139,"depth":169,"text":1139},[],{},"/threads/pages/about",[],"2026-06-24",{"title":1098,"description":162},"about","threads/pages/about",[],"page","wnZwclfAVBMVSXs29Xs5FUr0KHXWsUEc0FRZYlMdlkQ",{"id":1180,"title":652,"animated":7,"body":1181,"client":178,"cover":1241,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1242,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1243,"navigation":181,"order":178,"path":1244,"photos":1245,"published_at":1246,"reading_time":178,"related":178,"role":178,"seo":1247,"slug":1248,"source_hash":178,"status":178,"stem":1249,"summary":1250,"tags":1251,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1252},"threads/threads/articles/worksmy-gears-guitar-pedal.md",{"type":9,"value":1182,"toc":1236},[1183,1189,1195,1199,1203,1207,1215,1219],[21,1184,1185],{},[400,1186],{"alt":1187,"src":1188},"Maruni.H MXC001","/images/Maruni.H%20MXC001.jpg",[21,1190,1191],{},[400,1192],{"alt":1193,"src":1194},"桓吟的效果器盤｜2026","/images/%E6%95%88%E6%9E%9C%E5%99%A8%E7%9B%A4huan2026.jpg",[32,1196,1198],{"id":1197},"吉他-guitar","吉他 Guitar",[448,1200,1201],{},[334,1202,1187],{},[32,1204,1206],{"id":1205},"拾音器-pickup","拾音器 Pickup",[448,1208,1209,1212],{},[334,1210,1211],{},"Sunrise S2",[334,1213,1214],{},"SASNiE Contact Transducer",[32,1216,1218],{"id":1217},"效果器盤-pedalboard","效果器盤 Pedalboard",[448,1220,1221,1224,1227,1230,1233],{},[334,1222,1223],{},"M-Factory PM200",[334,1225,1226],{},"EAE StompMix 4",[334,1228,1229],{},"UAFX Golden Reverb",[334,1231,1232],{},"BOSS RC-1 Loop Station",[334,1234,1235],{},"Loop Controller by SASNiE",{"title":162,"searchDepth":163,"depth":163,"links":1237},[1238,1239,1240],{"id":1197,"depth":169,"text":1198},{"id":1205,"depth":169,"text":1206},{"id":1217,"depth":169,"text":1218},"/images/旋律間的光影 台中 現場照.jpg",[],{},"/threads/articles/worksmy-gears-guitar-pedal",[],"2026-06-20",{"title":652,"description":162},"worksmy-gears-guitar-pedal","threads/articles/worksmy-gears-guitar-pedal","吉他 Guitar： Maruni.H MXC001\n效果器盤 Pedalboard：\n- M-Factory PM200\n- EAE StompMix 4\n- UAFX Golden Reverb\n- BOSS RC-1 Loop Station \n- Loop Controller by SASNiE",[685],"8Hc_KHD-16bkfPK-GLYsrR2RvNXlZVDUEIBe-b3dJl4",{"id":1254,"title":1255,"animated":7,"body":1256,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1417,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1418,"navigation":181,"order":178,"path":1419,"photos":1420,"published_at":1421,"reading_time":178,"related":178,"role":178,"seo":1422,"slug":1423,"source_hash":178,"status":178,"stem":1424,"summary":1425,"tags":1426,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1427,"__hash__":1428},"threads/threads/articles/acoustic-guitar-pickup-recording-setup.md","我的吉他拾音器與效果器分享｜為何木吉他難收音？",{"type":9,"value":1257,"toc":1408},[1258,1262,1265,1268,1272,1275,1284,1287,1291,1294,1304,1323,1326,1334,1337,1352,1358,1361,1364,1373,1377,1383,1390,1393,1396,1399],[16,1259,1261],{"id":1260},"木吉他拾音為什麼這麼重要","木吉他拾音為什麼這麼重要？",[21,1263,1264],{},"我一直以來都很在意拾音器的選擇，因為它直接影響了我在現場演出時的音色表現。拾音器的終極目標就是把原聲的聲音放大，但這說起來簡單做起來卻很複雜。",[21,1266,1267],{},"木吉他和電吉他最大的差異在於，電吉他本身就是電子樂器，而木吉他是原聲樂器。當我透過拾音器把原聲訊號轉換成電子訊號後，聲音就會和我們耳朵平常聽到的方式產生很大的差異。說實話，透過拾音器收取的聲音經過喇叭發出來後，已經是另外一種樂器了。所以我們的目標不是100%還原，而是在大幅擴音的情況下，盡可能保留木吉他原本的質感。",[16,1269,1271],{"id":1270},"為什麼不直接用麥克風","為什麼不直接用麥克風？",[21,1273,1274],{},"你可能會覺得為什麼不使用麥克風收音就好，畢竟麥克風也是透過空氣震動收音。但這個問題其實沒有那麼簡單。",[21,1276,1277,1278,1280,1281,1283],{},"麥克風的收音範圍非常靈敏，在現場演出時，我們需要把聲音擴大給很多人聽，這意味著音量會被放大到非常大。",[54,1279],{},"\n因為麥克風本身太靈敏，透過喇叭發出的巨大音壓聲音很容易再被麥克風拾取，形成一個迴圈，最後就會產生回授。",[54,1282],{},"\n輕微的回授會在某些頻率產生共振聲，嚴重的話喇叭就會消叫，甚至可能被燒壞。這在現場演出中是非常不穩定且危險的。",[21,1285,1286],{},"相比之下，線圈和下弦枕這類拾音器雖然音色可能比較扁、動態比較小，但在大音量擴音的情況下反而非常穩定。",[16,1288,1290],{"id":1289},"我的拾音器配置線圈加貼片","我的拾音器配置：線圈加貼片",[21,1292,1293],{},"經過多年的經驗，我最喜歡的配置就是線圈加上貼片的多系統方案。",[21,1295,1296,1297,1299,1300,1303],{},"我使用的線圈是美國的 ",[414,1298,1211],{},"，這是亞洲很多知名指彈吉他手愛用的品牌。它的特色是在非常大的音量下，能呈現出非常震撼的效果，讓木吉他聽起來非常巨大。另外的拾音器是台灣品牌 ",[414,1301,1302],{},"SASNiE"," 的貼片，我從前年開始使用，覺得它的聲音非常還原，能和線圈形成很好的搭配。",[21,1305,1306,1307,1309,1310,1312,1313,1315,1316,1319,1320,1322],{},"運作方式很簡單：",[54,1308],{},"\n線圈收弦聲，貼片收空間感，包含敲板和絃的聲音都有。",[54,1311],{},"\n貼片特別的地方在於，它能收到打板、敲擊，甚至你把手放在弦上時的低頻聲音。",[54,1314],{},"\n相對於麥克風，因為太靈敏的緣故，通常會把",[49,1317,1318],{},"低音切掉","只留高音和空間感，所以打板的聲音就不會那麼震撼。",[54,1321],{},"\n這是我認為兩種拾音器差異最大的地方。",[21,1324,1325],{},"我的方式是：",[213,1327,1328],{},[21,1329,1330,1331,1333],{},"線圈->穩定的弦聲＋貼片->整體空間感",[54,1332],{},"\n再根據當下演出的音量大小和擴音程度來調整這兩個聲音的比例。",[16,1335,1336],{"id":1336},"我的效果器盤配置",[21,1338,1339,1340,1343,1344,1347,1348,1351],{},"我的效果器盤總共有四顆效果器。首先是",[414,1341,1342],{},"日本手工品牌M-Factory","的前級。雖然看起來像個素素的鐵盒，但它是我整盤裡最貴的。它可以混合線圈和貼片的音量比例，",[49,1345,1346],{},"各有兩個EQ和一個總音量","。因為我的拾音器是",[49,1349,1350],{},"被動式","的，沒有供電，訊號音量很小，需要透過這個前級把聲音放大到健康的程度。",[21,1353,1354,1355,1357],{},"接著是黑色的EAE數位混音器，我把乾聲訊號輸入進來後，可以做EQ、Filter、Gate、Compressor...等。",[54,1356],{},"\n還能記憶不同歌曲的參數，主機上也有小螢幕，非常小巧方便。",[21,1359,1360],{},"接下來送一個乾訊號給UAD的Golden Reverb，品質非常好聽。我把乾聲進來後把Mixer開到最大，送出去的就是完全溼的Reverb聲音，再回到Mixer。這樣Mixer裡就有乾的吉他聲音和溼的Reverb聲音，兩個聲音合起來再送到Loop Station，最後送給控台(Mixer)。",[16,1362,1363],{"id":1363},"線圈和貼片的聲音差異",[21,1365,1366,1367,1369,1370,1372],{},"線圈：聲音比較近、比較呆，動態比較沒有那麼多，收不到打板的聲音。",[54,1368],{},"\n貼片單獨使用時，聽起來像麥克風收出來的感覺，很多細節都被拾取。",[54,1371],{},"\n但因為在現場貼片還是會遇到回授問題，所以還是需要用線圈來做互補搭配，這樣現場的聲音會更安全更完整。",[16,1374,1376],{"id":1375},"實驗加入麥克風作為第三系統","實驗：加入麥克風作為第三系統",[21,1378,1379,1380,1382],{},"我在現場演出時也常常覺得，如果能讓吉他聲音再更接近原聲一點就太好了，尤其是高頻的空間感。",[54,1381],{},"\n在家錄音時，我會使用麥克風搭配木吉他的拾音器混合在一起。因為工作室不需要同時錄音和擴音，所以不存在回授問題。",[21,1384,1385,1386,1389],{},"出於好奇，我和台灣麥克風品牌",[414,1387,1388],{},"雲聲","借了他們的新產品Sono Flex來實驗。這是一個夾式的電容式麥克風，需要48V的電。我把它夾在吉他側板上收取空間感的聲音，直接連到我的Mixer上。",[21,1391,1392],{},"但即使加了麥克風，回授問題還是存在。所以我在訊號進到Mixer後，再對麥克風聲音做一個High-Pass Filter，也就是Low Cut，把低音砍掉。這樣麥克風只保留高音的空間感和木頭味，因為線圈和貼片已經有非常飽滿的低音了，同時也可以避免回授問題。",[16,1394,1395],{"id":1395},"結語",[21,1397,1398],{},"拾音器的使用場景其實有很多。我是在現場演出時擴音到非常大的音量，但或許你只是想在家裡聽到有效果的聲音。你的使用場景決定了你應該選擇什麼樣的拾音器組合。",[21,1400,1401,1402,1404,1405,1407],{},"木吉他擴音技術成熟的時間比較晚，原因就是因為它是原聲樂器的特性，所以收音起來很難得到自然的感覺。但現在已經有非常多的解方了，就像我在這支影片提到的多系統方案。我使用的器材包含",[414,1403,1302],{},"和",[414,1406,1388],{},"都是台灣長期耕耘拾音收音的專業品牌，如果你對這些設備有興趣，歡迎去看看他們的官方網站。",{"title":162,"searchDepth":163,"depth":163,"links":1409},[1410,1411,1412,1413,1414,1415,1416],{"id":1260,"depth":163,"text":1261},{"id":1270,"depth":163,"text":1271},{"id":1289,"depth":163,"text":1290},{"id":1336,"depth":163,"text":1336},{"id":1363,"depth":163,"text":1363},{"id":1375,"depth":163,"text":1376},{"id":1395,"depth":163,"text":1395},[],{},"/threads/articles/acoustic-guitar-pickup-recording-setup",[],"2026-06-18",{"title":1255,"description":162},"acoustic-guitar-pickup-recording-setup","threads/articles/acoustic-guitar-pickup-recording-setup","這次來分享我使用的木吉他拾音設備與效果器配置！並實驗使用雲聲CloudVocal麥克風組合成三系統。",[200,201],"https://www.youtube.com/watch?v=dPs_a0EXFuY","bbugZCybxeq8HLQgWj9e32rwUGv1_PjpQiB8kH_Chcw",{"id":1430,"title":1431,"animated":7,"body":1432,"client":178,"cover":1457,"css_code":178,"description":1458,"extension":179,"html_code":178,"images":1459,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1460,"navigation":181,"order":178,"path":1461,"photos":1462,"published_at":1463,"reading_time":178,"related":178,"role":178,"seo":1464,"slug":1465,"source_hash":178,"status":178,"stem":1466,"summary":1467,"tags":1468,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1469},"threads/threads/articles/guitar-thinking-life.md","隨筆：六月的生活",{"type":9,"value":1433,"toc":1455},[1434,1440,1446,1452],[21,1435,1436,1437,1439],{},"經過熟悉網站的操作，越來越想在這裡記錄些什麼了。",[54,1438],{},"\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[21,1441,1442,1443,1445],{},"最近開始自己煮晚餐吃。大約兩個月前，回歸健身房運動。因為運動的關係，也關注起平常的飲食。前陣子和運動夥伴Ocean到大賣場買了蔬菜和約一個月份的蛋白質。六月的晚餐都吃得很健康！沒想到我還滿享受花時間備料和運動的時間。",[54,1444],{},"\n無論是身理還是心理，關注自己是很棒的一件事，但或許也是現代社會「天生」不會讓我們注意到的吧。",[21,1447,1448,1449,1451],{},"明天要進錄音室錄製專輯的下一首曲子－「太空」，是我在2018時作的曲子。",[54,1450],{},"\n照片是上一次錄音的設置，每一支麥克風各司其職，都有它要捕捉的聲音。有些捕捉手指頭的細節，有些捕捉空間感，有些收取吉他的低音。很喜歡在錄音室的氛圍，戴著耳機把自己做的作品記錄下來的過程。總之，明天好好加油吧！",[21,1453,1454],{},"補充一下，我最喜歡的收音法就是ORTF！",{"title":162,"searchDepth":163,"depth":163,"links":1456},[],"/images/隨筆：六月的生活.jpg","經過熟悉網站的操作，越來越想在這裡記錄些什麼了。\n儘管截至目前為止 (2026/06/16) 還沒有對外公開這個地方。",[],{},"/threads/articles/guitar-thinking-life",[],"2026-06-16",{"title":1431,"description":1458},"guitar-thinking-life","threads/articles/guitar-thinking-life","經過這兩天熟悉網站的操作，越來越想在這裡記錄些什麼了。  \n儘管截至目前為止 (2026/06/16) 還沒有對外公開...\n",[384],"KaB2urboLNlyt8jtxgPJz-JL8jquJFVsG8NAtVeN_-M",{"id":1471,"title":1472,"animated":7,"body":1473,"client":178,"cover":1523,"css_code":178,"description":1524,"extension":179,"html_code":178,"images":1525,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1526,"navigation":181,"order":178,"path":1527,"photos":1528,"published_at":1529,"reading_time":178,"related":178,"role":178,"seo":1530,"slug":1531,"source_hash":178,"status":178,"stem":1532,"summary":1533,"tags":1534,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1535},"threads/threads/articles/website-origin-story.md","隨筆：這個網站的由來",{"type":9,"value":1474,"toc":1521},[1475,1492,1500,1509,1515,1518],[21,1476,1477,1478,1480,1481,1484,1485,1487],{},"老早就有想要架設網站的想法了。",[54,1479],{},"\nThreadspage是由開發者－",[414,1482,1483],{},"暢可"," 創立的平台。",[54,1486],{},[219,1488,1491],{"href":1489,"rel":1490},"https://threadspage.app/?ref=huanyin.vercel.app",[223],"點進來讓AI幫你介紹吧！",[213,1493,1494],{},[21,1495,1496,1497,1499],{},"「能讓AI找到你的GEO，未來就如同搜尋引擎的SEO將越來越重要。」",[54,1498],{},"\n他說著創建平台的初衷。",[21,1501,1502,1503,1505,1506,1508],{},"今天在咖啡廳一個下午，學會了網路以及網頁運作邏輯。",[54,1504],{},"\n聽著暢可很有耐心的說明，從一開始能組織邏輯，到快被名詞和各種網路服務塞爆頭腦，一度分神的想：「我這個網路世代長大的小孩，現在才學這些也太好笑了吧！」雖帶著有點羞愧又有點興奮的複雜的心情，但被新知衝擊的快感，很充實！",[54,1507],{},"\n經過半天努力，這裡也算有了雛形。",[21,1510,1511,1512,1514],{},"近幾年覺得在社群平台上越來越不想分享生活了。",[54,1513],{},"\n或許因為世界已經把社群平台當作市場、行銷的媒介，像是工作場域一般。作為自由音樂人，總覺得在上面碎碎念，好像很不認真似的。Meta 誤判鎖帳號也時有耳聞。不如就讓商業平台回歸商業平台，把碎碎念的浪漫，留在自己的小地方吧。",[21,1516,1517],{},"讀完這篇文的你，歡迎光臨。",[21,1519,1520],{},"桓吟",{"title":162,"searchDepth":163,"depth":163,"links":1522},[],"/images/threadspage架設｜暢可.jpg","老早就有想要架設網站的想法了。\nThreadspage是由開發者－暢可 創立的平台。點進來讓AI幫你介紹吧！",[],{},"/threads/articles/website-origin-story",[],"2026-06-14",{"title":1472,"description":1524},"website-origin-story","threads/articles/website-origin-story","老早就有想要架設網站的想法了。  \nThreadspage是由開發者－*暢可* 創立的平台。  \n[點進來讓AI幫你介紹吧！]...",[384],"ePHD6oE17vjSRy09U8OAXD0wok6oHgI_trKO2WJoLi0",{"id":1537,"title":1538,"animated":7,"body":1539,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1677,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1678,"navigation":181,"order":178,"path":1679,"photos":1680,"published_at":1681,"reading_time":178,"related":178,"role":178,"seo":1682,"slug":1683,"source_hash":178,"status":178,"stem":1684,"summary":1685,"tags":1686,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1687,"__hash__":1688},"threads/threads/articles/guitar-fingernail-care.md","彈吉他竟然還要修指甲嗎？10分鐘讓音色升級",{"type":9,"value":1540,"toc":1668},[1541,1544,1547,1550,1553,1556,1559,1562,1565,1568,1571,1577,1583,1594,1597,1604,1607,1614,1617,1620,1627,1630,1633,1636,1639,1653,1656,1659,1662,1665],[16,1542,1543],{"id":1543},"我為什麼開始留指甲",[21,1545,1546],{},"哈囉，歡迎來到我的部落格。今天我想和你分享一個很多吉他手都會問的問題：彈吉他到底要不要留指甲？",[21,1548,1549],{},"我一開始接觸吉他時其實沒有留指甲，直到我開始彈奏指彈吉他，才慢慢嘗試留指甲。當時我認識的一些指彈大師都是有留指甲的派別，我單純想模仿他們，希望能接近他們彈奏出來的音色。",[21,1551,1552],{},"留了一陣子之後，我才發現照顧長指甲其實不容易。一週後指甲長出來的長度就會影響彈奏、手感和音色，而且長指甲比較脆弱容易斷裂，很難維持固定的形狀。這些變因對吉他練習都是負面影響，因為我們希望在固定的條件下練習。",[16,1554,1555],{"id":1555},"為什麼新手應該留一點指甲",[21,1557,1558],{},"我知道有些人會覺得麻煩，但我想用個比喻來說明。想像你在練習畫畫或打籃球，如果每次練習時畫筆的長短粗細、筆尖硬度都不一樣，或者籃球的大小、充氣程度都不同，你就很難建立深層的肌肉記憶，也難以進步。彈奏樂器的道理完全相同。",[21,1560,1561],{},"我個人的建議是，新手階段還是留一點指甲比較好。原因很簡單：一開始練習時，右手觸弦的深度其實不太固定。如果你用形狀不規則的指肉去觸弦，很容易抓不好力道，彈出來的聲音要嘛有拔弦聲，要嘛音量忽大忽小。",[21,1563,1564],{},"但如果你留一點指甲，指甲的邊緣就相當於觸弦後的一個軌道。即使你的指尖稍微深或稍微淺，最後都會經過指甲這個軌道，大幅提升觸弦的容錯率，音色也會變得比較乾淨和圓潤。",[16,1566,1567],{"id":1567},"我常用的修整工具",[21,1569,1570],{},"工欲善其事，必先利其器。我平常使用的工具主要有兩種：",[21,1572,1573,1576],{},[49,1574,1575],{},"粗磨甲棒","：我用的是180號粗糙度的磨甲棒，用來修整形狀。這個等級已經很粗了，使用時要小心，因為我有做光療指甲，指甲強度比較高，所以才能用這麼粗的工具。如果你是裸甲，要特別注意力道。",[21,1578,1579,1582],{},[49,1580,1581],{},"拋光棒","：我用的拋光棒有600和3000號兩種粗糙度。3000號已經非常細，磨完後指甲會像玻璃一樣光滑。",[21,1584,1585,1586,1589,1590,1593],{},"如果你是裸甲，我會推薦用",[49,1587,1588],{},"複合型磨甲棒","，它有多個面，從粗到細，順著步驟打磨就能得到光滑的效果。或者你也可以選擇",[49,1591,1592],{},"玻璃磨甲棒","，硬度高，對裸甲也很夠用，只是磨完後最好再用拋光棒稍微打磨一下。",[16,1595,1596],{"id":1596},"觸弦點與指甲形狀",[21,1598,1599,1600,1603],{},"接下來我要介紹一個重要的概念：",[49,1601,1602],{},"觸弦點","。這是指當我們把右手指尖放在琴弦上時，琴弦碰到手指的部位。",[21,1605,1606],{},"我的觸弦點在指甲邊緣，所以當我撥弦時，弦會經過指甲的邊緣，就像一個軌道。因此我的第一個修整目標是把觸弦點旁邊的稜角修掉，讓它變圓。",[21,1608,1609,1610,1613],{},"關於指甲長度，我想強調的是：",[49,1611,1612],{},"右手姿勢會影響指甲長度很多","。每個吉他手的右手姿勢都不一樣，有人握拳，有人手指伸長，有人角度不同。沒有絕對標準，但在你有明確方向之前，我建議先學會基本知識。",[21,1615,1616],{},"我的建議是，先從握拳的感覺出發，讓手能產生最大力道。等你習慣之後，再慢慢實驗不同的指甲長度，最後就會找到適合你的方式。",[16,1618,1619],{"id":1619},"實際修整步驟",[21,1621,1622,1623,1626],{},"讓我分享我的修整過程。首先，我會用粗磨甲棒修整形狀。重點是",[49,1624,1625],{},"往單邊磨，不要來回磨","，這樣比較好控制。我會稍微把形狀修圓就可以了。",[21,1628,1629],{},"修完形狀後，我用拋光棒。先用粗的一面修毛邊（磨的時候會產生屑屑），再換光滑的一面。光滑的一面可以來回磨，因為它真的很光滑，不會造成傷害。",[21,1631,1632],{},"如果你是裸甲且用全新的工具，磨個兩三次就會磨掉很多，所以要特別小心力道。",[16,1634,1635],{"id":1635},"找到最適合你的長度",[21,1637,1638],{},"一開始你可能找不到標準，不知道要磨掉多少或留多長。我的建議是：",[331,1640,1641,1644,1647,1650],{},[334,1642,1643],{},"先確定一個你要留的長度",[334,1645,1646],{},"習慣幾天",[334,1648,1649],{},"再決定要留長一點還是磨短一點",[334,1651,1652],{},"反覆這個過程",[21,1654,1655],{},"最後你就會找到最適合你的長度。如果你沒有想法，也可以參考我的長度。",[16,1657,1658],{"id":1658},"最後的建議",[21,1660,1661],{},"我想強調的是，我不是要否定指肉派是不可行的。如果你的目標是用指肉撥弦，我還是建議你一開始先留一點指甲，用容錯率比較高的方式練習觸弦的精準度。慢慢再一點一點把指甲修掉，最後就不用留指甲了。我認為這是一個比較好的學習進程。",[21,1663,1664],{},"希望今天的分享有幫助到你。如果你對修整指甲、指甲長度或觸弦有任何心得或問題，歡迎在留言區告訴我，我會盡量回答大家的問題。",[21,1666,1667],{},"別忘了按讚、訂閱，開啟小鈴鐺，這對我來說非常重要。我們下支影片見，掰掰！",{"title":162,"searchDepth":163,"depth":163,"links":1669},[1670,1671,1672,1673,1674,1675,1676],{"id":1543,"depth":163,"text":1543},{"id":1555,"depth":163,"text":1555},{"id":1567,"depth":163,"text":1567},{"id":1596,"depth":163,"text":1596},{"id":1619,"depth":163,"text":1619},{"id":1635,"depth":163,"text":1635},{"id":1658,"depth":163,"text":1658},[],{},"/threads/articles/guitar-fingernail-care",[],"2026-01-20",{"title":1538,"description":162},"guitar-fingernail-care","threads/articles/guitar-fingernail-care","我分享了自己多年來留指甲、修整指甲的經驗，以及為什麼我認為新手吉他手應該留一點指甲來提升練習效率。我詳細介紹了修整工具的選擇和實際操作方法，希望幫助大家找到最適合自己的指甲長度和觸弦方式。",[200,201],"https://www.youtube.com/watch?v=mv6bmmfMBew","p_zjAkUwBSxnwAZ_KLZkocZKC2ztZ8QO3lKBWzLBZ2A",{"id":1690,"title":1691,"animated":7,"body":1692,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1781,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1782,"navigation":181,"order":178,"path":1783,"photos":1784,"published_at":1785,"reading_time":178,"related":178,"role":178,"seo":1786,"slug":1787,"source_hash":178,"status":178,"stem":1788,"summary":1789,"tags":1790,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1791,"__hash__":1792},"threads/threads/articles/acoustic-guitar-body-types-guide.md","木吉他桶身挑選指南：4種桶身音色真實比較",{"type":9,"value":1693,"toc":1770},[1694,1698,1701,1704,1707,1713,1716,1719,1723,1730,1734,1737,1741,1744,1748,1751,1757,1761,1764,1767],[16,1695,1697],{"id":1696},"為什麼桶身選擇這麼重要","為什麼桶身選擇這麼重要？",[21,1699,1700],{},"當你走進樂器行，看著架上五花八門的吉他，一定會感到困惑。我想透過這支影片，用最客觀的方式幫你理解不同桶身的差異。吉他這個樂器很特別，隨著歷史發展出各式各樣的桶身設計，每一種都有不同的音色特性。",[16,1702,1703],{"id":1703},"如何根據身型挑選桶身大小",[21,1705,1706],{},"我建議你進樂器行時，先讓店員根據你的身型幫你挑選合適的大小。桶身高度的差異主要影響你的大腿到右手手肘之間的距離。如果你買太大的桶身，長期下來會抬高肩膀和手臂，對肩膀健康不太好。",[21,1708,1709,1710],{},"我想分享一個我會注意的細節：因為吉他很方便，我們可能在不同地方彈奏。有時候坐的椅子比較低，大腿角度就會比較高，吉他相對被抬高；有時候坐高腳椅，大腿伸得比較直，吉他就容易往下滑。",[49,1711,1712],{},"我建議你測試吉他時，讓右邊大腿保持平直的狀態，這樣才能準確感受抱起來的感覺。",[16,1714,1715],{"id":1715},"四種桶身的音色比較",[21,1717,1718],{},"我這次準備了四支用料完全相同、只有桶身不同的吉他，用專業的立體聲麥克風錄音，並準備了三種範例：純刷奏、純指彈、以及有敲擊技巧的歌曲。",[32,1720,1722],{"id":1721},"d桶身飽滿的管弦樂團","D桶身：飽滿的管弦樂團",[21,1724,1725,1726,1729],{},"D桶身是歷史最悠久的設計，我認為它有",[49,1727,1728],{},"最飽滿的共鳴感","。在刷奏時，它會有非常明顯的包覆感，低音的巨大程度很明顯，讓整個吉他聽起來比較震撼。我用樂團編制來比喻，D桶身就像編制很完整的管弦樂，每一個頻率都飽滿連續，非常浩大。",[32,1731,1733],{"id":1732},"om桶身樸實可靠的搖滾樂團","OM桶身：樸實可靠的搖滾樂團",[21,1735,1736],{},"OM是很經典很標準的桶身，我認為它比較適合指彈。經過這次比較，我發現OM的聲音會比較集中在中頻或中低頻，所以聽起來很有集中度、很有力量、很有顆粒感。我把它比喻為搖滾樂團——編制比較小，各個頻率都有，但沒有管弦樂團那麼連續，卻是一個非常完整的聲音。它聽起來就像一個很老實但卻很可靠的朋友。",[32,1738,1740],{"id":1739},"as桶身精緻開闊的新設計","AS桶身：精緻開闊的新設計",[21,1742,1743],{},"AS是近年才有的新設計，也是這次比較中僅次於D桶身的大小。乍聽之下它感覺聲音比較單薄，但如果你戴著耳機聽，你會發現它在高音和低音的頻率延展都比OM還要寬。所以聽起來比較開闊，有一種空間感，聽起來有一種精緻感。",[32,1745,1747],{"id":1746},"l桶身主唱加鋼琴的親密編制","L桶身：主唱加鋼琴的親密編制",[21,1749,1750],{},"L桶身是Gibson的經典型號，也是今天最小的參賽者。我以前對小吉他沒有太多感覺，但這幾年我慢慢發現自己越來越欣賞這種小吉他的聲音。",[21,1752,1753,1754],{},"我用一個比喻來說明：想像一個編制裡面只有主唱和一個鋼琴手，但這個鋼琴手都不會彈太低的聲音，只保留在比較中高音的地方。這樣的編制聽起來非常輕，主唱的音色細節會完全被顯現出來。",[49,1755,1756],{},"我認為這就是L桶身對我來說最大的魅力——它能突顯彈奏者的音色細節。",[16,1758,1760],{"id":1759},"沒有絕對的好壞只有適不適合","沒有絕對的好壞，只有適不適合",[21,1762,1763],{},"吉他桶身有非常多的種類，各個廠家也有他們自己獨特研發的桶身型號。我這支影片聚焦在只有桶身大小變化的音色差異，我相信這個概念可以套用到其他廠家的吉他上。",[21,1765,1766],{},"我建議你不用急著買大桶身。當你進樂器行時，先根據身型挑選合適的大小。等到你學了一段時間，確定你喜歡大一點的或小一點的，再來換到那個桶身也不遲。",[21,1768,1769],{},"最後，我很好奇你最喜歡的是哪一個桶身，或者你現在有的吉他是哪一個桶身？歡迎在留言區和大家分享！",{"title":162,"searchDepth":163,"depth":163,"links":1771},[1772,1773,1774,1780],{"id":1696,"depth":163,"text":1697},{"id":1703,"depth":163,"text":1703},{"id":1715,"depth":163,"text":1715,"children":1775},[1776,1777,1778,1779],{"id":1721,"depth":169,"text":1722},{"id":1732,"depth":169,"text":1733},{"id":1739,"depth":169,"text":1740},{"id":1746,"depth":169,"text":1747},{"id":1759,"depth":163,"text":1760},[],{},"/threads/articles/acoustic-guitar-body-types-guide",[],"2025-12-11",{"title":1691,"description":162},"acoustic-guitar-body-types-guide","threads/articles/acoustic-guitar-body-types-guide","我用專業錄音器材比較了D、OM、AS、L四種常見的木吉他桶身，從抱起來的感受到音色細節，幫助想買吉他的人找到最適合自己的桶身。我發現每種桶身都有獨特的音色特性，沒有絕對的好壞，只有適不適合。",[200,201],"https://www.youtube.com/watch?v=BSExE5XVahQ","ULH5wy3f_oAMClp5xT_Z7vfyNAu0UYwzM5w51kAFH1M",{"id":1794,"title":1795,"animated":7,"body":1796,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1857,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":1858,"navigation":181,"order":178,"path":1859,"photos":1860,"published_at":1861,"reading_time":178,"related":178,"role":178,"seo":1862,"slug":1863,"source_hash":178,"status":178,"stem":1864,"summary":1865,"tags":1866,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1868,"__hash__":1869},"threads/threads/articles/facing-the-other-side-student-recital.md","我和學生們辦了一場演出｜面向陽光的另一面",{"type":9,"value":1797,"toc":1850},[1798,1801,1804,1807,1811,1814,1817,1820,1823,1826,1829,1832,1835,1838,1841,1844,1847],[16,1799,1800],{"id":1800},"一場特別的共演演出",[21,1802,1803],{},"哈囉各位！最近這幾個月比較忙碌，所以 Talking 影片的更新有點延遲。不過我上個月有更新了一個新的改編作品——孫燕姿的《天黑黑》，如果還沒聽過的話，歡迎點連結去聽聽看。",[21,1805,1806],{},"今天我想邀請各位參加一個特別的現場演出。在這個月底的 11 月 29 日（六）晚上 7 點，我邀請了一些目前跟我學琴的學生，我們一起做了一個共演的演出，名字叫做《面向陽光的另一面》。這支影片的後面，我也邀請他們一起拍攝他們的指彈作品，有創作也有改編，期待你把它聽完喔。",[16,1808,1810],{"id":1809},"為什麼叫做面向陽光的另一面","為什麼叫做《面向陽光的另一面》",[21,1812,1813],{},"這次是我使用這個標題的第二次演出，上一次是在 2023 年。當時的初衷是我發現，有幾位正在跟我學琴的同學，除了在精進自己彈奏的技術以外，也想要往自己可以改編音樂的方向學習。",[21,1815,1816],{},"我覺得編曲其實是很能反映自己對音樂的想法的事，尤其是像獨奏的編曲。因為獨奏就會有限制，有限制就必須要做出選擇——選擇哪一些音符要留在我的編曲裡面，哪一些我不需要。",[21,1818,1819],{},"最後的結果就很有趣了。就算每個人都是跟我學吉他，就算大家都是改編同一首歌，因為我們想要留下來的部分和想要去掉的部分，我們的選擇不一樣，所以每個人編起來的感覺其實也會有點不同。看到大家的作品呈現出不同的音樂風格和不同詮釋的感覺，我真的會有一種不言而喻的感動。我覺得音樂真的可以反映出一個演奏人的真實性格，尤其是獨奏音樂。",[16,1821,1822],{"id":1822},"教學中的收穫與成長",[21,1824,1825],{},"從 2016 年開始，我就有在做吉他的教學。在和同學們教學和互動的過程中，其實有時候我也會學到蠻多的。比方說每個人是怎麼去面對自己遇到的瓶頸，每個人都有自己學習的速度、自己遇到的關卡和自己的突破。我也會常常很像看見某一個過去某一個階段的自己。",[21,1827,1828],{},"所以我會辦這系列演出，比起像是音樂教室的成果發表，更像是我個人想要跟大家分享這些一路成長的同學們的作品。",[16,1830,1831],{"id":1831},"身心投入的獨特價值",[21,1833,1834],{},"聽完他們的演奏後，我想分享一些感受。這幾位同學有些人也跟我學了不短的時間了。我對平常有著全職的工作，然後利用工作之餘的時間去打磨、去練習像彈奏樂器這樣子需要心力、需要心思，而且過程也不輕鬆的事情，感到特別敬佩。",[21,1836,1837],{},"而且甚至未來音樂創作這件事情，可能真的會被人工智慧取代。但是我們用我們自己的身心去面對一項技藝，在這個過程中產生的迷惘、產生的成就感，就是我們跟這個世界獨一無二的連結。這個心理的活動，我想是很難被取代的。這也是為什麼我看到大家的作品的時候，會這麼感動的原因吧。",[16,1839,1840],{"id":1840},"給正在學習的你",[21,1842,1843],{},"最後我想說，我相信在這個頻道的觀眾裡面，一定也有一定的比例是也有在學習吉他的。也許你正遇到一些瓶頸，覺得自己練得不夠快、不夠有效率，甚至可能不夠有天分。",[21,1845,1846],{},"那這次的演出呢，大部分的演出者都是上班族。我想不妨你也可以來聽聽看我們的演出，聽我們聊聊音樂在我們生活中的樣子。我相信你一定會有一些收穫的。",[21,1848,1849],{},"演出資訊在這邊：11 月 29 號，《他在旅行展演空間》，時間是晚上的 6 點半。售票的連結我會把它放在描述欄，歡迎大家到時候來現場聽聽我們的音樂囉！",{"title":162,"searchDepth":163,"depth":163,"links":1851},[1852,1853,1854,1855,1856],{"id":1800,"depth":163,"text":1800},{"id":1809,"depth":163,"text":1810},{"id":1822,"depth":163,"text":1822},{"id":1831,"depth":163,"text":1831},{"id":1840,"depth":163,"text":1840},[],{},"/threads/articles/facing-the-other-side-student-recital",[],"2025-11-15",{"title":1795,"description":162},"facing-the-other-side-student-recital","threads/articles/facing-the-other-side-student-recital","我邀請了正在跟我學琴的學生們，一起舉辦了一場名為《面向陽光的另一面》的共演演出。我想透過這場演出分享學生們的成長故事，以及獨奏編曲如何能反映出每個演奏者獨特的音樂風格和性格。",[200,201,1867],"現場演出","https://www.youtube.com/watch?v=JIK56pk8V7o","l7wBWvkS8p4_HfsVJuFt8MDMdps4_pp0NB8VYEEOnoI",{"id":1871,"title":1872,"animated":7,"body":1873,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":1999,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2000,"navigation":181,"order":178,"path":2001,"photos":2002,"published_at":2003,"reading_time":178,"related":178,"role":178,"seo":2004,"slug":2005,"source_hash":178,"status":178,"stem":2006,"summary":2007,"tags":2008,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":2010,"__hash__":2011},"threads/threads/articles/she-came-to-my-concert-guitar-tutorial.md","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他經典編曲 #2",{"type":9,"value":1874,"toc":1985},[1875,1879,1882,1885,1888,1892,1895,1898,1902,1905,1908,1911,1915,1918,1921,1924,1928,1931,1934,1937,1940,1943,1946,1949,1952,1955,1958,1961,1964,1967,1970,1973,1976,1979,1982],[12,1876,1878],{"id":1877},"這首歌聽完像看了一場電影她來聽我的演唱會木吉他編曲教學","這首歌聽完，像看了一場電影｜《她來聽我的演唱會》木吉他編曲教學",[16,1880,1881],{"id":1881},"木吉他編曲的魅力",[21,1883,1884],{},"說到華語流行歌中以木吉他為主要編曲的作品，你可能會想到陶喆的《普通朋友》、蔡健雅的《達爾文》或陳綺貞的《太聰明》。相比鋼琴或弦樂那種精緻飽滿的音色，我覺得木吉他的聲音總是帶有毛邊，甚至有一點瑕疵，但正是這份不完美反而讓人覺得很親近。",[21,1886,1887],{},"作為原聲樂器，木吉他在流行音樂中的音色變化真的非常多。幾乎每一首歌聽起來都不太一樣，因為使用的琴款、樂手的觸弦方式，再到收音法，每個環節都會影響成品的音色。神奇的是，儘管音色差異這麼大，在適當的編曲之下，每一種音色總是會有屬於它適合的位置。",[16,1889,1891],{"id":1890},"她來聽我的演唱會無可取代的經典","《她來聽我的演唱會》——無可取代的經典",[21,1893,1894],{},"這首歌對很多人來說代表了一段時代的記憶，但在木吉他圈，它還有另外一層意義——它是編曲家黃中岳老師的經典作品之一。黃中岳老師是臺灣木吉他編曲的重要推手，許多膾炙人口的作品都來自他的編曲，比如《達爾文》、韋禮安的《陰天的向日葵》、王菲的《旋木》等等。",[21,1896,1897],{},"雖然黃中岳老師的編曲已經是教科書般的存在，但真正打動我的其實是這首歌的歌詞。這首歌用重複的段落組成，但在每一段都帶出主角人生不同階段的變化，再搭配上歌聲的詮釋，真的是很美的一首歌。我誠心推薦你們在練這首歌之前，先細細品味歌詞背後的故事。",[16,1899,1901],{"id":1900},"我的改編版本與capo夾的選擇","我的改編版本與Capo夾的選擇",[21,1903,1904],{},"原曲是用G調編曲，但必須調降半音因為原Key是F#大調。在我的改編版中，我用Capo夾多夾了兩格，也是用標準調弦來彈，所以我會比原調還要多了三個半音。",[21,1906,1907],{},"為什麼這樣選擇呢？比起用空弦音，我更喜歡夾著Capo夾用比較輕亮、帶有旋律感的方式來詮釋這首歌。吉他之神Tommy Emmanuel也曾在訪談中提到，Capo夾不僅僅是拿來轉調，它也會改變吉他的音色質感。用Capo夾的位置彈奏會讓吉他聽起來更像愛情歌曲，音色會更有生命力。",[21,1909,1910],{},"黃中岳老師的編曲中，使用G大調編曲的歌還蠻常見的，像《達爾文》和《陰天的向日葵》都是用G大調編曲。",[16,1912,1914],{"id":1913},"前奏教學從十度音開始","前奏教學——從十度音開始",[32,1916,1917],{"id":1917},"第一小節的十度音技巧",[21,1919,1920],{},"第一小節馬上就用到了木吉他非常常見的技巧叫做十度音。以第一個音當作範例，低音是G，高音是B。如果我把G大調音階列出來往上數，G到B剛好差了十個音級，所以他就是十度。",[21,1922,1923],{},"接下來的音是把高音的B變成C，低音的G變成A，也就是一起往上一個音階。再下一個音是把低音變成B，高音變成D，同樣往上一個音階。",[32,1925,1927],{"id":1926},"運指與bass音的配合","運指與Bass音的配合",[21,1929,1930],{},"運指的方式是用無名指和中指分別按住兩根弦。接著我們把無名指移到第五弦的第三格，中指移到第一弦的第二格，然後做一個C的Bass。這邊要特別注意，彈奏高音旋律的時候，無名指的Bass音儘量不要斷掉，這有點難，需要反覆揣摩。",[32,1932,1933],{"id":1933},"和弦的變化與滑音",[21,1935,1936],{},"彈到Do之後，第二弦的第一格這個音，我們準備把中指和小指分別壓在第五絃的第二格和第二絃的第三格，這是一個G/B的和弦。",[21,1938,1939],{},"F和弦其實就是一般的F，但一二弦把它留空弦音變成B和E。如果要完整命名，它就是F的Major升11。你可以像我一樣用大拇指扣住第六弦的第一格，或者用食指也可以。",[21,1941,1942],{},"在這個和弦的最後一個空絃音，我們把手指拿起來，中指移到第六弦的第三格做一個滑音的動作，移到下一個和弦Am7。",[32,1944,1945],{"id":1945},"勾音動作的技巧",[21,1947,1948],{},"當旋律到達Re之後，樂譜上它其實是要繼續延音下去。在延音的同時，低音又多了一個低音的線條，所以聽起來像兩個聲部高音和低音交疊出現的感覺。",[21,1950,1951],{},"我在這邊做了一個勾音的動作。練習勾音時比較常遇到的問題就是動作很大，或者會影響到其他手指頭。比方說可能按到中指的時候，其他手指頭就會伸直或很彎。這需要慢慢控制和練習。",[32,1953,1954],{"id":1954},"後半段的複雜運指",[21,1956,1957],{},"到了第四小節的D11和弦，它其實很簡單，跟最基本的C和弦指型完全一樣，只是把指型往上兩個半音。這邊做一個勾音的動作。",[21,1959,1960],{},"接著我會用大拇指和中指，然後接著第二弦的空弦，然後小指接到第三弦的Do第五格。這個要慢慢來，先按小指，然後再把D11的C指型按上去。",[21,1962,1963],{},"最後接到G的音時，基本上是每一個16分音符都有音。順序是兩個拇指右手的T T，然後1 2，然後左手做一個捶音，後面按著這個和弦，最後補一個小指的Re，重複三次，最後一個旋律再帶到主歌。",[16,1965,1966],{"id":1966},"我的創作初衷與錄製過程",[21,1968,1969],{},"最近有人問我關於這系列影片的錄製方式。我頭上有一個電容式的麥克風，它會直接收我的講話聲音還有吉他的聲音，兩個聲音是一起處理的。雖然很費工，因為我其實口條不是算很好，所以我都要先把腳本寫完，大概簡單的分鏡先規劃一下，然後再稍微練習一下要講的東西的順序。",[21,1971,1972],{},"有時候你看我在影片中眼睛會看旁邊，就是我還是要稍微看一下腳本。我覺得雖然沒有一直看著你們，但對我來說比較自然一點。錄完之後還要剪輯，其實花蠻多時間的。",[21,1974,1975],{},"我會做這些事情的初衷就是我很喜歡分享，也很喜歡攝影和剪輯影片。有一大部分的動力來源是覺得好玩。所以如果你喜歡這系列的影片，請一定要訂閱我的頻道，幫我點個讚，開啟小鈴鐺，甚至在下面留個言鼓勵我一下或跟我聊聊天。每個留言我都會回覆喔。",[16,1977,1978],{"id":1978},"演出的感動與持續練習的動力",[21,1980,1981],{},"在8月底的8月23日，我辦了一場個人演出在晴境易得咖啡廳。我在那裡演出已經差不多十年了。那一天其實很感動，在演出中場的時候，我遇到三個觀眾，他們跟我說他們是從高雄或臺南上來聽這場演出，聽完就過完週末就會再回去。",[21,1983,1984],{},"每次出來演出的時候，有時候就會遇到一些聽眾給我這樣的反饋。我都會覺得第一個是覺得很開心，然後第二是覺得哇，我回去之後要繼續好好的練吉他，然後下次再出來辦表演。這些反饋都是我持續創作和練習的最大動力。",{"title":162,"searchDepth":163,"depth":163,"links":1986},[1987,1988,1989,1990,1997,1998],{"id":1881,"depth":163,"text":1881},{"id":1890,"depth":163,"text":1891},{"id":1900,"depth":163,"text":1901},{"id":1913,"depth":163,"text":1914,"children":1991},[1992,1993,1994,1995,1996],{"id":1917,"depth":169,"text":1917},{"id":1926,"depth":169,"text":1927},{"id":1933,"depth":169,"text":1933},{"id":1945,"depth":169,"text":1945},{"id":1954,"depth":169,"text":1954},{"id":1966,"depth":163,"text":1966},{"id":1978,"depth":163,"text":1978},[],{},"/threads/articles/she-came-to-my-concert-guitar-tutorial",[],"2025-09-08",{"title":1872,"description":162},"she-came-to-my-concert-guitar-tutorial","threads/articles/she-came-to-my-concert-guitar-tutorial","分享張學友經典作品《她來聽我的演唱會》，這首歌用重複段落搭配歌詞故事的變化，搭配木吉他編曲，聽完就像看完一場電影。我詳細教學這首歌的前奏彈法，包括十度音、Capo夾位置選擇，以及各種和弦與旋律的運指技巧。",[200,201,2009],"她來聽我的演唱會","https://www.youtube.com/watch?v=XFOo5Vh6p8Q","oQTAMWmBArp5REfPwhbsmIGrd9X3mucb3EcghtxzLVM",{"id":2013,"title":2014,"animated":7,"body":2015,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":2052,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2053,"navigation":181,"order":178,"path":2054,"photos":2055,"published_at":2056,"reading_time":178,"related":178,"role":178,"seo":2057,"slug":2058,"source_hash":178,"status":178,"stem":2059,"summary":2060,"tags":2061,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":2063,"__hash__":2064},"threads/threads/articles/fingerstyle-position-change-tone-color-finnish-distance.md","移到不同把位，聽起來有差嗎？｜芬蘭距離｜木吉他經典編曲 #1",{"type":9,"value":2016,"toc":2049},[2017,2023,2035,2038,2043,2046],[16,2018,2020],{"id":2019},"移到不同把位聽起來有差嗎芬蘭距離木吉他編曲教學",[49,2021,2022],{},"移到不同把位，聽起來有差嗎？｜《芬蘭距離》木吉他編曲教學",[21,2024,2025,2026,2029,2031,2032,2034],{},"這次我用蔡健雅〈芬蘭距離〉的改編，來分享一個很關鍵的編曲觀念：",[49,2027,2028],{},"同一首歌，放在不同把位，聲音會完全不同。",[54,2030],{},"\n原曲是 C 大調，一開始我用標準 C 調在低把位編曲，聲音很穩定、扎實，但少了一種「空氣感與距離感」。",[54,2033],{},"\n後來我改用 A 調思路，並搭配 Capo 與 Drop D 調弦，讓旋律可以更多出現在高把位，同時保留空弦的共鳴。這個改變讓整體聲音變得更開闊，也更接近我想要的「空氣稀薄感」。",[21,2036,2037],{},"這個過程讓我重新理解一件事：",[213,2039,2040],{},[21,2041,2042],{},"高把位不只是技巧選擇，而是一種「聲音空間的設計」。",[21,2044,2045],{},"在實際編曲中，我也運用了滑音與空弦琶音，讓旋律在不同把位之間自然流動。同一個和弦，在不同位置會帶來完全不同的音色與張力。",[21,2047,2048],{},"觀看完整影片加深理解這個實用的編曲方法吧！",{"title":162,"searchDepth":163,"depth":163,"links":2050},[2051],{"id":2019,"depth":163,"text":2022},[],{},"/threads/articles/fingerstyle-position-change-tone-color-finnish-distance",[],"2025-08-08",{"title":2014,"description":162},"fingerstyle-position-change-tone-color-finnish-distance","threads/articles/fingerstyle-position-change-tone-color-finnish-distance","透過《芬蘭距離》改編版，分享為什麼要把歌曲編到高把位的原因。用不同的調性和把位演奏，能創造出截然不同的音色效果—高把位能帶來更開闊、空靈的感受，而這正是編曲時的關鍵考量。",[200,201,2062],"芬蘭距離","https://www.youtube.com/watch?v=CebnZTXs4uE","epHChsdvK0pQFdSzXR8RBb_mNVhR66-N1fxfwd-uZVY",[2066,2185,2285,2403,2485,2563,2650,2699,2748,2859,2883,2924,3023,3088,3137,3229],{"id":5,"title":6,"animated":7,"body":2067,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":2179,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":2180,"lang":178,"meta":2181,"navigation":181,"order":178,"path":192,"photos":2182,"published_at":194,"reading_time":178,"related":178,"role":178,"seo":2183,"slug":196,"source_hash":178,"status":178,"stem":197,"summary":198,"tags":2184,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":205,"__hash__":206},{"type":9,"value":2068,"toc":2165},[2069,2071,2073,2075,2077,2079,2081,2083,2085,2087,2093,2099,2105,2107,2113,2119,2125,2127,2129,2131,2133,2139,2145,2151,2153,2159,2161],[12,2070,6],{"id":14},[16,2072,19],{"id":18},[21,2074,23],{},[21,2076,26],{},[16,2078,30],{"id":29},[32,2080,35],{"id":34},[21,2082,38],{},[32,2084,42],{"id":41},[21,2086,45],{},[21,2088,2089,52,2091,56],{},[49,2090,51],{},[54,2092],{},[21,2094,2095,52,2097,64],{},[49,2096,61],{},[54,2098],{},[21,2100,2101,52,2103,72],{},[49,2102,69],{},[54,2104],{},[32,2106,76],{"id":75},[21,2108,2109,52,2111,84],{},[49,2110,81],{},[54,2112],{},[21,2114,2115,52,2117,92],{},[49,2116,89],{},[54,2118],{},[21,2120,2121,52,2123,100],{},[49,2122,97],{},[54,2124],{},[16,2126,104],{"id":103},[32,2128,108],{"id":107},[21,2130,111],{},[32,2132,115],{"id":114},[21,2134,2135,52,2137,123],{},[49,2136,120],{},[54,2138],{},[21,2140,2141,52,2143,130],{},[49,2142,89],{},[54,2144],{},[21,2146,2147,52,2149,138],{},[49,2148,135],{},[54,2150],{},[16,2152,142],{"id":141},[21,2154,145,2155,148,2157,151],{},[54,2156],{},[54,2158],{},[16,2160,154],{"id":154},[21,2162,157,2163,160],{},[54,2164],{},{"title":162,"searchDepth":163,"depth":163,"links":2166},[2167,2168,2173,2177,2178],{"id":18,"depth":163,"text":19},{"id":29,"depth":163,"text":30,"children":2169},[2170,2171,2172],{"id":34,"depth":169,"text":35},{"id":41,"depth":169,"text":42},{"id":75,"depth":169,"text":76},{"id":103,"depth":163,"text":104,"children":2174},[2175,2176],{"id":107,"depth":169,"text":108},{"id":114,"depth":169,"text":115},{"id":141,"depth":163,"text":142},{"id":154,"depth":163,"text":154},[],[183,184,185,186,187,188,189,190],{},[],{"title":6,"description":162},[200,201,202,203],{"id":208,"title":209,"animated":7,"body":2186,"client":178,"cover":373,"css_code":178,"description":162,"extension":179,"html_code":178,"images":2280,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2281,"navigation":181,"order":178,"path":376,"photos":2282,"published_at":378,"reading_time":178,"related":178,"role":178,"seo":2283,"slug":380,"source_hash":178,"status":178,"stem":381,"summary":382,"tags":2284,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":385},{"type":9,"value":2187,"toc":2277},[2188,2195,2225,2227,2229,2231,2240,2244,2248,2250],[213,2189,2190],{},[21,2191,217,2192,225],{},[219,2193,224],{"href":221,"rel":2194},[223],[21,2196,228,2197,239,2202,245,2205,248,2207,254,2210,257,2212,263,2215,266,2217,2220,281],{},[230,2198,2199],{},[219,2200,238],{"href":234,"ariaDescribedBy":2201,"dataFootnoteRef":162,"id":237},[236],[219,2203,244],{"href":242,"rel":2204},[223],[54,2206],{},[219,2208,253],{"href":251,"rel":2209},[223],[54,2211],{},[219,2213,262],{"href":260,"rel":2214},[223],[54,2216],{},[268,2218,272],{"className":2219},[271],[230,2221,2222],{},[219,2223,280],{"href":277,"ariaDescribedBy":2224,"dataFootnoteRef":162,"id":279},[236],[283,2226],{},[21,2228,287],{},[21,2230,290],{},[21,2232,293,2233,299,2236,302,2238,305],{},[219,2234,298],{"href":296,"rel":2235},[223],[54,2237],{},[54,2239],{},[213,2241,2242],{},[21,2243,310],{},[21,2245,313,2246,316],{},[54,2247],{},[21,2249,319],{},[321,2251,2253,2256],{"className":2252,"dataFootnotes":162},[324],[16,2254,329],{"className":2255,"id":236},[328],[331,2257,2258,2269],{},[334,2259,337,2260,343,2263,349,2266],{"id":336},[219,2261,342],{"href":340,"rel":2262},[223],[219,2264,348],{"href":346,"rel":2265},[223],[219,2267,356],{"href":352,"ariaLabel":353,"className":2268,"dataFootnoteBackref":162},[355],[334,2270,360,2271,349,2274],{"id":359},[219,2272,363],{"href":363,"rel":2273},[223],[219,2275,356],{"href":367,"ariaLabel":368,"className":2276,"dataFootnoteBackref":162},[355],{"title":162,"searchDepth":163,"depth":163,"links":2278},[2279],{"id":236,"depth":163,"text":329},[],{},[],{"title":209,"description":162},[384],{"id":387,"title":388,"animated":7,"body":2286,"client":178,"cover":550,"css_code":178,"description":393,"extension":179,"html_code":178,"images":2398,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2399,"navigation":181,"order":178,"path":553,"photos":2400,"published_at":555,"reading_time":178,"related":178,"role":178,"seo":2401,"slug":557,"source_hash":178,"status":178,"stem":558,"summary":559,"tags":2402,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":561},{"type":9,"value":2287,"toc":2395},[2288,2290,2292,2296,2300,2304,2311,2319,2323,2327,2331,2335,2339,2343,2345,2347,2349,2351,2355,2359,2363,2367,2371,2375,2379],[21,2289,393],{},[21,2291,396],{},[21,2293,2294],{},[400,2295],{"alt":402,"src":403},[21,2297,406,2298,409],{},[54,2299],{},[21,2301,412,2302,417],{},[414,2303,416],{},[21,2305,420,2306,428],{},[230,2307,2308],{},[219,2309,238],{"href":425,"ariaDescribedBy":2310,"dataFootnoteRef":162,"id":427},[236],[21,2312,431,2313,343,2316,440],{},[268,2314,435],{"className":2315},[271],[268,2317,439],{"className":2318},[271],[21,2320,2321],{},[400,2322],{"alt":445,"src":446},[448,2324,2325],{},[334,2326,452],{},[21,2328,2329],{},[400,2330],{"alt":457,"src":458},[448,2332,2333],{},[334,2334,463],{},[21,2336,2337],{},[400,2338],{"alt":468,"src":469},[448,2340,2341],{},[334,2342,474],{},[21,2344,477],{},[21,2346,480],{},[21,2348,483],{},[21,2350,486],{},[21,2352,2353],{},[400,2354],{"alt":491,"src":492},[448,2356,2357],{},[334,2358,497],{},[21,2360,2361],{},[400,2362],{"alt":502,"src":503},[448,2364,2365],{},[334,2366,508],{},[21,2368,2369],{},[400,2370],{"alt":513,"src":514},[448,2372,2373],{},[334,2374,519],{},[21,2376,522,2377,525],{},[54,2378],{},[321,2380,2382,2385],{"className":2381,"dataFootnotes":162},[324],[16,2383,329],{"className":2384,"id":236},[328],[331,2386,2387],{},[334,2388,2389,542,2392],{"id":536},[219,2390,541],{"href":539,"rel":2391},[223],[219,2393,356],{"href":545,"ariaLabel":353,"className":2394,"dataFootnoteBackref":162},[355],{"title":162,"searchDepth":163,"depth":163,"links":2396},[2397],{"id":236,"depth":163,"text":329},[],{},[],{"title":388,"description":393},[384],{"id":563,"title":564,"animated":7,"body":2404,"client":178,"cover":673,"css_code":178,"description":674,"extension":179,"html_code":178,"images":2480,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2481,"navigation":181,"order":178,"path":677,"photos":2482,"published_at":679,"reading_time":178,"related":178,"role":178,"seo":2483,"slug":681,"source_hash":178,"status":178,"stem":682,"summary":683,"tags":2484,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":686},{"type":9,"value":2405,"toc":2477},[2406,2412,2414,2422,2431,2435,2441,2446,2462,2464],[21,2407,569,2408,572,2410,575],{},[414,2409,564],{},[54,2411],{},[21,2413,578],{},[21,2415,581,2416,585,2418,589,2420,592],{},[414,2417,584],{},[414,2419,588],{},[414,2421,584],{},[21,2423,595,2424,598,2426,572],{},[414,2425,584],{},[230,2427,2428],{},[219,2429,238],{"href":425,"ariaDescribedBy":2430,"dataFootnoteRef":162,"id":427},[236],[21,2432,606,2433,609],{},[54,2434],{},[21,2436,612,2437,2439],{},[54,2438],{},[400,2440],{"alt":564,"src":617},[619,2442,2444],{"className":2443,"code":623,"language":624},[622],[626,2445,623],{"__ignoreMap":162},[21,2447,630,2448,343,2450,343,2452,640,2454,643,2456,646,2458,2460],{},[414,2449,633],{},[414,2451,636],{},[414,2453,639],{},[54,2455],{},[54,2457],{},[54,2459],{},[219,2461,652],{"href":651},[21,2463,655],{},[321,2465,2467,2470],{"className":2466,"dataFootnotes":162},[324],[16,2468,329],{"className":2469,"id":236},[328],[331,2471,2472],{},[334,2473,666,2474],{"id":536},[219,2475,356],{"href":545,"ariaLabel":353,"className":2476,"dataFootnoteBackref":162},[355],{"title":162,"searchDepth":163,"depth":163,"links":2478},[2479],{"id":236,"depth":163,"text":329},[],{},[],{"title":564,"description":674},[685],{"id":688,"title":689,"animated":7,"body":2486,"client":178,"cover":797,"css_code":178,"description":694,"extension":179,"html_code":178,"images":2558,"is_announcement":181,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2559,"navigation":181,"order":178,"path":800,"photos":2560,"published_at":802,"reading_time":178,"related":178,"role":178,"seo":2561,"slug":804,"source_hash":178,"status":178,"stem":805,"summary":806,"tags":2562,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":808},{"type":9,"value":2487,"toc":2556},[2488,2490,2492,2496,2502,2506,2520,2524,2532,2537,2543,2549,2554],[21,2489,694],{},[21,2491,697],{},[21,2493,2494],{},[400,2495],{"alt":702,"src":703},[448,2497,2498],{},[334,2499,708,2500,712],{},[49,2501,711],{},[21,2503,2504],{},[400,2505],{"alt":717,"src":718},[448,2507,2508,2510,2514],{},[334,2509,723],{},[334,2511,726,2512,730],{},[49,2513,729],{},[334,2515,733,2516,737,2518,740],{},[49,2517,736],{},[54,2519],{},[21,2521,2522],{},[400,2523],{"alt":745,"src":746},[448,2525,2526],{},[334,2527,751,2528,754,2530,757],{},[49,2529,745],{},[54,2531],{},[21,2533,760,2534],{},[219,2535,765],{"href":763,"rel":2536},[223],[21,2538,768,2539,771,2541,775],{},[54,2540],{},[49,2542,774],{},[21,2544,778,2545,782,2547,785],{},[414,2546,781],{},[54,2548],{},[21,2550,2551],{},[219,2552,791],{"href":363,"rel":2553},[223],[21,2555,794],{},{"title":162,"searchDepth":163,"depth":163,"links":2557},[],[],{},[],{"title":689,"description":694},[],{"id":810,"title":811,"animated":7,"body":2564,"client":178,"cover":924,"css_code":178,"description":816,"extension":179,"html_code":178,"images":2645,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2646,"navigation":181,"order":178,"path":927,"photos":2647,"published_at":929,"reading_time":178,"related":178,"role":178,"seo":2648,"slug":931,"source_hash":178,"status":178,"stem":932,"summary":933,"tags":2649,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":935},{"type":9,"value":2565,"toc":2642},[2566,2568,2572,2576,2580,2584,2588,2590,2606,2608,2612,2614,2618,2622,2626,2630,2638],[21,2567,816],{},[21,2569,819,2570,822],{},[54,2571],{},[21,2573,2574],{},[414,2575,827],{},[21,2577,2578],{},[400,2579],{"alt":832,"src":833},[21,2581,2582],{},[414,2583,838],{},[21,2585,2586],{},[400,2587],{"alt":843,"src":844},[32,2589,848],{"id":847},[331,2591,2592,2594,2596,2598,2602,2604],{},[334,2593,853],{},[334,2595,856],{},[334,2597,859],{},[334,2599,862,2600,867],{},[864,2601,866],{},[334,2603,870],{},[334,2605,873],{},[21,2607,876],{},[213,2609,2610],{},[21,2611,881],{},[21,2613,884],{},[21,2615,2616],{},[414,2617,889],{},[21,2619,2620],{},[400,2621],{"alt":889,"src":894},[21,2623,2624],{},[414,2625,899],{},[21,2627,2628],{},[400,2629],{"alt":889,"src":904},[21,2631,2632,2634,2636],{},[414,2633,909],{},[54,2635],{},[414,2637,914],{},[21,2639,2640],{},[400,2641],{"alt":919,"src":920},{"title":162,"searchDepth":163,"depth":163,"links":2643},[2644],{"id":847,"depth":169,"text":848},[],{},[],{"title":811,"description":816},[384],{"id":937,"title":938,"animated":7,"body":2651,"client":178,"cover":1004,"css_code":178,"description":1005,"extension":179,"html_code":178,"images":2694,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2695,"navigation":181,"order":178,"path":1008,"photos":2696,"published_at":1010,"reading_time":178,"related":178,"role":178,"seo":2697,"slug":1012,"source_hash":178,"status":178,"stem":1013,"summary":1014,"tags":2698,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1016},{"type":9,"value":2652,"toc":2690},[2653,2660,2662,2672,2674,2676,2678,2682,2686],[21,2654,943,2655,949,2658,952],{},[219,2656,948],{"href":946,"rel":2657},[223],[54,2659],{},[21,2661,955],{},[21,2663,958,2664,961,2666,964,2668,967,2670,572],{},[54,2665],{},[54,2667],{},[54,2669],{},[864,2671,970],{},[21,2673,973],{},[21,2675,976],{},[32,2677,979],{"id":979},[21,2679,2680],{},[400,2681],{"alt":979,"src":984},[32,2683,988,2684,992],{"id":987},[864,2685,991],{},[21,2687,2688],{},[400,2689],{"alt":997,"src":998},{"title":162,"searchDepth":163,"depth":163,"links":2691},[2692,2693],{"id":979,"depth":169,"text":979},{"id":987,"depth":169,"text":1003},[],{},[],{"title":938,"description":1005},[384],{"id":1180,"title":652,"animated":7,"body":2700,"client":178,"cover":1241,"css_code":178,"description":162,"extension":179,"html_code":178,"images":2743,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2744,"navigation":181,"order":178,"path":1244,"photos":2745,"published_at":1246,"reading_time":178,"related":178,"role":178,"seo":2746,"slug":1248,"source_hash":178,"status":178,"stem":1249,"summary":1250,"tags":2747,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1252},{"type":9,"value":2701,"toc":2738},[2702,2706,2710,2712,2716,2718,2724,2726],[21,2703,2704],{},[400,2705],{"alt":1187,"src":1188},[21,2707,2708],{},[400,2709],{"alt":1193,"src":1194},[32,2711,1198],{"id":1197},[448,2713,2714],{},[334,2715,1187],{},[32,2717,1206],{"id":1205},[448,2719,2720,2722],{},[334,2721,1211],{},[334,2723,1214],{},[32,2725,1218],{"id":1217},[448,2727,2728,2730,2732,2734,2736],{},[334,2729,1223],{},[334,2731,1226],{},[334,2733,1229],{},[334,2735,1232],{},[334,2737,1235],{},{"title":162,"searchDepth":163,"depth":163,"links":2739},[2740,2741,2742],{"id":1197,"depth":169,"text":1198},{"id":1205,"depth":169,"text":1206},{"id":1217,"depth":169,"text":1218},[],{},[],{"title":652,"description":162},[685],{"id":1254,"title":1255,"animated":7,"body":2749,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":2854,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2855,"navigation":181,"order":178,"path":1419,"photos":2856,"published_at":1421,"reading_time":178,"related":178,"role":178,"seo":2857,"slug":1423,"source_hash":178,"status":178,"stem":1424,"summary":1425,"tags":2858,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1427,"__hash__":1428},{"type":9,"value":2750,"toc":2845},[2751,2753,2755,2757,2759,2761,2767,2769,2771,2773,2779,2791,2793,2799,2801,2809,2813,2815,2817,2823,2825,2829,2833,2835,2837,2839],[16,2752,1261],{"id":1260},[21,2754,1264],{},[21,2756,1267],{},[16,2758,1271],{"id":1270},[21,2760,1274],{},[21,2762,1277,2763,1280,2765,1283],{},[54,2764],{},[54,2766],{},[21,2768,1286],{},[16,2770,1290],{"id":1289},[21,2772,1293],{},[21,2774,1296,2775,1299,2777,1303],{},[414,2776,1211],{},[414,2778,1302],{},[21,2780,1306,2781,1309,2783,1312,2785,1315,2787,1319,2789,1322],{},[54,2782],{},[54,2784],{},[54,2786],{},[49,2788,1318],{},[54,2790],{},[21,2792,1325],{},[213,2794,2795],{},[21,2796,1330,2797,1333],{},[54,2798],{},[16,2800,1336],{"id":1336},[21,2802,1339,2803,1343,2805,1347,2807,1351],{},[414,2804,1342],{},[49,2806,1346],{},[49,2808,1350],{},[21,2810,1354,2811,1357],{},[54,2812],{},[21,2814,1360],{},[16,2816,1363],{"id":1363},[21,2818,1366,2819,1369,2821,1372],{},[54,2820],{},[54,2822],{},[16,2824,1376],{"id":1375},[21,2826,1379,2827,1382],{},[54,2828],{},[21,2830,1385,2831,1389],{},[414,2832,1388],{},[21,2834,1392],{},[16,2836,1395],{"id":1395},[21,2838,1398],{},[21,2840,1401,2841,1404,2843,1407],{},[414,2842,1302],{},[414,2844,1388],{},{"title":162,"searchDepth":163,"depth":163,"links":2846},[2847,2848,2849,2850,2851,2852,2853],{"id":1260,"depth":163,"text":1261},{"id":1270,"depth":163,"text":1271},{"id":1289,"depth":163,"text":1290},{"id":1336,"depth":163,"text":1336},{"id":1363,"depth":163,"text":1363},{"id":1375,"depth":163,"text":1376},{"id":1395,"depth":163,"text":1395},[],{},[],{"title":1255,"description":162},[200,201],{"id":1430,"title":1431,"animated":7,"body":2860,"client":178,"cover":1457,"css_code":178,"description":1458,"extension":179,"html_code":178,"images":2878,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2879,"navigation":181,"order":178,"path":1461,"photos":2880,"published_at":1463,"reading_time":178,"related":178,"role":178,"seo":2881,"slug":1465,"source_hash":178,"status":178,"stem":1466,"summary":1467,"tags":2882,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1469},{"type":9,"value":2861,"toc":2876},[2862,2866,2870,2874],[21,2863,1436,2864,1439],{},[54,2865],{},[21,2867,1442,2868,1445],{},[54,2869],{},[21,2871,1448,2872,1451],{},[54,2873],{},[21,2875,1454],{},{"title":162,"searchDepth":163,"depth":163,"links":2877},[],[],{},[],{"title":1431,"description":1458},[384],{"id":1471,"title":1472,"animated":7,"body":2884,"client":178,"cover":1523,"css_code":178,"description":1524,"extension":179,"html_code":178,"images":2919,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":2920,"navigation":181,"order":178,"path":1527,"photos":2921,"published_at":1529,"reading_time":178,"related":178,"role":178,"seo":2922,"slug":1531,"source_hash":178,"status":178,"stem":1532,"summary":1533,"tags":2923,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":1535},{"type":9,"value":2885,"toc":2917},[2886,2897,2903,2909,2913,2915],[21,2887,1477,2888,1480,2890,1484,2892,2894],{},[54,2889],{},[414,2891,1483],{},[54,2893],{},[219,2895,1491],{"href":1489,"rel":2896},[223],[213,2898,2899],{},[21,2900,1496,2901,1499],{},[54,2902],{},[21,2904,1502,2905,1505,2907,1508],{},[54,2906],{},[54,2908],{},[21,2910,1511,2911,1514],{},[54,2912],{},[21,2914,1517],{},[21,2916,1520],{},{"title":162,"searchDepth":163,"depth":163,"links":2918},[],[],{},[],{"title":1472,"description":1524},[384],{"id":1537,"title":1538,"animated":7,"body":2925,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":3018,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3019,"navigation":181,"order":178,"path":1679,"photos":3020,"published_at":1681,"reading_time":178,"related":178,"role":178,"seo":3021,"slug":1683,"source_hash":178,"status":178,"stem":1684,"summary":1685,"tags":3022,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1687,"__hash__":1688},{"type":9,"value":2926,"toc":3009},[2927,2929,2931,2933,2935,2937,2939,2941,2943,2945,2947,2951,2955,2961,2963,2967,2969,2973,2975,2977,2981,2983,2985,2987,2989,2999,3001,3003,3005,3007],[16,2928,1543],{"id":1543},[21,2930,1546],{},[21,2932,1549],{},[21,2934,1552],{},[16,2936,1555],{"id":1555},[21,2938,1558],{},[21,2940,1561],{},[21,2942,1564],{},[16,2944,1567],{"id":1567},[21,2946,1570],{},[21,2948,2949,1576],{},[49,2950,1575],{},[21,2952,2953,1582],{},[49,2954,1581],{},[21,2956,1585,2957,1589,2959,1593],{},[49,2958,1588],{},[49,2960,1592],{},[16,2962,1596],{"id":1596},[21,2964,1599,2965,1603],{},[49,2966,1602],{},[21,2968,1606],{},[21,2970,1609,2971,1613],{},[49,2972,1612],{},[21,2974,1616],{},[16,2976,1619],{"id":1619},[21,2978,1622,2979,1626],{},[49,2980,1625],{},[21,2982,1629],{},[21,2984,1632],{},[16,2986,1635],{"id":1635},[21,2988,1638],{},[331,2990,2991,2993,2995,2997],{},[334,2992,1643],{},[334,2994,1646],{},[334,2996,1649],{},[334,2998,1652],{},[21,3000,1655],{},[16,3002,1658],{"id":1658},[21,3004,1661],{},[21,3006,1664],{},[21,3008,1667],{},{"title":162,"searchDepth":163,"depth":163,"links":3010},[3011,3012,3013,3014,3015,3016,3017],{"id":1543,"depth":163,"text":1543},{"id":1555,"depth":163,"text":1555},{"id":1567,"depth":163,"text":1567},{"id":1596,"depth":163,"text":1596},{"id":1619,"depth":163,"text":1619},{"id":1635,"depth":163,"text":1635},{"id":1658,"depth":163,"text":1658},[],{},[],{"title":1538,"description":162},[200,201],{"id":1690,"title":1691,"animated":7,"body":3024,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":3083,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3084,"navigation":181,"order":178,"path":1783,"photos":3085,"published_at":1785,"reading_time":178,"related":178,"role":178,"seo":3086,"slug":1787,"source_hash":178,"status":178,"stem":1788,"summary":1789,"tags":3087,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1791,"__hash__":1792},{"type":9,"value":3025,"toc":3072},[3026,3028,3030,3032,3034,3038,3040,3042,3044,3048,3050,3052,3054,3056,3058,3060,3064,3066,3068,3070],[16,3027,1697],{"id":1696},[21,3029,1700],{},[16,3031,1703],{"id":1703},[21,3033,1706],{},[21,3035,1709,3036],{},[49,3037,1712],{},[16,3039,1715],{"id":1715},[21,3041,1718],{},[32,3043,1722],{"id":1721},[21,3045,1725,3046,1729],{},[49,3047,1728],{},[32,3049,1733],{"id":1732},[21,3051,1736],{},[32,3053,1740],{"id":1739},[21,3055,1743],{},[32,3057,1747],{"id":1746},[21,3059,1750],{},[21,3061,1753,3062],{},[49,3063,1756],{},[16,3065,1760],{"id":1759},[21,3067,1763],{},[21,3069,1766],{},[21,3071,1769],{},{"title":162,"searchDepth":163,"depth":163,"links":3073},[3074,3075,3076,3082],{"id":1696,"depth":163,"text":1697},{"id":1703,"depth":163,"text":1703},{"id":1715,"depth":163,"text":1715,"children":3077},[3078,3079,3080,3081],{"id":1721,"depth":169,"text":1722},{"id":1732,"depth":169,"text":1733},{"id":1739,"depth":169,"text":1740},{"id":1746,"depth":169,"text":1747},{"id":1759,"depth":163,"text":1760},[],{},[],{"title":1691,"description":162},[200,201],{"id":1794,"title":1795,"animated":7,"body":3089,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":3132,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3133,"navigation":181,"order":178,"path":1859,"photos":3134,"published_at":1861,"reading_time":178,"related":178,"role":178,"seo":3135,"slug":1863,"source_hash":178,"status":178,"stem":1864,"summary":1865,"tags":3136,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":1868,"__hash__":1869},{"type":9,"value":3090,"toc":3125},[3091,3093,3095,3097,3099,3101,3103,3105,3107,3109,3111,3113,3115,3117,3119,3121,3123],[16,3092,1800],{"id":1800},[21,3094,1803],{},[21,3096,1806],{},[16,3098,1810],{"id":1809},[21,3100,1813],{},[21,3102,1816],{},[21,3104,1819],{},[16,3106,1822],{"id":1822},[21,3108,1825],{},[21,3110,1828],{},[16,3112,1831],{"id":1831},[21,3114,1834],{},[21,3116,1837],{},[16,3118,1840],{"id":1840},[21,3120,1843],{},[21,3122,1846],{},[21,3124,1849],{},{"title":162,"searchDepth":163,"depth":163,"links":3126},[3127,3128,3129,3130,3131],{"id":1800,"depth":163,"text":1800},{"id":1809,"depth":163,"text":1810},{"id":1822,"depth":163,"text":1822},{"id":1831,"depth":163,"text":1831},{"id":1840,"depth":163,"text":1840},[],{},[],{"title":1795,"description":162},[200,201,1867],{"id":1871,"title":1872,"animated":7,"body":3138,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":3224,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3225,"navigation":181,"order":178,"path":2001,"photos":3226,"published_at":2003,"reading_time":178,"related":178,"role":178,"seo":3227,"slug":2005,"source_hash":178,"status":178,"stem":2006,"summary":2007,"tags":3228,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":2010,"__hash__":2011},{"type":9,"value":3139,"toc":3210},[3140,3142,3144,3146,3148,3150,3152,3154,3156,3158,3160,3162,3164,3166,3168,3170,3172,3174,3176,3178,3180,3182,3184,3186,3188,3190,3192,3194,3196,3198,3200,3202,3204,3206,3208],[12,3141,1878],{"id":1877},[16,3143,1881],{"id":1881},[21,3145,1884],{},[21,3147,1887],{},[16,3149,1891],{"id":1890},[21,3151,1894],{},[21,3153,1897],{},[16,3155,1901],{"id":1900},[21,3157,1904],{},[21,3159,1907],{},[21,3161,1910],{},[16,3163,1914],{"id":1913},[32,3165,1917],{"id":1917},[21,3167,1920],{},[21,3169,1923],{},[32,3171,1927],{"id":1926},[21,3173,1930],{},[32,3175,1933],{"id":1933},[21,3177,1936],{},[21,3179,1939],{},[21,3181,1942],{},[32,3183,1945],{"id":1945},[21,3185,1948],{},[21,3187,1951],{},[32,3189,1954],{"id":1954},[21,3191,1957],{},[21,3193,1960],{},[21,3195,1963],{},[16,3197,1966],{"id":1966},[21,3199,1969],{},[21,3201,1972],{},[21,3203,1975],{},[16,3205,1978],{"id":1978},[21,3207,1981],{},[21,3209,1984],{},{"title":162,"searchDepth":163,"depth":163,"links":3211},[3212,3213,3214,3215,3222,3223],{"id":1881,"depth":163,"text":1881},{"id":1890,"depth":163,"text":1891},{"id":1900,"depth":163,"text":1901},{"id":1913,"depth":163,"text":1914,"children":3216},[3217,3218,3219,3220,3221],{"id":1917,"depth":169,"text":1917},{"id":1926,"depth":169,"text":1927},{"id":1933,"depth":169,"text":1933},{"id":1945,"depth":169,"text":1945},{"id":1954,"depth":169,"text":1954},{"id":1966,"depth":163,"text":1966},{"id":1978,"depth":163,"text":1978},[],{},[],{"title":1872,"description":162},[200,201,2009],{"id":2013,"title":2014,"animated":7,"body":3230,"client":178,"cover":178,"css_code":178,"description":162,"extension":179,"html_code":178,"images":3257,"is_announcement":7,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3258,"navigation":181,"order":178,"path":2054,"photos":3259,"published_at":2056,"reading_time":178,"related":178,"role":178,"seo":3260,"slug":2058,"source_hash":178,"status":178,"stem":2059,"summary":2060,"tags":3261,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":2063,"__hash__":2064},{"type":9,"value":3231,"toc":3254},[3232,3236,3244,3246,3250,3252],[16,3233,3234],{"id":2019},[49,3235,2022],{},[21,3237,2025,3238,3240,2031,3242,2034],{},[49,3239,2028],{},[54,3241],{},[54,3243],{},[21,3245,2037],{},[213,3247,3248],{},[21,3249,2042],{},[21,3251,2045],{},[21,3253,2048],{},{"title":162,"searchDepth":163,"depth":163,"links":3255},[3256],{"id":2019,"depth":163,"text":2022},[],{},[],{"title":2014,"description":162},[200,201,2062],{"id":688,"title":689,"animated":7,"body":3263,"client":178,"cover":797,"css_code":178,"description":694,"extension":179,"html_code":178,"images":3335,"is_announcement":181,"is_pinned":7,"is_published":181,"key_points":178,"lang":178,"meta":3336,"navigation":181,"order":178,"path":800,"photos":3337,"published_at":802,"reading_time":178,"related":178,"role":178,"seo":3338,"slug":804,"source_hash":178,"status":178,"stem":805,"summary":806,"tags":3339,"tech_stack":178,"translation_of":178,"type":204,"url":178,"video_url":178,"__hash__":808},{"type":9,"value":3264,"toc":3333},[3265,3267,3269,3273,3279,3283,3297,3301,3309,3314,3320,3326,3331],[21,3266,694],{},[21,3268,697],{},[21,3270,3271],{},[400,3272],{"alt":702,"src":703},[448,3274,3275],{},[334,3276,708,3277,712],{},[49,3278,711],{},[21,3280,3281],{},[400,3282],{"alt":717,"src":718},[448,3284,3285,3287,3291],{},[334,3286,723],{},[334,3288,726,3289,730],{},[49,3290,729],{},[334,3292,733,3293,737,3295,740],{},[49,3294,736],{},[54,3296],{},[21,3298,3299],{},[400,3300],{"alt":745,"src":746},[448,3302,3303],{},[334,3304,751,3305,754,3307,757],{},[49,3306,745],{},[54,3308],{},[21,3310,760,3311],{},[219,3312,765],{"href":763,"rel":3313},[223],[21,3315,768,3316,771,3318,775],{},[54,3317],{},[49,3319,774],{},[21,3321,778,3322,782,3324,785],{},[414,3323,781],{},[54,3325],{},[21,3327,3328],{},[219,3329,791],{"href":363,"rel":3330},[223],[21,3332,794],{},{"title":162,"searchDepth":163,"depth":163,"links":3334},[],[],{},[],{"title":689,"description":694},[],{"generatedAt":3341,"author":3342,"articles":3375,"products":3439,"projects":3440,"pages":3444,"cssarts":3446},"2026-10-24T15:23:27.979Z",{"name":3343,"handle":3344,"location":3345,"status":3346,"statusText":3347,"quote":3348,"bio":3349,"links":3356,"site":3371},"劉桓吟 HuanYin","huanyinliu","Taipei, Taiwan","building","演出、編曲歡迎來信合作","歡迎問我問題",[3350,3351,3352,3353,3354,3355],"> 吉他手 Fingerstyle Guitarist","> 攝影愛好 Photography Lover","音樂作品｜吉他教學｜生活紀錄"," ","➤ 本期訂閱禮：","達爾文 Fingerstyle TAB",[3357,3359,3362,3365,3368],{"type":3358,"url":1030},"email",{"type":3360,"url":3361},"spotify","https://open.spotify.com/artist/1QyUdabzfnTUODqeLPRNj8?si=Q5OXnewyTRGeOso1b6KVFQ",{"type":3363,"url":3364},"youtube","https://www.youtube.com/channel/UCyn9CLJ1MA2iEtijSOaFmXA?view_as=subscriber",{"type":3366,"url":3367},"instagram","https://www.instagram.com/huanyinliu",{"type":3369,"url":3370},"facebook","https://www.facebook.com/huanyinmusic/",{"name":3372,"url":3373,"description":3374},"劉桓吟 HuanYin Liu","https://huanyinliu.com","台灣鋼弦吉他演奏家 FingerStyle Guitarist｜弦吟",[3376,3380,3384,3387,3391,3395,3399,3403,3407,3411,3415,3419,3423,3427,3431,3435],{"title":209,"slug":380,"publishedAt":3377,"tags":3378,"excerpt":382,"keyPoints":3379,"cover":373},"2026-08-30T00:00:00.000Z",[384],[],{"title":388,"slug":557,"publishedAt":3381,"tags":3382,"excerpt":559,"keyPoints":3383,"cover":550},"2026-08-22T00:00:00.000Z",[384],[],{"title":6,"slug":196,"publishedAt":194,"tags":3385,"excerpt":198,"keyPoints":3386,"videoUrl":205},[200,201,202,203],[183,184,185,186,187,188,189,190],{"title":564,"slug":681,"publishedAt":3388,"tags":3389,"excerpt":683,"keyPoints":3390,"cover":673},"2026-07-22T00:00:00.000Z",[685],[],{"title":689,"slug":804,"publishedAt":3392,"tags":3393,"excerpt":806,"keyPoints":3394,"cover":797},"2026-07-18T00:00:00.000Z",[],[],{"title":811,"slug":931,"publishedAt":3396,"tags":3397,"excerpt":933,"keyPoints":3398,"cover":924},"2026-07-04T00:00:00.000Z",[384],[],{"title":938,"slug":1012,"publishedAt":3400,"tags":3401,"excerpt":1014,"keyPoints":3402,"cover":1004},"2026-07-03T00:00:00.000Z",[384],[],{"title":652,"slug":1248,"publishedAt":3404,"tags":3405,"excerpt":1250,"keyPoints":3406,"cover":1241},"2026-06-20T00:00:00.000Z",[685],[],{"title":1255,"slug":1423,"publishedAt":3408,"tags":3409,"excerpt":1425,"keyPoints":3410,"videoUrl":1427},"2026-06-18T00:00:00.000Z",[200,201],[],{"title":1431,"slug":1465,"publishedAt":3412,"tags":3413,"excerpt":1467,"keyPoints":3414,"cover":1457},"2026-06-16T00:00:00.000Z",[384],[],{"title":1472,"slug":1531,"publishedAt":3416,"tags":3417,"excerpt":1533,"keyPoints":3418,"cover":1523},"2026-06-14T00:00:00.000Z",[384],[],{"title":1538,"slug":1683,"publishedAt":3420,"tags":3421,"excerpt":1685,"keyPoints":3422,"videoUrl":1687},"2026-01-20T00:00:00.000Z",[200,201],[],{"title":1691,"slug":1787,"publishedAt":3424,"tags":3425,"excerpt":1789,"keyPoints":3426,"videoUrl":1791},"2025-12-11T00:00:00.000Z",[200,201],[],{"title":1795,"slug":1863,"publishedAt":3428,"tags":3429,"excerpt":1865,"keyPoints":3430,"videoUrl":1868},"2025-11-15T00:00:00.000Z",[200,201,1867],[],{"title":1872,"slug":2005,"publishedAt":3432,"tags":3433,"excerpt":2007,"keyPoints":3434,"videoUrl":2010},"2025-09-08T00:00:00.000Z",[200,201,2009],[],{"title":2014,"slug":2058,"publishedAt":3436,"tags":3437,"excerpt":2060,"keyPoints":3438,"videoUrl":2063},"2025-08-08T00:00:00.000Z",[200,201,2062],[],[],[3441],{"title":1019,"slug":1089,"excerpt":1091,"tags":3442,"images":3443},[1093,201],[],[3445],{"title":1098,"slug":1174,"excerpt":162},[],1792855434941]